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FotoFest® created the first international Biennial of Photography and Photo-related Art in the United States. FotoFest ® is an international non-profit photographic arts and education organization based in Houston, Texas. FotoFest's purpose is to promote the exchange of art and ideas through international programs and the presentation of photographic art. Our programs work globally and locally, bringing together an international vision of art and cross-cultural exchange with a commitment to community involvement and the enrichment of Houston's cultural resources. In addition to its internationally known Biennial, FotoFest sponsors Inter-Biennial programs - exhibitions, international exchange programs, and publications. In grades 3-12, FotoFest operates a year-round classroom education program, Literacy Through Photography, using photography to strengthen writing skills, visual literacy, and cognitive learning.

Aims & Scope Visual Studies is a major international peer-reviewed journal published on behalf of the International Visual Sociology Association. The journal publishes visually-oriented articles across a range of disciplines, and represents a long-standing commitment to empirical visual research, studies of visual and material culture, the development of visual research methods and the exploration of visual means of communication about social and cultural worlds. Visual Studies is a key resource for all disciplines that engage with images, society and culture, and sets the standard for the scholarly use of visual material. The multidisciplinary character of the journal is reflected in its attention to visually-based research in sociology, anthropology, cultural and media studies, documentary film and photography, information technology, education, communication studies as well as other fields concerned with image-based study. The aims of Visual Studies are to: * Provide an international forum for the development of visual research. * Promote acceptance and understanding of a wide range of methods, approaches and paradigms that constitute image-based research. * Reduce the disparity in emphasis between visual and written studies in the social sciences. * Promote an interest in developing visual research methodology in all its various forms. * Encourage research that employs a mixture of visual methods and analytical approaches within one study. * Critically reflect and contribute to the dialogue surrounding 'the visual' across the social sciences and humanities. * Provide an arena for in-depth exploration of various approaches, particular methods, themes and visual phenomena. Most articles published in the journal are accompanied by appropriate visual material, and the journal encourages visually-led submissions.

The Photographic Library Directory is a unique resource that provides a broad range of visual solutions to enhance the creative process. The categories listed include : * Stock Images from the leading stock photo libraries. * Fashion Photographers, fashion, advertising & editorial shoots. * International fashion image resources, trend or season fashions. * Stars & Celebrities, hollywood stars, entertaiment, music and film celebrity images. * Archive Collections, international collections of historic & social importance. * Free Photos, clip art collections & Illustrations. * Moving Images, stock film footage, newsreels & motion picture archives. * Photo Agencies, the leading photo & editorial agencies. * Fine Art, prints & poster art. * Libraries and Museums, historic world maps, manuscripts and atlases. * Documentary Photographers & photojournalist resources. * Student Galleries, creative minds from the Leading Art & Design centres of excellence.

international photojournalism awards and festival

History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East. The journal aims to provide a significant resource to diverse communities, including, but not limited to, academics, curators, independent scholars, undergraduate and postgraduate students - indeed, anyone with a serious interest in the history and practice of the medium. The journal encourages submissions from young scholars, while also seeking to publish work by established authorities in the discipline. Over the past three decades History of Photography has become an indispensable source of documentary texts, new and original scholarly articles, novel interpretations, and original thinking in this field. History of Photography is a peer reviewed journal overseen by the Editor and supported by a board of scholars of international standing.

Amnesty International is an organization of more than two million people united across the globe campaigning for the human rights for all. Outraged by human rights abuses but inspired by hope for a better world -- we work to improve human rights through campaigning and international solidarity.

Avaaz.org is a new global web movement with a simple democratic mission: to close the gap between the world we have, and the world most people everywhere want. "Avaaz" means "Voice" in many Asian, Middle Eastern and Eastern European languages. Across the world, most people want stronger protections for the environment, greater respect for human rights, and concerted efforts to end poverty, corruption and war. Yet globalization faces a huge democratic deficit as international decisions are shaped by political elites and unaccountable corporations -- not the views and values of the world's people. Technology and the internet have allowed citizens to connect and mobilize like never before. The rise of a new model of internet-driven, people-powered politics is changing countries from Australia to the Philippines to the United States. Avaaz takes this model global, connecting people across borders to bring people powered politics to international decision-making.

A New Website for a Changing World SocialDocumentary.net is a new website that features documentary photography from around the world-images and words that explore the human condition. Easily Create Documentary Websites About Critical Issues Facing Our World Today Professional and amateur photographers, journalists, NGOs, students-anyone with a story to tell and a collection of good photographs-can easily and affordably begin creating websites on SocialDocumentary.net. Global warming, international justice, post-conflict reconstruction, HIV/AIDS, or life in Afghanistan or suburban America are just a few of the themes that you can find on SocialDocumentary.net. The goal of this website is to make our lives richer and more informed about issues affecting us and our world today. Powerful photographs can also lead to meaningful change in the lives of ordinary people. SocialDocumentary. net provides tools for photographer to inform viewers how to take action-either by supporting NGOs doing work on the issues, or by engaging in direct political action. Not all documentary photographers are concerned with action. Many photographers featured on SocialDocumentary.net are concerned with subtleties of the human experience and exploring personal themes. Photographs on SocialDocumentary.net-whether of struggling farmers in Africa or of suburban teenagers in Philadelphia-offer a fresh way to look at the world and a greater understanding of humanity. The secondary goal is to create an online image bank of quality photographs documenting all aspects of the world created by an international collection of photographers. This will enable students, college professors, journalists, and anyone else to easily see any part of the world in quality digital imagery and gain valuable information about the subjects they are viewing. We encourage all photographers, everywhere, to use this site as a tool in their own image-making and documentary exploration. We also encourage n

NEW YORK-The panoramic photograph of a bootless soldier, sprawled almost gracefully in death in Afghanistan, might have made readers pause for a moment if it had appeared in a newspaper or magazine. But when "Taliban Soldier" filled a New York City gallery wall-blown up to near life size-it made the art world take note. Taken with a large-format camera, the monumental 4- by 8-foot print was presented for $15,000 four years ago at the Ricco Maresca Gallery, a Chelsea stop usually favored by folk and fine art collectors. It catapulted the Paris-based photographer Luc Delahaye, who shot the image on assignment for Newsweek, into international prominence. And it signaled a turning point for a small club of international war and "conflict" photojournalists, who now see their images appearing regularly in gallery and museum shows. Suddenly, the reality of war, famine, poverty and pain has turned into fine art. "Great collectors are always looking to be delighted by something that they don't know about, and this excites some of them," says Bill Hunt, the former Ricco Maresca co-director of photography who introduced Delahaye to gallery crowds.

'Meta-reading': the generational differences in consuming news May 13th, 2009Posted by Judith Townend in Events, Online Journalism, Social media and blogging Turi Munthe, CEO and founder of the citizen journalism site, Demotix, shared an interesting thought with participants of the Voices Online Blogging Conference on Monday. The young Demotix interns consume news differently from the way he does. He elaborated to Journalism.co.uk after the panel. 'Meta-reading': "There is a generational split, but not in the way everyone imagines. It's much more recent than that," he said. People only ten years younger - he is in his 30s - consume news differently from the way he does, Munthe told Journalism.co.uk. The interns in the office ('who play a hugely important role: they're regional editors and they get properly stuck into what we do') read slightly differently, he said. "They are getting the Twitter feeds, and the blog posts, and the Facebook messaging and the free papers, and everything else, and are very happy with it. Much more happy with it than I am." "Essentially, they process information differently. It's a 'meta-reading'. It's not about individual brands. They are fully aware of all the back-stories of all the stories they're getting," he says. It's a 'degree of sophistication,' he said, 'which reads the interests behind the news as an integral part of the news'.

international news photography awards

Foam Magazine Foam Magazine is an international photography magazine published quarterly by Foam_Fotografiemuseum Amsterdam and Vandejong Communications. It is a distinctive and highly appreciated publication. Foam Magazine serves as an exhibition space that embraces every aspect of photography: from documentary to fashion, from contemporary to historical, from world-famous photographers to young talent. Each issue features a specific theme that unites 6 diverse portfolios of 16 pages each.

international fund documentary photography

The Pulitzer Center on Crisis Reporting's mission is to promote in-depth coverage of international affairs, focusing on topics that have been under-reported, mis-reported - or not reported at all. The majority of the videos here are part of larger reporting projects from around the world. Most were featured on the public television program "Foreign Exchange" www.foreignexchange.tv

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As photographer Simon Norfolk claims in the following interview, his work documents an international "military sublime." His photos reveal half-collapsed buildings, destroyed cinemas, and unpopulated urban ruins in diagonal shafts of morning sunlight - from Iraq to Rwanda, Bosnia to Afghanistan - before venturing further afield into more distant, and surprising, landscapes of modern warfare. These include the sterile, climate-controlled rooms of military command centers, and the gargantuan supercomputers that design and simulate nuclear warheads.

Over the years it seems they've done exactly that, funding the kind of international journalism that often is without a sponsor in the USA.   But for journalism to retain any integrity it cannot simply rely on something as intangible as 'a deep sense of responsibility', it must be grounded in a solid set of ethical principles and it must be accountable.   Without these principles journalism doesn't shine the light into dark places, it becomes the dark place. Several weeks ago I came across  a set of pictures on Facebook and Photoshelter by the talented photographer Marco Vernaschi which focus on the subject of child sacrifice in Uganda. The work is both being funded and promoted by the Pulitzer Center on Crisis Reporting. It's a decent enough story, but not one that is in any way new. The pictures are black and white, often blurred, without hope and even evoke a sense of nihilism.  Nothing however in my journalistic career could prepare me for the disturbing truth as to how a number of the photos were taken.

"Lessons from Perpignan: What We Learned at Video Camp For most of July we taught a videojournalism workshop in Perpignan, France, for eighteen American students. It was part of a study-abroad program co-sponsored by the Institute for Education in International Media (ieiMedia) and San Francisco State University. Here are a few tips we can pass along, based on common student errors and problems we encountered. "

Lens Culture is an online magazine celebrating international contemporary photography, art, media, and world cultures. Discover photography from all continents and various points of view: documentary, fine art, photojournalism, poetic, personal, abstract, human, and street photography. Read essays, analysis and criticism about photography and culture. Listen to audio interviews with photographers. Enjoy reviews of exhibitions and photo books. Buy very cool 21st century photography at our new online store. Lens Culture attracts visitors from more than 100 countries every day.

International calender of events (potential photographic material)