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john roach

Expanding Radio. Ecological Thinking and Trans-scalar Encounters in Contemporary Radio ... - 0 views

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    "This thesis is an exploration of some of the discourses arising out of the current ecological crises (Haraway 2016; Horton 2017) and argues that radio art is a constructive method for opening out practices of listening, for helping move beyond anthropocentric dialogues, and simultaneously beyond the constraints of dominant modes of storytelling. Ecological Thinking (Code 2006) and concepts of Planetary Time (Dimock 2003) are a useful framework from which to view contemporary radio art practices because they accentuate long and complex networks of interconnectivity, not only within nature, but, more recently, between living beings, technology and the environment. By identifying the interconnectedness of radio and transmission, and the possibility for immersion not only in the content but the process of the medium itself, it is hoped that recognition will be given to the necessity to think ecologically (holistically) in order to create sustainable symbioses between humans, technology and the living and 'non-living' entities of the planet. I begin by providing an outline of anthropocene discourses intertwined with radio and radio art practice. Then I describe and contextualize the radio art work 'chorus duet for radio' (Donovan 2016), positioning it as an example of a collective, trans-scalar listening encounter. I move on to posit radio as a valuable medium from which to critique and disrupt masculinised and westernised (radio) histories, and as an outlet for feminist, queer, and speculative re-tellings of the past. History is viewed here in the same way as electromagnetic radiation: as matter to be untangled. Finally I use the garden radio art project Datscha Radio17 (Schaffner 2017) to give an overview of how radio can be implemented in an expanded way to examine many of the interconnected themes of this thesis: the anthropocene, radio art, ecology, human and more-than-human networks, listening, speculative storytelling, and disruption. This thesis is an explor
john roach

Diversifying Radio with Disabled Voices - Making Contact Radio - 0 views

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    "Radio can be a familiar friend, source of knowledge, a marker of time and place. But as a cultural institution, what constitutes a "good voice" in radio reflects and transmits cultural norms and structures. When I started my Community Storytelling Radio Fellowship at Making Contact, I prepared by reading articles from Transom and AIR media about interviewing, storytelling, and production. I felt more intimidated as I read about advice on 'how to do radio,' especially since some parts were very physical (e.g., holding a microphone close to a person for a significant length of time). I wondered, "Where do disabled people like me fit in the radio community? Why don't articles about diversity in radio ever mention people with disabilities?" Al Letson's 2015 Transom manifesto explores the the default straight white male voice. It resonated with me immediately and I'd also add that the "default human being" on radio is able-bodied as well."
john roach

Reviving Radio: An Old Technology Remains Relevant - YES! Magazine - 0 views

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    "When did you last use radio technology? If you're straining to remember when you last turned on the AM/FM radio broadcast receiver in your car, you've probably gone too far back. Although it might not come to mind when we think about radio in the digital media era, things like GPS, wireless computer networks, and even our mobile phones use radio waves.  Far from being outdated, this century-old technology is still integral to much of what we do. "On the one hand, it's very ambient. We don't notice it," says Rick Prelinger, an archivist and professor emerit of film and digital media at the University of California, Santa Cruz. "But radio is also deeply engaged with the world." "
john roach

Magz Hall - Sound and Radio Artist - 0 views

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    radio and sound artist who works with a focus on expanded radio art in all its forms. "I've been exploring the artistic potential of radio and its use outside of conventional settings from ready mades to creating transmitters and site specific multi media installations which draw on aspects wireless technology and art for the environment. I am investigating radio art and expanded practice across the spectrum, working on projects across air, land, sea and space whilst drawing on experimental radio history as well as focusing on Art for the Environment."
john roach

radia - Home - 0 views

shared by john roach on 08 Feb 12 - No Cached
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    Radia is a network of independent radio stations who have a common interest in promoting and producing artworks for the radio, and in forming projects based on broadcasting and cultural exchange. We produce a weekly radio show that is broadcast by each of the member radio stations. Our shows represent the local artistic community of each station, whilst at the same time these new works point to an emergent collective notion of self-determined art for radio. radia.fm"
john roach

ALMA MUSIC BOX - Melody of a dying star - 2 views

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    ALMA (Atacama Large Millimeter/submillimeter Array) is a state-of-the-art radio telescope developed and operated by 20 countries and territories in East Asia, Europa and North America in cooperation with the Republic of Chile. Connecting 66 parabola antennas deployed in the Atacama Desert in northern Chile, ALMA works as a giant radio telescope with a diameter comparable to the size of the Yamanote Line. ALMA detects faint radio waves emanated by distant celestial objects to study the origin and evolution of galaxies, stars, and planets. Obtaining a clue to the origin of life is another goal of ALMA. In 2011, ALMA observed radio waves from a dying star "R Sculptoris." The ALMA MUSIC BOX made use of this data, and translated the 70 different radio images onto 70 musical discs.
john roach

Vera Wyse Munro - 0 views

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    "Vera Wyse Munro (1897-1966) was a pioneering New Zealand radio broadcaster, improviser, and experimental sound artist. As an artist, her primary media were amateur radio broadcasts, Morse poetry, and sono-topographical scores. Via her broadcasts, which were frequently received by amateur radio operators as far afield as the United States and Europe, Munro initiated some of the earliest telematic performances, in which she would perform prepared violin in structured improvisations with other musicians broadcasting from elsewhere in the world. Munro's work was often necessarily clandestine, as a result of legislation curbing amateur radio activity in New Zealand. As a result of this, as well as the absence of extant documentation of her live and ephemeral practice, Munro's work has been largely overlooked in New Zealand's cultural history."
john roach

matters of transmission - 1 views

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    Kate Donovan is a radio artist/practitioner, facilitator and researcher based in Berlin. Her artistic practice deals with radio in an elemental sense, in terms of frequency, transmission and interconnectedness. Her editorial and organizational work in free and community radio fosters inclusion, diversity, and experimentation. With questions of science-fact, the imagined, physical immersion and the "environment" in mind, her research (and in turn, her practice) is an exploration of radio as a natural phenomenon, an artistic medium, and a site for resistance.
john roach

Radio Ballet Leipzig Main station Part 1 - YouTube - 0 views

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    "Radio Performance in the Main station of Leipzig, Germany in June 2003 initiated by the radio artist group Ligna. Ligna invited radio listeners to participate in a "Radioballett", to enter the station - an extensively surveilled and controlled space -, equipped with portable radios and headphones. "
john roach

Love + Radio - 0 views

shared by john roach on 21 Mar 12 - No Cached
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    Love and Radio is an American audio podcast directed by radio producer Nick van der Kolk in Chicago, Illinois, USA. Each episode of Love and Radio consists of a mixture of fact and fiction, presented in a series of interviews and stories related to a theme.[1]
john roach

TEDxSalford - Trevor Cox - Become a Sound Explorer - YouTube - 1 views

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    "Professor Trevor Cox is a British academic and science communicator, a Senior Media fellow for EPSRC, and is President of the Insitute of Acoustics for the 2010-12 period. Cox has presented a range of popular science documentaries for BBC Radio 4, BBC Radio 3 and BBC World Service, including Sounds of Science, Aural Architecture, Life's Soundtrack, Science vs Strad, The Pleasure of Noise, World Musical Instruments, Dragon's Lab, Biomimicry and Save our Sounds. He was co-originator and judge of BBC Radio 4' 'So You Want To Be A Scientist?', a competition to find Britain's best amateur scientist. He has gained worldwide news coverage for stories such as "Does a duck quack echo?" and "The Worst Sound in the World". He has also investigated the World's scariest scream. In addition, he has appeared in features on BBC1, Teachers TV, Discovery and National Geographic channels, and as an expert in news items on a variety of television and radio channels"
john roach

Radiophrenia - the light at the end of the dial - 0 views

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    "RADIOPHRENIA is a temporary art radio station broadcasting intermittently from the Centre for Contemporary Arts in Glasgow. The broadcast schedule includes a series of 14 newly commissioned radio works, 13 Live-to-Air performances as well as live studio shows, screenings, shorts and pre-recorded features. As in previous years the majority of the programme will be made up from selections submitted to an international open call for sound art and radio works."
john roach

Shortwave Collective - 0 views

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    "Shortwave Collective is an international, feminist artist group established in May 2020, interested in the creative use of radio. We meet regularly to discuss feminist approaches to amatuer radio and the radio spectrum as artistic material, sharing resources, considering DIY approaches and inclusive structures. ​"
john roach

Electrosmog Montréal on Vimeo - 0 views

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    "The radiofrequency spectrum is at the heart of telecommunications, used by police, emergency personnel and public transport services, as well as the armed forces. Every day, this spectrum ensures the proper functioning of mobile phones and wireless devices. Seen as an essential resource by some and as a health hazard by others, the electromagnetic fields generated by radiofrequency spectrum activity have multiplied exponentially since humans first learned to harness electricity. In his Electrosmog series, Jean-Pierre Aubé searches out ambient radio frequency activity in the urban landscape of Montréal, which for Aubé forms a singular territory, characterized by its density in the city and by the political and economic issues that accompany it. Equipped with a radio, an antenna, and home-made software, the artist sweeps the titular spectrum of radio frequencies. Every tenth of a second, the device takes a snapshot of its readings - a measure of electromagnetic activity on a specific frequency. This information is then paired with images of Montréal, digitally altered by these same measurements, to create a "documentary in sound" of the city's spaces. Montréal, well-known to the artist after years of radiofrequency experiments here, is the eighth city in which Aubé has measured and visually presented this urban Electrosmog. Electrosmog, Montréal, 01.1 MHz - 144 MHz, 2012 Text from the CCA and Elektra - video abstract original length : 11 minutes - built with Processing"
john roach

Public Radio - documenta 14 - 0 views

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    "Every Time A Ear di Soun is a documenta 14 Radio Program in collaboration with Deutschlandradio Kultur that explores sonority and auditory phenomena such as voice, sound, music, and speech as mediums for writing counterhegemonic histories. Every Time A Ear di Soun reflects on how the sonic impacts subjectivities and spaces, especially through the medium of radio."
john roach

Radio Silence - Zach Poff - 0 views

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    "Radio Silence explores the silent moments of talk-radio, combining eight AM broadcasts into an expanded conversation based on the "negative spaces" between words."
john roach

About | Hannah Kemp-Welch | London - 0 views

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    " Hannah Kemp-Welch is a sound artist with a social practice. She creates works collaboratively and in community settings, often responding to social issues. Recent projects include Nomadic Listening (2024) a series of workshops and radio installation for Manifesta15 with communities in the Barcelona Metropolitan region, and o-o-radio! (2022), a project at Wysing Arts Centre constructing homemade radios with d/Deaf young people, to better understand how hearing aids operate."
john roach

Ghosts, Radio Waves, Spiritualism and Contextualism in the Art of Aki Onda - 0 views

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    "Onda started talking to people who work in radio and learning about mysterious transmissions, coded messages from government broadcasts, and other unusual sounds that float through the radio waves. But nobody could decipher the recordings he'd been collecting."
john roach

Jose Maceda - Ugnayan - for 20 radio stations (1973) - YouTube - 0 views

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    "Ugnayan consists of twenty separate 51-minute tracks, each to be played back on a different radio station. The idea was then to have everyone in Manila tune in to a different radio station so that all of the tracks would play back simultaneously, each from a different source. This is a stereo mix of the original tracks, recorded by Maceda and a small group in 1973, using mostly traditional Philippine instruments. Masses of layered percussion and wind sounds build up in short passages and are supplanted by new ones. There's an abundance of bamboo sound, either struck or blown, and a lot of harmonic information happening. This piece (and Maceda's work in general) is important because it attempts to bring together elements of traditional folk music and "avant-garde" composition, and they do it in the public arena. These are not just dusty academic endeavors, they were and are lively examples of other ways that music and sound can be integrated into everyday life. -Jeph Jerman, squidsear"
john roach

Fast Slow Radio - 0 views

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    "Fast Slow Radio presents 22 sonic impressions from locations around the globe. Each 60 minute section is an "audio time-lapse" combining thousands of chronological audio samples collected during a 24hr period. Fast Slow Radio combines the glacial pacing of Norwegian "Sakte-TV" with the constant change of Luc Ferrari's "Presque rien No. 1"."
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