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Jim Franklin

BBC NEWS | Middle East | Jewish-Arab crime film captures tensions - 1 views

  • Next year, the gritty tale about mafia-style murders will become the first Arabic language film to represent Israel at the Oscars.
  • Impoverished Israeli Arabs shooting one another in the shadow of the gleaming towers of Tel Aviv is far from Israel's preferred international image.
  • dark underside to the ideal of coexistence sometimes touted in mixed Jewish-Arab areas like Jaffa.
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  • "It's nothing but shooting and drugs, shooting and drugs - it's true, but it will ruin our reputation," says one youth.
  • Until the war which led to Israel being founded broke out in 1948, Jaffa was the considered the cultural capital of what was then British Mandate Palestine.
  • A young man in Ajami "doesn't know if he's Palestinian or Israeli, he's confused, he doesn't know what he is, what he wants to do," says Ms Rihan.
  • "I'm shocked that Jews like the film more than Arabs, even though it shows that we are like this because of them!", she adds.
  • The actors were not given the script, just thrown into scenarios and told to react.
  • Over seven years, Mr Shani learnt Arabic and says he spent more time in Ajami with Mr Copti than with his own wife, immersing himself in "a totally different world".
Ed Webb

A life in Jaffa, shared through dance - 0 views

  • “I know everything about Israeli culture, about the customs and holidays, but the other side knows nothing about me,”
  • Garabli’s act is titled “HaKovshim,” Hebrew for “The Conquerors” or “The Occupiers.” The inspiration for the name came to her when she passed a street of the same name on her way to college in Tel Aviv. “I could not believe my eyes,” she exclaimed. “There is actually a street with this name.”
  • Though Garabli tackles the political weight of her identity in her work, she does not see her participation in Israeli institutions as a problem. She has previously been involved with projects at the Suzanne Dellal Center, a leading cultural center in Tel Aviv; following her success with “The Occupiers” in Acre, Tmu-na, a community theater in Tel Aviv, invited Garabli to perform on its stage. “I pay taxes like everyone else, and so I deserve to enjoy budgets as every artist does,” she said.
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  • Garabli grew up in the Ajami neighborhood of Jaffa. The city made headlines this year after residents organized mass demonstrations to protest increasing gentrification, which has taken on an ethnic dimension as Jewish buyers displace Palestinian families who can no longer afford the rent on the homes they’ve been living in for generations.
  • In Jaffa, dance lessons were a privilege that not everyone could afford, she noted. There was also a social imbalance to the classes: the teachers were Jewish Israelis who did not speak Arabic or understand local norms, whereas most of the students were Palestinian citizens.
  • According to Garabli, who comes from a traditional Muslim family that prays and fasts during the holy month of Ramadan, many among the Palestinian community in Jaffa do not approve of dancing as a profession. Dance is considered a temptation, and women moving their bodies in such a free way can “damage” their reputations. Moreover, given that the community is heavily focused on its survival, advocating for affordable housing, and mobilizing against gun violence and police brutality, many Palestinian residents view artistic activities as an indulgence, Garabli explained. This, she added, is why relatively few Palestinians attend cultural events like hers.
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