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"Thousands of species of fireflies all blink in different patterns, not only blinking in rhythms but simultaneously performing specific flight choreographies. The timing and pattern of their flashes are unique to each species. In Bioluminescence, I translated firefly behavior data from Prof. James E. Lloyd's Studies on the Flash Communication Systems of Photinus Fireflies into an orchestral piece. Rhythmic patterns of light and insect movement provide the material for both melodic and rhythmic figures. In biology, bioluminescence is the ability of living things to produce light through biochemical processes. Most bioluminescent organisms are found in the sea. The group of marine bioluminescent organisms includes fish, bacteria, and jellyfish. Some bioluminescent organisms, including fireflies and fungi, are found on land. Bioluminescence is used by creatures to make prey, defend themselves against predators, find mates, as well as for other vital activities. Recent studies show that the number of fireflies is declining. Light pollution from human-generated light disrupts insect courtship behavior because it can only occur in the dark. The artificial extension of daylight into the night disrupts the fireflies' dark-light cycles and thus their biological behavior."

"Max Cooper is not your average electronic producer. With a PHD in Computational Biology, Max is what we like to call an Audio-Visual Scientist. Through his work he tries to bridge the gap, or reinforce the deep-seeded relationship between science, art and music. A look through his work and you realize how successful he has been. "

"Imagine yourself at a concert hall looking at a symphonic orchestra on stage. Have you ever noticed that high-pitched strings sit left of low-pitched strings? Going from left to right, one usually sees violins, violas, cellos and double basses. That is, one moves from high pitches on the left to low pitches on the right. Why? The orchestra's arrangement is not a cultural oddity, like driving on the right side of the road. Rather, it is due to our own biological makeup."

"If you're like me, you've managed to kill even the hardiest of indoor plants (yes, despite a doctorate in plant biology). But imagine a world where your plants actually told you exactly when they needed watering. This thought, as it turns out, may not be so silly after all."

"Reporting the frequency range for hearing in dogs and other species is not a straightforward task - the "how" of determining hearing frequency ranges must first be explained. Testing in animals differs from the method commonly used with humans of voluntarily reporting if a sound is heard."

"ATTA (Amplifying the Tropical Ants) is a multimedia research project on ant acoustics in the Brazilian Amazon producing results in bioacoustic anaylsis, sound works, and music composition. I first visited Manaus, Brazil as an artist-in-residence with Labverde in July 2017. On this trip I made preliminary recordings of ant species and their habitats and used these as the basis of several new music compositions. Since then, I have been collaborating with entomologists Erica Valle and Fabricio Baccaro at the Universidade Federal do Amazonas / INPA on a collaborative research project encompassing bioacoustics, field recording, behavioral ecology, taxonomy, music composition, and acoustic ecology. Ants are doing so much of the vital work maintaining tropical rainforest ecosystem functions: herbivory, seed dispersal, predation, decomposition, soil aeration - and their habitats are in turn crucial to global climate regulation. Can listening to ants generate empathy and encourage us to do our part in countering climate change? Can listening to insects remind us how little we know - and that we are not in charge of nature? Can it shift our perspective and encourage us to consider a biocentric viewpoint? "

"What do you think we are not hearing? Can listening encourage us to challenge our assumptions, and change our behaviour and decision-making processes concerning our relations to non-human species? Can human opinions on invertebrates be shifted through listening? I have been developing a process for constructing synthesized "built" soundscapes of hidden sounds. Built Hidden Soundscape: Pipeline Road, Gamboa is a preliminary result from this research. I made the field recordings for this built soundscape while at the Digital Naturalism conference in Gamboa, Panama in August 2019. The video shows a scrolling image of a spectrogram. A spectrogram is a bioacoustic tool that shows how sounds sit together in a soundscape. The Y axis represents frequency (Hz) and the X axis represents time. This spectrogram, however, focuses on 'hidden sounds' - sounds that cannot be heard by humans without the use of technology; sounds that are easily heard by human ears are excluded from this synthesized, artificial rendering of a soundscape. The sound work consists of field recordings from Pipeline Road in Gamboa, bookended by the dynamic dawn and dusk soundscapes of Pipeline Road. This built soundscape includes ultrasonic sounds (above the range of human hearing, played back at lower frequency), substrate-borne vibrations, and otherwise very quiet sounds. "

"If soundscape ecologist Bernie Krause's theories are true, then animal song is part of a far more complex and all-encompassing sound world."

"Classical music has been shown to reduce stress in kennelled dogs; however, rapid habituation of dogs to this form of auditory enrichment has also been demonstrated. "

"Ed Yong's book urges readers to break outside their "sensory bubble" to consider the unique ways that dogs, dolphins, mice and other animals experience their surroundings."

Gilberto Esparza investigates technology as a possibility to pose questions and solutions to the impacts of the human footprint on life on earth, based on a vindication of the intelligence inherent in life and rethinking the relationship of human societies with the natural environment. His practice employs recycling consumer technology and experiments with biotechnology.

"All animals use their senses to perceive the world, humans included. But not every animal senses the same thing. In Pulitzer prize-winning science journalist Ed Yong's new book, he explores the way each species sees the world through its own sensory viewpoint and explains why that should both delight and humble us."

"Although the transformation of the functional state of the living organism into sound was an important dimension of the work, the artists and designers were also interested in looking at the processes and authoritative gestures that legitimise the collection of personal information and how informed consent is attained and defined. In the age of the quantified self, what does it mean to donate biological data? How much does it (or should it) matter to us that we can keep control over it? Does this biological data have more value for us than other types of data?"

"Robertina Šebjanič is one of those rare artists who brings as much attention to the aesthetics and concepts behind her artworks as to the meticulous scientific research that sustains them. Her installations, sound experiments and performances invite us to reflect upon our relationship as human beings with the rest of the world. Over the past few years, she has been collaborating with scientists, hackers, thinkers and other artists to explore themes such as interspecies communication, underwater sound pollution, the possible coexistence of animals and machines, chemical processes, the origin of life, etc. "

"A recent study provides intriguing insights into how we recognize the sound of everyday objects from the statistical properties of the textures they produce."

the French artist Karine Bonneval was an artist in residence in a lab that focused on soil biodiversity. One of the questions she asked the scientists was "What sounds do fungi make as they grow through soil?"

"For many species of frogs, the auditory space is just as crowded as in our pre-pandemic cocktail parties. When male frogs call out, they are sharing space with thousands of other frogs - from their own and different species - each also calling at the same time. Within this cacophony of croaks, the female frogs must make the important choice of finding the right male for mating based on the quality of his call."

"What people hear and do not hear can have a direct effect on their balance, according to new research from the New York Eye and Ear Infirmary of Mount Sinai (NYEE)."