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Julianna Nagy

BBC - Terms and Conditions - 0 views

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    4. All copyright, trade marks, design rights, patents and other intellectual property rights (registered and unregistered) in and on bbc.co.uk and all content (including all applications) located on the site shall remain vested in the BBC or its licensors (which includes other users). You may not copy, reproduce, republish, disassemble, decompile, reverse engineer, download, post, broadcast, transmit, make available to the public, or otherwise use bbc.co.uk content in any way except for your own personal, non-commercial use. You also agree not to adapt, alter or create a derivative work from any bbc.co.uk content except for your own personal, non-commercial use. Any other use of bbc.co.uk content requires the prior written permission of the BBC.
jenpollard

Nieman Reports | Citizen Journalism and the BBC - 0 views

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    Citizen Journalism
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    "Citizen Journalism and the BBC '… when major events occur, the public can offer us as much new information as we are able to broadcast to them. From now on, news coverage is a partnership.' By Richard Sambrook On the day of the London bombings, the BBC News's Web site used images sent to them by citizens who were affected by the attacks. On the site, people could learn how to submit their video, photographs and words for use by the BBC. "
yolanda crisp

Camera Phone Images: How The London Bombings in 2005 Shaped the Form of News | gnovis - 0 views

  • he media reported on the event using all possible information sources, including eyewitnesses and survivors. Unable to deploy professional photographers to the bombsites, the news outlets relied on user-generated content to tell the story. Within hours of the bombings, Flickr received hundreds of images of the attacks , and the BBC news website was flooded with mobile pictures.2 As the story unfolded, professional journalists and survivors on the ground converged to tell a tragic story of enormous political consequence. Images of burned out buses and darkened subways, taken by those directly affected by the bombs, were prominently displayed online and in print publications. Alexander Chadwick is one survivor whose iconic camera phone image became a headline story in the days following the London bombings. His image, selected among thousands, was published in popular news outlets including The Times and the BBC. The outgrowth of user-generated content made the London bombings a historic turning point in the news industry.
  • To put the London bombing in context of another recent tragedy, the BBC received 35,000 e-mails in the aftermath of September 11th, but few photographs.3 During the London bombing over 1,000 images and 20 videos were sent into the newsroom on the first day.4 The London bombings happened in a converging world where online networks, changing social norms, and ubiquitous mobile devices upended traditional news- gathering techniques. As a result, victims of a tragedy became active participants in the news-making process.
  • A watershed moment occurred in the journalism industry when the BBC and The New York Times published Chadwick’s image on their front pages. The pale yellow light that engulfed Chadwick deep inside the London Tube was reproduced and transmitted in the form of a digital photograph. The one-way interaction between readers and newsmakers, where journalists chose what their audiences consume, had ruptured,and the lines had blurred. Readers witnessed a crude but striking representation of what life was like moments after the explosion in the tube -- its rawness unmatched by professional images,and its authenticity compounded by Chadwick ‘having-been-there.’ His mobile photography became its own stand-alone news story in the days and weeks following the bombing. Fur years lfter this event, the mass media incorporates camera phone technology and citizen participation to break news every day. Who and what constitutes the news would never be the same after the London bombings.
paul lowe

BBC - Wales - Introduction to digital storytelling and these how-to guides - 0 views

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    Introduction to Digital Storytelling by Daniel Meadows Digital Stories are short, personal, multimedia scraps of TV that people can make for themselves. They're 'mini-movies'. Desktop computers enabled with video editing software are used to synchronise recorded spoken narratives with scans of personal photographs. This project requires commitment for, as well as all the technical stuff that must be learnt, script writing, picture editing and performance skills are also needed and these have to be worked on, which is why most Digital Stories are made by people attending workshops where participants can benefit from the help and advice of facilitators. People of all ages and abilities make Digital Stories and many have testified how rewarding the experience is for, when their story is shared with friends and family or posted on the web, they find they have discovered a new voice. There's a strictness to the construction of a Digital Story: 250 words, a dozen or so pictures, and two minutes is the right length. As with poetry these constraints define the form (e.g. a haiku is a poem written using 17 syllables, and the 14 lines of a sonnet are written in iambic pentameter) and it's the observation of that form which gives the thing its elegance.
paul lowe

BBC - Viewfinder: Adrian Evans on future funding of photojournalism - 1 views

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    "In the third of a series of articles on photojournalism Adrian Evans, Director of Panos Pictures, suggests that photojournalists should cast off the past and look to new models of funding. "Working in photojournalism it sometimes feels as though industry commentators are circling like vultures waiting to pick over the corpse of our industry. "They misguidedly link the fortunes of photojournalists to that of newspapers and magazines, referring to an almost mythical past, a golden age when newspapers were the champions and supporters of photojournalism. Whether this era ever really existed is debatable. What is undeniably true is that newspapers ceased being the paymasters of photojournalists a long time ago. Quality photojournalism is expensive - researching the story, gaining access, spending time with your subjects, post production and editing - there are no short cuts. Newspapers and magazines spend a tiny proportion of their income on content and they certainly don't want to spend it on photography."
paul lowe

BBC - Viewfinder: Michael Kamber on photojournalism today - 0 views

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    "Michael Kamber is an award winning photographer who currently works for the New York Times, here he outlines his view of the state of photojournalism today. This is the first in a series of articles to be published this week, each one by a different author looking at the world of photojournalism from a number of angles."
duncan robertson

Nieman Foundation - report on Citizen Journalism - 0 views

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    Introduction to a series of reports hosted by the Nieman Foundation for Journalism at Harvard on citizen journalism, from Winter 2005. Includes articles from BBC world service director Richard Sambrook and Santiago Lyon and Lou Ferrara from AP
Julianna Nagy

What is Your Story? on Vimeo - 0 views

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    What is Your Story? by BBC Your Story
paul lowe

01/02/2017 Guest speaker Julia Johnson on her own work and participatory photography - 1 views

paul lowe

Duckrabbit's Benjamin Chesterton on the Blindfolded Photographer - Nieman Storyboard - ... - 0 views

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    One surefire way to irritate blind people is to think that you can put a blindfold on for an hour or two and understand what it is to be blind. It sounds like a good idea until you really start to think about it. I should know. I once set out to make a radio documentary for the BBC about the contrasting ways in which the visually impaired and the sighted experience the countryside.
damian drohan

BBC - Viewfinder: Photojournalism today - 1 views

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    « Previous | Main | Next » Photojournalism today Phil Coomes | 09:20 UK time, Friday, 14 August 2009 Phnom Penh, Cambodia by Christine Spengler / Sygma / CorbisThe world of photojournalism is in a state of flux. In recent times, two of the industry's most respected agencies have run into trouble. Last week, the financial problems at the Gamma photo agency in Paris came to light and another one-time giant of the industry, Sygma, also closed its doors to new photographers a few years ago following its acquisition by Corbis.
Brett Van Ort

JEECamp: Kyle Macrae describes lessons learned from Scoopt | Media | guardian.co.uk - 0 views

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    Guardian article about Scoopt. Describes failings of Scoopt, highest purchase price Scoopt received-£2000, McRae states that BBC robbed Scoopt of income.
paul lowe

Searching By Looking Elsewhere « OUseful.Info, the blog… - 0 views

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    Searching By Looking Elsewhere Published May 11, 2009 BBC , Data , Infoskills , SEO , Search 4 Comments A couple of weeks or so ago, I got an email requesting a link to something I'd spoken about at a department meeting some time ago (the Gartner hype cycle, actually). Now normally I'd check my delicious bookmarks for a good link, or maybe even run a Google web search, but instead I ran a search for 'gartner hypecycle 2008′ on Google Images… …which is when it struck me that searching Google Images may on occasion lead to better quality, or more relevant, results than doing a normal web search, particularly if you use a level of indirection. In particular, it can often lead to a web document or post that provides some sort of analysis around a topic. (Remember, Google image search links to the web pages that contain the images that are displayed in the image search results, not just the images.)
silvie koanda

BBC NEWS | UK | Magazine | Developing world - 0 views

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    Digital cameras have made taking pictures easier. But, to mark the launch of our Photographer of the Year competition, photojournalist Jon Levy, asks if that means we are becoming better photographers.
paul lowe

How social networking is changing journalism | Media | guardian.co.uk - 0 views

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    How social networking is changing journalism A conference in Oxford explores the interaction between the internet and the news industry * Comments (1) * Buzz up! * Digg it The morning of the Oxford Social Media Convention focused on the impact of social media. Especially interesting were the statements on the panel 'Breaking news: the changing relationships between blogs and mainstream media'. Richard Sambrook, the director of the BBC Global News Division, said that the impact of social media was overestimated in the short term and underestimated in long term. Mainstream media are adopting social media especially with blogging and twitter, he admited, but nobody discusses the effects on the long term.
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