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Project Censored has an illustrious history of drawing attention to stories that the mainstream press overtly censors or ignores through a corporate media culture that dismisses the existence of topics that threaten the status quo. The organization also promotes media literacy by educating the public about strategies that are used to disseminate misinformation and propaganda. With the forthcoming publication of the newest edition of Project Censored, Truthout interviewed long-time project Director Peter Phillips and current Director Mickey Huff to gain a sense how this project began, and how it intends to continue making an impact in a constantly transforming media landscape.

Beyond the anti-Greek media campaign lies the story of a weary people caught between a corrupt political system and rapacious financiers. Sound familiar?

As soon as the news was reported that Gen. David Petraeus is succeeding soon-to-be-retired Gen. Stanley McChrystal as commander of the US and NATO forces in Afghanistan, the media narrative was set in stone: the super-general who won the war in Iraq with the so-called surge can now work his magic in another theater. It's hard to stop a locomotive meme-which is what the surge story has become. But the success of the surge in Iraq remains debatable to this day. Still, try injecting that point into media discussions of Iraq or Afghanistan. Yet with Petraeus taking over the Afghanistan war, it's worth noting the other side of the surge tale. So as a public service, here are a few analyses that question the surge hype.

Though the conservative media are fueled by overhyped, often-false, phony "scandals," every so often a story comes along that is so mind-bogglingly absurd that it exposes in no uncertain fashion the entire conservative media for what it is: a propaganda machine far more interested in pushing pre-determined narratives than conveying accurate information.

Censored news story from Israelian newspaper Haaretz: "Gaza residents: IDF troops posing as Hamas men"

A new investigation of the media's false reporting of the Saddam-statute story reveals ongoing press pathologies

Last June, when Rolling Stone published Michael Hastings' article which ended the career of Obama's Afghanistan commander, Gen. Stanley McChrystal -- an article which was just awarded the prestigious Polk Award -- the attacks on Hastings were led not by military officials but by some of Hastings' most celebrated journalistic colleagues.  The New York Times' John Burns fretted that the article "has impacted, and will impact so adversely, on what had been pretty good military/media relations" and accused Hastings of violating "a kind of trust" which war reporters "build up" with war Generals; Politico observed that a "beat reporter" -- unlike the freelancing Hastings -- "would not risk burning bridges by publishing many of McChrystal's remarks"; and an obviously angry Lara Logan of CBS News strongly insinuated (with no evidence) that Hastings had lied about whether the comments were on-the-record and then infamously sneered:  "Michael Hastings has never served his country the way McChrystal has."  Here's Jon Stewart last year mocking the revealing media disdain for Rolling Stone and Hastings in the wake of their McChrystal story.

A Rumpus Lamentation on What We Lost Say you took the long view of September 11, 2001, the view from the heavens, the view of a compassionate celestial being. From up there, you'd see that approximately 150,000 earthlings died that day. Most of these deaths were caused by malnutrition and age-related illnesses, roughly 1500 were murders, hundreds more were due to civil wars. Also, 2,977 Americans were killed in terrorist attacks on New York City and Washington. *** A lot of human beings died, that's my point. They all left behind mourners. Imagine the mother who watched her child die of hunger. Here's this tiny person, a daughter. She has a name, a face. She doesn't explode or fall from a skyscraper. She simply stops breathing. No cameras record her final moment, the lamentation of that mother. These images are not replayed on the television over and over and over. What would be the point of that? *** I recently went on a radio program to discuss the literature of 9/11. The host spent most of the hour chatting with people about their memories. They all talked about watching television. They were telling personal stories about watching television.

Republican media strategist Roger Ailes launched Fox News Channel in 1996, ostensibly as a "fair and balanced" counterpoint to what he regarded as the liberal establishment media. But according to a remarkable document buried deep within the Richard Nixon Presidential Library, the intellectual forerunner for Fox News was a nakedly partisan 1970 plot by Ailes and other Nixon aides to circumvent the "prejudices of network news" and deliver "pro-administration" stories to heartland television viewers. The memo-called, simply enough, "A Plan For Putting the GOP on TV News"- is included in a 318-page cache of documents detailing Ailes' work for both the Nixon and George H.W.

"Where justice is denied, where poverty is enforced, where ignorance prevails, and where any one class is made to feel that society is an organized conspiracy to oppress, rob and degrade them, neither persons nor property will be safe." -Frederick Douglass

Anl�sslich eines informellen Treffens in Prag diskutieren die Innen- und Justizminister der EU �ber die weitere Vernetzung von Polizeidatenbanken und den Kampf gegen "illegale Inhalte" im Internet. Die B�rgerrechtsorganisation EFF hat unterdessen davor gewarnt, den Kinderschutz als Vorwand zur Internet-Zensur einzusetzen.