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After reviewing more than 38 million Twitter posts about the Syrian conflict, a team of Middle East scholars from The George Washington University and American University concluded that rather than an objective account of what’s taken place, social media posts have been carefully curated to represent a specific view of the war. It said the skewing of the social media view of the conflict has been amplified by the way more traditional news outlets make use of the postings – for example, passing along social media posts written in English over those written in Arabic. The analysts studied tweets that mentioned Syria in English or Arabic from the start of 2011 through April 2013. They then analyzed how “traditional” forms of media, such as newspapers, used social media to supplement their coverage of the conflict.

Because journalists were largely unable to get direct access to the events in Syria at the start of the conflict, many relied on “citizen journalism,” or accounts from Syrians who said they’d witnessed events firsthand, often posted on social media, said Marc Lynch

as the uprising continued, tweets in Arabic began to dramatically outpace tweets in English. From January 2011 to June 2011, English-language tweets were most common, but Arabic tweets made up almost 75 percent of all tweets about Syria just a year later.

officers from a military intelligence unit called Telem design much of the Arabic language curriculum

“The military are part and parcel of the education system. The goal of Arabic teaching is to educate the children to be useful components in the military system, to train them to become intelligence officers.”

“Militarism is in every aspect of our society, so it is not surprising it is prominent in schools too,” said Amit Shilo, an activist with New Profile, an organisation opposed to the influence of the army on Israeli public life.“We are taught violence is the first and best solution to every problem, and that it is the way to solve our conflict with our neighbours.”

Turner Classic Movies is preparing to launch Race & Hollywood: Arab Images on Film, a month-long movie event that focuses on the diverse portrayals of Arabs in cinema. Tuesday and Thursday nights in July, TCM host Robert Osborne will be joined by internationally acclaimed professor, author and Middle East media consultant Dr. Jack G. Shaheen to introduce a wide range of films and provide extensive insight into Hollywood's ever-changing attitude toward Arab people.

14 TCM premieres, including the award-winning Gulf War action drama Three Kings (1999), starring George Clooney, Mark Wahlberg and Ice Cube; the romantic comedy-adventure Jewel of the Nile (1985), starring Kathleen Turner and Michael Douglas; the Libya-set dramas Lion of the Desert (1981), starring Anthony Quinn; The Black Tent (1956), with Donald Sinden; the adventure films Tarzan the Fearless (1933), with Buster Crabbe; and the silent classic The Sheik (1921), starring Rudolph Valentino. The July lineup will also include David Lean's Lawrence of Arabia (1962), Caesar and Cleopatra (1945), Kismet (1944), The Thief of Bagdad (1924) and several animated shorts featuring Bugs Bunny, Porky Pig, Popeye and other famous characters

I can't say the celluloid Arab has changed. He is what he has always been - the cultural 'other.' Arabs have too often been viewed as backward, barbaric and dangerously different through Hollywood's distorted lens. Unfortunately, these stereotypes are now deeply ingrained in American cinema

In Oman, the Gulf Cooperation Council country with the greatest linguistic diversity, eight of the country’s 10 languages are threatened or dying

the minority languages in Oman belong to three families: the Indo-Iranian Kumzari, Lawati (also known as Khojki), Zadjali and Balochi; the Modern South Arabian Harsusi, Bathari, Hobyot, Mehri and Jabbali; and the Bantu language Swahili. Only Balochi and Swahili have enough world speakers to be considered safe from extinction.

Some of the risks these languages face are due to the structural reforms — mainly in the field of education — instigated by Sultan Qaboos bin Said for the last five decades to promote national unity over a constellation of identities scattered across the state, with an emphasis on language. Ever since a coup orchestrated by British intelligence in July 1970 overthrew Sultan Qaboos’s father, Sultan Said bin Taimur, the state's official language, Arabic, has been a key element of this newly crafted Omani identity. 

Today, Twitter has a different story, and it is not one of speaking truth to power. Twitter is no longer empowering its users. Its platform cannot be considered neutral. Twitter’s actions suggest it is systematically suppressing voices in the Middle East and North Africa (MENA) region.

What started out as an investigation into the mass suspension of accounts of Egyptian dissidents, uncovered a mass censorship algorithm that targeted users who use Arabic flagging their text as hateful conduct. This story is still unfolding. As you read this, mass and unjustified systemic locking and suspension of Twitter Arabic accounts continues. Users are angry and bewildered.

draconian yet lazy algorithms have systematically shut down voices of dissent – and pulled unsuspecting social media users down with them

the most overriding issue, for this critic at least, is the total lack of significant Middle Eastern and North African representation in the cast despite the very clear influence of MENA, Islamic and Arab culture on the desert planet and this universe in the original book and this film. I’ve written before about the importance of Fremen characters being played by MENA actors not least because their language is mostly made up of Arabic words, like “Mahdi'' (‘the rightly guided one”) and “Lisan al Gaib” (“the voice from the outer world”), respectively. Though it's notable that jihad, the phrase frequently used in the book, has now been replaced with "crusade" and "holy war". 

One can easily observe the Bedouin and Amazigh inspiration behind this nomadic community on the page and the screen, through the Fremen’s penchant for Keffiyeh, group feeling unity and strength in their ability to survive in such a dangerous environment. These ideas, as well as the cyclical nature of dynasties and civilisations, were reflected in Tunisian sociologist, philosopher and historian Ibn Khaldun’s 14th Century book of Islamic History, “The Muqaddimah”, which underpinned much of Herbert’s sci-fi series.

Jordan’s Wadi Rum and Abu Dhabi in the UAE provided the vast beauty and brutality of this fictional desert planet landscape. The pale, flat-roofed buildings of Arrakeen, the planet’s seat of power which, in the book, was transferred from the city of Carthag (sound familiar?) under Harkonnen rule, is reminiscent of North African architecture. If the overarching storyline about Imperialist colonisers stealing a powerful fuel from the native population doesn't remind you of a certain 20th Century Western conflict with the Middle East, the Knights Templar colour scheme of the Sardaukar certainly hints at a 12th Century one. A holy war no less!

you must admit that he got the highest viewership in Egypt tonight. Everybody was waiting for the show. Now there is viral status on the Facebook that the number of Youssef’s viewers tonight was more than the number of those participated in the latest constitutional referendum.

you must admit that he got the highest viewership in Egypt tonight. Everybody was waiting for the show. Now there is viral status on the Facebook that the number of Youssef’s viewers tonight was more than the number of those participated in the latest constitutional referendum.

Now speaking about the numbers  , you must know that both Bassem Youssef and “ElBernmag” hashtags as well “MBC Masr” have been trending for hours now in Arabic and English in Egypt. Here is map of the trends from Trends Map showing Egypt and its most popular twitter hashtags now.

A prolific writer, Heikal penned dozens of books, chronicling events as a witness to history, his legacy linked with his association with Nasser. He was not just a journalist, newspaper editor, and later historian. Heikal was Nasser’s emissary with Western diplomats, a champion of Nasser’s brand of socialism and pan-Arab nationalism. He composed his speeches and ghost wrote Nasser’s political manifesto, The Philosophy of the Revolution. As the president’s alter ego, Heikal’s writings were read for clues to Nasser’s thinking. His influence derived from his proximity to power.

Heikal blurred the line between the role of a journalist and that of a politician. “He introduced a model in Egypt and the Arab world about what your ambitions should be as a journalist. In the West or Europe, you gain your reputation from your independence as a journalist,” explained Dawoud. “When I am the president’s consultant and I attend his close meetings and I write his speeches, there is definitely a lot of information that I would have to keep secret. That goes contrary to my job as a journalist, which is to find as much information as I can.”

The state media wholeheartedly embraced socialism and pan-Arabism, becoming a filter of information and propaganda, instead of the promised transformation of the institution into one that supposedly guides the public and builds society. Critical voices were muted, the military junta was sacrosanct, and Nasser was fortified as a national hero. The failings of the regime were not attributed to the president, but to the reactionary and destructive forces of capitalism and feudalism. Nasser’s personal confidant Muhammad Hassanein Heikal was appointed chairman of the board of al-Ahram, then later of Dar al-Hilal and Akhbar al-Youm publishing houses.

Al Jazeera Arabic’s pro-Brotherhood methodology is two-pronged. First, it predominantly hosts guests that it can be fairly certain would be gentle in their criticism of the Muslim Brotherhood, and second, its anchors refrain from asking Muslim Brotherhood members and spokesmen embarrassing questions.

The alliance between Qatar, the host and backer of Al Jazeera, with Egypt’s Muslim Brotherhood is no secret.

Based on Al Jazeera Arabic’s online narrative, Morsi is depicted as an Egyptian warrior, born destined to fight the Egyptian army into submission and championed by oppressed Arabs while at once terrifying their archenemy, Israel. The channel, of course, neglects to mention that President Morsi repeatedly vowed to honor international treaties, in reference to the Israeli-Egyptian peace accord, not to mention his repeated praise of the army

it was not the opposition of "fundamentalists" that kept rai music (not just Khaled's) off of Algerian state radio. It was rather the Algerian (secular) regime's cultural policies. The state promoted classical Arabic culture and language and denied Algeria's multi-cultural nature. Expressive culture in Arabic dialect or Berber was therefore mostly excluded from the state-controlled media. Rai is sung in the distinctive colloquial Arabic of Wahran, which is not only very different from "classical" or literary Arabic but is also full of borrowings from Spanish, French and Berber. This official national-cultural politics, which was particularly severe during the regime of Houari Boumediene (1965-1978), began to loosen during Chadly Benjadid's regime (1979-1992). In his 1998 autobiography, "Derrière la sourire," Khaled recounts how he managed to break the official embargo in the early 1980s. He was invited to appear on a television show in Algiers, which he knew couldn't be censored because it was to be broadcast live. Khaled was warned ahead of time: no vulgarities, no sex. So he sang three songs: the first, about the Prophet Muhammad; the second, a "poetic" song, one that was artistically acceptable; and the third, about alcohol and women.

Khaled, and other rai stars, came to play at this festival due to the efforts of the "liberal" wing of the Algerian regime -- and particularly to Lieutenant-Colonel Hosni Snoussi, director of the state-supported arts and culture organization, Office Riadh el Feth in Algiers, who had taken Cheb Khaled under his wing. The regime's liberal wing became interested in promoting rai in the wake of a spate of unrest that erupted during the early 1980s. Most notably, the 1980 riots in Tizi Ouzou, Kabylia (the "Berber Spring"); the 1985 riots in Algiers, which broke out following rumors that housing being built for the poor would be allocated to state bureaucrats; and the 1986 student riots in Constantine that resulted in the deaths of four protesters and spread to other cities. Young Algerians played a leading role in all these protests. The liberal wing of the regime determined that, to deter further unrest, the state should focus on promoting the interests of youth and on developing the market economy. Rai was very popular with Algerian youth, and so the "liberals" determined that promoting it was to be an important element of these reform efforts. It was changes in state policy toward rai, pushed by Snoussi, that got Khaled and other rai stars onto the stage in Algiers in 1985.

The French government had a stake in trying to control and channel the energies of the rai scene.

Attalah is the chief editor of Egypt’s only independent media outlet, with 124,000 followers on Twitter and 241,000 on Facebook. But Mada Masr isn’t alone. It’s among a growing number of independent Arabic digital outlets that are emerging as fresh sources of news in a region where tyrants and oligarchs have for decades controlled the media.

Some, like Al Jumhuriya (The Republic) and Syria Untold, are run by exiled Syrian intellectuals from Germany, Turkey and Lebanon. Others, like Daraj (Stairs) — with 135,000 followers on Facebook — are providing pan-Arab coverage from Lebanon, where most traditional newspapers are party-affiliated. Still others, like 7iber (pronounced “hiber,” and meaning Ink) and Sowt (Voice), are offering nuanced coverage to readers in Jordan despite the threat of censorship. 7iber has 120,000 followers on Twitter and 341,000 on Facebook.

grief, limited resources and threat of censorship haven’t dissuaded these outlets from revolutionizing Arabic-language journalism

the Arab Network for Knowledge about Human Rights (ANKH), which has conducted the first survey of LGBT+ Arab Facebook users. More than 90% of the 450 Arabic speakers who responded had been targeted by hate speech on the platform, it found. A quarter of online hate speech in the Middle East and North Africa urged violence against LGBT+ people and 15% made direct threats. More than half the respondents reported feeling hopeless or depressed as a result and almost one in four had thought of self-harming.

Activists say Facebook can be an essential tool for LGBT+ people in the Arab world, where many face an oppressive legal and social atmosphere, and vague laws against indecency are often used to criminalize sexual activity. Strong social stigma around homosexuality, amplified by conservative religious entities, has led to low acceptance of gay people across the region. LGBT+ activists in the area risk social exclusion, prison sentences, and violence by security forces, according to Human Rights Watch.

Jillian York, director of international freedom of expression at the Electronic Frontier Foundation, a digital rights group, said enforcing policies would require vast investment in language skills to navigate slang and dozens of dialects. "(Social media companies) are really bad at defining and dealing with incitement and dehumanizing language," she said, adding that Facebook "have a dearth of content moderators in a number of languages where they should have a lot more".

The scenes emerging from Iran today elicit a mix of reactions across a region still reeling from the dark legacy of the “Arab Spring,” which itself came on the heels of the “Green Movement” protests in the wake of Iran’s 2009 presidential election. Many Arabs cannot help but recall the sense of hope that reverberated from Tunisia to Yemen, only to be shattered by unyielding repression, war, and the resurgence of authoritarianism. Subsequent protest waves, including those that began in 2019 in Lebanon, Iraq, and Sudan, were similarly met with brutality, co-optation, and dissolution.

Over a decade on from the Arab uprisings, the path toward democracy and freedom for youth across the Middle East has become more treacherous than ever, as liberation movements find themselves fighting against stronger, smarter, and more entrenched regimes that have adapted to modern challenges to their domination.

Technologies that many hoped would help to evade state censorship and facilitate mobilization have been co-opted as repressive surveillance tools.

On July 28, The Economist ran a story on what it said is why women are so much “fatter” than men in Arab countries. The story, titled “Why women are fatter than men in the Arab world,” laid the blame primarily on cultural restrictions on women that hinder their access to exercise and outdoor spaces. To accompany the short report, The Economist chose a photo of Enas Taleb during her performance at Iraq’s annual cultural Babylon Festival, thus portraying Taleb as an example of such overweight.

Taleb, 42, is a veteran of Iraqi TV dramas who began her career in locally produced shows at the age of 16. From 1996 to 2002, there were hardly any TV shows that did not include her as one of the main protagonists. She has appeared in ads and music videos in Iraq over the past two decades and is admired and respected among audiences and peers alike for her highly praised on screen performances and down-to-earth offscreen persona. Until The Economist used her image depicting “fat” Arab women, Taleb had largely remained distant from controversies, be they political, social or religious, unlike many other artists in Iraq’s entertainment scene. Also unlike many in the entertainment business, the married mother of two adolescent daughters has hardly changed her appearance over the years, eschewing the usual plastic surgeries that have become commonplace throughout the Arab world.

Also not properly examined in The Economist piece are other influences, like a culinary culture that encourages the overconsumption of carbohydrates, especially sweets and refined sugar, as exemplified by a rise of imported trends like junk food and sugary soda drinks that are not properly condemned by local health authorities. A general predilection for staying up late at night, which is common behavior throughout the Arab world, could also be an understudied factor contributing to the epidemic in the region.

On Wednesday, Mr. Khalil canceled a higher-education conference that was to launch the new online publication because of concerns about academic freedom in the United Arab Emirates, where the event was to be held this weekend. That step came less than a week after a similar move by the London School of Economics and Political Science, which canceled a conference it had planned in Dubai after Emirati authorities requested that a presentation on Bahrain, which is facing political upheaval, be dropped from the program. A scholar on Arab politics from the London institution who was to speak at the event was briefly detained at the Dubai airport and barred from entering the country

"We can't talk about upholding academic freedom and launch in Dubai. I don't think it sends the right message."

Al Fanar will start as planned on March 3. It is the first major project of the Alexandria Trust, the charity Mr. Khalil founded in 2012 to improve education in the Middle East and North Africa

“Dehumanizing and demonizing characterizations of the other were very rare in both Israeli and Palestinian books.” The research team found 20 extreme negative depictions in the Israeli state books, seven in the ultra-Orthodox books, and six in the Palestinian books. An example of this rare occurrence from an Israeli book: A passage saying that a ruined Arab village “had always been a nest of murderers.” And an example from a Palestinian book: “I was in ‘the slaughterhouse’ for 13 days,” referring to an Israeli interrogation center. This could be a lot worse, right?

84 percent of the literature pieces in the Palestinian books portray Israelis and Jews negatively, 73 percent of the pieces in the ultra-Orthodox books portray Palestinians and Arabs negatively, and only 49 percent of the pieces in Israeli state schools do the same. In an Israeli state school text, a passage reads: “The Arab countries have accumulated weapons and ammunition and strengthened their armies to wage a total war against Israel.” In the ultra-Orthodox, it ratchets up: “Like a little lamb in a sea of 70 wolves is Israel among the Arab states.” In the Palestinian case: “The enemy turned to the deserted houses, looting and carrying off all they could from the village that had become grave upon grave.” These statements aren’t necessarily false, but they are just one-sided and fearful—and they are rarely balanced by anything sunnier

The research team found that 58 percent of Palestinian textbooks published after 1967 (the year in which Israel took control of the West Bank and East Jerusalem from Jordan, Gaza and Sinai from Egypt, and the Golan Heights from Syria) made no reference to Israel. Instead, they referred to the entire area between the Jordan River and the Mediterranean Sea as Palestine. In the Israeli state system, 65 percent of maps had no borders and made no mention of Palestine or the Palestinian Authority, while in the ultra-Orthodox system that number was a staggering 95 percent.

Hand in Hand operates four bilingual schools across Israel and two kindergartens. Jaffa’s primary school classes are the most recent addition.The idea of children from different cultural backgrounds learning together and speaking each other’s language may seem uncontroversial. But it has prompted a fierce backlash from right-wing Jewish groups in Israel.In late 2014 Hand in Hand’s flagship school in Jerusalem was torched by activists from Lehava, an organisation that opposes integration between Jewish and Palestinian citizens. Graffiti daubed on the walls read “Death to the Arabs” and “There can be no coexistence with cancer”.Three of the group’s members were jailed last year. In January Israel’s high court increased the sentences of two brothers involved in the arson attack.Although Lehava is a fringe group, it draws on ideas that have found favour with much larger numbers of Israeli Jews, especially over the past 15 years as the country has lurched to the right.A survey by the Pew polling organisation this month found that half of Israeli Jews wanted Arabs expelled from the state, and 79 percent believed Jews should have more rights than their Palestinian compatriots.

1,350 children are currently in bilingual education, out of a total Israeli school population of some 1.5 million children.

The Jaffa parents argue that their coastal city of 50,000 residents, which is incorporated into the Tel Aviv municipal area, is the natural location for a bilingual school.A third of Jaffa’s residents are Palestinian, reflecting the fact that, before Israel’s creation in 1948, it was Palestine’s commercial centre.Although Israelis mostly live in separate communities, based on their ethnicity, Jaffa is one of half a dozen urban areas where Jewish and Palestinian citizens live close to each other.