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Earlier this year, Messi signed a deal with the kingdom to promote tourism there as it reportedly mulls a candidacy to host the 2030 World Cup. The terms and length of the deal were not made public, but The Athletic reported Messi may be receiving as much as $30 million per year. A potential Saudi Arabian bid would pit the country against Argentina’s own proposal to host the tournament together with Chile, Uruguay, and Paraguay.

Embracing international sports icons is just one way that Gulf countries have worked in recent years to boost their international influence. Qatar sits on the world’s third-largest natural gas reserves and has found itself in a powerful position in the age of energy supply strains. Since the start of the World Cup just two weeks ago, Qatar has signed a 15-year deal with Germany to supply it with natural gas, and the United States—whose largest military base in the Middle East is already near Doha—greenlit a $1 billion arms sale to the country. Washington considers Qatar a major non-NATO ally critical to stability in the Persian Gulf and beyond.

when Brazil hosted the World Cup in 2014, FIFA successfully pressured the country to change its legislation to permit alcohol sales in stadiums. But Qatar was able to impose its own laws on FIFA, in this case prohibiting alcohol sales to regular fans in the stands (though alcohol is freely available to VIP guests in luxury suites). It was one sign of the varying degrees of power held by recent World Cup host nations

our audiences that authoritarian state-controlled media seek to influence

The first is regime elites. Authoritarian governments must always worry about their elites because any split among this group could lead to regime collapse. State-controlled media make it a mission to reassure these regime mainstays that the incumbent ruler stands secure

The second crucial audience is the populace at large. State-dominated media work to make mass audiences respect and fear the regime, but breeding apathy and passivity is just as important.

The dispute between the United Arab Emirates and R.I.M. took an unusual turn about a year ago when the company warned users that software described as a BlackBerry upgrade by an Emirates carrier, Etisalat, was actually spyware. “Independent sources have concluded that Etisalat’s ‘Registration’ software application is not actually designed to improve performance of a BlackBerry Handheld, but rather to send received messages back to a central server,” R.I.M. warned customers in an online posting that included directions on removing the software.

Rajab, a former journalist, was appointed last month to lead the new Ministry of Information Affairs. The government department was created to help implement the media reforms suggested by the Bahrain Independent Commission (BIC)

the report noted the role government-allied outlets played in contributing to tensions. The commission found that much of the coverage in February and March from television, radio and print media “contained derogatory language and inflammatory coverage of events.” The Bahrain government controls all of the radio and television stations in Bahrain. Moreover, six of the seven newspapers in the country take pro-government positions. The BIC also reported that journalists working for news outlets said they were coerced into covering events from a pro-government perspective instead of objective reporting.

The commission’s recommendations included suggestions that the state television and radio become more neutral and provide access to citizens with a variety of opinions. The report also recommends the relaxation of censorship in all the country’s media. Not giving opposition groups enough space to speak openly further polarises the atmosphere

officers from a military intelligence unit called Telem design much of the Arabic language curriculum

“The military are part and parcel of the education system. The goal of Arabic teaching is to educate the children to be useful components in the military system, to train them to become intelligence officers.”

“Militarism is in every aspect of our society, so it is not surprising it is prominent in schools too,” said Amit Shilo, an activist with New Profile, an organisation opposed to the influence of the army on Israeli public life.“We are taught violence is the first and best solution to every problem, and that it is the way to solve our conflict with our neighbours.”

the use of targets that appeared to be gunmen with traditional Arab head scarves.

"That's our right," said Napolitano, president of the Southeast Broward Republican Club. "If we want to shoot at targets that look like that, we're going to go ahead and do that."

Many of the targets were basic silhouettes, though others were figures wearing traditional Arab head scarves, called kaffiyeh, and holding rocket-propelled grenades. Napolitano said the faces of those figures appeared to be white, though he understood why they would be assumed to be Arabs

After naming a few prominent valide sultans — the title of the legal mother of the sultan — from the Ottoman era, Erdogan said, “Valide sultans have been pioneers of their generation and examples to our mothers.” Challenging the Orientalist portrayal of the harem as a place where ambitious women battled with the power of their sexuality, Erdogan praised the harem, saying, “For the members of the Ottoman family, the harem was a school. It was a center of education, where women were prepared for life and organized volunteer activities. This household was led by the valide sultans.”

Indeed, despite harsh criticism by AKP elites, series like “Magnificent Century,” about the lives of prominent sultans and their lovers, such as Hurrem or Kosem Sultan, have become extremely popular in Turkey. These shows have also generated a niche for neo-Ottoman goods. Scents named after powerful women of the Ottoman court along with themed bathrobes, bathroom accessories, jewelry and even hair coloring are being sold. Ottoman-era aphrodisiacs to impress your partner have made a strong comeback and can be found in mainstream markets. Most of these products are not designed for Westerners fascinated by the ways of the East but for contemporary Turks. Today, one also has the option of partaking in the palace experience according to one's budget and tastes. For example, Les Ottomans, a fancy boutique and hotel on the Bosporus, offers rooms decorated to provide the unique atmosphere of the eras and tastes of 10 different sultans. US Republican presidential hopeful Donald Trump has even visited the hotel.

While journalists working for pro-government media outlets rigorously tried to prove the harem’s educational value, others asked whether the harem could be called a school simply because the residents were educated in certain trades. Ozlem Kumrular, a historian and author of the book “Kosem Sultan,” about the prominent valide sultan, tweeted an image of a painting depicting nude women around a pool, and wrote, “The artist of this harem painting is the last caliph, Abdulmecid. Odd but true.” It is interesting to note that although Kumrular’s message received hundreds of retweets, no backers of Erdogan’s praise of the harem tried to explain the rationale behind the painting. Most of the replies were satirical. For instance, one read, “Could [Sultan] Abdulmecid know the harem better than Mrs. Erdogan? I wonder what class this was.”

it’s not just Kremlin-produced disinformation that Americans may have stumbled upon recently. Browsing Facebook and Twitter — and even just perusing the magazine rack at their local Walmart — they may have also been exposed to propaganda supporting the ambitious goals of two oil-rich Arab Gulf countries

when Saudi Arabia and the UAE launched a boycott and blockade of the tiny peninsula state of Qatar last year, organizations with ties to Riyadh and Abu Dhabi tried something new: They worked to sway American public opinion through online and social media campaigns, bringing a complicated, distant conflict among three Washington allies to US shores

As they took steps against Doha, Saudi Arabia and the UAE also initiated propaganda efforts in the US aimed at weakening Washington’s alliance with Qatar — which hosts the largest American military base in the Middle East — while also enhancing their own images.

In 2013 Sana Yazigi, a Syrian graphic designer from Damascus, launched the online archive The Creative Memory of the Syrian Revolution, consisting of works created by Syrian artists during the uprising

"From the early days of the revolution," Yazigi says, "I was amazed to witness an incredible outpouring of artworks. I didn’t want them all to disappear, to be forgotten. I wanted to keep a record. There was a sense of urgency, a need to document what was going on."

The website documents paintings, music, graffiti, videos and cartoons among others, constituting an exceptional wartime archive. 

in late February when the king, 83, visited Egypt and was warned by his advisers he was at risk of a potential move against him, according to a detailed account from a source. His entourage was so alarmed at the possible threat to his authority that a new security team, comprised of more than 30 hand-picked loyalists from the interior ministry, was flown to Egypt to replace the existing team.

The friction in the father-son relationship was underlined, the source said, when the prince was not among those sent to welcome the king home.

The crown prince, who was designated “deputy king” during the Egypt trip, as is customary, signed off two major personnel changes while the king was away. They included the appointment of a female ambassador to the US, Princess Reema bint Bandar bin Sultan, and that of his full brother, Khalid bin Salman, to the ministry of defence. The latter appointment has further centralised power in one branch of the ruling family.

This time of year, the offices of TV production companies are usually bustling with stars conducting meetings in preparation for the upcoming Ramadan television season (which falls in May this year)

The local television scene is rife with talk about the implications of recent developments in the field, which entail an effective halt in almost all TV drama production

What we’re witnessing this year is not a marketing crisis, or a weakness in screenplays, or any of the other issues that have ailed the drama industry in the past; rather, the very existence of the industry is under unprecedented threat. The number of series being produced has plummeted, and is expected to amount to 18 series at most, the majority of which are  to be produced by Synergy, the production house owned by Tamer Morsy, head of the intelligence-affiliated Egyptian Media Group (EMG). It is the newest step in the state’s ongoing bid to monopolize all forms of media and artistic production in Egypt.