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Suspend Vocal Technique Momentarily Have You heard those songs when it sounds like the vocalist is whisper-singing and wondered "man how do they do that". It's not quite singing and its definitely not a full blown whisper, its actually a track that a lot of Pop vocalists keep in their bag of tricks. Vocal Coach Judy Rodman has some bad news for you wannabes, the trick can either be executed expertly or poorly. I'm guessing the poor one sounds like somebody choking on a rice grain. To find out more about delivering vocals with authentic emotion rather than just "singing" head over Judy's blog and check out a couple videos.

If you're singing your own demos...STOP! I'm sure you have all heard of Murphys Law, right? Well have you heard of Murphys Laws of songwriting? Probably not, so let me acquaint you. Ralph Murphy is currently ASCAP's Vice-President of International and Domestic Membership, as well as a legendary songwriter and publisher with more than twenty number One hits under his Levi's. I stumbled across his website the other day and came across this article outlining why it is best not to sing your own demos, and the reasons are not "obvious". Head over to Ralph Murphy's website to check out the advantages of not singing your own demos as well as many more valuable pieces of advice on crafting your hit song, like [this one] for example.

Imaginary Studio Performance How do you protect your voice when your studio session is set up to only record voice for the day? Judy Rodman suggests "pretending" that your instrument is still there. Johnny Cash's studio tech used to take the strings out of his guitar and give it to him to hold while singing because the producer noticed that he sang better when attached to his guitar. It all goes back to muscle memory.

identify the 3 tips 1. raise eyebrows, 2. lower your jaw, squeeze your butt for power. - this actually seems like the formula for soiling your underpants.

Are you getting ready to go back into the studio and record your final vocals soon? If the answer is yes, then you might want to take some last moments and study up on things such as posture, breath support, jaw tightness and keeping critic out of the vocal booth. Why? Cause with time being money and all nothing sucks more than being in the booth with an itchy throat, bad takes, the pressure at max and having no clue what to do to get back in the zone.

"The difference between theory and practice is that in theory, there is no difference and in practice, there is." (practiceofpracitceblog) As a musician you can't always have your instrument in hand, especially if music is only your part time gig. But being instrumentless doesn't mean that you can't practice. It's called mental practice and it's the best use of your time ever, especially if you hate your job.