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Ed Webb

An industry under threat: Ramadan 2019, brought to you by Egyptian Media Group | MadaMasr - 0 views

madamasr.com/...to-you-by-egyptian-media-group

Egypt intelligence propaganda TV television ownership Ramadan monopoly

shared by Ed Webb on 24 Jan 19 - Cached
  • This time of year, the offices of TV production companies are usually bustling with stars conducting meetings in preparation for the upcoming Ramadan television season (which falls in May this year)
  • The local television scene is rife with talk about the implications of recent developments in the field, which entail an effective halt in almost all TV drama production
  • What we’re witnessing this year is not a marketing crisis, or a weakness in screenplays, or any of the other issues that have ailed the drama industry in the past; rather, the very existence of the industry is under unprecedented threat. The number of series being produced has plummeted, and is expected to amount to 18 series at most, the majority of which are  to be produced by Synergy, the production house owned by Tamer Morsy, head of the intelligence-affiliated Egyptian Media Group (EMG). It is the newest step in the state’s ongoing bid to monopolize all forms of media and artistic production in Egypt.
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  • one must go back to the outset of the crisis, nearly three years ago. Back then, there were over 30 series released every season, produced under a diverse range of production houses and addressing a wide array of subjects. The industry cycle was more or less stable, starting with producers in competition with each other, to satellite channels racing to purchase the best series’ screening rights and advertising revenues being the central source of profit. The main issues concerned increasing production budgets and the skyrocketing salaries of certain stars.
  • the state was preparing a plan to exert control over the entire market. The first signs of this plan emerged in June 2017, with statements by the president and a number of government officials voicing their displeasure with the content offered on Ramadan TV series, and their desire to remedy the situation. This remedy manifested in the form of extreme censorship measures, including the establishment of the Drama Committee within the Supreme Meda Regulatory Council, designed to monitor the TV drama industry.
  • The effects of these directives became apparent last year in the striking similarity of the content of the series released, as well as the ubiquity of police and army officers as characters in most of them
  • satellite channels, many of which — including ONtv and Al Hayah — are currently controlled by EMG, owned by Eagle Capital for Financial Investment, a private equity fund founded by Egypt’s General Intelligence Services (GIS)
  • Television channels, sources say, will fill up the remaining airtime — previously overflowing with series — with variety television shows, including talk and game shows, instead. Tawfiq Okasha, the controversial media personality who made his comeback in March — courtesy of  Synergy Productions and EMG — recently dedicated a segment on his show (which airs on Al Hayah) to criticizing actors and “the obscene sums of money they demand.” Okasha then proceeded to discuss a plan to bring down the number of series airing this Ramadan to 18, with each television channel airing only three.
  • as a result of this monopoly, many producers are out of work this year, including Beelink’s Mohamed Mashish, El Adl Group’s Maha Selim, and producer Ahmed Al Sobky, when the three of them combined had eight series screening last Ramadan
  • most seem to attribute it to the president, who appears to be irked by the scale the industry had come to operate on and the high salaries paid to TV stars
  • difficulties the company faced when filming last year’s Eagle of the South, as a result of excessive military intervention in the series’ content and production process. Members of the Armed Forces were often present on set and would interfere in most details during the shoot, not to mention that the show’s star, Mohamed Ramadan, would often miss shoots because his military conscription service overlapped with shooting times. Sometimes, he would arrive to the shooting location in a military vehicle
  • Shaaban believes that the current setback in television production has been primarily brought on by declining economic conditions, which have led to a decrease in advertising budgets. The industry, he says, is built on the flow of money from advertising agencies to satellite channels to production companies. If channels were reaping advertising revenues, they would be able to buy series from producers, who in turn would be able to produce more series, and so on. However, given the current economic climate, corporations haven’t been spending as much on advertising as they used to, and this has definitely affected the production cycle.
  • prominent actor Adel Imam, who could potentially miss his first Ramadan season in seven years, due to alleged censorial objections to the subject matter of his new series, in which he was reportedly set to play the president’s physician
  • The initial outcome of Morsy’s monopoly over the Egyptian drama market became clear last year with the elimination of certain series from Egypt’s Ramadan season, including El Adl Group’s We Have Other Statements (starring Youssra) and Land of Hypocrisy (starring Mohamed Heneidy), which were only aired on non-Egyptian channels, as well as Beelink Productions’ What Came to Pass (starring Ruby), which was not broadcast at all. Now, with Morsy’s newly acquired control over more channels, in addition to EMG’s acquisition of shares in the CBC television network and Morsy’s partnership with D Media, it appears that other producers will no longer have access to air their series in Egypt. Both D Media and DMC, another prominent television network, are owned by the GIS.
  • It is possible that, for the first time in history, the Egyptian drama sector will produce less work than its counterparts in Lebanon, Syria and Kuwait, who produce 10 to 20 works on average each Ramadan season.
  • 2 million Egyptian workers of all stripes who contribute to and depend upon this industry, patiently waiting for the Ramadan season from year to year
  • Medhat estimates that the industry spends about LE2 billion annually and brings in about LE4 billion in revenue — all of which, in the 2019 season, will go almost entirely to one entity
  • One interpretation of these recent developments is that the Egyptian state — nostalgic for the heyday of state television, when the state alone was in control of all television productions — is planning a comeback under new terms, tailored to fit the demands of the current moment. After exerting its control over satellite TV channels, it now seeks to control production as well, in order to keep the media and entertainment sectors securely under its wing, only for the state to emerge once again as the only player on the local scene.
Ed Webb

Why is the Egyptian state monopolizing the entertainment industry? | openDemocracy - 0 views

www.opendemocracy.net/...olizing-entertainment-industry

Egypt cinema movies film media censorship military

shared by Ed Webb on 25 Jun 19 - Cached
  • Egyptian television series that aired during the peak Ramadan season this year dramatically decreased by half from previous production volumes. Production restrictions and censorship in the most populous Arab country are on the rise, tough circumstances for the entertainment industry, exacerbated by a military-linked production company’s recent monopoly of soap operas. The move also raises concerns about whether a similar fate might be in the works for the film industry.
  • In late 2018, a memo circulated to industry professionals by state affiliate Egyptian Media Company (EMC) laid out a set of regulations making it virtually impossible for almost any production company asides from EMC sub arm Synergy Production to produce soap operas in the 2019 Ramadan season
  • “We have to understand why Synergy is gaining this much control…it’s also very clear that some series [this year] have an almost didactic direction, promoting particular ideas such as improving the image of police officers. Mandating which themes are to be discussed and which won’t be is not censorship, its indoctrination,” Aly Mourad, the CEO of Al Shorouk for Media Productions, tells Open Democracy. “I don’t think we’ve heard of this level of censorship since the time of [Former President] Nasser; it’s like we are going back 60 years in time.”
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  • “What I fear is that this pool of currently unemployed talent will switch careers, which will come at the longtime expense of the industry since these are trained professionals. I do not believe that the military [Synergy] sees this; they simply have one clear goal: to control the industry. The government has effectively, through the institutions it runs, carried out the first monopolization process in the history of neoliberalism.”
  • In June 2018, the authorities banned a film examining a love affair between a Muslim man and a Christian woman before it hit the cinemas, although director Khaled Youssef said he obtained the necessary licenses. The decision was later revoked, but was alarming to many given rising censorship levels
  • While over fifty shows typically aired during the peak Ramadan season, even during economically turbulent years as in 2017 and 2018, only twenty-four shows aired last Ramadan, and over two-thirds of them are produced by Synergy. Production powerhouses like El Adl Group and Beelink Productions were notably absent this season from their regular Ramadan run, while regionally acclaimed megastars like Yossra, Adel Imam and Laila Elwy uncharacteristically did not star in any shows during the peak season either, likely due to the dramatic, forced budget cuts which make casting an A-lister virtually impossible. Compensation levels for many of these lead faces could often be as high as EGP 50 million (~USD 3 million), the currently imposed budget cap for aggregate production costs of a Ramadan soap opera’s full season
  • “For a producer, the direct client of drama series is television channels, and several factors have negatively impacted their purchasing power. The GCC-owned channels are struggling in light of the economic difficulties there, primarily due to the war in Yemen, so the main overseas market for selling television series is not that great. Add to this that privately owned channels in Egypt were never highly profitable, and media budgets generally were slashed with Egypt’s high inflation levels [during the past couple of years], and you have a situation where many production companies are struggling to stay afloat.”
  • Over the course of the past year, EMC CEO Tamer Morsy also gradually gained majority ownership of key television networks such as CBC, ONTV, DMC and Al-Hayat, a move facilitated through the recent launch of EMC affiliate United Group for Media Services. Moreover, state-owned entities effectively gained control of both the production and purchasing sides of the business as these unprecedented levels of regulation and government ownership were put in place.
  • in early May United Group for Media Services launched paid streaming app WatchiT and prohibited the longtime convention of shows airing online on YouTube for those who couldn’t catch them on satellite television channels. Widely accessed streaming app EgyBest, among other free online streaming services, were also blocked to allegedly mitigate “piracy”, granting government intelligence-affiliated WatchiT a monopoly over streaming services. Since digital finance and financial inclusion levels are low in the most populous Arab country, the decision came to the dismay of throes of viewers regardless of political affiliations or regulation concerns. For those following television series on satellite channels, short broadcast announcements interrupt episodes to denounce a May 28 Human Rights Watch report on enforced disappearances, killings and torture in North Sinai. Other broadcasts order audiences to pay heed to “threats to terrorism and national security.”
  • “Because these people [Synergy and EMC] are military men, their mentality is to cut off what doesn’t work, with little concern for the consequences. The military don’t understand or love the arts; they see it as just another industry they can profit off by minimizing losses.”
  • “It’s understandable that they [the military] would be more concerned with penetrating television production as opposed to the cinema industry, because viewership numbers are higher for television series in comparison to films. Not everyone can afford a cinema ticket, but most Egyptians, be they rich or poor, have access to a television set. There’s nothing to stop them from gaining as much control of the film industry as they have with television, but I believe they’re not investing in it [as much] because it isn’t as lucrative,”
  • Saudi Arabia is once again opening cinema theaters following a 35-year ban, creating a significant potential box office market for Egyptian films, particularly since plans for the inauguration of 2,000 theatres in the kingdom before 2020 are in the works
  • our country was once the Hollywood of the Middle East,”
  • There was a time when everyone in the Arab world recognized Umm Kalthoum and Ismail Yassin, even more so than [our own president] Nasser. We need to work towards reestablishing that, and understanding how entertainment can be used as a tool for soft power
Ed Webb

'The End': Anti-normalisation, Islamofuturism and the erasure of Palestine - Middle Eas... - 0 views

www.middleeastmonitor.com/m-and-the-erasure-of-palestine

media TV television Ramadan Egypt Palestine

shared by Ed Webb on 20 May 20 - Cached
  • The End (El-Nehaya), the Egyptian dystopian science fiction thriller series, has captured the imagination of audiences throughout the Arab world this Ramadan TV season. It is ranked the third most popular series this season, and has generated a lot of discussion in social media about its futuristic technology and debt to Hollywood science fiction and dystopian films.The End was also lumped into the debate over normalisation in this year’s Ramadanic TV programming and was attacked by the Israeli Foreign Ministry for its anti-normalisation stance. The End is premised on the fictional idea that the Arab world would become a superpower and that Israel would be destroyed less than a century into its establishment — that is, in less than thirty years. In its place, Al-Quds conglomerate will be created and will be under total Arab control.
  • Some contrasted the daring futuristic scenario with the utter impotence of the Arab world today, to offer any viable solution to the Palestinian struggle for freedom and the ongoing Nakba. Others thought it was enough that the series managed to provoke and infuriate Israel.
  • The series does not only substitute one form of domination in Al-Quds conglomerate for another. More importantly, the Palestinians are completely erased from Al-Quds conglomerate itself.
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  • Ironically, the liquidation of Israel in The End did not bring an end to the oppression in Palestine or the Arab world in general.  Around 2090, Al-Quds conglomerate became the main site for a robocide, the genocide in which humans eliminated all robots after one of them terminated its owner. Consequently, laws were passed to ban the production of robots and the development of AI. The series merely substitutes one form of domination and apartheid for another.After the elimination of the majority of the robots, the all-powerful Energy Co. was established in Al-Quds conglomerate. The corporation employs algorithmic governance, using surveillance technology, facial recognition software and military drones to track and control citizens. Its security forces regularly attack and brutalise citizens. One form of oppression is gone, but Palestine and the Arab world do not live in liberty yet.
  • The most bewildering aspect about this triumphalist history of the liberation of Al-Quds conglomerate in the dystopian world of the series, is the absence of any trace of the Palestinians or Palestinian culture. The obverse side of the obliteration of Israel seems to be the erasure of the Palestinians.
  • The people who live in Al-Quds conglomerate speak Egyptian colloquial Arabic, and no one seems to be taking pride in their Arabic cultural heritage or Palestinian identity.
  • The other noticeable feature about the representation of life in Al-Quds conglomerate is its patriarchal gender politics. Women and men follow a rigid division of labour, even professional women who have careers. Radwa, the protagonist’s wife, works as the principal (agricultural) engineer at Green Co., the company responsible for providing food supplies to Al-Quds conglomerate, but she has to perform the domestic chores in the house.
  • the dystopian world of the series is deeply steeped in Islamic culture and traditions. If Afrofuturism, for example, is “rooted in and unapologetically celebrate[s] the uniqueness and innovation of black culture,” this series is clearly grounded in Islamofuturism.
  • The series illuminates and raises questions about these significant matters that have affected humanity in the last few decades. These issues include not only the polarisation of wealth and the cupola created in the global apartheid, but also neoliberal algorithmic governance, the naturalisation of AI (as both human surrogates and sex bots), the rise of megalopolis cities as corporations, renewable energy and ecological sustainability.
  • it is not clear where the series positions itself on the question of the state and the military.
  • the series itself is produced by Synergy, a mega-entertainment production house that has monopolised the Egyptian media sector and has ties to Egyptian intelligence.
Ed Webb

KSMU - Islam in the Ozarks: Wearing the Headscarf in Missouri - 0 views

www.ksmu.org/66

Islam Muslims Missouri USA media veil

shared by Ed Webb on 15 Oct 09 - Cached
  • Ed Webb on 15 Oct 09
     
    Note the other reports in this series about Friday prayer, Ramadan etc.
Ed Webb

Arab Media & Society - 1 views

www.arabmediasociety.com/?article=924

Egypt press media journalism journalist ahram history

shared by Ed Webb on 01 Apr 16 - No Cached
  • A prolific writer, Heikal penned dozens of books, chronicling events as a witness to history, his legacy linked with his association with Nasser. He was not just a journalist, newspaper editor, and later historian. Heikal was Nasser’s emissary with Western diplomats, a champion of Nasser’s brand of socialism and pan-Arab nationalism. He composed his speeches and ghost wrote Nasser’s political manifesto, The Philosophy of the Revolution. As the president’s alter ego, Heikal’s writings were read for clues to Nasser’s thinking. His influence derived from his proximity to power.
  • Heikal blurred the line between the role of a journalist and that of a politician. “He introduced a model in Egypt and the Arab world about what your ambitions should be as a journalist. In the West or Europe, you gain your reputation from your independence as a journalist,” explained Dawoud. “When I am the president’s consultant and I attend his close meetings and I write his speeches, there is definitely a lot of information that I would have to keep secret. That goes contrary to my job as a journalist, which is to find as much information as I can.”
  • The state media wholeheartedly embraced socialism and pan-Arabism, becoming a filter of information and propaganda, instead of the promised transformation of the institution into one that supposedly guides the public and builds society. Critical voices were muted, the military junta was sacrosanct, and Nasser was fortified as a national hero. The failings of the regime were not attributed to the president, but to the reactionary and destructive forces of capitalism and feudalism. Nasser’s personal confidant Muhammad Hassanein Heikal was appointed chairman of the board of al-Ahram, then later of Dar al-Hilal and Akhbar al-Youm publishing houses.
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  • Long committed to a free media, Mustafa Amin was imprisoned for six months in 1939 for an article in Akher sa‘a (Last Hour) magazine deemed critical of King Faruq. An advocate of democracy and Western liberalism, he was arrested in 1965, tried secretly in 1966, and convicted of being a spy for America and smuggling funds. Sentenced to a life sentence, he spent nine years in prison before being pardoned by Nasser’s successor, President Anwar Sadat. Ali Amin, accused by Heikal of working for British and Saudi intelligence, went into exile in 1965.
  • Room for expression existed mainly in the literary pages of al-Ahram, where writers under Heikal’s wings, like Naguib Mahfouz, could publish works of fiction that could be read as challenges to the status quo.[5] As far as the press was concerned, censorship was directed at politically oriented news and commentary rather than the literary sections
  • During the conflict, as the Egyptian army, under Field Marshal Abd al-Hakim Amer’s command, was hastily retreating from Sinai, broadcast outlets aired invented reports of fabulous victories against the Zionist foe. At no other moment did the state media prove so woefully deficient, contributing to a deep sense of public betrayal.
  • The speech was written for him by prominent journalist Mohamed Hassanein Heikal and tactfully framed a romp of Arab armies as a “setback,” displaying Heikal’s knack for being both a propagandist and political powerbroker.   It was a moment that brilliantly served to shore up Nasser’s support. Egyptians took to the streets demanding that their leader stay in power. “The People Say ‘No,’” declared Akhbar al-youm (News of the Day) in large red writing. In smaller black lettering the headline read, “The Leader Discloses the Whole Truth to the People.” It is difficult to say how populist and genuine the appeal was and how much of the public display of support for Nasser was behind-the-scenes political machinations of the regime and its media. While Nasser did stay in power, it was only later that Egyptians could comprehend the true extent of the defeat—especially in light of official propaganda—and the institutional failures that placed the whole of Sinai under Israeli control.
  • slogans shouted and scrawled on building walls that demanded: “Stop the Rule of the Intelligence,” “Down with the Police State,” and “Down with Heikal’s Lying Press.”
  • Student periodicals posted on the walls of the campuses emerged as the freest press in Egypt. Nasser for the first time became the object of direct criticism in the public space. A campaign against student unrest was waged in the state-owned media, which labeled the activists as provocateurs and counter-revolutionaries goaded by foreign elements
  • “A centralized editorial secretariat, called the Desk, was founded, as well as the Center for Strategic Studies and the Information Division. To his detractors, these innovations appeared to be spying sessions of an extensive empire dedicated to intelligence gathering
  • Nasser appointed Heikal to the post of minister of information and national guidance, a role he assumed for six months in 1970 until Nasser’s death. Yet the self-described journalist confided his frustration of being assigned a ministerial post, perhaps intended to distance him from the publishing empire he built, to a colleague, the leftist writer Lutfi al-Khouli, at his home. The encounter was surreptitiously recorded by the secret police, leading to the arrest and brief imprisonment of al-Khouli, and Heikal’s secretary and her husband, who were also present. “Now, Nasser’s regime had two aspects: it had great achievements to its credit but also it had a repressive side. I do not myself believe that the achievements . . . could have been carried out without some degree of enforcement,” Heikal wrote in The Road to Ramadan. “But after the 1967 defeat the positive achievements came to an end, because all resources were geared to the coming battle, while repression became more obvious. When Nasser died the executants of repression took it on themselves to be the ideologues of the new regime as well. They held almost all the key posts in the country. The people resented this and came to hate what they saw as their oppressors.”
  • after his increasing criticism of Sadat’s handling of the October 1973 War and appeals to the United States to address the impasse, Heikal was removed from al-Ahram in 1974. He remained a prolific author. In May 1978, Heikal was one of dozens of writers accused by the state prosecutor of defaming Egypt and weakening social peace and was subject to an interrogation that extended three months
  • Sadat attempted to bring the dissident cacophony into line through the mass arrest in September 1981 of more than 1,500 intellectuals, writers, journalists, and opposition elements of every stripe. Among those arrested were leading members of the Journalists’ Syndicate and prominent figures like the political writer Muhammad Hassanein Heikal and novelist Nawal El Saadawi. Sadat’s crackdown against his opponents culminated in his assassination by Islamic militants on October 6, 1981 during a military parade to commemorate the start of the 1973 War. Soon after Hosni Mubarak assumed power, Heikal was released from prison
  • When Dream aired the lecture Heikal gave at the American University in Cairo, direct pressure was placed on the owner’s business interests, and the veteran journalist found a new forum on pan-Arab satellite broadcasting. The influential writer has made opposition to Gamal Mubarak’s succession a staple of his newspaper columns.
  • With the rise of satellite television, Qatar’s Al Jazeera commanded audiences not only with news but with popular discussion programmed, like Ma‘ Heikal (With Heikal), a program by Heikal that began the year after the 2003 invasion of Iraq, and which was watched by the Arab public with eager interest. Seated behind a desk and looking into the camera, Heikal gave his narrative of historical events and commentary on Middle Eastern and world affairs, exposing the intrigues of regional and global powers from his perch, having privileged access to leaders, diplomats, and decision makers. He has been a critic of Saudi diplomacy, its ballooning regional influence given the power of petrodollars, and its confrontation with Iran. Saudi pundits have consistently taken potshots at Heikal.
  • A couple of months before Morsi’s ouster on July 3, 2013, Heikal was contacted by Morsi’s defense minister Abd al-Fattah al-Sisi for a meeting, which had led to speculation that the Heikal devised the behind-the-scenes scenarios for an elected president’s removal as the dominant political player, the Muslim Brotherhood, was sinking in popularity. After Morsi was expelled from office, Heikal suggested to the military leader that he seek a popular mandate to lead the country, mirroring Nasser-style populism. Attired in full military regalia, al-Sisi at a July 24, 2013 graduation ceremony of the naval and air defence academies, broadcast live, warned that national security was in peril and summoned nationwide rallies two days later. Heikal supported al-Sisi’s bid for the presidency viewing him as the candidate born of necessity.
Ed Webb

Al Jazeera English - IRAN: AFTER THE REVOLUTION - Iranian Arabs seek equal rights - 0 views

english.aljazeera.net/...200812691745418706.html

shared by Ed Webb on 13 Feb 09 - No Cached
  • Ahwazi Arabs have not been included in Iran's economic development and prosperity derived from oil exports, according to a 2007 Human Rights report published by civil rights organisations in Europe in coordination with the Belgium–based Unrepresented Nations and Peoples Organisation.
    • Ed Webb
      Ed Webb on 13 Feb 09
  • I do not think there is an official will to marginalise Iranian Arabs or deny them their basic rights
  • administrative inefficiencies are often wrongly blamed on religious or ethnic discrimination
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  • "In Iran for example, this problem is not only with Arabs but with Kurds ... and other ethnicities as well, and all these groups live in far rural areas, and their complaints are usually taken from [a] political point of view."
    • Ed Webb
      Ed Webb on 13 Feb 09
       
      Is this a case of essentially class struggles, or rural-urban divides, being mapped onto identity politics as a mobilizable issue? If so, why? Is it the international discourse of human rights and self-determination? Is it the primordial connection or glue of ethnic and other groups?
  • rumoured that Tehran wanted to disperse the Arab communities throughout Iran.
  • Amir al-Musawi, an Iranian political analyst and former consultant to the ministry of defence, says foreign governments have been fuelling dissent in Ahwaz. "The Ahwazi people are supporters of the Iranian revolution, but there are some mercenaries who have been funded by foreign powers to create a situation where it appears there is a falling out between Iranian Arabs and the government," he said. "We know the British in Basra are fuelling some Ahwazi mercenary acts but we are sure they will get nowhere."
  • a mixed Shia and Sunni community
  • Ahwazi Arabs have traditionally attempted to mark Ramadan, the ninth month of the Islamic lunar calendar in which Muslims fast from dawn to dusk, in conjunction with Sunni Arab countries.
  • "Iran's history is characterised by rich debate over the meaning of Shia doctrine and the implications of theology, and much of this diversity has been suffocated in the Islamic Republic,"
    • Ed Webb
      Ed Webb on 13 Feb 09
       
      States tend to prefer a single orthodoxy over a 'rich debate.'
  • "Iranians believe that Arabs led the Muslim nation for 1,000 years, and the Turks had that opportunity for several centuries until World War One. Tehran thinks the time has come for it to lead the Muslim world."
  • "In 1980 when the Iraqi army attacked Ahwazi cities, Ahwazi Arabs defended their cities despite the fact they had the chance to get annexed to an Arab country, Iraq. It is true the idea appealed to some Ahwazis but they were [a] minority," al-Musawi told Al Jazeera. Al-Seyed Nima denied that Ahwazis willingly fought with the Iranian army and said they had been hired as mercenaries or forced to enlist.
    • Ed Webb
      Ed Webb on 13 Feb 09
       
      Notice that history matters hugely in these debates about identity, and becomes mobilized in particular causes.
  • Zhaleh United States 11/02/2009 I was born and raised in Khouzestan and this is the first time I hear iranian arabs being refered to as Ahwazi. Ahwaz is a city with mix population. If you see less improvement in Khouzestan than rest of the country is because this area was worst hit by 8 years of Iran/Iraq war and not because half of the population are arabs. Amnesty International needs to define what they see as discrimination. In Iran arabs can dress in their traditional attire, free to speak their language. Pure nonsense....
  • Chris Sweden 11/02/2009 To Mike, Canada Persian 51%, Azeri 24%, Gilaki and Mazandarani 8%, Kurd 7%, Arab 3%, Lur 2%, Baloch 2%, Turkmen 2%, other 1% Simple facts is stupid to lie about
  • minorities are not able to have equal rights in any country
  • I am an Azeri (Turkish Iranian) and I do NOT feel culturaly repressed!
Amira AlTahawi

المغرب ومصر: من حق الناس أن تفطر في رمضان | Radio Netherlands Worldwide - 0 views

www.rnw.nl/24969

Ramadan Egypt Morocco Funny Amira.Altahawi

shared by Amira AlTahawi on 14 Sep 09 - Cached
  • Amira AlTahawi on 14 Sep 09
     
    "الهدف من هذا النشاط الميداني الرمزي هو الاحتجاج ضد الفصل 222 من القانون الجنائي المغربي الذي يجرم الإفطار العلني في رمضان و التعبير عن حق المفطرين في الوجود.
gweyman

حقوقيون ورجال قانون ينتقدون حملة اعتقال المفطرين فى رمضان .. ومخاوف من تيار م... - 0 views

groups.google.co.uk/...2cac635248fb41af

egypt ramadan arrest police Islam

shared by gweyman on 07 Sep 09 - Cached
  • gweyman on 07 Sep 09
     
    Please check out this translation by Sian Kingsbury. Best - George
Ed Webb

Egypt Update: New Media Regulations Enforced Within Days - 0 views

mailchi.mp/...egypt-daily-update-845281

Egypt media censorship newspaper Sisi constitution

shared by Ed Webb on 25 Mar 19 - Cached
  • New Media Regulations Enforced Within Days: On March 21, the Supreme Media Regulatory Council issued its first penalty for violating the new bylaws regulating the media that were introduced last week against Al-Mashhad newspaper. According to Al-Mashhad’s Editor in Chief Magdy Shendy, the newspaper was fined 50,000 Egyptian pounds ($2,890) and will be blocked by Egyptian internet providers for six months for “violations of ‘public morals,’ ‘ethics,’ and ‘written traditions’” for a “pornographic picture” and “offensive comments” related to coverage of a female TV presenter. Shendy argues, however, that “the only reason for the decision is our [Al-Mashhad’s] stance on the constitutional amendments,” which would allow President Abdel Fattah al-Sisi to stay in power until at least 2034. According to Mada Masr, Al-Mashhad published [Ar] a report documenting police officers bribing Egyptians with Ramadan meals in exchange for votes in the expected referendum on the amendments. The new media regulations enable the Supreme Media Regulatory Council to block and fine websites and social media accounts it believes has published “offending material” including “anything inciting violating the law, public morals, racism, intolerance, violence, discrimination between citizens or hatred.”
Ed Webb

Is a Truly Free Press Emerging in the Wake of the Arab Spring? | Fast Forward | OZY - 0 views

www.ozy.com/...94499

MENA ArabWorld Egypt Jordan Lebanon journalism media journalists

shared by Ed Webb on 06 Jun 19 - Cached
  • Attalah is the chief editor of Egypt’s only independent media outlet, with 124,000 followers on Twitter and 241,000 on Facebook. But Mada Masr isn’t alone. It’s among a growing number of independent Arabic digital outlets that are emerging as fresh sources of news in a region where tyrants and oligarchs have for decades controlled the media.
  • Some, like Al Jumhuriya (The Republic) and Syria Untold, are run by exiled Syrian intellectuals from Germany, Turkey and Lebanon. Others, like Daraj (Stairs) — with 135,000 followers on Facebook — are providing pan-Arab coverage from Lebanon, where most traditional newspapers are party-affiliated. Still others, like 7iber (pronounced “hiber,” and meaning Ink) and Sowt (Voice), are offering nuanced coverage to readers in Jordan despite the threat of censorship. 7iber has 120,000 followers on Twitter and 341,000 on Facebook.
  • grief, limited resources and threat of censorship haven’t dissuaded these outlets from revolutionizing Arabic-language journalism
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  • These outlets offer their content for free and generate money from grants or by providing research and translation services. Mada Masr depends on the latter two streams. The business model is precarious, but so far it’s working. The outlet has gradually expanded to 32 employees.
  • 7iber now has 14 staffers and has built a credible reputation for providing in-depth reporting and nuanced analysis. In September 2017, it published an in-depth piece about the fate of 70 Sudanese refugees who were swiftly deported from Jordan in December 2015. The piece won an award for the best multimedia investigation at the Arab Investigative Journalism Awards in 2017.
  • On Dec. 10, 2018 — ironically, Human Rights Day — Lebanon’s Internal Security Forces entered the office of Daraj and detained editor-in-chief Hazem el-Amin, based on a complaint regarding a story they had published some months earlier, even though the plaintiff had already withdrawn the complaint. The editor was released within hours, but the incident was “reflective of the ways of a typical police state,” wrote el-Amin on Twitter.
  • In May 2017, Egyptian authorities blocked access to Mada Masr and 20 other websites. That makes it difficult for Mada Masr to measure its audience, but its followers still access the site through a VPN. Despite the risk of being shut down, Attalah says that Mada Masr concentrates on reporting fairly and accurately. One of Mada Masr’s articles this May, for instance, revealed how a majority of new television shows launched in Egypt during Ramadan have links to an intelligence agency.
  • The next challenge for outlets like 7iber and Mada Masr is to expand beyond their core followers of young progressive millennials and activists, says Ayman Mhanna, executive director of the Lebanese Samir Kassir Foundation, which defends press freedom across the Middle East. “When you ask most people on the streets of Egypt, Jordan or Lebanon about these platforms, they don’t even know they exist,”
  • Mada Masr, 7iber, Sowt and Al Jumhuriya have banded together to provide a one-year fellowship called the Alternative Academy for Arab Journalism. The fellowship begins in September and aims to train 25 young journalists each year in critical thinking and in-depth storytelling.
Ed Webb

Top Egyptian actor and trans son stir debate in rare media appearance | Middle East| Ne... - 0 views

www.dw.com/...a-53353144

Egypt LGBT LGBTQ transition gender identity media

shared by Ed Webb on 07 May 20 - No Cached
  • The appearance of prominent Egyptian actor Hesham Selim and his transgender son on DW's Arabic program "Jaafar Talk" has made waves in a country where sexual identities are rarely discussed.
  • After the actor first spoke publicly about Nour, formerly Noura, on local television last weekend, the two went on international TV to express support for one another and talk about Nour's transition and the challenges he has faced.
  • As Egyptians stay glued to their favorite TV series during Ramadan, the rare public message of solidarity from a top actor in a largely conservative and patriarchal country generated an emotional response on social media.
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  • Many were surprised by the positive reactions of their families and older generations
  • a conservative state where official gender transitions require religious approval.
  • in the eyes of the law, he is still considered female.
  • According to an Associated Press report, only 87 transitions were officially allowed for "physical reasons" between 2014 and 2017 in Egypt, while none were approved for "gender identity disorder."
Ed Webb

Saudi sitcom breaks taboos on homosexuality and Israel | Financial Times - 0 views

www.ft.com/...02-463a-457e-8035-5cbc78b85419

shared by Ed Webb on 09 May 20 - No Cached
  • produced by Middle East Broadcasting Centre, or MBC, which was brought under government control after its founder was among hundreds of royals, businessmen and former officials detained in 2017 at the Ritz-Carlton hotel in Riyadh as part of an anti-corruption campaign
    • Ed Webb
      Ed Webb on 09 May 20
       
      "anti-corruption" should definitely be in scare quotes
  • a Saudi-Israeli friendship blossoming on a TV show aired by a state-controlled broadcaster immediately raised speculation that the kingdom wanted to encourage Saudis to accept the normalisation of ties with Jerusalem
  • MBC has defended its decision to broach such subjects on the screen. “If the choice is between a stereotypical image of the Arab world and one where MBC shows tolerance, mutual living and meetings between religions and cultures, then so be it,” spokesman Mazen Hayek said earlier this week on the network’s Egyptian channel. “At least we would be helping to heal wounds and bring people together.”
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  • The older generation remains mainly supportive of the Palestinian cause and official government statements emphasise that support. But some young Saudis, who have adopted an ultranationalist agenda, view the conflict as a distraction and argue that citizens must focus on their own country and ignore pan-Arab issues.
  • Given increased government control of the entertainment industry over the past four years, some observers said that tackling controversial topics, such as Israel and homosexuality, was now easier for broadcasters than criticising official institutions or raising the real issues that affect people’s daily lives — something that past Ramadan shows, featuring the same actors, have done to strong effect.
  • “Even though it managed to stir controversy and generate much discussion, the topics [the programme] deals with so far remain distant from the daily concerns of Saudi citizens making it seem like an alien imposition even if performed by familiar faces.”
Ed Webb

A life in Jaffa, shared through dance - 0 views

www.972mag.com/arabli-palestinian-dance-jaffa

Israel Palestine israelpalestine dance

shared by Ed Webb on 12 Dec 21 - Cached
  • “I know everything about Israeli culture, about the customs and holidays, but the other side knows nothing about me,”
  • Garabli’s act is titled “HaKovshim,” Hebrew for “The Conquerors” or “The Occupiers.” The inspiration for the name came to her when she passed a street of the same name on her way to college in Tel Aviv. “I could not believe my eyes,” she exclaimed. “There is actually a street with this name.”
  • Though Garabli tackles the political weight of her identity in her work, she does not see her participation in Israeli institutions as a problem. She has previously been involved with projects at the Suzanne Dellal Center, a leading cultural center in Tel Aviv; following her success with “The Occupiers” in Acre, Tmu-na, a community theater in Tel Aviv, invited Garabli to perform on its stage. “I pay taxes like everyone else, and so I deserve to enjoy budgets as every artist does,” she said.
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  • Garabli grew up in the Ajami neighborhood of Jaffa. The city made headlines this year after residents organized mass demonstrations to protest increasing gentrification, which has taken on an ethnic dimension as Jewish buyers displace Palestinian families who can no longer afford the rent on the homes they’ve been living in for generations.
  • In Jaffa, dance lessons were a privilege that not everyone could afford, she noted. There was also a social imbalance to the classes: the teachers were Jewish Israelis who did not speak Arabic or understand local norms, whereas most of the students were Palestinian citizens.
  • According to Garabli, who comes from a traditional Muslim family that prays and fasts during the holy month of Ramadan, many among the Palestinian community in Jaffa do not approve of dancing as a profession. Dance is considered a temptation, and women moving their bodies in such a free way can “damage” their reputations. Moreover, given that the community is heavily focused on its survival, advocating for affordable housing, and mobilizing against gun violence and police brutality, many Palestinian residents view artistic activities as an indulgence, Garabli explained. This, she added, is why relatively few Palestinians attend cultural events like hers.
Ed Webb

Is Iran on the Verge of Another Revolution? | Journal of Democracy - 0 views

www.journalofdemocracy.org/he-verge-of-another-revolution

Iran protests revolution analysis uprising

shared by Ed Webb on 10 Mar 23 - No Cached
  • the most severe and sustained political upheaval ever faced by the Islamist regime in Iran. Waves of protests, led mostly by women, broke out immediately, sending some two-million people into the streets of 160 cities and small towns, inspiring extraordinary international support. The Twitter hashtag #MahsaAmini broke the world record of 284 million tweets, and the UN Human Rights Commission voted on November 24 to investigate the regime’s deadly repression, which has claimed five-hundred lives and put thousands of people under arrest and eleven hundred on trial.
  • This is neither a “feminist revolution” per se, nor simply the revolt of generation Z, nor merely a protest against the mandatory hijab. This is a movement to reclaim life, a struggle to liberate free and dignified existence from an internal colonization. As the primary objects of this colonization, women have become the major protagonists of the liberation movement.
  • Since its establishment in 1979, the Islamic Republic has been a battlefield between hard-line Islamists who wished to enforce theocracy in the form of clerical rule (velayat-e faqih), and those who believed in popular will and emphasized the republican tenets of the constitution.
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  • Only popular resistance from below and the reformists’ electoral victories could curb the hard-liners’ drive for total subjugation of the state, society, and culture.
  • The Green revolt and the subsequent nationwide uprisings in 2017 and 2019 against socioeconomic ills and authoritarian rule profoundly challenged the Islamist regime but failed to alter it. The uprisings caused not a revolution but the fear of revolution—a fear that was compounded by the revolutionary uprisings against the allied regimes in Syria, Lebanon, and Iraq, which Iran helped to quell.
  • once they took over the presidency in 2021 and the parliament in 2022 through rigged elections—specifically, through the arbitrary vetoing of credible rival candidates—the hard-liners moved to subjugate a defiant people once again. Extending the “morality police” into the streets and institutions to enforce the “proper hijab” has been only one measure—but it was the one that unleashed a nationwide uprising in which women came to occupy a central place.
  • the culmination of years of steady struggles against a systemic misogyny that the postrevolution regime established
  • With the emergence of the “people,” a super-collective in which differences of class, gender, ethnicity, and religion temporarily disappear in favor of a greater good, the uprising has assumed a revolutionary character. The abolition of the morality police and the mandatory hijab will no longer suffice. For the first time, a nationwide protest movement has called for a regime change and structural socioeconomic transformation.
  • Over the years, headscarves gradually inched back further and further until finally they fell to the shoulders. Officials felt, time and again, paralyzed by this steady spread of bad-hijabi among millions of women who had to endure daily humiliation and punishment. With the initial jail penalty between ten days and two months, showing inches of hair had ignited decades of daily street battles between defiant women and multiple morality enforcers such as Sarallah (wrath of Allah), Amre beh Ma’ruf va Nahye az Monker (command good and forbid wrong), and EdarehAmaken (management of public places). According to a police report during the crackdown on bad-hijabis in 2013, some 3.6 million women were stopped and humiliated in the streets and issued formal citations. Of these, 180,000 were detained.
  • This is the story of women’s “non-movement”—the collective and connective actions of non-collective actors who pursue not a politics of protest but of redress, through direct actions.
  • the uprising is no longer limited to the mandatory hijab and women’s rights. It has grown to include wider concerns and constituencies—young people, students and teachers, middle-class families and workers, residents of some rural and poor communities, and those religious and ethnic minorities (Kurds, Arabs, Azeris, and Baluchis) who, like women, feel like second-class citizens and seem to identify with “Woman, Life, Freedom.”
  • The thousands of tweets describing why people are protesting point time and again to the longing for a humble normal life denied to them by a regime of clerical and military patriarchs. For these dissenters, the regime appears like a colonial entity—with its alien thinking, feeling, and ruling—that has little to do with the lives and worldviews of the majority.
  • The feminism of the movement, rather, is antisystem; it challenges the systemic control of everyday life and the women at its core. It is precisely this antisystemic feminism that promises to liberate not only women but also the oppressed men—the marginalized, the minorities, and those who are demeaned and emasculated by their failure to provide for their families due to economic misfortune.
  • A segment of Muslim women did support the Islamic state, but others fought back. They took to the streets to protest the mandatory hijab, organized collective campaigns, and lobbied “liberal clerics” to secure a women-centered reinterpretation of religious texts. But when the regime extended its repression, women resorted to the “art of presence”—by which I mean the ability to assert collective will in spite of all odds, by circumventing constraints, utilizing what exists, and discovering new spaces within which to make themselves heard, seen, felt, and realized. Simply, women refused to exit public life, not through collective protests but through such ordinary things as pursuing higher education, working outside the home, engaging in the arts, music, and filmmaking, or practicing sports.
  • At this point in time, Iran is far from a “revolutionary situation,” meaning a condition of “dual power” where an organized revolutionary force backed by millions would come to confront a crumbling government and divided security forces. What we are witnessing today, however, is the rise of a revolutionary movement—with its own protest repertoires, language, and identity—that may open Iranian society to a “revolutionary course.”
  • The disproportionate presence of the young—women and men, university and high school students—in the streets of the uprising has led some to interpret it as the revolt of generation-Z against a regime that is woefully out of touch. But this view overlooks the dissidence of older generations, the parents and families that have raised, if not politicized, these children and mostly share their sentiments. A leaked government survey from November 2022 found that 84 percent of Iranians expressed a positive view of the uprising. If the regime allowed peaceful public protests, we would likely see more older people on the streets.
  • Although some workers have joined the protests through demonstrations and labor strikes, a widespread labor showdown has yet to materialize. This may not be easy, because the neoliberal restructuring of the 2000s has fragmented the working class, undermined workers’ job security (including the oil sector), and diminished much of their collective power. In their place, teachers have emerged as a potentially powerful dissenting force with a good degree of organization and protest experience.
  • Shopkeepers and bazaar merchants have also joined the opposition. In fact, they surprised the authorities when at least 70 percent of them, according to a leaked official report, went on strike in Tehran and 21 provinces on 15 November 2022 to mark the 2019 uprising. Not surprisingly, security forces have increasingly been threatening to shut down their businesses.
  • Protesters in the Arab Spring fully utilized existing cultural resources, such as religious rituals and funeral processions, to sustain mass protests. Most critical were the Friday prayers, with their fixed times and places, from which the largest rallies and demonstrations originated. But Friday prayer is not part of the current culture of Iran’s Shia Muslims (unlike the Sunni Baluchies). Most Iranian Muslims rarely even pray at noon, whether on Fridays or any day. In Iran, the Friday prayer sermons are the invented ritual of the Islamist regime and thus the theater of the regime’s power. Consequently, protesters would have to turn to other cultural and religious spaces such as funerals and mourning ceremonies or the Shia rituals of Moharram and Ramadan.
  • During the Green revolt of 2009, the ruling hard-liners banned funerals and prevented families from holding mourning ceremonies for their loved ones
  • the hard-line parliament passed an emergency bill on 9 October 2022 “adjusting” the salaries of civil servants, including 700,000 pensioners who in late 2017 had turned out in force during a wave of protests. Newly employed teachers were to receive more secure contracts, sugarcane workers their unpaid wages, and poor families a 50 percent increase in the basic-needs subsidy.
  • beating, killing, mass detention, torture, execution, drone surveillance, and marking the businesses and homes of dissenters. The regime’s clampdown has reportedly left 525 dead, including 71 minors, 1,100 on trial, and some 30,000 detained. The security forces and Basij militia have lost 68 members in the unrest.
  • The regime’s suppression and the protesters’ pause are likely to diminish the protests. But this does not mean the end of the movement. It means the end of a cycle of protest before a trigger ignites a new one. We have seen these cycles at least since 2017. What is distinct about this time is that it has set Iranian society on a “revolutionary course,” meaning that a large part of society continues to think, imagine, talk, and act in terms of a different future. Here, people’s judgment about public matters is often shaped by a lingering echo of “revolution” and a brewing belief that “they [the regime] will go.” So, any trouble or crisis—for instance, a water shortage— is considered a failure of the regime, and any show of discontent—say, over delayed wages—a revolutionary act. In such a mindset, the status quo is temporary and change only a matter of time.
  • There are, of course, local leaders and ad hoc collectives that communicate ideas and coordinate actions in the neighborhoods, workplaces, and universities. Thanks to their horizontal, networked, and fluid character, their operations are less prone to police repression than a conventional movement organization would be. This kind of decentralized networked activism is also more versatile, allows for multiple voices and ideas, and can use digital media to mobilize larger crowds in less time. But networked movements can also suffer from weaker commitment, unruly decisionmaking, and tenuous structure and sustainability. For instance, who will address a wrongdoing, such as violence, committed in the name of the movement? As a result, movements tend to deploy a hybrid structure by linking the decentralized and fluid activism to a central body. The “Woman, Life, Freedom” movement has yet to take up this consideration.
  • a leadership organization—in the vein of Polish Solidarity, South Africa’s ANC, or Sudan’s Forces of Freedom and Change—is not just about articulating a strategic vision and coordinating actions. It also signals responsibility, representation, popular trust, and tactical unity.
  • if the revolutionary movement is unwilling or unable to pick up the power, others will. This, in fact, is the story of most of the Arab Spring uprisings—Egypt, Iraq, Lebanon, and Yemen, for instance. In these experiences, the protagonists, those who had initiated and carried the uprisings forward, remained mostly marginal to the process of critical decisionmaking while the free-riders, counterrevolutionaries, and custodians of the status quo moved to the center.
  • Things are unlikely to go back to where they were before the uprising. A paradigm shift has occurred in the Iranian subjectivity, expressed most vividly in the recognition of women as transformative actors and the “woman question” as a strategic focus of struggle.
  • Those who expect quick results will likely be dispirited. But the country seems to be on a new course.
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