"As Mendi + Keith describe, "For Baldwin sound, music, and the blues in particular were sources of inspiration. The multichannel sound art work meditates on a politics of listening found at the intersection of Baldwinʼs language and the sound worlds invoked in his work. It uses the glass façade of The New School's University Center as delivery system for the sound, turning the building itself into a speaker. The 12-hour piece is created using slow moving harmonies, melodicized language from Baldwinʼs writings, ambient recordings from the streets of Harlem, and an inventory of sounds contained in Baldwin's story 'Sonnyʼs Blues.'""
4DSOUND is a studio exploring spatial sound as a medium. Since 2007, 4DSOUND has developed integrated hardware and software systems that provide a fully omnidirectional sound environment. These environments enable vivid sonic experiences that blur the boundaries between the real and the imagined: the world of sound we know, and a world beyond.
"Walled Unwalled is a single channel 20 minute performance-video installation. The performance comprises of an interlinking series of narratives derived from legal cases that revolved around evidence that was heard or experienced through walls. It consists of a series of performances reenactments and a monologue staged inside a trio of sound effects studios in the Funkhaus, East Berlin."
"Behind a curtain in the darkened gallery space at Luhring Augustine nine screens, each equipped with its own speaker have been arranged into two somewhat discreet areas. Eight of the screens feature the image of a single musician - a guitarist, pianist, banjo player, cellist, and so forth - and one screen offers a view of the porch of a large house where other instrumentalists, singers and assorted folks have gathered. Ragnar Kjartansson's video installation titled "The Visitors" documents in a single take the 64-minute-long performance of one song."
""But wait!" you might ask, "what do you mean by Spatial Audio? Are you talking about Immersive Audio, 3D Sound, Surround Sound, Binaural, Auro-3D, Dolby Atmos, 360-sound…?" Well, yes, sort of. In principle, we are talking about anything related to 'sound beyond stereo', which is not an entirely new thing on its own."
"Suzanne Ciani performs live quadraphonic modular synthesis from Envelop SF, a 32 speaker immersive audio venue in San Francisco. This event was originally live-streamed via Envelop Stream, in collaboration with The Audio Engineering Society in October 2020."
"Suzanne Ciani performs live quadraphonic modular synthesis at Envelop SF, a 32 speaker immersive audio venue in San Francisco. This event was originally live-streamed via Envelop Stream, in collaboration with The Audio Engineering Society in October 2020."
"The innovative 4DSOUND system allows you to hear music in four dimensions. Its founder explains how some artists have taken advantage of its unique set-up"
"A performative multi-channel sound installation. The research of the rightest tone, the absolute form.The experience of the abstract music composition is reconstructed by the audience through walking around, closer and past the speakers. The immateriality of the performer. The absence of their physical presence. The absence of sound. The pause. The interspace. When does silence begin?"
" DVD-ROM (for MAC and PC) that contains 5 sound compositions generated in ³real time² by a computer algorithm. The works are: Room Piece Twenty-four; Noema; Steiner Suite; Unintending; Scene"
"This 9-channel sound, light & smoke installation was created in collaboration with the independent sonic arts collective Call & Response, Sep 2015
London Subterraneous takes the work of seventeenth century alchemist and scientist Athanasius Kircher as inspiration. Kircher was a polymath and inventor, who researched fields as diverse as medicine and Egyptology, and designed and constructed wondrous sound and vision automatons. These included a collection of so called speaking statues whose spiral mouths would lead out into the streets of Rome like giant trumpets. In this way the speaking trumpets or 'hearing lens' would reveal the cacophony of Rome to the listener. London Subterraneous aims to link Kircher's 'speaking trumpets' with his fascination of geology and underground reverberations and find a way to explore London's mundus subterraneous
For this project, special microphones have been used to access sounds from a series of "stink pipes" that connect the city's familiar terrestrial environment to a lesser-known complex network of sewers and rivers below. The towering, hollow pipes, now rusting fixtures dotted across London erected as safety valves to vent excess toxic gases along a newly built Victorian sewer network in the 1860's allow us to connect through our past and eavesdrop on the capital's underground world. The resultant exhibition is a portrait of some of the sounds created below ground and through the pipes themselves
"Although these stink pipes are nowadays "useless" this work aims to reveal them as poles of sound, or as singing flutes. In a way these are tones from the past."
Jacob Kirkegaard"
"Echoes from the Borderlands, which transcribes a sound installation tracing the border, insists on the land's inextricability from the history to which it bears witness.
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"Echoes from the Borderlands, which transcribes a sound installation tracing the border, insists on the land's inextricability from the history to which it bears witness.
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