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Louise Phinney

10 Top Photography Composition Rules | Photography Mad - 3 views

www.photographymad.com/...-photography-composition-rules

shared by Louise Phinney on 04 May 13 - No Cached
  • Louise Phinney on 04 May 13
     
    There are no fixed rules in photography, but there are guidelines which can often help you to enhance the impact of your photos
Katie Day

The Impact of Digital Tools on Student Writing and How Writing is Taught in Schools | P... - 0 views

www.pewinternet.org/...rs-technology-and-writing.aspx

writing tools technology digital_literacy secondary_school middle_school

shared by Katie Day on 02 Aug 13 - No Cached
  • Katie Day on 02 Aug 13
     
    "A survey of teachers who instruct American middle and high school students finds that digital technologies are impacting student writing in myriad ways and there are significant advantages from tech-based learning. Some 78% of the 2,462 advanced placement (AP) and National Writing Project (NWP) teachers surveyed by the Pew Research Center's Internet & American Life Project say digital tools such as the internet, social media, and cell phones "encourage student creativity and personal expression." In addition: 96% agree digital technologies "allow students to share their work with a wider and more varied audience" 79% agree that these tools "encourage greater collaboration among students" According to teachers, students' exposure to a broader audience for their work and more feedback from peers encourages greater student investment in what they write and in the writing process as a whole. At the same time, these teachers give their students modest marks when it comes to writing and highlight some areas needing attention. Asked to assess their students' performance on nine specific writing skills, teachers tended to rate their students "good" or "fair" as opposed to "excellent" or "very good." Students received the best ratings on their ability to "effectively organize and structure writing assignments" and their ability to "understand and consider multiple viewpoints on a particular topic or issue." Teachers gave students the lowest ratings when it comes to "navigating issues of fair use and copyright in composition" and "reading and digesting long or complicated texts.""
Katie Day

wcsmusic Home - Wells Cathedral School - 0 views

www.wcsmusic.org.uk

music teacher_resources teaching

shared by Katie Day on 31 Mar 11 - No Cached
  • Katie Day on 31 Mar 11
     
    "wcsmusic, formerly i music, is an exciting concept aimed at widening access to musical excellence through the production of revolutionary interactive learning materials. Due to the generosity of our funding partners, our products are available completely - FREE OF CHARGE. These include our award winning software, The Virtual Javanese Gamelan, and our second module, Virtual West African Drumming. These materials will offer a full 'hands on' practical exploration of an aspect of music from a computer workstation, integrating performance, composition and aural perception. Follow the links to discover more about the materials we are offering. wcsmusic is the trademark of Wells Cathedral School."
Keri-Lee Beasley

Elyse Eidman-Aadahl on Writing in the 21st Century | Spotlight on Digital Media and Lea... - 2 views

spotlight.macfound.org/...on-writing-in-the-21st-century

tcrwp writing literacy poetry technology images creativity games professional_development digital_literacy

shared by Keri-Lee Beasley on 30 Jan 15 - No Cached
  • Absolutely. When we think about writing at the National Writing Project, we think about multimodal composition: words, audio, video, graphic texts, etc. That said, no one is abandoning words. We’re just acknowledging that today your ability to create and publish, say, a video affords opportunities for expression that go beyond just words.
  • Yes, absolutely. Whether in email, texts, or posting status updates, most people in the world are probably writing and publishing more words, images, video and audio now than ever before. Facebook is one of the biggest publishing platforms in the world. It’s word dependent, but it also includes audio and video—and creating audio and video are deeply compositional. The question is how can we take advantage of the fact that so many people are now creating and circulating content to improve teaching and learning.
  • Going public and writing for an audience is something we always cared about. Maybe the real shift is that now it’s easier and more expansive.
  • ...3 more annotations...
  • There’s a very narrow band of writing that is assessed in schools, and a lot is at stake on that narrow field. So the question is how do we balance helping young people do well in assessment contexts with the other stuff that might actually take them fuarther in the world?
  • You mentioned earlier about teachers needing to have digital lives—why is that important to connected learning? We don’t want to just say to educators, “You do these fives steps and you’ll have active, enquiring learners.” That’s forgetting that the teacher is also a learner. We think if we have active, enquiring, connected, engaged adults, they’ll transfer that culture or learning and inquiry to young people.
  • How do we link what we’re learning about the creative opportunities in new digital environments to how people engage and learn in their communities and in society at large?
Jonathan Hughes

Plugins for Sibelius - 1 views

www.sibelius.com/...index.html

Plugins Sibelius 7 music composition software

shared by Jonathan Hughes on 05 Feb 13 - Cached
  • Jonathan Hughes on 05 Feb 13
     
    To download new plug-ins, click on the name of a category in the list on the right, then click on the name of the plug-in for more details, or click one of the plug-ins in the lists below right.
Keri-Lee Beasley

Re-envisioning Writing for a Networked Age: A Few Moments with Elyse Eidman-Aadahl | DM... - 1 views

dmlcentral.net/...ew-moments-elyse-eidman-aadahl

writing digital writers workshop online technology literacy

shared by Keri-Lee Beasley on 23 Mar 12 - No Cached
  • To write still means to make something. Writers are makers.
  • much of the power of writing is that it takes thought and externalizes it
  • whether we are writing on a digital platform or in our spiral notebooks. There is a core to writing that is still about creating and sharing knowledge
  • ...20 more annotations...
  • some components that have hugely changed, mainly the issues of what we can create and how it circulates.
  • teacher who acted as the sole reader of our material.
  • The internet and 21st century tools have opened up the possibility for one individual to not only produce the text but also to design it, circulate it, and manage publicity
  • very young or beginning writers can actually participate in all of those processes
  • we think of digital writing as writing that is not only created using digital tools, but is also typically created in or for a networked environment and meant to be interacted with on a screen.
  • We need to be able to make that part of our understanding of the new normal of writing -- not an additional piece -- but the new normal.
  • As computers become increasingly networked, teachers could see the potential for the read/write web, for writing as a way to participate in online communities, to hyperlink vast amounts of information connected to a text, and to interact and even collaborate directly with others to create something
  • being a writer yourself and participating in digital environments alongside the youth you work with, you are able to observe patterns and experience the new in such a way that you could be part of remaking knowledge in the field of composition. The writing revolution is not done and we can be right in the middle of it.
  • it's all about an inquiry stance and creating learning experiences where students can do the same because the "textbook" is all around us in the reading and writing going on in the world
  • participating as a digital writer and deeply reflecting upon your work by looking for patterns and understanding what shifts are being required of you
  • shift from being the person who hands out formulas for writing success to the person who stands shoulder-to-shoulder with the students to understand what happens when we write for real in world.
  • build the platforms for publishing and circulation of student work
  • It’s vital for teachers and curriculum developers to start with the assumption that every young person not only can become a participant in the public internet, but will become a participant and likely already is a participant.
  • youth are going to have to manage their online identity. How they present and represent their identities and manage the multiple footprints they leave on the web are going to be key things for students to understand.
  • develop a sense of responsibility around what they put out there
  • sense of power and authority
  • making, creating, and collaborating about real work that matters to them
  • tools are not the issue
  • They allow us to do new things and expand our capacity to make things, yet deep, consistent issues remain at the center: what am I saying? Is what I have to say warranted? Have I been accurate and credible? Have I crafted something that my reader and my audience can take in? Am I listening to response and looking at my drafts iteration by iteration?
  • it’s so important to slow oneself down and to take one’s text quite seriously.
  • Keri-Lee Beasley on 23 Mar 12
     
    "A learning environment expert and education advocate, Elyse is dedicated to improving the teaching of writing by helping educators understand the changing nature of the discipline in a digital age."
Katie Day

Teaching Document Design, Not Formatting Requirements - ProfHacker - The Chronicle of H... - 0 views

chronicle.com/...29041

design writing teaching

shared by Katie Day on 05 Dec 10 - No Cached
  • I teach document design. When I teach composition, I spend a significant amount of the semester on visual design. I’m also a scholar of visual design. Obviously, then, I care about design, perhaps unhealthily so. And I want everyone else to care, too. But, even if you can’t bring yourself to care about visual design, then you should still care about formatting requirements on assignment prompts and/or syllabi. Everything we put on these documents tells our students something about us, about what we value, and about what they should value
  • while the ability to follow conventions of all stripes is certainly important, the ability to understand, historicize, negotiate, and even resist those conventions is far more important. Formatting conventions do not exist in a vacuum, and while they are solidified in style guides and other texts, they are often fluid and change depending on technologies and rhetorical situations. For instance, the gold standard of student paper formatting exists for several reasons, not the least of which involves Microsoft’s push to use Times as the default font in word processors and web browsers. A knowledge of why those conventions exist, how to negotiate them, and the consequences for following and/or breaking them is far more useful for students than simply being forced to follow them blindly.
  • Katie Day on 05 Dec 10
     
    An argument for encouraging the positive criteria/skill of designing a document rather than prescriptive formatting requirements
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