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Fran Hughes

Creatively Speaking, Part One: Sir Ken Robinson on the Power of the Imaginative Mind | ... - 0 views

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    This video is the first part of a two-part presentation. To learn more, view the second part.
Jennifer Scypinski

From A to Zine: Building a Winning Zine Collection in Your Library - Books / Profession... - 1 views

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    addthis_pub = 'ALAMarketing'; 152 pages6" x 9"SoftcoverISBN-13: 978-0-8389-0886-0Year Published: 2004Libraries eager to serve the underserved teen-to-twenty-year-old market can make the library a cool place to hang out. All it takes are zines, according to the author, young adult librarian Julie Bartel. Zines and alternative press materials provide a unique bridge to appeal to disenfranchised youth, alienated by current collections.For librarians unfamiliar with the territory, or anxious to broaden their collection, veteran zinester Bartel establishes the context, history, and philosophy of zines, then ushers readers through an easy, do-it-yourself guide to creating a zine collection, including both print and electronic zines. While zines have their unique culture, they are also important within broader discussions of intellectual freedom and the Library Bill of Rights.Teen and young adult librarians, high school media specialists, and academic, reference, and adult services librarians will uncover answers to questions aboutthis new and growing literary genre:What is a zine and how does a library zine collection work?What are the pros and cons of having a zine collection in the library?When promoting zines, what appeals to patrons and non-library users alike?What is the best way to catalog and display?Where can libraries get zines and how much do they cost?Bartel shares these lessons and more from a major urban library zine collection, as well as a comprehensive directory of zine resources in this one-stop, one-of-a-kind guide.Table of ContentsFiguresPreface Part I: Philosophy, Arguments, and Background1. Welcome to the World of Zines 2. Zine Culture 101 3. Intellectual Freedom, the Library Bill of Rights, and Zines 4. To Collect or Not to Collect: The Whys and Wherefores 5. The Salt Lake City Public Library Zine Collection Part II: Zine Collections: A Do-It-Yourself Guide6. Getting Started 7. What Do You Do with Them Once You've Got Them
Donna Baumbach

5 Chrome Extensions for Teachers - Part 7 | Teacher Tech - 41 views

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    great series - links to previous 6 parts at the bottom of this post
Fran Bullington

City Brights: Howard Rheingold : Crap Detection 101 - 3 views

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    "The answer to almost any question is available within seconds, courtesy of the invention that has altered how we discover knowledge - the search engine. Materializing answers from the air turns out to be the easy part - the part a machine can do. The real difficulty kicks in when you click down into your search results. At that point, it's up to you to sort the accurate bits from the misinfo, disinfo, spam, scams, urban legends, and hoaxes. "Crap detection," as Hemingway called it half a century ago, is more important than ever before, now that the automation of crapcasting has generated its own word: "spamming.""
Marita Thomson

A social media theater production | Weekly Reader: Curriculum-Rich Resources for Teachers - 0 views

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    A Shakespeare play on Facebook? Yes! It's true! Beginning on April 26 at 4:00 p.m., you can be a part of Shakespeare's classic comedy as we present it in real time over three days. Connect with the characters on this page to see the play happen LIVE in your own Facebook news feed.* Click the "Like Us!" image to the right and, on the next page, click the "like" buttons next to the character images to be a part of the upcoming performance! Make sure to "like" them all to get the full theater-going experience.
jenibo

7 Indispensable Google Scholar Search Tips Teachers Should Know about ~ Educational Tec... - 47 views

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    Google Scholar is definitely one of the best academic search engines out there.  The search part which I am sharing with you today is only a small part of what you really can do with Google scholar. There are actually several other features that are indispensable for academics and student researchers. Staring from today, I will be sharing with you some of the tips and ideas on how to unravel the hidden mysteries of Google scholar and tap into its full educational potential.
Donna Baumbach

12 Valuable Wordle Tips You Must Read - 28 views

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    …Word Clouds in Education Series: Part 1 | 21 st Century Educational Technology and Learning  In this series of posts I will cover: 12 Tips in Using Wordle  (Some you may now… but other you may not.) Over 10o ways  to use Word Clouds in the classroom There is more to Word Clouds then Wordle… other awesome word cloud generators Beyond word clouds… cool sites and applications to integrate word clouds
Javier Mejia Torrenegra

La estructura conceptual de los tesauros en el entorno digital: ¿nuevas esper... - 0 views

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    Continuando con La estructura conceptual de los tesauros en el entorno digital: ¿nuevas esperanzas para viejos problemas? acá les dejo la segunda parte de este interesante trabajo El tesauro ISOC de Psicología Tesauro monolingüe en español, elaborado por el Centro de Información y Documentación Científica (CINDOC) del Consejo Superior de Investigaciones Científicas (CSIC). Tal y como se explica en la introducción del tesauro, el proceso de elaboración constó de tres fases. En la primera se recogieron los términos y se adjudicaron a las distintas familias temáticas establecidas a priori a partir de los campos semánticos que incluye el tesauro. Se adjudicó a cada término un campo en concreto o categoría y se agruparon luego en subcategorías.
beth gourley

Gutenberg 2.0 | Harvard Magazine May-Jun 2010 - 10 views

  • Her staff offers a complete suite of information services to students and faculty members, spread across four teams. One provides content or access to it in all its manifestations; another manages and curates information relevant to the school’s activities; the third creates Web products that support teaching, research, and publication; and the fourth group is dedicated to student and faculty research and course support. Kennedy sees libraries as belonging to a partnership of shared services that support professors and students. “Faculty don’t come just to libraries [for knowledge services],” she points out. “They consult with experts in academic computing, and they participate in teaching teams to improve pedagogy. We’re all part of the same partnership and we have to figure out how to work better together.”
  • It’s not that we don’t need libraries or librarians,” he continues, “it’s that what we need them for is slightly different. We need them to be guides in this increasingly complex world of information and we need them to convey skills that most kids actually aren’t getting at early ages in their education. I think librarians need to get in front of this mob and call it a parade, to actually help shape it.”
  • Her staff offers a complete suite of information services to students and faculty members, spread across four teams. One provides content or access to it in all its manifestations; another manages and curates information relevant to the school’s activities; the third creates Web products that support teaching, research, and publication; and the fourth group is dedicated to student and faculty research and course support. Kennedy sees libraries as belonging to a partnership of shared services that support professors and students. “Faculty don’t come just to libraries [for knowledge services],” she points out. “They consult with experts in academic computing, and they participate in teaching teams to improve pedagogy. We’re all part of the same partnership and we have to figure out how to work better together.”
    • beth gourley
       
      Good summary of differentiating library services and the need to accommodate staffing. Ultimatley makes for the teaching partnership.
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  • “The digital world of content is going to be overwhelming for librarians for a long time, just because there is so much,” she acknowledges. Therefore, librarians need to teach students not only how to search, but “how to think critically about what they have found…what they are missing… and how to judge their sources.” 
  • But making comparisons between digital and analog libraries on issues of cost or use or preservation is not straightforward. If students want to read a book cover to cover, the printed copy may be deemed superior with respect to “bed, bath and beach,” John Palfrey points out. If they just want to read a few pages for class, or mine the book for scattered references to a single subject, the digital version’s searchability could be more appealing; alternatively, students can request scans of the pages or chapter they want to read as part of a program called “scan and deliver” (in use at the HD and other Harvard libraries) and receive a link to images of the pages via e-mail within four days. 
  • (POD) would allow libraries to change their collection strategies: they could buy and print a physical copy of a book only if a user requested it. When the user was done with the book, it would be shelved. It’s a vision of “doing libraries ‘just in time’ rather than ‘just in case,’” says Palfrey. (At the Harvard Book Store on Massachusetts Avenue, a POD machine dubbed Paige M. Gutenborg is already in use. Find something you like in Google’s database of public-domain books—perhaps one provided by Harvard—and for $8 you can own a copy, printed and bound before your wondering eyes in minutes. Clear Plexiglas allows patrons to watch the process—hot glue, guillotine-like trimming blades, and all—until the book is ejected, like a gumball, from a chute at the bottom.)
  • We’re rethinking the physical spaces to accommodate more of the type of learning that is expected now, the types of assignments that faculty are making, that have two or three students huddled around a computer working together, talking.” 
  • Libraries are also being used as social spaces,
  • In terms of research, students are asking each other for information more now than in the past, when they might have asked a librarian.
  • On the contrary, the whole history of books and communication shows that one medium does not displace another.
  • it’s not just a service organization. I would even go so far as to call it the nervous system of our corporate body.”
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    "This defines a new role for librarians as database experts and teachers, while the library becomes a place for learning about sophisticated search for specialized information." "How do we make information as useful as possible to our community now and over a long period of time?"
Cathy Oxley

iLibrarian » Top 30 Library iPhone Apps - Part 1 - 26 views

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    That link didn't work for me, but here's one that did: http://oedb.org/blogs/ilibrarian/2010/top-30-library-iphone-apps-%E2%80%93-part-1/
Lissa Davies

Cool Tools for Writing - Part IV « Ed Tech Ideas - 0 views

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    This is part IV in a series dedicated to free, online writing tools for kids. 
Dennis OConnor

The Future of Reading and Writing is Collaborative | Spotlight on Digital Media and Lea... - 19 views

  • “I think the definition of writing is shifting,” Boardman said. “I don’t think writing happens with just words anymore.”
  • In his classes, Boardman teaches students how to express their ideas and how to tell stories —and he encourages them to use video, music, recorded voices and whatever other media will best allow them to communicate effectively. He is part of a vanguard of educators, technologists, intellectuals and writers who are reimagining the very meaning of writing and reading.
  • The keys to understanding this new perspective on writing and reading lie in notions of collaboration and being social. More specifically, it’s believing that collaboration and increased socialization around activities like reading and writing is a good idea.
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  • “We find when writing moves online, the connections between ideas and people are much more apparent than they are in the context of a printed book,”
  • transmedia work
  • The MIT Media Lab tagged collaboration as one of the key literacies of the 21st century, and it’s now so much a part of the digital learning conversation as to be nearly rote. In his new book, “Where Good Ideas Come From,” Stephen Johnson argues that ideas get better the more they’re exposed to outside influences.
  • Laura Flemming is an elementary school library media specialist in River Edge, N.J. About three years ago, she came across a hybrid book—half digital, half traditional—called “Skeleton Creek” by Patrick Carmen. “The 6th graders were running down to library class, banging down the door to get in, which you don’t often see,” Flemming said.
  • It is not only the act of writing that is changing. It’s reading, too. Stein points to a 10-year-old he met in London recently. The boy reads for a bit, goes to Google when he wants to learn more about a particular topic, chats online with his friend who are reading the same book, and then goes back to reading.
  • “We tell our kids we want them to know what it’s like to walk in the shoes of the main character,” Flemming said. “I’ve had more than one child tell me that before they read ‘Inanimate Alice,’ they didn’t know what that felt like.”
  • Stein says it’s better to take advantage of new technologies to push the culture in the direction you want it to go. Stein is fully aware of the political and cultural implications of his vision of the future of reading and writing, which shifts the emphasis away from the individual and onto the community. It’s asking people to understand that authored works are part of a larger flow of ideas and information.
Cathy Oxley

Copyright Kids! - Getting Permission - 37 views

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    Unless you use images or music from a copyright-free site, you will need to obtain permission from the copyright owner to reuse/ remix them in the format you would like. Often the hardest part is finding who the copyright owner is. This site gives the contact details for many music and movie companies, as well as sample permission letters for you to use and adapt.
Martha Hickson

Learner.org - Teacher Professional Development - 14 views

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    Annenberg Learner uses media and telecommunications to advance excellent teaching in American schools. This mandate is carried out chiefly by the funding and broad distribution of educational video programs with coordinated Web and print materials for the professional development of K-12 teachers. It is part of The Annenberg Foundation and advances the Foundation's goal of encouraging the development of more effective ways to share ideas and knowledge.
Cathy Oxley

Leading the Learning Revolution - Judy O'Connell - 17 views

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    Educators are increasingly using new media and digital technologies to teach and engage their 21st century students. Reading, writing, gaming, trans-media, immersive worlds, augmented reality, and Web 3.0 are all part of the new digital frontiers. Whether it's science or science fiction, Alice in Wonderland or Angry Birds, the dynamics of this new information ecology are transforming learning experiences in our schools. We can lead this learning revolution by ensuring that our library and the learning ecology we create can harness these new environments. How we do this, will determine our success and the future relevance and importance of our school libraries.
Anthony Beal

School Library Monthly - The Impact of School Libraries on Academic Achievement - 15 views

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    Where administrators value strong library programs and can see them doing their part for student success, students are more likely to thrive academically. This is the over-arching conclusion that can be drawn from the latest study of the impact of school libraries-this one in Idaho. This study, conducted by the RSL Research Group, was contracted for by the Idaho Commission for Libraries and endorsed by the Idaho Department of Education.
Janet Cerni

Educators Guide to Copyright - 0 views

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    "To help you answer these questions, The Copyright Alliance, as part of its educational mission, has assembled a valuable array of classroom curricula and other teaching resources on its website, www.CopyrightAlliance.org. "In addition, the Alliance has partnered with the award-winning curriculum experts at Young Minds Inspired (YMI) to develop this comprehensive Educator's Guide to Copyright, which includes: "* An overview that defines copyright, traces its history, and clarifies the issues of fair use and plagiarism in the classroom (pages 2-3). "* A FAQ section that will answer some general copyright questions as well as questions that arise in the classroom (pages 4-5). "* A glossary designed to keep you abreast of the language of copyright and computers (page 6). * Standards charts for all the educational materials available on the Alliance website to help you integrate these resources into your curriculum (pages 7-13)"
Martha Hickson

7 Great Tools to Annotate Webpages and Documents - 31 views

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    These tools will allow you to easily highlight, annotate and clip any part of a webpage and share it with others.
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