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Web Music Video Distribution for Independent Artists - 4 views

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    Fact #1 - Youtube is the 2nd largest search engine next to Google. Fact #2 - Many people search for music on Youtube and other online video websites. Now that you know these two facts. The renegade producer suggests there is no better reason for you to develop a business strategy which includes online music video distribution. Now what type of videos are we talking about here, not everyone has the money to shoot a MTV style music video let alone a couple. Well the renegadeproducer suggests uploading not just clips of your band but clips of your brand. You can create clips from the audio, backstage, with members of your tribe at shows or even while having breakfast. Having content that can visually engage your fans while your not on the stage can help strengthen the overall brand. Time is obviously a factor, so for this you should check out TubeMogul that group distributes your videos to many video sharing sites at once, but first you gotta create the content.
songplacements

What You Focus On Expands « eleetmusic - Direction in music, marketing and b... - 0 views

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    Theres been a lot of talk about how to survive the music industry, what social networks you should be on and online distributors you should be with but the simple truth is that the music you create is much more important than your current method of distribution. So i challenge you for 2010 to step your game up partner with that one drummer and create amazing music, be relentless and most importantly get out of the house and book some shows. Paying or non-paying, it doesn't matter if your the right person for this, the money will come.
songplacements

Artists House Music - Music Business for Musicians - Music Distributor Fee Comparison - 0 views

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    Are you a the visual type? I am, thats why this chart comparing all of the online music distributors is freakin awesome. If your new to the world of online distribution then let this chart be your roadmap to thousands if i dare say millions of sold songs.
songplacements

9GiantSteps · Coin a Phrase: The Leveling - 0 views

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    The Leveling - Moore's law of Music The leveling is a theory that has been going on since the beginning of mankind. Eventually, as technology becomes cheaper to produce we all are gaining access to the same tools, the barriers that use-to provide advantages to those with the most resources is nearing an end. In the music/creative world, the first moment of leveling occured with the adent of ProTools (Digital Studios), then TuneCore (Digital Distribution) and Social Media (Digital Promotion). Now since everyone has the same ingredients how will your recipe stand out.
songplacements

Two Good Music Distribution Companies - 0 views

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    Tackle the online market place Tunecore Cd Baby
songplacements

From the Internet to Abbey Road - Panic at the Disco « Music Producers Forum - 0 views

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    Have you ever heard of the legendary Abby Road Studios? If your not familiar, tons of great albums have come from Abby Roads including albums from Radiohead, Muse and the Zombies Panic At The Disco, grew their own audience by distributing their music through the internet and now you can see some great live recording, as well as some interesting insights and discussions with the band.
songplacements

How Am I Doing? « eleetmusic - Direction in music, marketing and business - 0 views

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    Okay, so your an independent artist, more power to ya. You write, produce, record and distribute your own tracks, but how well is your music being received. Major record labels have numerous methods to track the performance and popularity of their music. Soundscan, and Billboard are some of those ways. But once the music reaches the consumer thats when the metrics come to a screeching halt. Luckily now as an indie musician you have many ways to track your music, some ways actually rival those of the record labels. You can now monitor your brand, and even statistics such as how much time my audience spends listening to my material, and what songs are shared the most in their network.
songplacements

ExploreMusic - Tech - A New iPod/iPhone Theory - 0 views

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    could apple be creating some form of radio experience that allows users access to any song you want, whenever you want it, from wherever you are using whatever device you choose? could we be headed towards the mass distribution of streaming music services and Internet-delivered radio?
songplacements

Indie Music Tech: MobBase is Live - 0 views

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    The iPhone is one of the biggest innovations of this decade. It has single handedly connected people from all around the world, offering a rich web presence and an "app for everything". Creating an iPhone app used to take at least a general knowledge of some programming experience, until now that is. MobBase is a web application that makes it easy for your band to create an inexpensive, customizable and feature rich iPhone app. Indiemusictech has a few screen shots of how easy it is for your band to get distribution on iPhones worldwide.
songplacements

How an Indie Artist can get distribution « The Indie Music 411 - 0 views

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    Let People Know Your Online in as Many Ways as Possible.
songplacements

Dollar Signs and Treble Clefs : Wed, 07 Oct 2009 : Music Industry Newswire™ - 0 views

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    2009 Future of Music Policy Summit CCC: California Copyright Conference NARIP: National Assn. of Record Industry Professionals AIMP: Association of Independent Music Publishers PMA: Production Music Association NMPA: National Music Publishers Association Record companies often earn money that cannot be paid to artists, managers, songwriters, or publishers because of paperwork problems. I know what you're thinking: yeah, right, paperwork problems. NMPA president and CEO David Israelite and Special Master/lawyer Kenneth Feinberg, who will be overseeing the distribution of nearly $300 million to music publishers from the big four record companies.
songplacements

How To Survive The New Music Industry « eleetmusic - Direction in music, ma... - 0 views

  • The older industry experts insisted that nothing much had changed. They encouraged artists to network with other bands to find gigs, sell CD’s out of thier trunks or, “do what ever it takes to generate a buzz”. You can’t get more vague than that.
  • The progressives represented new media applications, widgets and digital services that promised to help artists develop direct to fan relationships. They somehow forgot to mention that you would be required to pay for their service or use their branded widgets in order to create, market, promote, and distribute YOUR music to the world.
  • In the good old days, when there weren’t any computers programs, some of the greatest artists succeeded by telling their story in a unique way.
  • ...3 more annotations...
  • Emmanual Jal learned the hard way what we as musicians take for granted. He learned how to survive and adapt in the toughest conditions.
  • survival divided by adaptation equals success.
  • ll of the CD’s, downloads, T-Shirts, widgets and direct to fan relationships will not work unless you adapt them to your situation.
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    Loiterers Should Be Arrested. The CMJ Music Marathon ended last week but the lessons learned have just begun. Kevin English, blogger at eleetmusic.com took some time to talk about the lessons that he took away with him from the many panelists. His conclusion; there is no concrete answer to surviving in todays music industry. Old school pundits stressed the importance of networking and buzz generation by any means possible while New Media progressives represented new media applications, widgets and digital services that promised to strengthen direct to fan relationships. It wasn't until the Sudanese rapper Emmanual Jai took to the stage that he realized industry survival was about constantly adapting, bending the industry to specifically cater to your needs. Figure out what your number one need is right now as an indie artist and exploit that need. Kevin's short but enlightening read this morning brings me to the idea of a (wait for it, wait for it) digital manager. Not loading up all of your tracks on myspace, but actually hiring a manager to surf the web all day and submit your music to opportunities world wide. Has anyone tried something like this yet? let me know how it works, and what you have been doing to try to adapt.
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