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"Now, as the United States and other Western nations struggle to recover from a debt and property bubble of their own, a growing number of economists are pointing to Japan as a dark vision of the future. Even as the Federal Reserve chairman, Ben S. Bernanke, prepares a fresh round of unconventional measures to stimulate the economy, there are growing fears that the United States and many European economies could face a prolonged period of slow growth or even, in the worst case, deflation, something not seen on a sustained basis outside Japan since the Great Depression. "

The TOK question here is can you compare Japan of the 1990s with the US and Western Europe of today? To what degree can economists, or any human scientists, suggest that one complex situation is "like" another one?

"It is difficult to get through a day in an American school without hearing maxims such as these: "To succeed, you must believe in yourself," and "To teach, you must relate the subject to the lives of students." But the Brookings Institution is reporting today that countries such as the United States that embrace self-esteem, joy and real-world relevance in learning mathematics are lagging behind others that don't promote all that self-regard. Consider Korea and Japan. According to the Washington think tank's annual Brown Center report on education, 6 percent of Korean eighth-graders surveyed expressed confidence in their math skills, compared with 39 percent of U.S. eighth-graders. But a respected international math assessment showed Koreans scoring far ahead of their peers in the United States, raising questions about the importance of self-esteem. In Japan, the report found, 14 percent of math teachers surveyed said they aim to connect lessons to students' lives, compared with 66 percent of U.S. math teachers. Yet the U.S. scores in eighth-grade math trail those of the Japanese, raising similar questions about the importance of practical relevance. "

"Although Xuanyao's history teachers have taught her a lot about Japanese atrocities, she said, they are reluctant to talk about the Great Leap Forward. And they never mention the deadly Tiananmen Square protests of 1989. "Studying Chinese history is very important because it helps increase our knowledge and our patriotism," said Xuanyao, 16, dressed in purple jeans and a matching backpack. "I wasn't taught anything about Tiananmen. But what the Japanese did, particularly the Nanjing massacre, is unforgivable. Remembering this is very, very important for our national pride." China has criticized Japan in recent weeks for whitewashing its militarist history, focusing in particular on a junior high school textbook recently approved by Tokyo. A wave of anti-Japanese protests swept the world's most populous nation. A close look at China's corresponding textbook, "Chinese History -- Textbook for Junior High School," however, finds several areas where China's official history appears to have gaps of its own. "Yes, what Japan did in World War II is horrible," said Sam Crane, Asian studies professor at Williams College in Massachusetts. "But the embarrassing fact for the Communist Party, and one that is not taught in Chinese schools, is that the party itself is responsible for many more deaths of Chinese people than those caused by Japanese militarism." Historians and China scholars say an underlying theme in many Chinese textbooks is the country's victimization at the hands of foreign powers, particularly the Japanese. Although this is true, they say, China tends to underplay the long periods that it dominated its neighbors."

"VANDALS have struck a painting that depicts South African President Jacob Zuma with his genitals hanging out. Two men defaced the picture with gobs of paint, as Mr Zuma and his African National Congress sought a court order yesterday to have the painting removed from an art gallery. The case is spiced with freedom of expression on the one hand and the right to dignity on the other. It took centre stage after the painting by Brett Murray went on display in a Johannesburg gallery this month and was reported on in local media. Mr Zuma, who has a reputation for promiscuity, took the depiction of him with his private parts exposed very personally and compared himself to a rape victim. Mr Zuma himself was put on trial for rape, and acquitted, in 2006. "The portrayal has ridiculed and caused me humiliation and indignity," Mr Zuma contended in an affidavit filed yesterday with the South Gauteng High Court in Johannesburg. Presiding over the hearing in a courtroom a few kilometres from the gallery, Judge Fayeeza Kathree-Setiloane said the full three-judge bench should hear the case because the national interest and constitutional issues are at stake. South Africa's constitution protects the right to dignity as well as to freedom of expression. She said the hearing would recommence tomorrow. Mr Zuma and the ANC sought to have the painting, titled "The Spear," removed from the Goodman Gallery and to stop the newspaper City Press from displaying a photo of it on its website. Just before the hearing was scheduled to begin, two men wielding cans of red and black paint calmly walked up to the painting hanging on a gallery wall and took turns defacing it. "Now it's completely and utterly destroyed," said Iman Rappetti, a reporter for a South African TV channel who happened to be on the scene at the time as her camera rolled. Her channel showed a man in a tweed jacket painting a red X over the president's genital area and then his face. Next, a man in a hoodie smeared bl

"But a better understanding of Asian writing systems has not stopped Western experts from making grand claims about their virtues and limitations. The latest scholar to venture into such politically sensitive territory is William C. Hannas, a linguist who speaks 12 languages and works as a senior officer at the Foreign Broadcast Information Service, a federal agency in Washington. In a polemical new book, ''The Writing on the Wall: How Asian Orthography Curbs Creativity'' (University of Pennsylvania Press), Mr. Hannas blames the writing systems of China, Japan and Korea for what he says is East Asia's failure to make significant scientific and technological breakthroughs compared to Western nations. Mr. Hannas's logic goes like this: because East Asian writing systems lack the abstract features of alphabets, they hamper the kind of analytical and abstract thought necessary for scientific creativity. "