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paul lowe

Photojournalism and ethics - How far would you go for a photo? Duckrabbit takes Pulitze... - 1 views

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    Photojournalism and ethics - How far would you go for a photo? Duckrabbit takes Pulitzer Center to task over ethics Posted on April 21, 2010 by mirandagavin| 4 Comments Benjamin Chesterton from duckrabbit alerted me to the following story. He has just published his views on A Developing Story with quotes from his letter to the Pulitzer Centre. Briefly, and according to Chesterton: "The Center has recently funded the photographer Macro Venaschi to do a story on child sacrifice in Uganda. His highly stylized black and white photographs are deeply disturbing on a number of levels. One of the pictures shows an abused boy with a catheter protruding from where his penis has been cut off. I believe that if published in the UK, this picture would be illegal on the basis of indecency. Beyond that, there is an account on the Pulitzer website of how Vernashi persuaded grieving parents to have their murdered child's body exhumed so that he could take photographs of the body. A payment was then made to those present.
paul lowe

Kashi and Chesterton disscussion- 11/17/2011 11:0 - 2 views

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    Ed Kashi http://www.edkashi.com/ and Ben Chesterton http://duckrabbit.info/blog/ talk about the state of the photo world today!! Discussion covers multimedia, ethics, aesthetics, ngo's, making a living - just about everything in fact!
paul lowe

Duckrabbit's Benjamin Chesterton on the Blindfolded Photographer - Nieman Storyboard - ... - 0 views

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    One surefire way to irritate blind people is to think that you can put a blindfold on for an hour or two and understand what it is to be blind. It sounds like a good idea until you really start to think about it. I should know. I once set out to make a radio documentary for the BBC about the contrasting ways in which the visually impaired and the sighted experience the countryside.
paul lowe

Showcase: Exiled by weather | A Developing Story - 0 views

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    The New York Times is running a slideshow by photographer Jan Grarup about life in the Daadab, reportedly the oldest refugee camp in the world. "The strength of the project rests within its immediacy," Mr. Grarup said. "It has an honesty to it." I was in Daadab not so long ago myself. I may not have been there for long but I was there long enough to notice that life in the camp wasn't one you would wish on the  worst of your neighbors -Kenyans and Somalis from Somalia aren't the best of neighbors. In the camps there is of course suffering but I would also have loved to see images of the children that were playing in the camp, images of the schools set up, images of the street with all the shops where refugees who've refused to be victims of circumstances are taking charge and rebuilding their lives. Where are the photos of the weddings that happen in the camp and where are the photos of people who despite their many tribulations, still observe prayers without fail? Where are the photos telling the other side of the story?
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