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While short, this article by Tim Worstall sheds light on the ever-present possibility of censorship in a closed corporate ecosystem of products and cites the example of Drones+, an app designed to provide up-to-date information on drone strikes, and the reasons for which it has repeatedly been banned from appearing on the App Store. This calls to mind several of the ideas present in the Half-Inch Revolution concering the dangers of a system predicated on the delivery of content overseen by a single source. Worstall, Tim. "The Problem With Apple's Closed Apps Universe." Forbes. http://www.forbes.com/sites/timworstall/2012/08/31/the-problem-with-apples-closed-apps-universe/ (accessed February 7, 2014).

A resonant example from everyday media life. There was a somewhat similar disruption a few years ago with an iPhone game app premised on revealing the external costs of iPhone production and disposal. A bit more bald in its critique, it too was rejected.

"The GNU Project is not limited to the core operating system. We aim to provide a whole spectrum of software, whatever many users want to have. This includes application software. See the Free Software Directory for a catalogue of free software application programs."

In Open Source as Culture/ Culture as Open Source, the operating systems Linux and GNU. GNU was developed by Richard Stallman in 1983 as an open source operating system which could be developed by many different people working towards the freedom of software. The GNU project was necessary when most software was proprietary in the 1980's. The GNU web page has a great detailed history of the development of GNU from its beginning to how it is being used now Stallman, Richard. GNU Project, Accessed February 12, 2014.

Though the internet art we have been reading about is related directly to activism, I was trying to think of whether I can think of any modern internet art in any form. What came to mind first, at least in the main-stream(ish) realm is the fairly recent trend of google poetics. Basically the concept is that when you start typing a word or a phrase into google, it's suggestions will appear in a drop down menu. Often humorous, if looked at in the arena of poetry they can be awfully profound.

Thanks this was great example of internet based art in the age of Web 2.0,-- it echoes gestures by Cary Peppermint, Keith Obadike and is related via contemporary experimental writing, to Flarf, a sort of spam-based poetry

This is a better article describing how she made her way into sci-fi and a great explanation of Cyborgs within Afro Futurism as metaphors for the struggle of any oppressed within a social power dynamic.

Thanks for sharing these! Now that I see the name, I think that she might have been mentioned by Soda_Jerk, guest artists in another class last semester. I'll put up link to their project, also in realm of Afrofuturism.

Here's part 1 (of 3 segments on youtube) of documentary by John Akomfrah on Afrofuturism---an African-American literary and cultural movement, associated with science-fiction writers Samuel Delany, Octavia Butler and others. This movie's protagonist the "data thief" digs through archives of past, present and future, drawing on intersections between various musical genres which share a mythos of future technology and the extra-terrestrial. The future read as history, something already happened, the Atlantic Slave trade framed as alien abduction narrative, the music producer/DJ as cyborg --- human/machine hybrid finding new connections through material memories of black culture. "The Last Angel of History (part 1)" Posted on Youtube by Desultory Heroics. November 23, 2013. Accessed February 21, 2014. http://www.youtube.com/watch?v=IqgkXbQOi68

Through the Rhizome website, I found Net.artist, Cornelia Sollfrank. Sollfrank with the help of four other artists, created a program that would comb the internet for content and then assemble it into a sort of collage of text and images. This is the Net.art Generator. It seems to me that the project is a comment on the proliferation of net.art at the time and whether or not certain net.art could even be considered art. The piece also seems to question authorship and appropriation. There is also a link on the site to a video of the generator in an art show somewhere, being used. "A smart artist makes the machine do the work" Sollfrank, Cornelia. Rhizome.org, "The Net.art Generator." Last modified 2011. Accessed February 21, 2014. http://archive.rhizome.org/artbase/33601/. Hasty, Nick. Rhizome, "Rhizome." Last modified 01 17, 2011. Accessed February 21, 2014. http://rhizome.org/.

This is a study by Amy L. Gonzales and Jeffery T. Hancock on how exposure to Facebook effects self-esteem. The study analyzes the psychological effect on the individuals as they view their personal Facebook profiles. The article then discusses two different possible reactions. The first would be OSA which is Objective Self Awareness, which is a negative response and the other is the Hyperpersonal Model which enhances self-esteem. The study later concludes that since a majority of the content on the users profiles are selected the individuals experience the Hyperpersonal Model, since the individuals have the satisfaction of preserving themselves selectively.

As I read 'Web Work: A History of Internet Art' by Rachel Greene, I highlighted some of the websites mentioned to go back to and explore. One of these sites was jodi.org. On my first visit to the site, I just typed in Jodi.org in my Chrome browser, which I will warn you right now: DON'T DO IT! I was brought to a blank black page with no information except that my pop up blocker informed me that it blocked a pop up. Being the fool that I am, I changed the setting to allow pop ups from jodi.org, thinking that maybe the pop up was part of the net.art I would find on the page. Immediately a half dozen or so pop ups popped up and started moving around the page, as I tried to close out of the windows they became more and more erratic and finally I just quit Chrome to get out of there. Then I went to Jodi.org throughout the portal of the Wayback Machine. It seemed like another one of those: "rabbit-hole-look-there-are-so-many-fucking-links-all-over-that-move-and-change-colors-and-shit-aren't-we-so-disruptive-type-sites." that Clae was talking about. Then as I was writing this up, in order to give a better description of the site I went to outside of The Wayback Machine, I went back to Jodi.org and a different page came up! Each time I closed the window and went back to Jodi.org, I was directed to a new and different page. It still seems sketchy and I only visited a few more pages, but I thought it was interesting anyways. "Jodi.org." Accessed February 20, 2014. http://jodi.org.

Aha! JODI, of course! This happened to me too---I couldn't remember which net.artist it was. It's certainly one way of engaging a viewer. This reminds me of something that the writer William Burroughs once said in an interview "If I really knew how to write, I could write something that someone would read and it would kill them" ---- JODI's site doesn't seem so fatal in intention, but there is a strong sense of panic induced by their clever coding!

Nick Foster (aka Fosta) explains his interest in exploring the banal everyday of future worlds, rather than the gee-whiz spaceship /laser gun tropes of sci-fi cinema. He elaborates on three characteristics: Background Talent (what do the paperclips, gardenhoses and tape dispensers look like in the future?), Accretive Space (technologies persist, new are mixed with old) and Partly Broken ( for every new gadget there is a constellation of spotty service, short battery life, and other 'broken realities'.) Foster also points to several science-fiction movies that make efforts to depict the mundane. Fosta. "The Future Mundane" Core77. Published October 7, 2013. Accessed March 7, 2014. http://www.core77.com/blog/columns/the_future_mundane_25678.asp

An interesting case of design fiction where they have actually programmed a washer to be connected to a smartphone through the cloud so that you may control changes from you phone as well as receive notifications. What they have done which I find interesting is that they have made this video as a way to "start a conversation" about this instance of design fiction. Unlike some design fiction they are not claiming to know what the future will look like or pretend like they have already created the product and worked out all of the bugs. Their approach to design fiction is very simplistic and honest. ""Cloudwash is a prototype connected washing machine. We prototype products at Berg to help us understand how our platform should work, and to encourage better design in connected things…" BERG, "Berg Case Studies/ Cloudwash." Accessed March 20, 2014. http://bergcloud.com/case-studies/cloudwash/.

This piece of design fiction by Cisco called "The Internet of Everything" is probably closer to a sci-fi movie than design fiction but I found it interesting to contrast with the BERG Cloudwash prototype that I posted. Its pretty ridiculous, but it would also be cool if some of these things became realities. Just watch it and you'll see. "The Internet of Everything." Cisco 2014. Web, https://www.youtube.com/watch?v=Kt5VulFqBm4.

The Circle by David Eggers is an interesting take on social networks and the possibility of a future dystopia cyber landscape. It is about a young woman who starts working at a facebook/google like company called The Circle and looses her private life her job. This novel is similar to design fiction in presenting what could possibly happen in the future, but in this case it is a negative view. If you are interested in context collapse, social media, communication and interaction this book is really interesting. I have linked to a 45 minute audio recording in which David Eggers reads a excerpt from his book. Here is a better summary of the entire story if you like the exerpt: "When Mae Holland is hired to work for the Circle, the world's most powerful internet company, she feels she's been given the opportunity of a lifetime. The Circle, run out of a sprawling California campus, links users' personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company's modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can't believe her luck, her great fortune to work for the most influential company in the world-even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman's ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge" E

Eggars, David. The Circle. Knopf, 2013.

This short essay by Julian Bleeker talks about exactly what is insinuated in the title design, science, fact, and fiction, and how all of these components come together in order to form what we know as design fiction. This short essay is not very short but there are a lot of interesting points and picture about how and why design fiction functions. Bleeker, Julian. Design Fiction: A Short Essay on Design, Science, Fact, and Fiction. http://drbfw5wfjlxon.cloudfront.net/writing/DesignFiction_WebEdition.pdf (accessed March 20, 2014).

Here is another article dealing with the questions I posed in my last post. This one is by Bruce Schneier, who, if I am correct, is a friend and colleague of Bruce Sterling. Schneier seems to be an expert on digital security and he goes over a lot of interesting points regarding security with the internet of things. Schneier, Bruce. "The Internet of Things Is Wildly Insecure - And Often Unpatchable" Wired. January 6, 2014 http://www.wired.com/opinion/2014/01/theres-no-good-way-to-patch-the-internet-of-things-and-thats-a-huge-problem/

I wonder what opportunities for "electronic civil disobedience" might be uncovered in the IoT landscape?

This piece of Design Fiction is imagined to exist in a world where products are developed to the point where they almost have lives themselves. When thinking in terms of Spime, "Brad the Toaster" is a product that plays into the idea of discontinuing the process where products of today's consumer culture are built, and then soon become obsolete due to new technologies arising. Brad and his fellow Sprimes might be the answer to all environmental sustainability problems. Sprimes would be sent out into the world, their every move being trached. Every interaction that they have with people will be tracked, and stored in a database, ready to be accessed by developers. If these developers can study these interactions, what does work with a product, and what doesn't, then their Brad 2.0's can be the best possible product, without having to create a series of upgraded products, only to be obsolete when a new need is discovered. Vanhemert, Kyle. "A Toaster That Begs You to Use It: Welcome to the Bizarro Smart Home." Wired. March 14, 2014 http://www.wired.com/design/2014/03/addicted-products/

Thanks, this intersects with a number of rich topics within realm of New Media and, as you note, spimes in particular! There's also a funny variant here of anthropomorphized machines and notions of sentience. The video for Brad the Toaster is another compelling example of a diegetic prototype

This story covers the "human power movement." These ideas were created as a push back against the convenience of many technical advancements. Although convenience and efficiency are generally good things, some believe that it makes the body (the fleshy human one) become weak and soft. The story highlights different bizarre ways folks are approaching this design problem. Sharpe, Jennifer. "Rejecting Tech, Some Opting For Human Power." NPR.com, September 7, 2009. http://www.npr.org/templates/story/story.php?storyId=112622695

This beautifully animated four-minute mini-film provides a simple yet profound response to a poignant question: What is the connection between social networks and being lonely?

Nice! This is very powerful example of critical media practice. Augmenting traditional rhetorical appeals and persuasive gestures with the affordances of digital animation and sound design.

As I was reading the Cyber Space Alarm article at term struck my interest, "Cyber-Democray." So I Googled it and I found this very interesting article written in 1995 which discusses a lot of the key points that we have been addressing in class. Everything from the technology to the political involvement of the internet. This article also discusses MOOs and the internist as a "public sphere." All of these topics are addressed with the explaining the "cyber democracy. Poster, Mark . "democ.htm." democ.htm. http://www.hnet.uci.edu/mposter/writings/democ.html