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analysis by BuzzFeed News shows the number of shares on Facebook, Twitter, and other social media sites of the most-read stories about Syria in the past two months were a 10th of what they were just over a year ago

“I work so hard to try and post videos, but no one cares. I don’t know what to say. They just see the article or report, and just say: ‘Oh, that’s really sad.’ And after that they turn the internet off and go and live their lives.”

Once the footage is online people like Ethar El-Katatney, executive producer of AJ+, pick it up, and try to work out how they can tell the next story from Syria.“All of the footage I am looking at today looks the same as the footage I saw a year ago and it’s the same dust, and blood, and screaming, and hospital rooms and hospital floors,” El-Katatney told BuzzFeed News. “It has become normalized.”

Last year, wondering what it means to be a Syrian artist when Syria in many ways no longer exists, I began to map the journeys of a hundred artists from the country. As I discovered, a large portion of the older guard of artists has ended up in Paris, thanks to visas issued by the French Embassy in Beirut. Many of the younger generation headed for the creative haven of Berlin, where rent is relatively cheap. Only a scant few remained in the Middle East, which proved expensive or unwelcoming.

A few artists remain loyal to the Assad regime, which has long seen itself as a great patron of the arts. Some of the artists who were still in Syria asked not to be mapped, even anonymously, for fear that the regime would perceive them as disloyal and punish their families. A few took issue with the label “Syrian artist” altogether. “I don’t want to become part of the Syrian-refugee industry,” Sulafa Hijazi, a visual artist now living in Berlin, told me

the Syria Cultural Index, “an alternative map connecting the Syrian artistic community around the globe and showcasing their work to the world.”

In Morocco, Syria, Bahrain and Iran, pro-revolution users of the site have found themselves locked in a battle of the hashtags as Twitter accounts with a pro-government message are quickly created to counter the prevailing narrative

Another set of accounts, however, managed to inundate the #Syria tag. Using a Bahraini company, EGHNA, bots are sending messages – sometimes several a minute – using various Syria-related search terms.Under the heading "Success stories", the EGNHA website says:"LovelySyria is using EGHNA Media Server to promote interesting photography about Syria using their Twitter accounts. EGHNA Media Server helped LovelySyria get attention to the beauty of Syria, and build a community of people who love the country and admire its beauty. Some of their network members started translating photo descriptions and rebroadcasting them to give the Syrian beauty more exposure.LovelySyria is using their own installation of EGHNA Ad Center to generate the Twitter messages, their current schedule is two messages every five minutes."Other accounts, such as @SyriaBeauty, @DNNUpdates and @SyLeague, perform similar functions. Their messages are sometimes political, sometimes not, but all were created recently and all serve the purpose of diverting attention from the Syrian protests.

although Twitter shies away from moderating content and removing users, the search functionality favours users with a complete username, profile and photograph, and users who automate their tweets can be removed from search.

After reviewing more than 38 million Twitter posts about the Syrian conflict, a team of Middle East scholars from The George Washington University and American University concluded that rather than an objective account of what’s taken place, social media posts have been carefully curated to represent a specific view of the war. It said the skewing of the social media view of the conflict has been amplified by the way more traditional news outlets make use of the postings – for example, passing along social media posts written in English over those written in Arabic. The analysts studied tweets that mentioned Syria in English or Arabic from the start of 2011 through April 2013. They then analyzed how “traditional” forms of media, such as newspapers, used social media to supplement their coverage of the conflict.

Because journalists were largely unable to get direct access to the events in Syria at the start of the conflict, many relied on “citizen journalism,” or accounts from Syrians who said they’d witnessed events firsthand, often posted on social media, said Marc Lynch

as the uprising continued, tweets in Arabic began to dramatically outpace tweets in English. From January 2011 to June 2011, English-language tweets were most common, but Arabic tweets made up almost 75 percent of all tweets about Syria just a year later.

the Syrian Bar Association has "asked a legal committee to study the situation of crimes perpetrated by a number of Arab and international TV stations and individuals who have contributed to the media forgery and acts of instigation to destabilise Syria".

"Nasrallah spoke of the ongoing disinformation and fabrications campaign against Syria and of huge amounts of money paid by US bodies and by others to some Syrian figures and sections under the pretext of supporting democracy as to destabilise Syria."

a generous helping of foreign conspiracy theory from the Tehran Times in Iran. Quoting a Syrian writer, Colette Khoury, it says Syria is paying the price "for saying no to Israel and America for a long time". "We are proud of belonging to Syria, the only independent state that refused to give up resistance," Khoury says. "It isn’t a matter of reform, not any more. It is about Syria and the Syrian people."

Speaking of Syria, comparisons between its civil war and the situation in Ukraine dominate commentary throughout the Middle East. "At a time when the drums of war are beating in Ukraine and the Crimea Peninsula, the Russians should note that they should not vote for the death of diplomacy because they won the Syrian crisis with the same trump card," writes Jalal Barzegar in Iran's conservative daily Iran. "If diplomacy backs down in the face of militarism, or in fact be forced to retreat, its consequences will not be limited to Ukraine; it will rather affect the international atmosphere." He argues: "Russia's insistence on going down the same road could have unpredictable consequences for Crimea, other areas in Ukraine and even other parts of the world such as Syria." Yosef Mowlai in the reformist Iranian daily Sharq also draws comparisons to Iraq and Afghanistan, predicting that things aren't going to end well for the Russians. "The main concern of Russian officials is not international law; rather it is their country's security in its own backyard which comes at the expense of ignoring the independence and sovereignty of other nations," he writes. "It seems that the Russian Federation has not learned enough from its costly defeat in Afghanistan and has not learned from America's struggle in Afghanistan and Iraq's quagmire. Russia has made another serious mistake and got involved in a dangerous game again."

Could Syria and Ukraine be horse-traded in some sort of geopolitical diplomatic deal? Urayb al-Rintawi in Jordan's Al-Dustur doesn't think so. "Some people think there is a chance of trading Syria for Ukraine if the Kremlin were to abandon Al-Assad in return for Washington and Brussels's abandonment of their allies in Kiev and vice versa," he writes. However, such a trade-off is not possible because in America's strategic calculations, Syria is relegated to bottom position compared to Ukraine."

Khamis al-Tubi in Oman's Al-Watan detects what he sees as an anti-Russian "Zionist" conspiracy.

A federal court has held Syria’s government liable for the targeting and killing of an American journalist as she reported on the shelling of a rebellious area of Homs in 2012. The decision could help ease the way for war-crimes prosecutions arising from the Syria conflict.

awarded $302.5 million to relatives of the journalist, Marie Colvin. Of that sum, $300 million is punitive damages for what Judge Amy Berman Jackson, in her ruling, called “Syria’s longstanding policy of violence” that aimed “to intimidate journalists” and “suppress dissent.”

The large size of the award sends a message, he said, that “the rule of law is still a force to be reckoned with,” even amid a global trend toward authoritarianism and the killing of journalists like Jamal Khashoggi, the Saudi Arabian slain in his country’s consulate in Istanbul.

Going back 10 years to the Arab Spring and eight years before that to the invasion of Iraq, much of the region has experienced terrible loss not only on a human scale, but also of its archaeological heritage. The culmination of both came in 2015 with the brutal murder of the 82-year-old archaeologist Khaled al-Asaad — who had been in charge of the Syrian UNESCO World Heritage site of Palmyra for 40 years — and the destruction of part of the 2,000-year-old site by the Islamic State group

Three countries — Iraq, Syria and Libya — have an extraordinary heritage of ancient archaeological sites, many of them now endangered, and had in common long-standing dictators, (although in the case of Syria, of course, the Assad regime continues), all of whom used their cultural heritage in various ways to define how they saw their nation

That dictators draw inspiration from ancient history to shape their nations is nothing new — Mussolini looked back to the Roman empire, while Hitler and the Nazi party developed their mythical, ancient “Aryan” race. The last shah of Iran, Mohammad Reza Pahlavi, threw one of the most lavish parties in history at Persepolis in 1971 during national celebrations to illustrate the grandeur of the 2,500-year-old Persian empire founded by Cyrus the Great in the sixth century B.C.

The smartphone is more dangerous than Israel to them now.” (In December, Syria banned the iPhone, saying it was detrimental to the country’s stability.)

A report released last week by Paris-based media freedom group Reporters Without Borders (RSF) ranks Syria 176th in the world in terms of media freedom, a drop from last year's already dismal ranking of 173rd out of 179. When it comes to freedom of the media, Syria is now the worst country in the Middle East, ranking just below Iran. And internationally, it fares better than only Turkmenistan, North Korea and Eritrea, described by the report as “absolute dictatorships that permit no civil liberties.”

In a report issued in November, Reporters Without Borders urged foreign journalists to take utmost care in protecting local sources. The non-governmental organization noted: “If a foreign reporter is arrested in Syria, he faces a few days in detention and then deportation. But Syrians pay a much higher price for their involvement.”

We've heard these pleas before. The BBC reports regularly from inside Syria, as do several American papers, and although coverage of the Syrian war is not wall-to-wall on American networks, it gets regular, consistent attention. So where is the public outrage about a war so chaotic and dangerous that even the UN has stopped keeping track of the death toll? Have we all become numb to the pain of others?

The world inevitably tires of complex, long conflicts where there are no clear answers about how to end the violence. This cartoon in the New Yorker is a harsh but perhaps accurate look at how the collective conscience deals with the relentless stream of bad news from Syria.

Spare a thought for the North Koreans, too. A UN report out last week, too horrific even to read, compares the abuses committee by the government to Nazi Germany. I have yet to see much outrage or calls for action

David Cameron yesterday denounced all opponents of his plans to bomb Syria as “terrorist sympathisers”. That makes me a terrorist sympathiser as well, and places me in distinguished company.

he has come to share the disastrous analysis of G W Bush after 9/11. The United States president’s notorious statement that “You are either with us or against us” left no room for argument or discussion.Intelligent critics in the United States were cast into the political darkness. With a very few honourable exceptions, the opposition Democratic party rallied behind Bush as the commander-in-chief, gave him sweeping new powers and saluted smartly as he led the United States into his disastrous war in Iraq. US allies had the choice of joining in the US “war on terror” or themselves coming under suspicion or attack.The events of the last 14 years have exposed this way of looking at the world as simple-minded and calamitous. If we have learnt anything from the Iraq War, it is that actions, however well intended, can have unintended consequences.

War is specially serious, as it always involves loss of life and causes such suffering. This does not mean that we should never fight a war, but it makes it outrageous when war is used for partisan political advantage.David Cameron and his fellow Tory strategists have been doing exactly that for more than a week. He has been using the argument on Syria to cause chaos in the Labour Party.

Architecture has been part of that work. The unspoken assumption was that houses should fit together along alleys and streets, that no private house should be so ostentatious as to stand higher than the mosque or the church, and that the city should be a compact and unified place, built with local materials according to a shared vocabulary of forms. Thick walls of stone created interiors that would be cool in summer and warm in winter with the minimum use of energy. The souk was conceived as a public place, embellished appropriately so as to represent the heart of the city, the place where the free trade of goods expressed the free mingling of the communities.

The old souk of Aleppo, tragically destroyed in the current Syrian conflict, was a perfect example of this, the delicate and life-affirming center of a city that has been in continuous habitation for a longer time than any other. That city rose to eminence as the final station on the Silk Road, the place where treasures were unloaded from the backs of camels coming from Mesopotamia onto the carts that would take them to the Mediterranean ports. The fate of this city, which has, in the 21st century, faced destruction for the first time in 5,000 years, is a fitting emblem of what is happening to the Middle East today.

it is not only civil conflict that has threatened the ancient cities of the Middle East. Long before the current crisis there arrived new ways of building, which showed scant respect for the old experience of settlement and disregarded the unwritten law of the Arab city that no building should reach higher than the mosque, it being the first need of the visitor to spy out the minaret, and so to find the place of prayer. These new ways of building came, like so much else, from the West, first through colonial administration and then through foreign “advisors,” often taking advantage of the insecure land-law of the region, introduced by the Ottoman land code of 1858. By the time France had been granted the mandate to govern Syria in 1923, modernist building types, the mania for roads and motorized “circulation,” the idea that cities should be disaggregated into “zones”—residential, commercial, industrial, and so on—and the obsession with hygiene had all made their destructive mark on the urban fabric

"Cyber attacks are the new reality of modern warfare," said Hayat Alvi, lecturer in Middle Eastern studies at the US Naval War College. "We can expect more... from all directions. In war, the greatest casualty is the truth. Each side will try to manipulate information to make their own side look like it is gaining while the other is losing."

In April, Saudi-based broadcaster Al Arabiya briefly lost control of one of its twitter accounts, which was then used to spread a string of stories suggesting a political crisis in Qatar. Tweets included claims that the Qatari prime minister had been sacked, his daughter arrested in London and that a coup orchestrated by the army chief was underway.

there seems little sign such incidents made a significant difference either on the ground in Syria or to the wider geopolitical picture

As we can see from these estimates below, the volume of Syria-related tweets (as a percentage of overall tweets) appears considerably lower than the volume related to the uprisings in Egypt and Iran. The estimates were constructed using multiple published Web sources reporting on number of tweets for the observed events as well as total Twitter traffic over time, including Twitter's blog, Customer Insight Group, Mashable, the Sysomos blog, and a dataset acquired via Twapperkeeper.

The Iranian protests in 2009 marked the first time that social media let us witness this kind of protest in a closed society from the citizens' point of view. The world watched, transfixed, as the death of protester Neda Agha-Soltan was caught on video. Now, these kinds of horrifying images have become alarmingly common.

The revolution in Egypt was relatively short, fast, and explosive. The Syrian uprising, by contrast, has been going on for 11 long months. Certain moments have refocused the world's attention, such as the siege of Homs in early February or the deaths of journalists Anthony Shadid, Marie Colvin, and Rémi Ochlik. Otherwise, much of the Syrian uprising has tragically resembled, as NPR's Andy Carvin puts it, "the proverbial boiling of the frog." While Carvin and others have been devotedly tweeting about Syria, he acknowledges that the length of the uprising might deter some news coverage. "I could imagine editors saying, what's the new angle here?" he says.