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Most international news organisations have no presence in the country (and, some say, a lack of interest in the protests). Media posted online by Tunisian web activists has been some of the only material that has slipped through the blackout, even if their videos and photos haven't generated quite the same enthusiastic coverage by Western media as the Iranian protest movement did in 2009.

Several sources Al Jazeera spoke with said that web activists had been receiving anonymous phone calls, warning them to delete critical posts on their Facebook pages or face the consequences.

Sami Ben Gharbia, who monitors Tunisia's web censorship for Global Voices, said that Google and Facebook were in no way complicit in the sophisticated phishing technique. The initial signs that something was underway came on Saturday, he said, when the secure https protocol became unavailable in Tunisia. This forced web users to use the non-secure http protocol. The government's internet team then appears to have gone phishing for individuals' usernames and passwords on services including Gmail, Facebook, Yahoo and Hotmail. Web activists and journalists alerted others of the alleged hacking by the government via Twitter, which is not susceptible to the same types of operations. "The goal, amongst others, is to delete the Facebook pages which these people administer," a Tunisian internet professional, who has also been in contact with Anonymous, told Al Jazeera in an emailed interview. The same source, who asked to remain unidentified due to the potential consequences for speaking out, said that in communication with the international group, he had come up with a Greasemonkey script for fireFox internet browsers that deactivated the government's malicious code.

An Arabic net address ending has become the first to go live as part of the rollout of more than 1,000 new generic top-level domain (gTLD) name suffixes. The first websites ending in شبكة. - pronounced dot shabaka, and meaning web - went online a day ahead of schedule.

The DotShabaka Registry - the Dubai-based business running the شبكة. gTLD - announced that both its own homepage and that of the United Arab Emirates telecoms provider Etisalat had started using its new suffix, at a conference in Dubai.

"It's monumental, in my opinion, because it means the internet finally speaks in Arabic," Yasmin Omer, general manager of the DotShabaka Registry told the BBC.

The Jordanian government on Aug. 1 closed a shrine dedicated to the prophet Aaron near the ancient Nabataean city of Petra. The move followed a burst of public outrage sparked by videos and photos circulating on the internet showing a group of Jewish tourists praying at the site. 

Suleiman Farajat, commissioner of the Petra Development and Tourism Region Authority (PDTRA), had said in an Aug. 2 statement that the photos shared online date to 2013, but that the videos of Jewish men praying were more recent. Farajat remarked that the PDTRA had closed the site after learning that some 300 Israeli tourists had been planning to visit the shrine. At least five Israelis were able to enter the tomb, having been permitted access by guards. Farajat stressed that the authority will not allow non-Islamic religious ceremonies at the site. He asserted in his statement that the tomb has nothing to do with Judaism historically or archaeologically.

an Israeli tour guide for one visit had denied that any of the tourists had prayed and said the trip had been coordinated with Jordanian authorities

Saudi Arabia’s history with WWE, like much of its frenetic investment in sports and entertainment over the past few years, is a study in how little diplomacy is needed when you control one of the largest sovereign wealth funds in history. Using their Public Investment Fund, valued at more than $776 billion, the Saudis have effectively bought some of the world’s most loyal fan bases, bent opponents to their will and wildly shifted the economics of international sports.

In the sports world, overcoming a reputation as a global pariah — condemned by human rights organizations for alleged war atrocities and its links to the 9/11 hijackers, the imprisonment of activists and the Khashoggi assassination — has been as simple for Saudi Arabia as advancing claims of innocence or autonomy.

The Saudi Pro League has become the default destination for aging soccer legends seeking unprecedented paydays, including Cristiano Ronaldo, who reportedly is paid roughly $220 million per year to play for Al Nassr. Lionel Messi turned down a similar bounty in favor of playing in the United States. But he still agreed to promote Saudi Arabia for a reported $25 million under a contract that mandates he is not permitted to make any remarks that “tarnish” the kingdom.

Next year, the gritty tale about mafia-style murders will become the first Arabic language film to represent Israel at the Oscars.

Impoverished Israeli Arabs shooting one another in the shadow of the gleaming towers of Tel Aviv is far from Israel's preferred international image.

dark underside to the ideal of coexistence sometimes touted in mixed Jewish-Arab areas like Jaffa.

Careful, stopping is recurrent. This is typically the warning you see at the back of a school bus that is bound to stop intermittently, but in Youssef’s case, it’s a pun on the possibility of censorship on the uncompromised content of the show

CBC, alongside Egypt’s contested media practice, would quickly become one of the main subjects of Youssef’s satire in his comeback.  The episode, aired this time on MBC Masr, was full-on general satire of the condition of censorship Youssef and others face. It was also mocking prevalent and flawed media practices that do more subservience than relaying truths. The show started with Youssef hesitantly presenting the script of the new season to the channel, as the disgruntled channel manager tries to convince him to shift to something else - presenting a show on women, for example, and essentially “eating bread”, an Arabic expression denoting the need to toe the line in order to survive. “I don’t like dialectics. I don’t like dialectics!” is the channel’s response, which resonates with a broader headline on today’s Egypt, where little criticism to the ruling authority is tolerated.

Youssef responds in his interview published on February 2 by the German Deutshe Welle by saying, “It’s important that people hear a different view. People can’t keep hearing the same thing all the time. That’s why there has to be some political mobility. I understand there is some fear… it’s hard to talk with logic then. But then imagine humor!”

analysis by BuzzFeed News shows the number of shares on Facebook, Twitter, and other social media sites of the most-read stories about Syria in the past two months were a 10th of what they were just over a year ago

“I work so hard to try and post videos, but no one cares. I don’t know what to say. They just see the article or report, and just say: ‘Oh, that’s really sad.’ And after that they turn the internet off and go and live their lives.”

Once the footage is online people like Ethar El-Katatney, executive producer of AJ+, pick it up, and try to work out how they can tell the next story from Syria.“All of the footage I am looking at today looks the same as the footage I saw a year ago and it’s the same dust, and blood, and screaming, and hospital rooms and hospital floors,” El-Katatney told BuzzFeed News. “It has become normalized.”

the main reason for Kamal’s dismissal was that he made a seemingly minor programming change in his last episode on August 2, going against instructions handed down by a group of young graduates of the Presidential Leadership Program (PLP) who have been put in charge of editorial content for all channels owned by the General Intelligence Service (GIS), including DMC

GIS owns the Egyptian Media Group, the biggest media conglomerate in Egypt and the parent company of several media organizations, including ONtv and the Youm7 news organization. The GIS also owns D Media, which owns the DMC network, Radio 9090 and mobtada.com. The GIS also has majority stakes in channels like al-Hayat TV, al-Nahar TV and CBC TV

Presidential Leadership Program was launched in 2015 under an initiative announced by President Abdel Fattah al-Sisi. Run in partnership with the Ministry of Defense and the Cabinet of Ministers, the PLP “targets young future leaders and enables them to acquire the skills they need to learn about governance, administrative and political fields,” according to their website. The eight-month program is open to university graduates between 20 and 30 years old with the goal of “increasing the awareness of young people on political and national development knowledge.” At the National Youth Conference in April 2017, Sisi said the PLP prepares young adults to fill crucial roles in the presidency, ministries and governorates

Wrongful arrests, an expanding surveillance dragnet, defamation and deep-fake pornography are all actually existing dangers of so-called “artificial intelligence” tools currently on the market. That, and not the imagined potential to wipe out humanity, is the real threat from artificial intelligence.

Beneath the hype from many AI firms, their technology already enables routine discrimination in housing, criminal justice and health care, as well as the spread of hate speech and misinformation in non-English languages. Already, algorithmic management programs subject workers to run-of-the-mill wage theft, and these programs are becoming more prevalent.

Corporate AI labs justify this posturing with pseudoscientific research reports that misdirect regulatory attention to such imaginary scenarios using fear-mongering terminology, such as “existential risk.”

a film based on “The 1,001 Arabian Nights” is a risky venture. On the one hand, Hollywood Golden Age standards like “The Thief of Baghdad” (1924) and “Ali Baba and the Forty Thieves” (1944) get applause even from someone like Jack Shaheen, who in his book “Reel Bad Arabs” tries very hard to sniff out anti-Arab sentiment. On the other hand, Disney rolled the dice in 1992 and wound up with “Aladdin,” one of the most scandalous films ever made. This was thanks to an ill-advised song lyric about the Middle East: “Where they cut off your ear if they don’t like your face.” (The 1993 VHS version tossed out this carbuncle but kept the phrase “It’s barbaric, but hey it’s home.”) The 2019 Will Smith reboot of the same name, one of that year’s highest-grossing films, didn’t do much in the eyes of critics to update Orientalist caricatures. Teachers still use the 1992 version to show what not to say about Arabs and Islam. Another Disney production, 2010’s “Prince of Persia: The Sands of Time,” which was based on the Persian national epic “Shahnameh,” got panned for casting Jake Gyllenhaal, a white actor, to play a Persian character. And the list goes on.

“Three Thousand Years,” billed as “Aladdin for adults” and based on the 1994 short story “The Djinn in the Nightingale’s Eye” by A.S. Byatt for The Paris Review

at a time of heightened sensitivity to who gets to tell stories, can Hollywood still celebrate the Middle East?

a rare public glimpse of how Israel and its American allies harness Israel’s influential tech sector and tech diaspora to run cover for the Jewish state as it endures scrutiny over the humanitarian impact of its invasion of Gaza.

reveal the degree to which, in the tech-oriented hasbara world, the lines between government, the private sector, and the nonprofit world are blurry at best. And the tactics that these wealthy individuals, advocates, and groups use -- hounding Israel critics on social media; firing pro-Palestine employees and canceling speaking engagements; smearing Palestinian journalists; and attempting to ship military-grade equipment to the IDF -- are often heavy-handed and controversial.

Members of the hasbara-oriented tech world WhatsApp group have eagerly taken up the call to shape public opinion as part of a bid to win what’s been described as the “second battlefield” and “the information war.”