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Ralph Murphy - Musician and Songwriter - 0 views

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    If you're singing your own demos...STOP! I'm sure you have all heard of Murphys Law, right? Well have you heard of Murphys Laws of songwriting? Probably not, so let me acquaint you. Ralph Murphy is currently ASCAP's Vice-President of International and Domestic Membership, as well as a legendary songwriter and publisher with more than twenty number One hits under his Levi's. I stumbled across his website the other day and came across this article outlining why it is best not to sing your own demos, and the reasons are not "obvious". Head over to Ralph Murphy's website to check out the advantages of not singing your own demos as well as many more valuable pieces of advice on crafting your hit song, like [this one] for example.
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Copyright Time Bomb Set to Disrupt Music, Publishing Industries | Epicenter | Wired.com - 0 views

  • A time bomb embedded in legislation from that era, the U.S. Copyright Act of 1976
  • The Copyright Act includes two sets of rules for how this works. If an artist or author sold a copyright before 1978 (Section 304), they or their heirs can take it back 56 years later. If the artist or author sold the copyright during or after 1978 (Section 203), they can terminate that grant after 35 years.
  • The first is to continue to claim that albums are compilations
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  • re-record sound recordings in order to create new sound recording copyrights, which would reset the countdown clock at 35 years for copyright grant termination
  • Labels already file new copyrights for remasters
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    Tick Tock, The Copyright Act of 1976 is About to Expire. It's always entertaining to me to watch the money traps that the labels set for artists, back before information was freely available, EXPLODE! Welp, that's exactly what's about to go down. The Copyright Act states that an artist or author who sold a copyright before 1978 can take it back 56 years later and If it was sold during or after 1978 they can take it back 35 years later. Assuming a correct and prompt filing of paper work, the record labels could lose sound recording copyrights they bought in 1978 starting in 2013. How does this affect you? If the labels don't wanna lose the contents of their entire library you can make a for sure bet that the new copyright law will be negotiated in your favor. Higher royalties anyone?
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Musicians would lose free publicity if radio fee becomes law | tennessean.com | The Ten... - 0 views

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    Are The Record Labels Biting the Hand that Feeds Them Radio broadcasters around the country are growing increasingly concerned about the long-standing relationship with the music industry. The record labels are demanding an additional "tax" (not including the hundreds of millions of dollars paid annually to groups like BMI, ASCAP and SESAC, which goes to compensate songwriters and music publishers) on local radio stations for every song played. The music industry must be in panic mode to intentionally put a strain on the over 80 year mutually beneficial relationship that previously had radio promote record labels and artists and generate millions of dollars in music, hospitality, small-business and merchandise sales. Free local radio reaches 236 million listeners/week but record labels seem to not really give a hoot about free promo, pay up or shut down.
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9GiantSteps · Coin a Phrase: The Leveling - 0 views

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    The Leveling - Moore's law of Music The leveling is a theory that has been going on since the beginning of mankind. Eventually, as technology becomes cheaper to produce we all are gaining access to the same tools, the barriers that use-to provide advantages to those with the most resources is nearing an end. In the music/creative world, the first moment of leveling occured with the adent of ProTools (Digital Studios), then TuneCore (Digital Distribution) and Social Media (Digital Promotion). Now since everyone has the same ingredients how will your recipe stand out.
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