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Here’s a sweet little story of Democracy in Action. A bright eighth grader writes to her state legislator with an idea for a law: Vermont doesn’t have an official Latin motto, so why not adopt one? And for that matter, make it a reference to history? Neato! So state Sen. Joe Benning — a Republican who was actually trying to do a good thing, which he has probably learned to never try again — introduced a bill to adopt the motto “Stella quarta decima fulgeat.” — May the fourteenth star shine bright.” Because Vermont was the 14th state, see? Benning noted that when Vermont briefly minted its own currency, it was engraved with “Stella Quarta Deccima,” so the phrase had real historical cachet.ADVERTISEMENTAnd then Burlington TV station WCAX put the story on its Facebook page with the headline, “Should Vermont have an official Latin motto?” and all Stupid broke loose when morons thought that Vermont was knuckling under to a bunch of goddamned illegal immigrants. Charles Topher at “If you Only News” collected some of the worst of the over 600 comments from some of the geniuses worried about protecting ‘Merca from the invading Latin hordes:

How did we come to care so much about creativity? The language surrounding it, of unleashing, unlocking, awakening, developing, flowing, and so on, makes it sound like an organic and primordial part of ourselves which we must set free—something with which it’s natural to be preoccupied. But it wasn’t always so; people didn’t always care so much about, or even think in terms of, creativity.

It was Romanticism, in the late eighteenth and early nineteenth centuries, which took the imagination and elevated it, giving us the “creative imagination.”

How did creativity transform from a way of being to a way of doing? The answer, essentially, is that it became a scientific subject, rather than a philosophical one.

Earlier this year, two forensic psychologists—Julia Shaw, of the University of Bedfordshire, and Stephen Porter, of the University of British Columbia—upped the ante. Writing in the January issue of the journal Psychological Science, they described a method for implanting false memories, not of getting lost in childhood but of committing a crime in adolescence. They modelled their work on Loftus’s, sending questionnaires to each of their participant’s parents to gather background information. (Any past run-ins with the law would eliminate a student from the study.) Then they divided the students into two groups and told each a different kind of false story. One group was prompted to remember an emotional event, such as getting attacked by a dog. The other was prompted to remember a crime—an assault, for example—that led to an encounter with the police. At no time during the experiments were the participants allowed to communicate with their parents.

What has more consciousness: a puppy or a baby? An iPhone 5 or an octopus? For a long time, the question seemed impossible to address. But recently, Giulio Tononi, a neuroscientist at the University of Wisconsin, argued that consciousness can be measured—captured in a single value that he calls Φ, the Greek letter phi. The intuition behind Tononi’s idea, known as the Integrated Information Theory, is that we experience consciousness when we integrate different sensory inputs. According to Tononi, when you eat ice cream, you cannot separate the taste of the sugar on your tongue from the sensation of the melting liquid coating the inside your mouth. Phi is a measure of the extent to which a given system—for example, a brain circuit—is capable of fusing these distinctive bits of information. The more distinctive the information, and the more specialized and integrated a system is, the higher its phi. To Tononi, phi directly measures consciousness; the higher your phi, the more conscious you are.

The answer is that whenever you have a network operating over distance, accurate timekeeping is essential for synchronisation. And the faster the speed of travel, the more accurate the timekeeping must be. Hence in the modern world, where information travels at almost the speed of light down wires or through the air, accuracy is more important than ever. What caesium has done is to raise the standards for the measurement of time exponentially.

But now experts say a reliance on sat-navs and smartphone map apps is undermining map-reading skills. So here are five reasons why you should love maps and resist the easy attraction of the sat-nav.

Truly new sensory experiences are rare. Perhaps for that reason, a whole genre of YouTube videos is dedicated to them. The videos of babies tasting lemons are merely heartwarming. Others—the ones showing deaf people activating their cochlear implants, for example, or blind people, after surgery, seeing for the first time—have a power that’s hard to overstate. (A video of Sarah Churman, a young woman from Texas, hearing her own voice has been viewed more than twenty-five million times.) That power flows from a number of sources. The videos are often filmed by family members who are themselves deeply moved. They involve us in a private, intimate, and life-changing moment. They are unusually frank documents of emotion: one doesn’t often see such extremes of surprise, fear, and joy flow so undisguised across an adult face. And, at the same time, they tell part of a larger, communal story about science and its possibilities. (Perhaps this is why patients and their families are so willing to share these otherwise private moments with the rest of us.)

If we’re going to rely on science as a means for reaching the truth — and it’s still the best tool we have — it’s important that we understand and respect just how difficult it is to get a rigorous result

Scientists’ overreliance on p-values has led at least one journal to decide it has had enough of them. In February, Basic and Applied Social Psychology announced that it will no longer publish p-values.

P-hacking and similar types of manipulations often arise from human biases. “You can do it in unconscious ways — I’ve done it in unconscious ways,” Simonsohn said. “You really believe your hypothesis and you get the data and there’s ambiguity about how to analyze it.” When the first analysis you try doesn’t spit out the result you want, you keep trying until you find one that does.

“Just as with the physical world, where hurricanes, tornadoes, and other ‘acts of God’ just happen, the same is true of the social world,” he wrote. “Some people just do things. They assassinate world leaders, act on poorly thought out ideologies, and leave clues at the scene of the crime. Too strong a belief in the rationality of people in general, or of the world, will lead us to seek purposive explanations where none exists.”

He says conspiracy theorists rely on what he calls “errant data,” or random minutiae within a terror attack or major event that can—and maybe should—go unexplained in reality. Those pushing conspiracies, however, seize on that unexplained info and attempt to explain it in full.It is an effort to connect every dot on the map—every blade of grass on the Grassy Knoll—even if some dots have nothing to with the larger event at all

Crisis class theory is a weirdly hopeful, terribly reductionist coping mechanism, a way to explain a world that can be unjust and needlessly cruel—but wouldn’t be if the “bad guys” controlling it all were vanquished.“There is surely some psychological comfort in believing that a horrific event like a mass murder of schoolchildren never really happened at all—that it was all fake,” he writes.

Shakespeare has not lost his place in this new world, just as, despite the grim jeremiads of the cultural pessimists, he has not lost his place in colleges and universities. On the contrary, his works (and even his image) turn up everywhere, and students continue to flock to courses that teach him, even when those courses are not required. But as I have discovered in my teaching, it is a different Shakespeare from the one with whom I first fell in love. Many of my students may have less verbal acuity than in years past, but they often possess highly developed visual, musical and performative skills. They intuitively grasp, in a way I came to understand only slowly, the pervasiveness of songs in Shakespeare’s plays, the strange ways that his scenes flow one into another or the cunning alternation of close-ups and long views. When I ask them to write a 10-page paper analyzing a particular web of metaphors, exploring a complex theme or amassing evidence to support an argument, the results are often wooden; when I ask them to analyze a film clip, perform a scene or make a video, I stand a better chance of receiving something extraordinary. A student with a beautiful voice performed Brahms’s Ophelia songs, with a piano accompaniment by another gifted musician. Students with a knack for creative writing have composed monologues in the voice of the villainous Iago, short stories depicting an awkward reunion of Shylock and his daughter, Jessica, or even additional scenes in Shakespearean verse.

As the unofficial spokespeople for our organic-eating, Food Network-watching ways, when chefs talk, Americans tend to listen. And Dan Barber — the farm-to-table icon behind restaurants Blue Hill in New York City and Blue Hill Stone Barns in Tarrytown — isn’t wasting his platform.Barber has given a wildly popular TED talk, been counted among TIME’s 100 most influential people, been appointed to the President’s Council on Fitness, Sports & Nutrition and, as of last week, authored a nearly 500-page book laying out a radical new vision for the future of food.So when Barber came out last weekend with a New York Times op-ed detailing the shortcomings of the farm-to-table movement he had previously helped promote, people paid attention. While we like to pat ourselves on the back for eating seasonally and locally, Barber’s contentious argument went, the foodie fad that grew to become the face of sustainable eating has failed to bring about the promised revolution. Industrial agriculture still rules, Barber argued. And as it keeps growing, more and more small farms and native prairie disappear under Big Ag’s plow.If we really care about changing our food system (as anyone who hopes to feed our growing world should), Barber believes we’re going to need a true revolution. And “The Third Plate“ is his thesis, over a decade in the works, for what that change must look like.Among other things, change means thinking holistically, embracing diversity in ingredient choice and cuisine, and shifting meat over from its vaulted place at the center of the dinner plate. But while the solutions Barber describes are frighteningly extensive, they also, in his telling, sound delicious. That, more than any warning about the consequences of continuing along with the status quo, could be thing that ends up making a difference.

Writing about your feelings, a practice long embraced by teenagers and folk singers, is now attracting attention as a path to good health. And a recent study suggests that reflecting on your emotions could help you get over a breakup. But, one of its authors says, journaling can have its downsides. Is structured self-reflection, as some suggest, a healthy tuneup for the heart and head — or can it make hurt feelings worse?

Entertaining the idea of a peculiar long number such as pi puts me in mind of its cousins twice removed, prime numbers, which have so many strange properties. Prime numbers are those numbers, such as 3, 5, 7, 11, and so on, that can be cleanly divided only by one and themselves. Primes and pi suggest a benign infinity, a pleasing order—pi because of its endlessness and its relation to the circle, and primes because no matter how far you travel on the number line you will always encounter a prime, as Euclid proved in 300 B.C. Recently, Yitang Zhang solved a problem involving prime numbers called bounded gaps that had been open for more than a hundred years. Zhang proved that no matter how far you go on the number line, even to the range where the numbers would fill many books, there will, on an infinite number of occasions, be two prime numbers within seventy million places of each other. (Other mathematicians have reduced this gap to two hundred and forty six.) Before, it had not been known whether any such range applied to prime numbers, which seem to behave, especially as they get larger, as if they appear at random.

Why is it easy for some people to learn to read, and difficult for others? It’s a tough question with a long history. We know that it’s not just about raw intelligence, nor is it wholly about repetition and dogged persistence. We also know that there are some conditions that, effort aside, can hold a child back. Socioeconomic status, for instance, has been reliably linked to reading achievement. And, regardless of background, children with lower general verbal ability and those who have difficulty with phonetic processing seem to struggle. But what underlies those differences? How do we learn to translate abstract symbols into meaningful sounds in the first place, and why are some children better at it than others?

THE only time art ever seems to make news here in the West anymore is when a Pollock or Warhol sells for a sum commensurate with the budget of a “Transformers” film. It seems bizarre, then, to find ourselves grappling with international crises in which art is the issue: the imbroglio involving the Sony movie “The Interview,” the massacre at Charlie Hebdo in Paris. The incomprehension, whether bemused or horrified, that we feel toward people who take up arms against the creators of cartoons or comedies is a chastening reminder that there are still cultures in which art is not a harmless diversion or commodity, but something real and volatile, a potential threat to be violently suppressed. These attacks are, in a way, a savage, atavistic show of respect.

To judge a risk more clearly, it may help to consider it in a foreign language. A series of experiments on more than 300 people from the U.S. and Korea found that thinking in a second language reduced deep-seated, misleading biases that unduly influence how risks and benefits are perceived.

it’s plausible that the cognitive demands of thinking in a non-native, non-automatic language would leave people with little leftover mental horsepower, ultimately increasing their reliance on quick-and-dirty cogitation. Equally plausible, however, is that communicating in a learned language forces people to be deliberate, reducing the role of potentially unreliable instinct. Research also shows that immediate emotional reactions to emotively charged words are muted in non-native languages, further hinting at deliberation.

The researchers believe a second language provides a useful cognitive distance from automatic processes, promoting analytical thought and reducing unthinking, emotional reaction.

Last October we introduced a new feature in which, each Monday morning this school year, we posted a New York Times photograph without a caption, then invited students to answer three deceptively simple questions about it: What’s going on in this picture? What do you see that makes you say that? What more can you find? As student answers poured in to the blog each week — this shows someone learning a back-flip; I think he’s in the military because of his camouflage shirt; The background makes it look like a movie set — our collaborators for the feature, Visual Thinking Strategies, acted as live moderators, linking thoughts and posting further questions intended to help them go deeper and see more. Most weeks that created a lively debate in our comments section, as students of all ages, backgrounds and places pushed each other to find detail and defend interpretations.