"The community you live in strongly shapes the soundscape of your life story. Why? Because human culture and the natural world dictate not only what we hear but also how we listen"
" The "Testimonium" series explores waste in different formats. It is made up of three sound and visual works that I created from recordings and photos I made at one of the world's largest landfills, the Dandora dumpsite in Nairobi, Kenya, and at very modern recycling and wastewater facilities in Denmark and Latvia."
"For many species of frogs, the auditory space is just as crowded as in our pre-pandemic cocktail parties. When male frogs call out, they are sharing space with thousands of other frogs - from their own and different species - each also calling at the same time. Within this cacophony of croaks, the female frogs must make the important choice of finding the right male for mating based on the quality of his call."
"Onda started talking to people who work in radio and learning about mysterious transmissions, coded messages from government broadcasts, and other unusual sounds that float through the radio waves. But nobody could decipher the recordings he'd been collecting."
"In this edition of Fusion Journal we wish to explore the act of listening to the land, to others, to difference, as encountered in embodied and virtual spaces. We especially encouraged contributions that represent creative practice as well as more traditional text-based articles. How might we attempt to interpret what is being said in languages we do not understand? How might we resist - even if just for a moment - adding our own sounds to the noises of the neoliberal project of the anthropocene: the clashing music of the shopping mall, the automated voice, the shock jock, the celebrity, the power tools, the leaf blowers, the bulldozers, the mining blasts. How might we listen out, or tune in, to the small, the subtle, the unnoticed, the dying, the unusual, the banal, the mad, the unexpected?"
"Radio Performance in the Main station of Leipzig, Germany in June 2003 initiated by the radio artist group Ligna. Ligna invited radio listeners to participate in a "Radioballett", to enter the station - an extensively surveilled and controlled space -, equipped with portable radios and headphones. "
"Radio Silence explores the silent moments of talk-radio, combining eight AM broadcasts into an expanded conversation based on the "negative spaces" between words."
"Welcome to the Resources Section. These resources provide useful information for the creation of audio games, game accessibility and background information of the industry in general."
Trapped in darkness, you must use visualized sound to guide your way through threatening environments. The sounds you create will bounce off obstacles, revealing the shape of the surrounding world. It won't be long before your only way of sensing the world attracts a horrifying evil that devours both sound and souls.
"A performative multi-channel sound installation. The research of the rightest tone, the absolute form.The experience of the abstract music composition is reconstructed by the audience through walking around, closer and past the speakers. The immateriality of the performer. The absence of their physical presence. The absence of sound. The pause. The interspace. When does silence begin?"
"Commissioned by The Store X The Vinyl Factory, this site-specific iteration of Our Time is one of three works in the Other Spaces show.
With a new score by electronic musician Mira Calix, this atmospheric installation aims to manipulate our experience of time. As the kinetic sculptures swing in and out of phase, they project light and sound and transform the space they occupy."