BERLIN — The “Evidence” from which the Ai Weiwei exhibition at the Martin-Gropius-Bau derives its name could be the displayed collection of hard drives, laptops and notebooks the Chinese authorities confiscated after arresting the artist in 2011 as he tried to board a plane. Or it could be the life-size replica of the cell where he was held under constant surveillance for 81 days following his detention. Or even the 6,000 wooden stools that fill the sunken atrium of the space, in a silent testimony to a lost way of life in the Chinese countryside.
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