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Ed Webb

Despite Limits on Freedom, Foreign Campuses Retain Value, Speakers Say - Global - The C... - 0 views

  • Dubai, one of the seven principalities that make up the small, oil-rich United Arab Emirates, is a growing destination for students from the Middle East, India, and China, making it a logical host for the Going Global conference, said the British Council, the British government's cultural and educational arm and the event's organizer. But recently the Emirates have been better known as the site of an academic controversy.
  • countries of the Gulf Cooperation Council, of which the U.A.E. is a member, are at the "cutting edge" of efforts to internationalize higher education, and that holding the conference in Dubai "contributes to the sterling efforts being made in countries like the U.A.E. and Qatar to open their societies to international debates."
  • Foreign universities are guests in the United Arab Emirates and need to be "aware of the environment they're entering," said Warren Fox, executive director for higher education at the Knowledge and Human Development Authority, a Dubai government agency that accredits and regulates foreign higher-education institutions. "If universities decided they could only go to countries with the same cultural and political values, they wouldn't go abroad at all," said Mr. Fox. "And I think they should, because of the benefits to students and to universities."
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  • The United Arab Emirates is home to 37 international branch campuses, which serve its large expatriate population. The government of Abu Dhabi, part of the U.A.E., is also financing lavish new campuses for New York University and the Sorbonne.
  • universities here must also obtain security clearances to hire academics, organize conferences, and invite speakers. In the wake of the Arab Spring, authorities have tightened restrictions on freedom of expression and arrested nearly a hundred human-rights activists and Islamists they accuse of plotting to overthrow the state
  • Dubai International Academic City, a "free zone" that is home to dozens of foreign universities
  • our subject is engineering. We don't teach politics
Ed Webb

Three Films, One Spectator and A Polemic: Arab Documentaries and 'Global' Audiences - 0 views

  • The world is really not a global village. It is only so for those who are able to go anywhere without visas, have almost all the world’s knowledge production translated into their language, and the most important art institutions just around the corner from where they live. The rest only live under this pretense of globalism, internationalism and many other ism(s) that conceal the way power works in the world.
  • What exists is a hand-picking of a few films from all over the global south to be taken to world festivals to fulfill a quota of “world cinema,” African cinema, Arab cinema, Iranian cinema or whichever one is in vogue depending on the political climate.
  • with these exhibition circuits in mind, many filmmakers consciously or unconsciously tweak their narratives to appeal to the imaginary spectators located in this ambiguous global realm. Strategies deployed include explaining that which need not be explained if the film was targeted primarily to a familiar audience (including a phrase such as “Hosni Mubarak ruled Egypt for 30 years” is an example), having the film speak in a language other than its subjects’ native tongue rather than just adding subtitles, and opting for the consolidation of a narrative at the expense of maintaining the almost always deeply fragmented political nuances of their story. These strategies often result in films that are simplistic, clichéd, and politically problematic.
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  • by being posited as films that inform, educate and explain what is going on here to audiences over there, these films become central to a pre-existing East-West dynamic—a sphere of knowledge production and image-making that tries to translate the orient to an elsewhere
  • These are discourses that seek to “save brown women from brown men” or brown liberal men from oppressive brown regimes, or basically to save the Arabs from their Arabness, with all the cultural stereotypes such a term entails.
  • The problem with these films is that they ignore the interconnectedness of “developed” and “developing” countries, of authoritarianism in the Middle East and liberal democracies in the west, of Islamic fundamentalism and the Cold War, and of metropolitan centers of global capitalism and the dispossession of millions all over the world. The problem gets even more complicated when entitlement and ability to represent becomes unquestioned.
  • These films portray living stereotypes of actual people, focusing on the elements of their lives that are ‘interesting’ only in so much as they tell us something about clichéd versions of Egypt, Tahrir, Islam, women, art and war, conflict, poverty, dispossession and resistance. These topics are not interesting for those who live in war, conflict, poverty and dispossession, those for whom Tahrir was not a spectacle and resistance is a complicated act. In such a context these issues might be relevant, but they are only interesting somewhere else.
  • I am skeptical of the act of representation itself, the provision of ready-made, easily translatable narratives about 2011 as if the revolution was a thing, and as if "Arabness" is also a thing. If postmodernism declared the death of the meta-narratives—teleogically oriented, totalizing worldviews that tend to put in a claim for the universal and promise utopian resolutions that are yet to occur—Arab Spring documentaries lie on the opposite side of the spectrum. The conditions of their existence, profitability, visibility and circulation depends first and foremost on their claims to a certain truth about “what really happened” over there. But neither the "Arab Spring" nor the "Arab World" can be explained through the sum of their parts. They are constructed, time and time again, through the very narratives that eclipse alternative imaginaries, historical renditions or analyses by foreclosing the realm of imagination all together.
Ed Webb

THE DAILY STAR :: News :: Middle East :: Syrians risking it all to report the uprising - 0 views

  • The smartphone is more dangerous than Israel to them now.” (In December, Syria banned the iPhone, saying it was detrimental to the country’s stability.)
  • A report released last week by Paris-based media freedom group Reporters Without Borders (RSF) ranks Syria 176th in the world in terms of media freedom, a drop from last year's already dismal ranking of 173rd out of 179. When it comes to freedom of the media, Syria is now the worst country in the Middle East, ranking just below Iran. And internationally, it fares better than only Turkmenistan, North Korea and Eritrea, described by the report as “absolute dictatorships that permit no civil liberties.”
  • In a report issued in November, Reporters Without Borders urged foreign journalists to take utmost care in protecting local sources. The non-governmental organization noted: “If a foreign reporter is arrested in Syria, he faces a few days in detention and then deportation. But Syrians pay a much higher price for their involvement.”
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  • the work on the ground, archiving and writing their own modern history.”
Ed Webb

Clinton shows where US stands on Egypt - Bikya Masr - 0 views

  • The protester remembered when US President Barack Obama spoke out in favor of Iranian activists, but this time around, in Tunisia and Egypt, there is little overt support for the anti-government protests. “Our leaders are horrible, just as bad as Iran, but they are liked by Washington, so it is us who suffer twice, when we go to the streets and then when we try to have a voice internationally,” she said.
Ed Webb

TCM Explores Depictions of Arabs in Cinema in Acclaimed Race & Hollywood Initiative - 0 views

  • Turner Classic Movies is preparing to launch Race & Hollywood: Arab Images on Film, a month-long movie event that focuses on the diverse portrayals of Arabs in cinema. Tuesday and Thursday nights in July, TCM host Robert Osborne will be joined by internationally acclaimed professor, author and Middle East media consultant Dr. Jack G. Shaheen to introduce a wide range of films and provide extensive insight into Hollywood's ever-changing attitude toward Arab people.
  • 14 TCM premieres, including the award-winning Gulf War action drama Three Kings (1999), starring George Clooney, Mark Wahlberg and Ice Cube; the romantic comedy-adventure Jewel of the Nile (1985), starring Kathleen Turner and Michael Douglas; the Libya-set dramas Lion of the Desert (1981), starring Anthony Quinn; The Black Tent (1956), with Donald Sinden; the adventure films Tarzan the Fearless (1933), with Buster Crabbe; and the silent classic The Sheik (1921), starring Rudolph Valentino. The July lineup will also include David Lean's Lawrence of Arabia (1962), Caesar and Cleopatra (1945), Kismet (1944), The Thief of Bagdad (1924) and several animated shorts featuring Bugs Bunny, Porky Pig, Popeye and other famous characters
  • I can't say the celluloid Arab has changed. He is what he has always been - the cultural 'other.' Arabs have too often been viewed as backward, barbaric and dangerously different through Hollywood's distorted lens. Unfortunately, these stereotypes are now deeply ingrained in American cinema
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    This is huge. And overdue.
Ed Webb

Internet set for change with non-English addresses by AP: Yahoo! Tech - 0 views

  • One of the key issues to be taken up by ICANN's board at this week's gathering is whether to allow for the first time entire Internet addresses to be in scripts that are not based on Latin letters. That could potentially open up the Web to more people around the world as addresses could be in characters as diverse as Arabic, Korean, Japanese, Greek, Hindi and Cyrillic
  • Of the 1.6 billion Internet users worldwide, Beckstrom — a former chief of U.S. cybersecurity — said that more than half use languages that have scripts based on alphabets other than Latin.
Ed Webb

The Associated Press: Tiny Qatar flexes muscles in no-fly Libya campaign - 0 views

  • "We felt it was important for an Arab country to join and because other Arab countries were not involved militarily, we felt we should," Gen. Mubarak al-Khayanin, the Qatari Air Force chief of staff, said in an interview Sunday at Souda."We are physically small country, but with leadership comes responsibility," he said. "Certain countries like Saudi Arabia and Egypt haven't taken leadership for the last three years. So we wanted to step up and express ourselves, and see if others will follow."
  • The decisions by Qatar and UAE to join the coalition in Libya reflect their strong traditional ties to the United States and their desires to play a more active role internationally.
  • Qatar's rulers bankrolled the launch of Al Jazeera, arguably the Arab world's most influential news channel and a lightning rod for criticism from the region's autocrats. The network covered the recent Arab uprisings earlier and more extensively than Western news channels, and is renewing its push to get the channel's English-language division onto U.S. cable systems.Qatar has acted as peace broker in Lebanon and Sudan, and has sent humanitarian aid to both Chile and Haiti after earthquakes there in 2010. Qatar's capital, Doha, hosts several branches of American universities and the Middle East headquarters for the U.S. Army's Central Command.Karasik said the Libya intervention is yet another example of Qatar's desire to become "a foreign policy powerhouse."
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  • Gen. al-Khayanin told the AP that his country's goal was simpler: "To make sure the Libyan people are not being killed. You cannot go halfway — and we are ready to go as long as it takes.""I have nothing against Gadhafi ... as long as he protects his own people," said al-Khayanin. "Removing Gadhafi is an internal issue, but at least the fighting has to stop."
  • One officer who did give his name, 2nd Lt. Naveed Ashraf, a Pakistani technical adviser for the Qatari Air Force, insisted that Islam, the main religion in Qatar and Libya, shouldn't be part of the equation — but Gadhafi's onslaught against his own people should be."This is not about Muslims possibly killing other Muslims," Ashraf said. "No religion tolerates this brutality ... Nobody has the right to do what he is doing."
Ed Webb

eduwebb / The Israeli and Palestinian Conflict and the use of Propaganda - 1 views

  • religious conflict
    • Ed Webb
       
      It is hard to make the case that this is a religious conflict. It is primarily political. The religious only really enters under the guise of ethno-religious identity.
  • By studying
    • Ed Webb
       
      dangling participle...
  • government
    • Ed Webb
       
      Is government in control of news media in both instances?
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  • “Factual verification is a hallmark of good journalism. It is what separates journalism from other modes of communication, such as propaganda, fiction, or entertainment.”
    • Ed Webb
       
      Source/citation?
  • "During the early 20th century, the great majority of the population of Palestine were Palestinian Arabs. In 1948, Israel was founded in the shadow of the Holocaust. For the Palestinians, this meant the loss of 78% of their country. Today they are seeking only the remaining 22% of their homeland." (From an Anti-Israeli Propaganda Film) 
    • Ed Webb
       
      This sounds very balanced and reasonable, hardly like anti-Israeli propoaganda. The 22% referred to is the West Bank and Gaza, which are not recognized by anybody internationally as part of Israel. Thus there is a significant difference between a map showing the whole of Israel and the Occupied Territories as Palestine (or, on the other side, a map showing the whole thing as Israel), and a statement like this.
Ed Webb

Egyptian Chronicles: #WeWillSpeak : Egyptian Tweeps speak up about Twitter Middle East ... - 0 views

  • Hundreds of Egyptian tweeps began on Monday a new campaign on Twitter against Twitter MENA policies after a wide suspension of opposition and activists’ accounts in the popular social media network. The Egyptian tweeps launched  #WeWillSpeak” and #هنتكلم hashtags to reach out for Twitter in the United States.
  • several opposition and political activists' accounts were either permanently or temporarily suspended allegedly for violating Twitter policies
  • Twitter MENA is paying attention only to the bad language of the tweeps including activists opposing the government only in that crackdown.
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  • right-wing Arab fascists and ISIS accounts as well as spammers are left untouched
  • There are Pro-regime supporters who got several accounts and are involved in actions like harassment, trolling and spamming as well as spreading hate and racism on the same level of right-wing figures in the West. They are left untouched I reported dozens of accounts spreading lies, hatred and racism against Syrians and Sudanese people but there were not closed down.
  • Needless to say, the fact that Twitter MENA is currently in Dubai made many Tweeps not only in Egypt but in other countries wonder if the Emirati government has got some kind of deal with Twitter to target dissident voice in the Arab world.
  • Already there are calls to force Twitter to transfer its Twitter MENA Headquarter form the United Arab Emirates to Tunisia as the cradle of the Arab Spring enjoys more freedom of speech.
  • Twitter has been the alternative forum for people to let their voices heard especially when mainstream media fails to do its job. Unfortunately, it has been hacked internationally and not only in the Middle East by political and social powers that are actually against freedom of speech in the first place. Yet some people believe it is worth to fight for including those Egyptian tweeps.
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