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"Lumière is a concert series exploring the artistic dialogue between high precision lasers and percussive sounds. It is based on a unique vector graphics software, which the artist is developing since 2010. The software allows to generate rapid successions of visual shapes and associated sonic events, and to manipulate them in real time. Lumière is permanent work in progress, with each performance being a snapshot of the current state. Since the premiere in 2013 Lumière got three fundamental revisions, and countless 'minor updates'."

"Variable 4 is an 8-speaker outdoor sound installation which translates weather conditions into musical patterns in real time. Using meteorological sensors connected to a custom software environment, the weather itself acts as conductor, navigating through a map of 24 specifically-written movements."

4DSOUND is a studio exploring spatial sound as a medium. Since 2007, 4DSOUND has developed integrated hardware and software systems that provide a fully omnidirectional sound environment. These environments enable vivid sonic experiences that blur the boundaries between the real and the imagined: the world of sound we know, and a world beyond.

This installation plays the keys of a piano based on the movements and shapes of the clouds. A camera pointed at the sky captures video of the clouds. Custom software uses the video of the clouds in real-time to articulate a robotic device that presses the corresponding keys on the piano. The system is set in motion to function as if the clouds are pressing the keys on the piano as they move across the sky and change shape. The resulting sound is generated from the unique key patterns created by ethereal forms that build, sweep, fluctuate and dissipate in the sky. This installation was commissioned by L'assaut de la Menuiserie, Saint-Etienne, France and completed with support from the Visualization and Digital Imagining Lab and Weber Music Hall, University of Minnesota.

""Quintetto" is an installation based on the study of casual movement of objects or living creatures used as input for the production of sounds. The basic concept is to reveal what we call "invisible concerts" of everyday life.(The vertical movements of the 5 fishes in the acquariums is captured by a videocamera, that translates (through a computer software) their movements in digital sound signals.(We'll have 5 different musical instruments creating a totally unexpected live concert. The installation was born with the collaboration of the Aesop studio.(In 2009 Quintetto wins the third prize at the "International contemporary art prize-Celesteprize" - Berlin."

"The radiofrequency spectrum is at the heart of telecommunications, used by police, emergency personnel and public transport services, as well as the armed forces. Every day, this spectrum ensures the proper functioning of mobile phones and wireless devices. Seen as an essential resource by some and as a health hazard by others, the electromagnetic fields generated by radiofrequency spectrum activity have multiplied exponentially since humans first learned to harness electricity. In his Electrosmog series, Jean-Pierre Aubé searches out ambient radio frequency activity in the urban landscape of Montréal, which for Aubé forms a singular territory, characterized by its density in the city and by the political and economic issues that accompany it. Equipped with a radio, an antenna, and home-made software, the artist sweeps the titular spectrum of radio frequencies. Every tenth of a second, the device takes a snapshot of its readings - a measure of electromagnetic activity on a specific frequency. This information is then paired with images of Montréal, digitally altered by these same measurements, to create a "documentary in sound" of the city's spaces. Montréal, well-known to the artist after years of radiofrequency experiments here, is the eighth city in which Aubé has measured and visually presented this urban Electrosmog. Electrosmog, Montréal, 01.1 MHz - 144 MHz, 2012 Text from the CCA and Elektra - video abstract original length : 11 minutes - built with Processing"

"ELECTROCHROMA is a 58ʼ30" audiovisual work that emerged from the manipulation of light to generate imagery as well as using a combination of extended techniques applied to sonic-material sources, including translation of image to sound to create the 5.1 surround audio composition. The work utilizes various analog and digital procedures and a variety of software processes to manipulate the moving image and sound. The workʼs imagery ranges from dark to light monochromatic spheres, shifting dynamics and intensity, including flickering and pulsating patterns, retinal impact, and sensory overloads. The sound composition focuses on timbre, low ends, modulated frequencies, textures, static noises, and electronic sounds moving through space. Other sonic layers were created through the use of electromagnetism, custom electronic sounds, and voices scored for the work and performed in a recording studio by artist Marylea Martha Quintana."

"Sounds of Seismic (SOS) is an art-science, auditory display software system broadcasting continuous seismic sound generated from realtime collected global earthquake data. An internet audio streaming service, SOS webcasts electroacoustic music as multi-channel seismic generated sounds creating an infinite computational earth system soundscape! "

"Zvook" (звук, Ukrainian for "sound") is a project bringing together software and hardware components to identify cruise missiles, helicopters, drones, and jet fighters at low to medium heights. There are currently 40 instances of the system deployed throughout Ukraine. While operational details are scarce, the project's team says that it helps the Ukrainian military locate and destroy Russian rockets targeting civilian infrastructure."

"Developed by Pauline Oliveros in collaboration with Leaf Miller and released in 2007, the AUMI is a camera-based software that enables various forms of instrumentation. It was first created in work with (and through the labor of) children with physical disabilities in the Abilities First School (Poughkeepsie, New York) and designed with the intention of researching its potential as a model for social change."

"Max Cooper is not your average electronic producer. With a PHD in Computational Biology, Max is what we like to call an Audio-Visual Scientist. Through his work he tries to bridge the gap, or reinforce the deep-seeded relationship between science, art and music. A look through his work and you realize how successful he has been. "

"Nestup is an experimental markup language for musical rhythms. It's specifically designed to break away from a fixed musical grid."

"Acoustic Simulation and Visualization - VR Architectural Design to understand acoustic influence on design "

"SonicPhoto is an audio program to convert from pictures to sound. Use your existing photo collection or draw your own in Photoshop (or any other paint editor) and with a click of a button, watch SonicPhoto create the sound before your eyes. Inspired by the existing PhotoSounder program from Michel Rouzic, SonicPhoto loses the internal paint editor and sound importer, but gains automatic and convincing stereo, and a unique harmony filter to help create distinct and professional effects ranging from sparkling synths and rippling arpeggios, to roaring bass and metallic drones. "