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The Leveling - Moore's law of Music The leveling is a theory that has been going on since the beginning of mankind. Eventually, as technology becomes cheaper to produce we all are gaining access to the same tools, the barriers that use-to provide advantages to those with the most resources is nearing an end. In the music/creative world, the first moment of leveling occured with the adent of ProTools (Digital Studios), then TuneCore (Digital Distribution) and Social Media (Digital Promotion). Now since everyone has the same ingredients how will your recipe stand out.

Pre Mastering Last week we saw a lot of interest in our mastering explained article, so this week we thought we would being you the prequel of mastering explained, preparing your songs for the mastering process. These tips are in no way a doit yourself guide for getting your songs to killer quality. Mastering should be done by the master, mixing should be done by the professional, let these tips serve as a guideline for being able to participate in the conversation with whomever you've hired to take your recording to the next level. http://musicproducersforum.wordpress.com/2010/02/03/tips-for-the-mix-to-the-master/#more-693

The Greatful Dead knew a thing or two about business. "A group of stoners who somehow got more things right than the suits running the record industry, radio and even some high powered new media businesses." Some great business lessons that could be learned from this group are sprinkled through an article on indisdemusicmedia comparing their biz model to that of the Radio Industry's. Some of these points should be laser sketched into your brain (if you simply can't remember). According to the Atlantic Magazine article your fans are key to your ultimate success. But not all your fans. As with every musician you have different levels of fans, cater to only your most loyalist fans because their the ones that are going to purchase your music. Get a team together consisting of the band the road crew and and other organization members and periodically rotate the final decision makers. Your not the only one with good ideas on how to run things. Give it away until they buy it. Some things in life are uncontrollable (death, natural disasters and file sharing fall into this category) Don't try to fight against it. Rather embrace it and exploit it for your own benefit. The greatful dead exemplified this by not having an hernia upon the realization that their fans were taping their shows. Instead they used it to increase demand and drive the sales of other revenue streams. The same way that humanity doesn't fight against death but instead uses it to make the quality of life better the same way a musician should approach the death of the CD. Just because the CD has to die, doesn't mean that your career has to go to.

Street Music How indie are you? Thats a good question to ask, because i believe that there are certain level of indie. I actually really enjoy the street performer, simply because sometimes walking down hollywood blvd. needs a soundtrack. What about the street merchant? At the same time you do have those artists that feel that they can sell you or even worse trick you into buying their product with a few nifty words, i think we're all in agreement on this, but there's nothing that inspires me to reach into my pocket and slip a few dollars like hearing them working for it. When trying to market your music on the street words just don't cut it.

Music will thrive in 2010 Jomar, blogger for the musicproducersforum recently wrote a rebuttal to CNETS recent article entitled will recorded music survive in 2010. Kudos to Jomar for getting it right. To sell music this year labels will have to see music as more than just a way get money from the customer. With the record labels struggling for a solution i've never seen so many artists recording music, its as if getting signed is an annoyance for the artists of the future. The leveling is almost here, with every artist gaining access to the same tools, theres never been more of a reason to record music. The less expensive it is for an artist to record music the less money an artist has to make to see a profit.

Demands have changed in the last decade, too. Volume levels have increased in concerts, although the key to good sound is not volume, according to Wyland. What is important is the dynamic range, or being able to hear the softer and detailed sounds just as clearly as the louder riffs. - A good piece for our is music getting too loud segment.

Radio isn't just for listeners anymore the RAB (http://www.rab.com/) CEO Jeff Haley is calling for a further commitment for radio station to start encoding their broadcasts with Song tagging technology, proving that the radio is no longer just for ears but for the eyeballs as well. The iPod Nano and Zune music players are both FM enabled devices that would provide a perfect opportunity to display the encoded signals, including song names. The overall idea is to drive more song purchases and awareness at the radio level, an even stronger indication that radio is still an effective medium for songwriters.