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Ed Webb

Arabic literature and the African other - 0 views

africasacountry.com/...k-and-write-about-black-people

Arabic literature Arabs racism race analysis opinion Africa

shared by Ed Webb on 13 Oct 19 - Cached
  • In 1992, Mazrui had a proposal: “The French once examined their special relationship to Africa and came up with the concept EURAFRICA as a basis of special cooperation. We in turn should examine the even older special relationship between Africa and the Arab World and call it AFRABIA.”
  • The project of “Afrabia,” as I interpret, would allow Africans to revisit a long history of the Islamic empire in Africa, its intersecting points with colonial projects subcontracted to Arab and South-Asian masters, as well as a shared history of decolonial struggles and anti-capitalist ambitions. For Arabs, it would mean a much-needed and long-overdue revision of their history, as well as of language and artistic expression that deal with Africa, blackness, and Afro-Arabs in reactionary, racist, and apolitical terms
  • Arabs, like their western teachers, when discussing anti-black racism and black issues, seem fixated on skin color, ideals of beauty, and visual representations; in a sense they express their own racial anxiety. It is as if anti-black racism has no history, trajectory, or realities beyond the stigma assigned to it, or the rhetoric surrounding it.
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  • When I use the term “Afro-Arab,” it is just my American lingua, not an actual term that Arab thinkers are trying to adopt or even consider. It is the kind of term you find in US academia but not in Arabic letters or political discussions. Even on the e-margins, young East and North Africans have been embracing their Africanness in opposition to Arabness, often citing Arab racism and exclusionary politics as reasons to depart from that historical bond.
  • I noticed how often Arab writers, including those North and East African, seem at ease when othering Africa—the bordered continent is harder for them to grasp than an imaginary “Arab World” made up by the French, and later appropriated by Arab nationalism. Moreover, the wildly inaccurate treatment of black experiences and cultures as one sum; from Zanzibar and Lagos to Havana and Detroit.
  • the Arab-Afro encounter seems more connected to the Americas and France, than to Africa itself
  • translations, references, and intertextual conversations, even by black Arabs, look toward Aime Césaire, Frantz Fanon, as well as African-American literature, and the civil rights era.
  • From one panel title “Black writer, White reader,” in a nod to Fanon, it was clear how the Arab fixation on black skin functions as an erasure of race, therefore assuming Arab is White
  • Arab writers, in the aftermath of the Iraq war and its apolitical introduction of identity politics into the region, have found an opportunity in writing about these groups which could get them translated and serve as primary literature for western academics and NGOs alike. Their white translators whisper to me “oh my god, this shit is racist” sometimes mediating in the process to clean up the language
Ed Webb

The Death of the Palestinian Cause Has Been Greatly Exaggerated | Newlines Magazine - 0 views

newlinesmag.com/...e-has-been-greatly-exaggerated

Israel Palestine israelpalestine KSA Saudi UAE Morocco Sudan Egypt Jordan Syria media diplomacy analysis nationalism

shared by Ed Webb on 22 May 21 - No Cached
  • For the last 10 years, Western (and even Arab) pundits have repeatedly questioned the place of Palestine in the pan-Arab psyche. They surmised that the Arab Spring had refocused Arab minds on their problems at home. They assumed that battling tyrannical regimes and their security apparatuses, reforming corrupt polities and decrepit health care and education systems, combating terrorism and religious extremism, whittling back the power of the military, and overcoming economic challenges like corruption and unemployment would take precedence over an unsolved and apparently unsolvable cause.
  • reforming the Arab world’s political systems and the security and patronage networks that keep them in power and allow them to dominate their populations appears to be just as arduous a task as resolving the Israeli-Palestinian conflict
  • The difference now is not that Arab populaces have abandoned Palestine. Western and regional observers say the muted outrage over affronts like American support for the annexation of the Golan Heights or recognition of Jerusalem as Israel’s capital, or even the Abraham Accords and the subsequent sycophantic embrace of Israel in the Gulf is an indicator of Arab public opinion, that it signals a loss of interest in the cause.It is not. Arabs are of course not of a single mind on any particular issue, nor is it possible to gauge public opinion under tyrannical regimes. But it is indicative of the fact that these authoritarians no longer see the pan-Arab Palestinian cause and supporting it as vital to their survival. They have discovered that inward-looking, nationalistic pride is the key to enduring in perpetuity. It is the final step in the dismantling of pan-Arabism as a political force, one that will shape the region’s fortunes and its states’ alliances in the years and decades to come.
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  • Nowhere is this shift in attitude more abjectly transparent than in the Gulf states’ media outlets, which hew closely to the state line and even go beyond it in an attempt to out-hawk official policy, which by comparison appears reasonable and measured.
  • an obvious and transparent outgrowth of the Gulf states’ normalization deals with Israel, though it is curious to me why they feel the need to amplify Israel’s narrative of the conflict if they did not think public opinion was already on the side of normalization
  • Jordan violently suppressed demonstrators protesting the attacks on Gaza, who apparently did not receive the memo that 27 years should have been enough time to accept Israel’s position on the conflict. In Egypt, despite its testy relationship with Hamas and its participation in the blockade of Gaza, it is still political and social suicide to publicly embrace normalization as a concept.
  • There was great presumption and folly in the grandiose naming of a convenient political deal between unelected monarchs and a premier accused of bribery and corruption, which was brokered by an American president who paid hush money to a porn star, after the patriarch of the prophets of Israel and Islam.
  • few Arab leaders have ever actually done anything for the Palestinians beyond rhetorical support for the cause, but they were happy to use the prospect of Palestine to keep their populations in check. The late former President Hafez al-Assad imposed a multi-decade state of emergency and mobilization to justify his tyrannical hold over Syria while awaiting the mother of all battles with the enemy, all without firing a single shot across the border since 1973. The leader of the beating heart of Arabism intervened in Lebanon’s civil war and had no qualms massacring pan-Arab nationalists and their Palestinian allies, or to recruit his Amal militia allies to starve Palestinian refugee camps in Lebanon. His son and successor, President Bashar al-Assad, negotiated with Israel via intermediaries, ready to sell out his allies in Iran and Hezbollah, even as he declared his fealty to the resistance.
  • The Gulf states have long had backchannels and secret dealings with the Israelis and developed a penchant for Israeli digital surveillance tools. Egypt needed Israel to destroy extremist militants in Sinai. And Morocco, Oman, and Qatar all had different levels of diplomatic ties.
  • We don’t know broadly whether a majority of Arabs care about Palestine or not, though every indicator points to the fact that they still do
  • Riyadh’s media outlets have taken on a prominent role in expressing public sympathy for Israel and its positions
  • In Saudi Arabia, a monumental shift is underway to neuter the power of the clerical establishment in favor of a more nationalistic vision of progress that gives primacy to Saudi identity. According to Mohammed bin Salman, the crown prince, in a recent interview, this identity derives from religious heritage but also from cultural and historic traditions. MBS has defanged the hated Committee for the Promotion of Virtue and Prevention of Vice, introduced social reforms that dismantle some of the restrictions on women, detained numerous clerics who criticized his policies, both foreign and domestic, and has been elevated by his surrogates into an almost messianic figure sent to renew the faith and empower Saudi identity through KPI-infused economic progress initiatives like Vision 2030. He has also, of course, arrested those who sought to pursue activism and reform and those who criticized the pace and manner of his revolution.
  • where nationalist pride is intermingled with the quality of life and performance metrics of a technocratic capitalist state, albeit one where the reins are held by only a handful of families
Ed Webb

The New Hybridities of Arab Musical Intifadas - www.jadaliyya.com - Readability - 1 views

www.readability.com/...ia1vllef

music hiphop Arabs MENA uprisings Adorno metal metalmusic

shared by Ed Webb on 31 May 12 - No Cached
  • Both extreme metal and hardcore rap have long featured dissonant, even jarring music that is often marked in equal measure by the sophistication of and difficulty in listening to it. Lyrically, the grittiness, anger and themes such as poverty, unemployment, police brutality, and lack of life opportunities—were at the heart of American hip hop culture before it wase taken over by bling. Similarly, extreme metal’s focus on war, corruption, and chaos played a major role in the genre’s increasing popularity with young people across the Middle East and North Africa in the last twenty years.
  • During the last twenty years in which both heavy metal and hiphop have developed in the Arab and larger Muslim majority worlds, the closed nature of the political spheres in the region helped encourage these scenes to become sites of subcultural and even countercultural production. The music they have produced is the very antithesis of the far more popular, hyper-commercialized and corporatized (or “Rotana-ized”) Arab pop, whose European and American predecessors Adorno so thoroughly despised. They also stand in opposition to the largely depoliticized and musically unchallenging religious pop of stars like Sami Yusuf and Ali Gohar, who as Walter Armbrust points out, tend not merely to leave unchallenged and even reinforce patriarchal values, but offer aesthetic endorsement of the existing system through the themes and locations of their videos
  • whether Adorno would accept it or not, the self-reflexivity and willingness to critique society by its own referents that have characterized the best exemplars of extreme metal and political hip-hop are legitimate heirs of the tradition of critical engagement that have defined Adorno's oeuvre and that of his Frankfurt School colleagues. While critics have long labeled both metal and rap as juvenile, hedonistic, and even nihilistic forms of music, this interpretation is far off the mark when it comes to the more political forms of both genres. They function not merely as the CNN—or in the case of the Arab world, al-Jazeera—of the streets, but as their oped page as well, both educating their audience about political and social realities in their societies and the possibility of creating more positive futures
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  • The best rap and metal in the region succeeds because it manages to avoid both the kind of “extreme consciousness of doom” that leads to aesthetic nihilism, hyper-stylized violence and other forms of artistic “idle chatter,” while also avoiding the kind of surrender to the culture industry which leads even the most well-intentioned of mainstream artists to “collaborate with culture as its salaried and honoured nuisance” rather than challenge it directly from the margins.
  • the ultimate function of immanent criticism: to enable a positive synthesis, or irreducible hybridization of identities. Such identities can not be subsumed under any dominant ideology or political and economic narrative and therefore cannot serve to reinforce them
  • in the Middle East and North Africa region, in the years leading up to the current revolutionary moment, the growing popularity of metal and rap music represents a return of the aura to local music scenes. Both Benjamin and Adorno believed that a remnant, or perhaps better, specter of the original aura remained within works of art even in the mechanical/industrial age. This spector becomes visible in the kind of critical art represented by the groups discussed here, contributing to the continued “excessiveness”, “aesthetic deviance”, and “pointing elsewhere” towards cultural difference and a different future that characterize the best exemplars of the music
  • As Moe Hamzeh, leader of one of the most talented and successful Arab rock/metal groups, Beriut's The Kordz6, explains, while Arab rock or rap artists obviously want to be successful, the relative lack of interest in the two genres by Rotana and other Arab media conglomerates has been a blessing from an aesthetic perspective. It has saved them from the inevitable fate of all commercialized popular music, whether American hiphop and hair metal to Arab video-clip driven pop. At the same time, the lack of commercialization has made the public performance of the music, usually in small group settings or festivals geared specifically to fans of the genres, the crucial means of creating audiences and building solidarity among their communities of fans.
  • singers and rappers were actually smiling as they performed their music. And so were the crowds surrounding them. This is likely not the vibe Adorno imagined would surround the kind of immanently critical music he felt was necessary to wake people up to the false consciousness they had been mindlessly inhabiting. But it points to a crucial problem with Adorno’s musical aesthetic, at least form the standpoint of reception. The more abstract, atonal, and devoid of recognizable harmonies or rhythmic pulse a piece of music is, the harder it will be for it to inspire a large number of people. Once people are actually on the streets protesting rather than in their smaller subcultural gatherings, they need something catchier and more uplifting to sing along to than brutal vocals and rapid fire rhymes
  • Adorno did not think much of the aesthetic and political potential of folk music, which he tied both to nationalist and fascist sentiments. In its then present-day form (rather than traditional-historical form), he believed it to foster little more than a “pseudo-folk community,” particularly in its cultural and aesthetic historical trajectory in Germany. But in Egypt as in the United States, the music has played a more critical political role in struggles for political freedom and social justice.
  • the band’s popularity is inseparable from its dual role as a voice of protest and a regenerator of traditional styles of music that recently were in danger of disappearing completely because of a combination of market forces and government censorship
  • What the kind of joyful hybridity exemplified by the production style of Armada Bizerta and myriad other rap groups around the Arab and larger Muslim worlds (and across Africa) reveal is that even within one genre of music, such as hip hop, talented artists can create innumerable sonic tapestries to match, and help shape, the national mood—from dissonant anger to joyful creativity—as the political and cultural situation on the ground changes. Their flexibility is key to their function as the kind immanent critique Adorno and other critical theorists hoped would be able to “reliquify” the “congealed” ideologically bounded identities imposed by authoritarian regimes on their citizens
  • The joyful aesthetics of groups such as Amarda Bizerta, Emel Mathlouthi, Ramy Essam, and other artists at the heart of youth-inspired revolutions challenges Adorno’s belief that critical music in the age of mass reproduction and consumption has to be, essentially, hard to listen to in order to make the listener think and perhaps even motivated to take some form of action. It seems that while in the pre-Revolutionary period, when cultural expression was still heavily policed, this indeed was the case—thus the power and popularity of genres like metal and hardcore rap. But with the explosion of political, cultural, and artistic energy of the protests a new aesthetic dynamic was born that, at least as of the time of this writing, remains quite powerful. As important, by drawing people literally closer together, the music brings them closer to its critical and transformational aura, closing a circle that was broken, according to Benjamin, with the mechanical reproduction and commodification of musi a century ago
  • It remains to be seen whether Americans and Europeans, so used to providing the “original” music and culture which others have long sampled, will prove as adept as the “new generation” of Arab revolutionaries in adapting the tools and ideas of others to create their own cultural, political, and economic hybrids. But if the experience of the last year is any indication, without doing so there is little chance of the current wave of protests across the West producing the kind of large-scale transformation now underway, however problematically, in the Arab world.
Ed Webb

WASHINGTON: Study finds bias in Internet postings about Syria's civil war | Syria | McC... - 1 views

www.mcclatchydc.com/...bias-in-internet-postings.html

Syria media socialmedia language languages Arabic English analysis propaganda journalism news

shared by Ed Webb on 03 Mar 14 - No Cached
  • After reviewing more than 38 million Twitter posts about the Syrian conflict, a team of Middle East scholars from The George Washington University and American University concluded that rather than an objective account of what’s taken place, social media posts have been carefully curated to represent a specific view of the war. It said the skewing of the social media view of the conflict has been amplified by the way more traditional news outlets make use of the postings – for example, passing along social media posts written in English over those written in Arabic. The analysts studied tweets that mentioned Syria in English or Arabic from the start of 2011 through April 2013. They then analyzed how “traditional” forms of media, such as newspapers, used social media to supplement their coverage of the conflict.
  • Because journalists were largely unable to get direct access to the events in Syria at the start of the conflict, many relied on “citizen journalism,” or accounts from Syrians who said they’d witnessed events firsthand, often posted on social media, said Marc Lynch
  • as the uprising continued, tweets in Arabic began to dramatically outpace tweets in English. From January 2011 to June 2011, English-language tweets were most common, but Arabic tweets made up almost 75 percent of all tweets about Syria just a year later.
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  • Syrian activists became adept at crafting a specific message
  • By focusing only on English-language social media posts, mainstream media have frequently distorted the focus of the Syrian story, the report’s authors claimed.
  • “We here in Washington, especially, we think that the United States is really important; we think that American policy is the single most important thing about Syria, and what Obama does is what everybody wants to know about,” Lynch said. “The Arabic-speaking community does not care about Obama, for the most part. They don’t think American policy is all that important; they’re focused on other things.”Mentions of President Barack Obama, for example, are sporadic in Arabic tweets. By March 2013, Arabic tweets about Syria only mentioned Obama 0.28 percent of the time, compared to 4.28 percent of English tweets.
Ed Webb

TCM Explores Depictions of Arabs in Cinema in Acclaimed Race & Hollywood Initiative - 0 views

www.tcm.com/...movie-news.html

Arabs movies film stereotypes television

shared by Ed Webb on 27 May 11 - No Cached
  • Turner Classic Movies is preparing to launch Race & Hollywood: Arab Images on Film, a month-long movie event that focuses on the diverse portrayals of Arabs in cinema. Tuesday and Thursday nights in July, TCM host Robert Osborne will be joined by internationally acclaimed professor, author and Middle East media consultant Dr. Jack G. Shaheen to introduce a wide range of films and provide extensive insight into Hollywood's ever-changing attitude toward Arab people.
  • 14 TCM premieres, including the award-winning Gulf War action drama Three Kings (1999), starring George Clooney, Mark Wahlberg and Ice Cube; the romantic comedy-adventure Jewel of the Nile (1985), starring Kathleen Turner and Michael Douglas; the Libya-set dramas Lion of the Desert (1981), starring Anthony Quinn; The Black Tent (1956), with Donald Sinden; the adventure films Tarzan the Fearless (1933), with Buster Crabbe; and the silent classic The Sheik (1921), starring Rudolph Valentino. The July lineup will also include David Lean's Lawrence of Arabia (1962), Caesar and Cleopatra (1945), Kismet (1944), The Thief of Bagdad (1924) and several animated shorts featuring Bugs Bunny, Porky Pig, Popeye and other famous characters
  • I can't say the celluloid Arab has changed. He is what he has always been - the cultural 'other.' Arabs have too often been viewed as backward, barbaric and dangerously different through Hollywood's distorted lens. Unfortunately, these stereotypes are now deeply ingrained in American cinema
  • Ed Webb on 27 May 11
     
    This is huge. And overdue.
Ed Webb

Liberal Islamophobia: Anti-Muslim hostility is not just a conservative phenomenon | Mid... - 1 views

www.middleeasteye.net/...servative-phenomenon-105761593

US USA media politics Islam Muslims violence terrorism Islamophobia

shared by Ed Webb on 22 Mar 16 - No Cached
  • it would be wrong to view Islamophobia as a strictly conservative phenomenon. Polling data indicate that 49 percent of Democrats hold unfavourable views of Islam. Also, Brookings Institution scholar Shadi Hamid has argued that US President Barack Obama, a Democrat, holds views that amount to “Islamic exceptionalism”. Hamid argues that Obama’s statements about Muslims suggest that he is “frustrated by Islam” and that he has bought into Samuel Huntington’s “clash of civilizations” thesis
  • American news media, including liberal outlets, have done a poor job contextualising stories about Muslims and Islam. A growing body of empirical research into American news media coverage of Islam reveals deeply problematic patterns - negative, stereotypical portrayals, almost no Muslim sources, and few mention of Muslims or Islam in the context of positive news. That American news outlets apply the “terrorism” description almost exclusively to Muslim-perpetrated violence cannot be lost on anyone paying attention
  • while denunciations of terrorism by Muslim groups generally go unreported, Islamophobic statements drive news narratives
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  • the CIA estimates that there are around 30,000 Muslim jihadists in the entire world. A Kurdish leader has suggested that the CIA underestimates the jihadist threat, and claims that the total number is closer to 200,000. Even assuming the larger figure, jihadists represent a grand total of 0.01 percent of the world’s 1.8 billion Muslims
  • A 2011 Gallup poll found that American Muslims were the least likely of all polled American religious groups to accept vigilante violence against civilians. In all, 26 percent of American Protestants, 27 percent of Catholics, 22 percent of Jews, 19 percent of Mormons, 23 percent of atheists, but just 11 percent percent of Muslims said that it is “sometimes justified” for an “individual person or a small group of persons to target and kill civilians”.
  • Glaringly absent from American news media are opinion polls showing that Muslims are no more likely to accept violence than other groups. For instance, a 2011 Gallup World Violence poll showed that Muslims were just as likely as non-Muslims to reject vigilante acts of violence against civilians
  • Media scholar Jack Shaheen carried out a content analysis of more than 900 Hollywood movies featuring Arab or Muslim characters. Shaheen found Muslim characters are almost never cast in positive or neutral roles. The overwhelming majority of films that feature Arab or Muslim characters cast them as enemies, terrorists, violent, savage or backwards
  • compared to other threats of violence, Muslim terrorism garners exaggerated attention in American news and politics.
  • In the 14 years since 1 January, 2002, Muslim terrorists have killed 45 Americans in the United States, a smaller number than right-wing conservative terrorists have killed during the same time period. Also, since the start of 2002, there have been more than 200,000 firearm-related homicides in the United States
  • More realistic, proportionate presentations would greatly improve American political life. However, given the extent to which the Islamophobia industry is funded, people shouldn’t hold their breath waiting for fairer, less sensational presentations.
Ed Webb

Arab Media & Society - 1 views

www.arabmediasociety.com/?article=924

Egypt press media journalism journalist ahram history

shared by Ed Webb on 01 Apr 16 - No Cached
  • A prolific writer, Heikal penned dozens of books, chronicling events as a witness to history, his legacy linked with his association with Nasser. He was not just a journalist, newspaper editor, and later historian. Heikal was Nasser’s emissary with Western diplomats, a champion of Nasser’s brand of socialism and pan-Arab nationalism. He composed his speeches and ghost wrote Nasser’s political manifesto, The Philosophy of the Revolution. As the president’s alter ego, Heikal’s writings were read for clues to Nasser’s thinking. His influence derived from his proximity to power.
  • Heikal blurred the line between the role of a journalist and that of a politician. “He introduced a model in Egypt and the Arab world about what your ambitions should be as a journalist. In the West or Europe, you gain your reputation from your independence as a journalist,” explained Dawoud. “When I am the president’s consultant and I attend his close meetings and I write his speeches, there is definitely a lot of information that I would have to keep secret. That goes contrary to my job as a journalist, which is to find as much information as I can.”
  • The state media wholeheartedly embraced socialism and pan-Arabism, becoming a filter of information and propaganda, instead of the promised transformation of the institution into one that supposedly guides the public and builds society. Critical voices were muted, the military junta was sacrosanct, and Nasser was fortified as a national hero. The failings of the regime were not attributed to the president, but to the reactionary and destructive forces of capitalism and feudalism. Nasser’s personal confidant Muhammad Hassanein Heikal was appointed chairman of the board of al-Ahram, then later of Dar al-Hilal and Akhbar al-Youm publishing houses.
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  • Long committed to a free media, Mustafa Amin was imprisoned for six months in 1939 for an article in Akher sa‘a (Last Hour) magazine deemed critical of King Faruq. An advocate of democracy and Western liberalism, he was arrested in 1965, tried secretly in 1966, and convicted of being a spy for America and smuggling funds. Sentenced to a life sentence, he spent nine years in prison before being pardoned by Nasser’s successor, President Anwar Sadat. Ali Amin, accused by Heikal of working for British and Saudi intelligence, went into exile in 1965.
  • Room for expression existed mainly in the literary pages of al-Ahram, where writers under Heikal’s wings, like Naguib Mahfouz, could publish works of fiction that could be read as challenges to the status quo.[5] As far as the press was concerned, censorship was directed at politically oriented news and commentary rather than the literary sections
  • During the conflict, as the Egyptian army, under Field Marshal Abd al-Hakim Amer’s command, was hastily retreating from Sinai, broadcast outlets aired invented reports of fabulous victories against the Zionist foe. At no other moment did the state media prove so woefully deficient, contributing to a deep sense of public betrayal.
  • The speech was written for him by prominent journalist Mohamed Hassanein Heikal and tactfully framed a romp of Arab armies as a “setback,” displaying Heikal’s knack for being both a propagandist and political powerbroker.   It was a moment that brilliantly served to shore up Nasser’s support. Egyptians took to the streets demanding that their leader stay in power. “The People Say ‘No,’” declared Akhbar al-youm (News of the Day) in large red writing. In smaller black lettering the headline read, “The Leader Discloses the Whole Truth to the People.” It is difficult to say how populist and genuine the appeal was and how much of the public display of support for Nasser was behind-the-scenes political machinations of the regime and its media. While Nasser did stay in power, it was only later that Egyptians could comprehend the true extent of the defeat—especially in light of official propaganda—and the institutional failures that placed the whole of Sinai under Israeli control.
  • Student periodicals posted on the walls of the campuses emerged as the freest press in Egypt. Nasser for the first time became the object of direct criticism in the public space. A campaign against student unrest was waged in the state-owned media, which labeled the activists as provocateurs and counter-revolutionaries goaded by foreign elements
  • slogans shouted and scrawled on building walls that demanded: “Stop the Rule of the Intelligence,” “Down with the Police State,” and “Down with Heikal’s Lying Press.”
  • “A centralized editorial secretariat, called the Desk, was founded, as well as the Center for Strategic Studies and the Information Division. To his detractors, these innovations appeared to be spying sessions of an extensive empire dedicated to intelligence gathering
  • Nasser appointed Heikal to the post of minister of information and national guidance, a role he assumed for six months in 1970 until Nasser’s death. Yet the self-described journalist confided his frustration of being assigned a ministerial post, perhaps intended to distance him from the publishing empire he built, to a colleague, the leftist writer Lutfi al-Khouli, at his home. The encounter was surreptitiously recorded by the secret police, leading to the arrest and brief imprisonment of al-Khouli, and Heikal’s secretary and her husband, who were also present. “Now, Nasser’s regime had two aspects: it had great achievements to its credit but also it had a repressive side. I do not myself believe that the achievements . . . could have been carried out without some degree of enforcement,” Heikal wrote in The Road to Ramadan. “But after the 1967 defeat the positive achievements came to an end, because all resources were geared to the coming battle, while repression became more obvious. When Nasser died the executants of repression took it on themselves to be the ideologues of the new regime as well. They held almost all the key posts in the country. The people resented this and came to hate what they saw as their oppressors.”
  • after his increasing criticism of Sadat’s handling of the October 1973 War and appeals to the United States to address the impasse, Heikal was removed from al-Ahram in 1974. He remained a prolific author. In May 1978, Heikal was one of dozens of writers accused by the state prosecutor of defaming Egypt and weakening social peace and was subject to an interrogation that extended three months
  • Sadat attempted to bring the dissident cacophony into line through the mass arrest in September 1981 of more than 1,500 intellectuals, writers, journalists, and opposition elements of every stripe. Among those arrested were leading members of the Journalists’ Syndicate and prominent figures like the political writer Muhammad Hassanein Heikal and novelist Nawal El Saadawi. Sadat’s crackdown against his opponents culminated in his assassination by Islamic militants on October 6, 1981 during a military parade to commemorate the start of the 1973 War. Soon after Hosni Mubarak assumed power, Heikal was released from prison
  • When Dream aired the lecture Heikal gave at the American University in Cairo, direct pressure was placed on the owner’s business interests, and the veteran journalist found a new forum on pan-Arab satellite broadcasting. The influential writer has made opposition to Gamal Mubarak’s succession a staple of his newspaper columns.
  • With the rise of satellite television, Qatar’s Al Jazeera commanded audiences not only with news but with popular discussion programmed, like Ma‘ Heikal (With Heikal), a program by Heikal that began the year after the 2003 invasion of Iraq, and which was watched by the Arab public with eager interest. Seated behind a desk and looking into the camera, Heikal gave his narrative of historical events and commentary on Middle Eastern and world affairs, exposing the intrigues of regional and global powers from his perch, having privileged access to leaders, diplomats, and decision makers. He has been a critic of Saudi diplomacy, its ballooning regional influence given the power of petrodollars, and its confrontation with Iran. Saudi pundits have consistently taken potshots at Heikal.
  • A couple of months before Morsi’s ouster on July 3, 2013, Heikal was contacted by Morsi’s defense minister Abd al-Fattah al-Sisi for a meeting, which had led to speculation that the Heikal devised the behind-the-scenes scenarios for an elected president’s removal as the dominant political player, the Muslim Brotherhood, was sinking in popularity. After Morsi was expelled from office, Heikal suggested to the military leader that he seek a popular mandate to lead the country, mirroring Nasser-style populism. Attired in full military regalia, al-Sisi at a July 24, 2013 graduation ceremony of the naval and air defence academies, broadcast live, warned that national security was in peril and summoned nationwide rallies two days later. Heikal supported al-Sisi’s bid for the presidency viewing him as the candidate born of necessity.
Ed Webb

Khaled and the myth of rai | The Middle East Channel - 0 views

mideast.foreignpolicy.com/...khaled

music Algeria France culture politics culturalauthoritarianism rai

shared by Ed Webb on 12 Sep 10 - No Cached
  • it was not the opposition of "fundamentalists" that kept rai music (not just Khaled's) off of Algerian state radio. It was rather the Algerian (secular) regime's cultural policies. The state promoted classical Arabic culture and language and denied Algeria's multi-cultural nature. Expressive culture in Arabic dialect or Berber was therefore mostly excluded from the state-controlled media. Rai is sung in the distinctive colloquial Arabic of Wahran, which is not only very different from "classical" or literary Arabic but is also full of borrowings from Spanish, French and Berber. This official national-cultural politics, which was particularly severe during the regime of Houari Boumediene (1965-1978), began to loosen during Chadly Benjadid's regime (1979-1992). In his 1998 autobiography, "Derrière la sourire," Khaled recounts how he managed to break the official embargo in the early 1980s. He was invited to appear on a television show in Algiers, which he knew couldn't be censored because it was to be broadcast live. Khaled was warned ahead of time: no vulgarities, no sex. So he sang three songs: the first, about the Prophet Muhammad; the second, a "poetic" song, one that was artistically acceptable; and the third, about alcohol and women.
  • Khaled, and other rai stars, came to play at this festival due to the efforts of the "liberal" wing of the Algerian regime -- and particularly to Lieutenant-Colonel Hosni Snoussi, director of the state-supported arts and culture organization, Office Riadh el Feth in Algiers, who had taken Cheb Khaled under his wing. The regime's liberal wing became interested in promoting rai in the wake of a spate of unrest that erupted during the early 1980s. Most notably, the 1980 riots in Tizi Ouzou, Kabylia (the "Berber Spring"); the 1985 riots in Algiers, which broke out following rumors that housing being built for the poor would be allocated to state bureaucrats; and the 1986 student riots in Constantine that resulted in the deaths of four protesters and spread to other cities. Young Algerians played a leading role in all these protests. The liberal wing of the regime determined that, to deter further unrest, the state should focus on promoting the interests of youth and on developing the market economy. Rai was very popular with Algerian youth, and so the "liberals" determined that promoting it was to be an important element of these reform efforts. It was changes in state policy toward rai, pushed by Snoussi, that got Khaled and other rai stars onto the stage in Algiers in 1985.
  • The French government had a stake in trying to control and channel the energies of the rai scene.
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  • Khaled opened his set at Bobigny with a religious song, "Sallou 'ala al-Nabi" (Blessings on the Prophet). This is also how he typically opened concerts in Algeria. This is important to underscore because standard accounts of rai music (like Eyre's) typically give the impression that there is a kind of inherent antagonism between rai artists and Islam.
  • Because rai was a badge of cultural pride for young Beurs, the French state determined that its interests lay in promoting North African Arab culture in France, rather than being an antagonist. Not just Khaled, but an array of top Algerian rai artists performed at Bobigny in 1986. Clearly the tab for transporting and putting up these stars was an expensive proposition for the French government. Moreover, because Khaled had been avoiding his military service, Col. Snoussi had to intervene with the Algerian military authorities in order to secure him a passport to travel to France.
  • That liberal elements of the Algerian state played a major role in initiating and underwriting the process whereby rai music became known around the world, and whereby Khaled became the world's best-known Arab singer, deserves to be much more widely known. (Government sponsorship and subsidies for rai came to an end, after the bloody riots of October 1988 and the state's launching of a movement toward reform and democratization.) It is remarkable success story, with significant political and cultural implications, in both France and Algeria. Col. Snoussi and his liberal associates deserve credit, as do key French actors like Martin Meissonier and Jack Lang.
  • Khaled met some criticism after recording the John Lennon song "Imagine" with Israeli artist Noa (for the European release of his 1999 album Kenza) and after performing the song with Noa at a "peace" concert called "Time for Life" in Rome in May, 2002. Khaled subsequently toured the Middle East with Palestinian-American 'ud and violin maestro Simon Shaheen and Egyptian shaabi singer Hakim. In Lebanon and Jordan he encountered campaigns to boycott his concert, on the grounds that he had engaged in "normalization" with Israel by performing with an Israeli artist and in the presence of Israeli Foreign Minister Shimon Peres. Khaled responded that Palestinian singer Nabil Khouri had also performed at the concert and that Yasir Arafat's adviser Mohammed Rashid was in attendance. The Lebanon and Jordan concerts were well-attended, despite the protests. Khaled also recorded with the Algerian Jewish pianist Maurice El Medioni on his 2004 album Ya-Rayi, but I'm not aware that any criticism was leveled against him for working with Medioni or with U.S. musicians
  • It makes more sense to speak of Khaled as a European artist who has done much to promote Arab culture in the West, rather than to frame him as an Algerian artist, the thrust of whose work is against Islamic intolerance.
Ed Webb

The dwindling promise of popular uprisings in the Middle East - 0 views

www.972mag.com/popular-uprisings-middle-east

Egypt Tunisia Iran Israel Palestine israelpalestine Syria Yemen analysis opinion uprisings surveillance technology repression

shared by Ed Webb on 03 Dec 22 - Cached
  • The scenes emerging from Iran today elicit a mix of reactions across a region still reeling from the dark legacy of the “Arab Spring,” which itself came on the heels of the “Green Movement” protests in the wake of Iran’s 2009 presidential election. Many Arabs cannot help but recall the sense of hope that reverberated from Tunisia to Yemen, only to be shattered by unyielding repression, war, and the resurgence of authoritarianism. Subsequent protest waves, including those that began in 2019 in Lebanon, Iraq, and Sudan, were similarly met with brutality, co-optation, and dissolution.
  • Over a decade on from the Arab uprisings, the path toward democracy and freedom for youth across the Middle East has become more treacherous than ever, as liberation movements find themselves fighting against stronger, smarter, and more entrenched regimes that have adapted to modern challenges to their domination.
  • Technologies that many hoped would help to evade state censorship and facilitate mobilization have been co-opted as repressive surveillance tools.
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  • many of the region’s youth have become immobilized by revolutionary fatigue left by the tragic, violent trauma of the Arab Spring’s aftermath
  • Breakthroughs in surveillance methods are allowing intelligence outfits across the Middle East to infiltrate just about every crevice of civil society, making it almost impossible to communicate or organize without the government’s knowledge. Some of the most sinister of these weapons have been manufactured in Israel, which has emerged as a leading global exporter of surveillance technologies that are now being deployed against oppressed populations worldwide.
  • with the United States declining as a global hegemon, authoritarians are selling their allegiances to the highest bidder, with human rights, democracy, and accountability falling further by the wayside.
  • While arming themselves with the latest repressive tools, autocratic regimes across the Middle East continue to be encouraged by their external benefactors to prioritize security and foreign interests at the expense of democracy and human rights at home
  • The prospect of acquiring dystopian surveillance tech like Pegasus has become a driving motive for authoritarian Arab leaders in their rush to normalize relations with Israel, against the will of their people
  • Since 2011, Russia has doubled down on its support for some of the most brutal regimes in the region.
  • About 60 percent of the region’s population are under 25 years old, and the dire socio-political and economic conditions that much of the Middle East’s youth face have changed little since the thwarted revolutions of 2011. Youth unemployment has, in fact, worsened over the past decade, increasing from 23.8 percent in 2010 to 27.2 percent in 2020. The lack of opportunities continues to fuel brain drains and mass migration across the region.
  • dictators driven by paranoia have continued to hollow out civil society, ensuring that no viable political alternative to their rule exists. Press freedom across the region has declined drastically; Egypt, for example, has become one of the world’s top jailers of journalists since President Abdel Fattah al-Sisi came to power in a military coup in 2013. In Tunisia, President Kais Saied has undone many of the country’s democratic advances by dissolving the government and enhancing his powers through a new constitution.
  • This aggressive trend has intensified in Palestine, too. Following the 2021 Unity Intifada, Israeli forces arrested hundreds of political activists and are now stepping up efforts to target civil society and human rights groups that expose Israeli war crimes and rights violations. Meanwhile, the Palestinian Authority has entrenched its role as a subcontractor of the Israeli occupation, stepping up arrests of political activists and resistance fighters alike across the West Bank at Israel’s behest.
  • A recent study by The Guardian and YouGov found that although a majority of respondents in Sudan, Tunisia, Algeria, Iraq, and Egypt do not regret the uprisings, more than half of those polled in Syria, Yemen, and Libya say their lives are now worse
  • By shutting down spaces for Iranians to realize their imagined future, Iran’s leaders have ensured that any substantial transfer of power will be violent
Ed Webb

Obama starts well with Muslims but must do more - 0 views

news.yahoo.com/...ypintak

obama Islam public_diplomacy MiddleEast

shared by Ed Webb on 16 Mar 09 - Cached
  • By visiting Prime Minister Erdogan, Obama is overtly reaching out to what Americans would call "moderate" Islamists. Going to non-Arab Turkey also appears to be an effort to separate US relations with Muslim countries from US policy toward the Arab world.
  • Half of all Indonesians and about 80 percent of Egyptians and Turks believe the goal of US policy is to expand Israel's borders. Few buy US claims that it supports a Palestinian state.
  • Earlier this month, newspapers here in Cairo carried front-page photographs of Clinton being kissed by Israeli President Shimon Peres during her visit to Jerusalem. Arabs saw in that a clear message. Ditto what she said – and did not say – about Gaza, Israeli settlements, Hamas, and human rights in Egypt. Many Arabs fear it's Condoleezza Rice redux. The Israel lobby's success in torpedoing Obama's nominee for head of the National Intelligence Council – widely reported here – underlines the perception of business as usual.
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  • Bush, it seems, gave democracy a bad name.
  • Arabs are still willing to be convinced about Obama's motives. The flurry of diplomatic activity and indications that the administration is willing to talk directly with Tehran and even with the Taliban are being praised on the region's editorial pages. Arabs welcome the fact that the myopia of the past eight years has been jettisoned in favor of a nuanced approach that recognizes the interconnectedness of the many complex policy challenges of the Middle East.
  • Obama has the symbolism of outreach to the world's Muslims down pat, but gestures are cheap in a region where lives are readily sacrificed in symbolic acts of martyrdom. Now he must follow up with real, concrete engagement.
Ed Webb

The Associated Press: Republican shoots target with Fla. Dem's initials - 0 views

www.google.com/...Bc6fnDzz_zXJzhO392gKQD9B7TJN80

Florida hicks GOP guns wingnuts racism Arabs Arab-Americans USA politics

shared by Ed Webb on 14 Oct 09 - Cached
  • the use of targets that appeared to be gunmen with traditional Arab head scarves.
  • "That's our right," said Napolitano, president of the Southeast Broward Republican Club. "If we want to shoot at targets that look like that, we're going to go ahead and do that."
  • Many of the targets were basic silhouettes, though others were figures wearing traditional Arab head scarves, called kaffiyeh, and holding rocket-propelled grenades. Napolitano said the faces of those figures appeared to be white, though he understood why they would be assumed to be Arabs
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  • "I absolutely have no regrets. I don't care what the Democratic Congressional Campaign Committee or any of them say — I know that they're offended by the simple fact that we're here and we won't go away and we won't be quiet,"
    • Ed Webb
      Ed Webb on 14 Oct 09
       
      Maybe they're offended because you're racist idiots?
  • Ed Webb on 14 Oct 09
     
    Why isn't the headline about them shooting targets designed to look like Arabs?
Ed Webb

Right-Wing Media Outlets Duped by a Middle East Propaganda Campaign - 0 views

www.thedailybeast.com/iddle-east-propaganda-campaign

media politics socialmedia disinformation propaganda UAE Qatar GCC Iran

shared by Ed Webb on 06 Jul 20 - Cached
  • Badani is part of a network of at least 19 fake personas that has spent the past year placing more than 90 opinion pieces in 46 different publications. The articles heaped praise on the United Arab Emirates and advocated for a tougher approach to Qatar, Turkey, Iran and its proxy groups in Iraq and Lebanon. 
  • “This vast influence operation highlights the ease with which malicious actors can exploit the identity of real people, dupe international news outlets, and have propaganda of unknown provenance legitimized through reputable media,” Marc Owen Jones, an assistant professor at Hamad Bin Khalifa University in Qatar who first noticed suspicious posts by members of the network, told The Daily Beast. “It’s not just fake news we need to be wary of, but fake journalists.”
  • placed articles critical of Qatar and supportive of tougher sanctions on Iran in conservative North American outlets like Human Events and conservative writer Andy Ngo’s The Post Millennial, as well as Israeli and Middle Eastern newspapers like The Jerusalem Post and Al Arabiya, and Asian newspapers like the South China Morning Post.
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  • a series of shared behavioral patterns. The personas identified by The Daily Beast were generally contributors to two linked sites, The Arab Eye and Persia Now; had Twitter accounts created in March or April 2020; presented themselves as political consultants and freelance journalists mostly based in European capitals; lied about their academic or professional credentials in phony LinkedIn accounts; used fake or stolen avatars manipulated to defeat reverse image searches; and linked to or amplified each others’ work. 
  • In February, two websites, The Arab Eye and Persia Now, were registered on the same day and began to acquire a host of contributors. 
  • both sites share the same Google Analytics account, are hosted at the same IP address, and are linked through a series of shared encryption certificates
  • Persia Now lists a non-existent London mailing address and an unanswered phone number on its contact form. The apparent editors of the outlets, Sharif O'Neill and Taimur Hall, have virtually no online footprints or records in journalism.
  • They’re critical of Qatar and, in particular, its state-funded news outlet Al Jazeera. They’re no big fans of Turkey’s role backing one of the factions in Libya’s civil war
  • constant editorial lines like arguing for more sanctions on Iran or using international leverage to weaken Iran’s proxy groups in Lebanon and Iraq. The personas are also big fans of the United Arab Emirates and have heaped praise on the Gulf nation for its “exemplary resilience” to the COVID-19 pandemic, its “strong diplomatic ties” to the European Union, and supposedly supporting gender equality through the Expo 2020 in Dubai.
  • criticizing Facebook for its decision to appoint Tawakkol Karman, a 2011 Nobel Peace Prize laureate, to its oversight board. Media outlets in Saudi Arabia, Egypt, and the United Arab Emirates have criicized the appointment of Karman, a former member of the Muslim Brotherhood affiliated Islah Party in Yemen, for her association with the group.
  • None of the Twitter accounts associated with the network ever passed more than a few dozen followers, but a few still managed to garner high profile endorsements for their work. An article by “Joyce Toledano” in Human Events about how Qatar is “destabilizing the Middle East” got a shout-out from Students for Trump co-founder Ryan Fournier’s nearly million-follower Twitter account and French senator Nathalie Goulet high-fived Lin Nguyen’s broadside about Facebook and Tawakkol Karman.
  • All of the stolen avatars were mirror image reversed and cropped from their originals, making them difficult to find through common Google reverse image searches
  • On her LinkedIn page, “Salma Mohamed” claimed to be a former reporter for the AP based in London, though no public record of an AP journalist matching Salma Mohamed’s description is available.
  • Another persona, Amani Shahan, described herself in bios for Global Villages and Persia Now as being a contributor to and “ghostwriting articles” for The Daily Beast. No one by that name has ever written for The Daily Beast and The Daily Beast does not employ ghostwriters. (Shahan also referred to herself with both male and female pronouns in different author bios.) 
Ed Webb

Cinema and the Arab spring: the revolution starts here | Film | The Guardian - 1 views

www.guardian.co.uk/...cinema-and-arab-spring-ica

film Islam Muslims Arab arabspring Iran Turkey

shared by Ed Webb on 21 Sep 11 - No Cached
  • "If you want to understand the emotive universe from which the Arab spring arose, cinema is a good place to start. Look at a film like Elia Suleiman's Divine Intervention: there the director spits out an apricot pit at an Israeli tank and blows it up. The scene is both fantasy and prophecy."
  • I don't think the idea of Islamic cinema even exists in the west. Islam is presumed not to have a modern culture. I'd argue it's important that these films don't insist on any kind of stylistic unity – and that in nearly all of them Islam is portrayed as quite marginal. They argue against religiosity as a determining force. They're all about change, too, about modernity, which neocons like Francis Fukuyama say the Islamic world is incapable of
  • "If you want to be thought of as an auteur, you don't want to be categorised according to ethnicity or religion," Ahmad says. "By calling someone 'Islamic', you're meant to be taking away from their universal appeal."
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  • Some of the most provocative films owe more to pulp and lo-fi subcultures than to mainstream cinema: look at Omar Ali Khan's anti-yuppie, anti-fundamentalist horror flick Hell's Ground (2007), Halil Uysal's Tirej (2002), a mesmerising film about – and made by – Kurdish guerrilla soldiers, and Omar Majeed's Taqwacore (2009), about a bunch of dope-smoking Muslim punks in the US.
  • An alternative canon, curated by the Middle Eastern art magazine Bidoun, points to gems such as Peggy Ahwesh's Beirut Outtakes (2007), made up of film scraps from an abandoned cinema in the Lebanese capital; its combination of colour and decay, Hollywood and local celluloid, high and low culture captures the city's vivid history with panache.
  • Because the Arab spring was a revolution spread (if not created) by digital media such as mobile phones, Twitter and amateur video, it could be argued that more Muslims than ever before now associate political freedom with the moving image – rather than the printed word. What's more, the speed and sophistication of image-production by canny campaigners may also help to dispel some of the orientalist stereotypes that still circulate in the west.
  • "A lot of British Muslim kids are very keen to see themselves represented," he says. "They want to see they have a great culture. But often they go back to a glorious, nostalgic version of Islam that offers them only a narrative of cultural degeneration since the middle ages. Winds of Change should remind us that we have powerful and well-established critiques of religion from within our societies."
Ed Webb

Hollywood blockbuster "Noah" faces ban in Arab World - News - Aswat Masriya - 0 views

en.aswatmasriya.com/...view.aspx

film censorship religion MENA

shared by Ed Webb on 08 Mar 14 - No Cached
  • Three Arab countries have banned the Hollywood film "Noah" on religious grounds even before its worldwide premiere and several others are expected to follow suit
  • Islam frowns upon representing holy figures in art and depictions of the Prophet Mohammad in European and North American media have repeatedly sparked deadly protests in Islamic countries over the last decade, fanning cultural tensions with the West. "Censors for Qatar, Bahrain and the UAE (United Arab Emirates) officially confirmed this week that the film will not release in their countries," a representative of Paramount Pictures, which produced the $125 million film starring Oscar-winners Russell Crowe and Anthony Hopkins, told Reuters
  • the studio expected a similar ban in Egypt, Jordan and Kuwait
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  • Noah, who in the Bible's Book of Genesis built the ark that saved his family and many pairs of animals from a great flood, is revered by Judaism, Christianity and Islam. An entire chapter in the Koran is devoted to him.
  • Cairo's Al-Azhar, the highest authority of Sunni Islam and a main centre of Islamic teaching for over a millennium, issued a fatwa, or religious injunction, against the film on Thursday. "Al-Azhar ... renews its objection to any act depicting the messengers and prophets of God and the companions of the Prophet (Mohammad), peace be upon him,"
  • Mel Gibson's 2004 film "The Passion of the Christ" on Jesus's crucifixion was widely screened in the Arab World, despite a flurry of objections by Muslim clerics. A 2012 Arab miniseries "Omar" on the exploits of a seventh century Muslim ruler and companion of the Prophet Mohammad also managed to defy clerics' objections and air on a Gulf-based satellite television channel.
Ed Webb

Informed Comment: Iraq: Kurdish-Arab War in the Offing? - 0 views

www.juancole.com/...urdish-arab-war-in-offing.html

Iraq Kurds Arabs minorities elections

shared by Ed Webb on 21 Feb 09 - Cached
  • Open Source Center of the USG
  • statements made by Nechirvan Barzani, Kurdistan Region prime minister, about a war breaking out between Arabs and Kurds after the American withdrawal from Iraq
  • Kamal Kirkuki, Kurdistan Region Parliament Deputy Speaker, has described Al-Maliki as a "dangerous man", and said that the Kurds are trying to stand up to him, adding: "Al-Maliki is a danger to Iraq and to democracy; he is a second Saddam."'
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  • If the Kurdish-Arab hostity rises futher,the US could be drawn right back in to Iraq. The Eastern Mediterranean and the meeting-point of Syria, Turkey, Iran and Iraq, is too important to allow it to fall into substantial and long-term violence.
  • There was a great deal of empathy towards the Kurdish people in the rest of Iraq before the invasion. But their bizarre arrogance and fascist behavior has turned the Iraqis against them.
  • the final solution, barring the toppling the Kurdish warlords by their own people, is either the full independence of Kurdistan, or a symbolic confideration between two economically and politiacally separate states.
  • Recently, the Kurds have demanded Baghdad's intervention/protection from the "incursions" by Turkey. For that to occur, Iraq must have a stronger central government than the Kurds desire.
  • hundreds of thousands of Assyrians
  • the KDP spent so much effort on controlling the Assyrians that for the first time, the independent Yezidi slate won a seat in the provincial government.
Ed Webb

How a diplomatic crisis among Gulf nations led to fake news campaign in the United States - 0 views

www.pri.org/...ke-news-campaign-united-states

GCC KSA Saudi UAE Bahrain Qatar US USA Trump propaganda media

shared by Ed Webb on 30 Jul 18 - No Cached
  • it’s not just Kremlin-produced disinformation that Americans may have stumbled upon recently. Browsing Facebook and Twitter — and even just perusing the magazine rack at their local Walmart — they may have also been exposed to propaganda supporting the ambitious goals of two oil-rich Arab Gulf countries
  • when Saudi Arabia and the UAE launched a boycott and blockade of the tiny peninsula state of Qatar last year, organizations with ties to Riyadh and Abu Dhabi tried something new: They worked to sway American public opinion through online and social media campaigns, bringing a complicated, distant conflict among three Washington allies to US shores
  • As they took steps against Doha, Saudi Arabia and the UAE also initiated propaganda efforts in the US aimed at weakening Washington’s alliance with Qatar — which hosts the largest American military base in the Middle East — while also enhancing their own images.
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  • The Saudi American Public Relation Affairs Committee (SAPRAC), a pro-Saudi lobby group not officially tied to the Saudi government, paid $2.6 million last year to the now-defunct, Washington-based lobbying firm the Podesta Group for public affairs services that included running the anti-Qatar website and its associated social media properties
  • Along with painting Qatar as a terror-friendly nation, The Qatar Insider encouraged the US to remove its Al Udeid Air Base, which is home to the forward headquarters of the US Central Command, from Qatar and lobbied against Qatar hosting the 2022 World Cup.
  • Last fall, a film billed as an “educational documentary” called “Qatar: A Dangerous Alliance” appeared online and was distributed to guests at an event hosted by the conservative Hudson Institute that featured Steve Bannon, a former senior adviser to President Donald Trump and the ex-chairman of Breitbart News
  • when Saudi Arabia’s de facto ruler, Crown Prince Mohammed bin Salman, visited the US in March, a magazine bearing his face and celebrating his reign appeared at 200,000 outlets across the country. The Saudi Embassy denied knowledge of the magazine, and the company that published it, National Enquirer publisher American Media Inc., denied receiving guidance from the Saudis. Citing employees of American Media Inc, The New York Times later reported that the magazine was an attempt by the publisher’s CEO to win business in Saudi Arabia. Still, there was evidence that the Saudi Embassy and advisers to the Saudi royal family had received advanced copies of the publication, hinting that they were involved in its creation and fawning tone
  • Seeing Trump’s hostility toward Iran mirroring their own, Saudi Arabia and the UAE were eager to strengthen their relationship with the former reality TV host when he took office, despite his harsh campaign-trail criticisms of Islam and Saudis (who, he once said, “want women as slaves and to kill gays”). In May, The New York Times reported that an emissary of Saudi Arabia’s Crown Prince Mohammed and the crown prince of Abu Dhabi, Mohammed bin Zayed, held a meeting with Donald Trump Jr. ahead of the 2016 elections offering their support to Trump as well as social media help in winning the election.
  • “If you asked the average American about the Gulf and they see these commercials, they will not be able to tell the difference,” he said. “And for those who do know the difference, they will remember that Saudi Arabia, not Qatar, had its citizens participating in the 9/11 attacks.”
  • Qatar — or, at best, its friends — has been involved in the hacking and leaking of emails designed to embarrass the UAE and reveal its role in trying to influence the Trump campaign. Qatar has increased its spending on lobbyists while also trying to soften its image by wooing American Jewish groups, including the Zionist Organization of America, which previously called for Qatar to be listed as a state sponsor of terrorism. And in May, Qatar flexed its soft power muscles when it offered to pay to keep the Washington, DC, metro open after a Capitals playoff game.
  • “Instead of saying one country is better than the other, everyone looks really, really horrible,” he said. “It really raises questions about what kind of partners these countries are for the United States.”
Ed Webb

Mysterious 'Saddam Channel' hits Iraq TV - Yahoo! News - 0 views

news.yahoo.com/...ml_iraq_saddam_channel

satellite TV Arab Iraq Baath Saddam

shared by Ed Webb on 30 Nov 09 - Cached
  • The late Iraqi dictator is lauded on a mysterious satellite channel that began broadcasting on the Islamic calendar's anniversary of his 2006 execution.
  • The Associated Press tracked down a man in Damascus, Syria named Mohammed Jarboua, who claimed to be its chairman. The Saddam channel, he said, "didn't receive a penny from the Baathists" and is for Iraqis and other Arabs who "long for his rule." Jarboua has clearly made considerable efforts to hide where it's aired from and refuses to say who is funding it besides "people who love us."
  • Saddam's hanging three years ago was on the first day of Eid al-Adha, the most important holiday of the Islamic calendar. His execution — and the day it was done — remains a sore point for Saddam sympathizers still smarting over images of the defiant leader in his final moments as Shiites in the death chamber shouted curses.
  • ...6 more annotations...
  • broadcast across the Arab world
  • One prominently displayed image is that of a man burning an American flag. Another shows graves covered with Iraqi flags
  • audio recordings of Saddam making speeches and reciting poetry. Patriotic songs urge listeners to "liberate our country." None of the pictures appear to be recent, and no announcers or commentators appear or speak.
  • In a telephone interview Sunday from Damascus, Jarboua said he is Algerian and that the Saddam Channel is based in Europe but refused to say where, citing safety concerns for its employees.
  • Ziad Khassawneh, a Jordanian Baathist who once headed Saddam's defense team, said wealthy Iraqis living in Lebanon, Syria and other Arab countries are funding the channel. He declined to give names.
  • A Mideast satellite expert said al-Lafeta's operators tried to hide any clues to their identities and broadcast sites by using a variety of satellite services and frequencies. The channel airs via Noorsat, a Bahrain-based satellite service. It also has purchased a frequency on Egypt-owned NileSat, which is run by Eutelsat, a European consortium.
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