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online subscriptions, which Haddad says generated customers from all over the region, with the majority coming from Saudi Arabia

“in 2015, authorities detained two groups of foreign journalists attempting to report on the treatment of migrant workers in the country.”

Two other German journalists were detained in 2013 after filming the working conditions of migrant labourers.

All the newspapers printed in Qatar are owned by members of the ruling family or others closely connected with the government.

A friend of Mohamed’s, an unemployed telecommunications engineer named Nabil Selliti, left Douar Hicher to fight in Syria. Oussama Romdhani, who edits the Arab Weekly in Tunis, told me that in the Arab world the most likely radicals are people in technical or scientific fields who lack the kind of humanities education that fosters critical thought. Before Selliti left, Mohamed asked him why he was going off to fight. Selliti replied, “I can’t build anything in this country. But the Islamic State gives us the chance to create, to build bombs, to use technology.” In July, 2013, Selliti blew himself up in a suicide bombing in Iraq.

Tourism, one of Tunisia’s major industries, dropped by nearly fifty per cent after June 26th last year, when, on a beach near the resort town of Sousse, a twenty-three-year-old student and break-dancing enthusiast pulled an automatic weapon out of his umbrella and began shooting foreigners; he spared Tunisian workers, who tried to stop him. The terrorist, who had trained at an Islamic State camp in Libya, killed thirty-eight people, thirty of them British tourists, before being shot dead by police.

“The youth are lost,” Kamal told me. “There’s no justice.” Douar Hicher, he said, “is the key to Tunisia.” He continued, “If you want to stop terrorism, then bring good schools, bring transportation—because the roads are terrible—and bring jobs for young people, so that Douar Hicher becomes like the parts of Tunisia where you Westerners come to have fun.”

One of supposed golden rules of journalism goes like this: “If everybody’s mad at your coverage, you must be doing a good job.” That’s ridiculous, of course, though it seems comforting. If everybody’s mad, it may just mean you’re getting everything wrong.

the middle-lane approach to journalism — the smarmy centrism that often benefits nobody, but promises that you won’t offend anyone.

the supposedly daring, supposedly against-the-grain hires made by magazines and by newspaper op-ed pages. In their quest to run the full gamut from center-left to center-right, they are already well-equipped with anti-Trump conservatives.

the new horror film The Golem, from directors Doron and Yoav Paz

The directors of The Golem, who are Israeli brothers

Reasons for the dearth of Jewish horror fiction are varied, ranging from producers possibly fearing that the ethnic particularism of these themes wouldn’t draw in as wide an audience, to the (incorrect) sense that Judaism doesn’t offer the same baroque supernatural possibilities that Christianity does.

“I can’t make a living reporting from the Middle East anymore,” said Sulome in mid-December. “I just can’t justify doing this to myself.” The day we spoke, she heard that Foreign Policy, one of the most reliable destinations for freelancers writing on-the-ground, deeply reported international pieces, would be closing its foreign bureaus. (CJR independently confirmed this, though it has not been publicly announced.) “They are one of the only publications that publish these kinds of stories,” she said, letting out a defeated sigh.

Sulome blames a news cycle dominated by Donald Trump. Newspapers, magazines, and TV news programs simply have less space for freelance international stories than before—unless, of course, they directly involve Trump.

Trump was the focus of 41 percent of American news coverage in his first 100 days in office. That’s three times the amount of coverage showered on previous presidents

Mr. Cain, 26, recently swore off the alt-right nearly five years after discovering it, and has become a vocal critic of the movement. He is scarred by his experience of being radicalized by what he calls a “decentralized cult” of far-right YouTube personalities, who convinced him that Western civilization was under threat from Muslim immigrants and cultural Marxists, that innate I.Q. differences explained racial disparities, and that feminism was a dangerous ideology.

Over years of reporting on internet culture, I’ve heard countless versions of Mr. Cain’s story: an aimless young man — usually white, frequently interested in video games — visits YouTube looking for direction or distraction and is seduced by a community of far-right creators. Some young men discover far-right videos by accident, while others seek them out. Some travel all the way to neo-Nazism, while others stop at milder forms of bigotry.

YouTube and its recommendation algorithm, the software that determines which videos appear on users’ home pages and inside the “Up Next” sidebar next to a video that is playing. The algorithm is responsible for more than 70 percent of all time spent on the site

Our own reporting, conducted over 18 months, shows that the air war has been significantly less precise than the coalition claims. Between April 2016 and June 2017, we visited the sites of nearly 150 airstrikes across northern Iraq, not long after ISIS was evicted from them. We toured the wreckage; we interviewed hundreds of witnesses, survivors, family members, intelligence informants and local officials; we photographed bomb fragments, scoured local news sources, identified ISIS targets in the vicinity and mapped the destruction through satellite imagery. We also visited the American air base in Qatar where the coalition directs the air campaign. There, we were given access to the main operations floor and interviewed senior commanders, intelligence officials, legal advisers and civilian-casualty assessment experts. We provided their analysts with the coordinates and date ranges of every airstrike — 103 in all — in three ISIS-controlled areas and examined their responses. The result is the first systematic, ground-based sample of airstrikes in Iraq since this latest military action began in 2014.

one in five of the coalition strikes we identified resulted in civilian death, a rate more than 31 times that acknowledged by the coalition

a consistent failure by the coalition to investigate claims properly or to keep records that make it possible to investigate the claims at all

the Achilles heel of the Israeli media — i.e., its willingness to report communiqués issued by the army as straight news, without any fact checking. Even though the Israeli security establishment has been caught lying on countless occasions, journalists who report for mainstream media outlets continue to accept without question the information they are given about events they neither witnessed nor verified independently

I’ve seen soldiers grab crying children and shoving them into military vehicles, pushing aside their screaming mothers. I’ve seen soldiers grab a young woman by her arms and drag her like a sack of potatoes for several meters along an asphalt road so hot that it melted the rubber soles of my running shoes, before tossing her into a military vehicle and driving away. I’ve had my ankles singed black when a security officer looked me straight in the eyes and threw a stun grenade at my legs. Israeli army sharp-shooters regularly shoot unarmed demonstrators in Nabi Saleh with both rubber-coated steel bullets and live ammunition. They break into houses and drag people out, arresting them on the claim that they allowed demonstrators to hide in their garden. And then I would go back to Tel Aviv and be told by my friends that I could not have seen what I saw, because “our soldiers” do not behave that way. Soon, I had to distance myself from those friends in order to keep my own emotions in check.

By the time I began going to Nabi Saleh, I had spent about four years reporting on what I saw in Gaza and the West Bank, and watching detachedly as my politics moved ever leftward from the liberal place in which they started, as a consequence of what I saw on the ground. But it was in Nabi Saleh that I lost the last remnants of what I would call — for lack of a word to describe my nostalgia for the idea of a state for the Jews — my Zionism. My radicalization was not only a consequence of witnessing brutal violence perpetrated right in front of my eyes, by soldiers of the army that was supposed to protect me. It was also a result of my seeing the Tamimi family endure that violence week after week, seeing their relatives injured, arrested and killed, and still not coming to the conclusion that the price of resistance is too high. They simply refuse to submit.

Pop music in the region today truly represents the Westernization of classical Arabic music defined by traditional elements of improvisation (where songs often last as long as an hour), instruments native to the region like the oud, and maqam, which is a system of melodies and pitches native to Arabic music. Classical Arabic artists like Oum Kulthum and Asmahan thrived on this style and are considered icons of Arabic music because of their ability to evoke emotion through their artistry.But in conjunction with colonization, Arabic music began to shift from its classical roots with the Cairo Congress of Arab Music in 1932, organized by King Fuad of Egypt. This symposium brought together renowned composers and ethnomusicologists from the Middle East, North Africa, and Europe who created a set of proposals for the modernization and standardization of Arabic music, one of which was the incorporation of European instruments into Arabic ensembles because “such instruments possessed tremendously varied, expressive means and depictive powers.”The other notable event that pushed this modernization further was the introduction of the phonograph to the region. Phonographs could only play songs for a limited duration, making the traditional improvisation and hour-long running times of classical Arabic music nearly impossible.The final nail in the coffin was the burgeoning film industry in the 1950s and 1960s, particularly in Egypt, the cultural epicenter for creative output in the Middle East and North Africa. Movies were heavily Westernized at the time, forcing directors and producers to modify accompanying music to incorporate Western-style elements in their instruments and duration.

a new movement is rising in North Africa.Rappers and emcees from the region are boldly approaching hip-hop and the larger Arab music landscape by exploring taboo themes and proactively deconstructing societal markers of North African identity. They are experimenting with beat production and dialect as they go about creating a space for their music and for these conversations to be held in a public domain. This is not a knock on the Levantine or Khaleeji rap scenes; there are many artists who are doing this currently. But North African emcees are using their lyrical flows and melodic rhythms to grapple with the essential question of identity. The music sounds fresh and breathes new life into the pop-dominant Arabic music scene.

A vast majority of North African rappers primarily use their regional Arabic dialects and French in their music. But many artists, specifically North African artists based in Europe, also use Spanish, Dutch, and English on their albums. A few artists will even use all four languages in one song.

For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.

reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict

The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.

Chargé de la déontologie des contenus, le nouveau conseil de surveillance du réseau social compte parmi ses vingt membres l’ancienne directrice générale du ministère de la justice israélien. Sous les ordres de la ministre Ayelet Shaked, figure de l’extrême droite, Emi Palmor avait mis en place une cyberunité chargée de contrôler et censurer les posts de Palestiniens.

Sous la houlette d’une ministre qu’un journaliste de Tel-Aviv qualifie de « voix la plus extrémiste d’une extrême droite israélienne qui n’en manque pourtant pas », Emi Palmor se chargeait donc de traquer les Palestiniens sur les réseaux sociaux. Cette haut fonctionnaire dévouée à un gouvernement de guerre et d’occupation avait créé en 2016 une « cyber unit » « pour supprimer, restreindre ou suspendre l’accès à certains contenus, pages ou utilisateurs ».

« a délibérément ciblé et entraîné le retrait de dizaines de milliers de contenus palestiniens, et imposé de sévères restrictions à la liberté d’expression et d’opinion, en particulier en ce qui concerne la Palestine »

Arabpop the magazine found a home in the Neapolitan indie publishing house Tamu — the Italian South has always been more ready to embrace its Arab culture, often being mocked by right-wing Italian politicians and their supporters, who openly dream about dividing Italy into North and South and often refer to the South as ‘Africa’, ‘Morocco’ or something along those lines.

While the team of editors is fully Italian, some contributing journalists are Italians with an Arab background while most of the writers are Arabs.

while there is a wealth of academic texts to be found, little is written about Arab culture that is suitable for the general public

five years in and with little progress in sight, cracks are appearing in Crown Prince Mohammed bin Salman’s flagship project to diversify the oil-driven Saudi economy. Neom’s former employees raised concerns that bringing the giga-project out of the realm of science fiction might never happen. Architecture experts have called it “insane.” Sources inside the royal circle no longer shy away from lashing out at MBS’ ever-changing ideas, “mood swings,” “terrible tempers” and fear-based leadership.

“The general concern is this will turn out like for the Shah of Iran, developing schemes that become incredibly detached from reality and no one will tell him to refocus,” a source familiar with the dynamics of Saudi Arabia’s royal family told me, on condition of anonymity

the risk of the Crown Prince ending up in an echo chamber cemented by yes-men. Power consolidation under MBS is unprecedented in Saudi Arabia’s recent history, moving the kingdom’s system from “one of consensus within the family to one-man rule.”

After decades of war, occupation and factional feuding, the Lebanese began suffering through compounding crises in 2019: fiscal, monetary, financial and economic. Since then, though they weren’t exactly living in paradise before, people in Lebanon have been “sinking” through one of the 10 (perhaps even three) worst collapses in the world since the 1800s.

At least 80 percent of Lebanese are poor. About 90 percent of the Syrians and Palestinians living in Lebanon, regardless of whether they are registered and how the Lebanese state and international organizations classify them, need (additional) assistance to cope with these crises. So, too, do hundreds of thousands of migrants from Asia and Africa who have also suffered while living in Lebanon.

Time and again, people have taken matters into their own hands because — much like people who have played by the rules, however warped in principle and skewed in practice — they have no good options. They have done so peacefully, such as when they protested in Beirut and across the country for months in late 2019 and early 2020. They have done so violently, such as when they’ve rioted, blocked roads, burned tires, or attacked business owners — from prominent bankers holed up in pilfered palaces, to gas station owners in north Lebanon, to shopkeepers in Beirut and the Bekaa Valley. They have done so spontaneously, or at least without political direction, while struggling day after day — like when a woman rammed her sports-utility vehicle into a pharmacy. They have done so as instruments of factional bosses, each adept at initiating, escalating, managing, or diffusing conflict as they deem necessary or useful — like when gunmen clashed in Khaldeh, a town south of Beirut, in August 2020 and August 2021, or fought in Beirut skirmishes in October 2021.

hough the Centre des Archives Nationales possesses the administrative prerogative to house and archive all state documents, it lacks the power to enforce its interests. It’s not just cultural institutions that are jousting over Lebanon’s archival legacy, however. The country is riddled with small bookshops run by collectors, each of which has a basement or closet where the owner hides a personal stash of archival documents, collected over decades, to be sold on the private market. Bookshops in small alleys of Ashrafiyeh and Basta dominate this trade, where everything is priced by the dollar. At a time when the national currency has lost 95 percent of its pre-crisis value, private markets have become a lucrative source of profit.

According to Shehab, future sectarian violence could be avoided if socioeconomic parity could be established between sects and regions. Development planning in Lebanon—directed both by outsider experts and Shehab himself—began as a response to the deep divisions in Lebanese society and politics laid bare by the civil war. To this day, political power and resources continue to be allocated along confessional lines.

During the 1960s, the state intervened on behalf of many: establishing a social security system modeled after America’s own Social Security Act of 1935, building hundreds of miles of roads connecting rural villages with the country’s main highway system, and rehabilitating thousands of acres of farmland while also undertaking massive affordable public housing projects. Many Lebanese people, from various confessions, still characterize the Sixties as the country’s golden period.