Group items tagged

Academics and artists at London Metropolitan University worked with photographer Paul Trevor to make a selection of his images of East London digitally available to artists, students and researchers. The Collection includes 500 images (chosen from a total of 120,000) of the Spitalfields area from the 1970s to the 1990s, a period of rapid social and physical change. The Paul Trevor Collection is part of a larger archive project at London Metropolitan University, which will eventually include oral as well as visual narratives, that aims to represent aspects of the lives of local East End communities in their distinctive social, economic and political contexts. The process of producing this photographic dimension of the archive was lengthy and gave rise to challenging questions. What are the aesthetic, historical, and social dimensions of creating a photographic archive and how might these be related? Which factors contribute to the construction of a photographic archive as a relevant resource for public history and/or academic inquiry? How can aesthetic and social/political discourses work together to achieve this end?

The Center for Creative Photography is an archive and research center located on the University of Arizona campus. We retain the archives of Ansel Adams, Edward Weston, Garry Winogrand, Harry Callahan, and other great 20th century photographers-over fifty archives in all.

Networking promotes archival interest, says satisfied National Media Museum The National Media Museum has praised its collaboration with Flickr, which saw the UK institution make some of its photographic collections freely available online. Initially launched by the US Library of Congress and Flickr in January 2008, the project, dubbed The Commons, aims to give the public easier access to thousands of archived photographs while helping the library categorise them through Flickr's photo- tagging system, in effect harnessing the power of social networks.

The Research Center Collections are central to the VSW mission to support the "creation, presentation, collection, preservation and education" of media based arts. VSW's focus on the aesthetics, cultural history of media, and social use of images has developed a collections policy which includes both creative work and vernacular images, as well as items that represent the history of media use. The Independent Press Archive has 5000 artist's books -- the largest collection of artists' books in upstate New York. This Archive is complemented by the Illustrated Book Collection, which contains illustrated books published from 1694 to the present day that display all aspects of engraving and photo-engraving practices and all forms of imaging technologies from wood engraving to xerography. These collections are supported by a Research Library of 20,000 books concentrating on the areas of photography, filmmaking, video, bookmaking, media studies, and the cultural practices of image making. The Photograph Collections contain 27,000 original photographic or photo-mechanical prints made by 2,200 known photographers and more than 600,000 examples of vernacular or anonymous images in the form of lantern slides, stereo cards, snapshots, postcards and news agency photographs. These collections hold examples of every type of photographic practice from the family snapshot to the fine art print and include work of every era from the daguerreotypes of the 1840s to digital prints from the present day.

In 1994 The Metropolitan Museum of Art acquired the personal archive of the American photographer Walker Evans (1903-1975). The Walker Evans Archive contains the artist's life's work-forty thousand negatives and transparencies dating from the late 1920s to the early 1970s-as well as Evans's personal and professional correspondence, papers, diaries, family photo albums, and his collection of books, picture postcards, clippings, roadside signs, and works by other artists.

note there are 2 sessions archived together here with a one hour gap in between so harry's talk starts at the 1.39.39 time marker so is a long way into the archive

The Photographic Library Directory is a unique resource that provides a broad range of visual solutions to enhance the creative process. The categories listed include : * Stock Images from the leading stock photo libraries. * Fashion Photographers, fashion, advertising & editorial shoots. * International fashion image resources, trend or season fashions. * Stars & Celebrities, hollywood stars, entertaiment, music and film celebrity images. * Archive Collections, international collections of historic & social importance. * Free Photos, clip art collections & Illustrations. * Moving Images, stock film footage, newsreels & motion picture archives. * Photo Agencies, the leading photo & editorial agencies. * Fine Art, prints & poster art. * Libraries and Museums, historic world maps, manuscripts and atlases. * Documentary Photographers & photojournalist resources. * Student Galleries, creative minds from the Leading Art & Design centres of excellence.

Panos Pictures is a London-based independent photo agency representing photojournalists worldwide. Our photographers document issues and geographical areas which are under-reported, misrepresented or ignored. In a media climate dominated by celebrity and lifestyle Panos aims to provide fresh perspectives on the world. Panos photographers are available for assignment on every continent. Their in depth knowledge of local conditions enables them to deliver even in the most difficult situations. This website allows you to search, download and purchase from our ever growing archive of digitised images. If you cannot find the image you require our experienced researchers are on hand to help you locate what you are looking for in our physical archive of over 500,000 images. Half of the profits from the agency are given to the Panos Insititute to further its work on issues around media and communications, globalisation, HIV/AIDS and environment and conflict.

Street Level was founded in 1989. From its inception it has provided artists and the public with the opportunity to produce and participate in photography and lens-based media. It aims to make artistic production accessible, both physically and intellectually, to a wide audience. Recognised for its integrated practice, the organisation promotes the work of artists through exhibitions, commissions, residencies, and publications; an education programme; community collaborations; open access facilities and training courses for the public. The exhibitions programme supports both emerging and established artists from local, national and international sources. Earlier exhibitions have included such diverse artists as Ian Breakwell, Chila Kumari Burman, Peter Kennard, Daniel Reeves, Maud Sulter, Andrew Stones, David Levinthal, and Elizabeth and Iftikhar Dadi. Critical ideas are also fostered through talks, symposia, and publications. Exhibitions and projects from the past five years are being listed on the archive section of the website. The education programme involves a range of collaborations in the community, with schools and with agencies working across areas of inclusion, social justice, and equalities. It aims to enable the creativity of non-artists, increase involvement by under-represented groups, and assist the artistic programme by engaging participants. A chronological list of projects will be listed on our education archive.

Search millions of historic photos Search millions of photographs from the LIFE photo archive, stretching from the 1750s to today. Most were never published and are now available for the first time through the joint work of LIFE and Google.

Africa through a lens is a set of thousands of images taken from a broader photographic collection of Foreign and Commonwealth Office images, held at The National Archives. Starting with some incredible early photographs from the 1860s, the images span over 100 years of African history. These images are now available, for the first time, to view online.

Edward Hopper interview, 1959 June 17, Archives of American Art, Smithsonian Institution. Interview with Edward Hopper Conducted by John Morse June 17, 1959 The following oral history transcript is the result of a tape-recorded interview with Edward Hopper on June 17, 1959. The interview was conducted by John Morse for the Archives of American Art, Smithsonian Institution.

Welcome to the Lee Miller Archive. Lee Miller produced some of the most powerful photographs seen this century, from portraits of her friends such as Pablo Picasso, to her work as a correspondent with the US army in World War II. Beginning her own studio in Paris with artist Man Ray, she went on to work with Vogue, and in France, Egypt, and New York, being best remembered for her witty Surrealist images.

note that the archive of this session starts part way thru the talk

George Eastman House, an independent nonprofit museum, is an educational institution that tells the story of photography and motion pictures-media that have changed and continue to change our perception of the world. We: George Eastman House The George Eastman House * Collect and preserve objects that are of significance to photography, motion pictures, and the life of George Eastman. * Build information resources to provide the means for both scholarly research and recreational inquiry. * Keep and care for images, literature, and technology to tell the story of photography and the motion picture in history and in culture. * Care for George Eastman's house, gardens, and archives, maintaining them for public enjoyment and as a memorial to his contribution to our lives and our times.

The key goals of The Commons on Flickr are to firstly show you hidden treasures in the world's public photography archives, and secondly to show how your input and knowledge can help make these collections even richer. You're invited to help describe the photographs you discover in The Commons on Flickr, either by adding tags or leaving comments.*

Thousands of images from the world-famous Getty archive. For UK HE and FE.

Welcome to the National Media Museum. Here you can delve into an amazing archive of information about this fabulous free museum - an exciting centre in the heart of the north devoted to film, photography, television, radio and the web.

Here's a nice service for anyone who wants to learn more about copyright law and how it applies to images. The Picture Archive Council of America has posted a free online video seminar by attorney Nancy Wolff. Watch it here. PACA is also making this presentation available on DVD. It is available by contacting the PACA Executive Director at 23046 Avenida de la Carlota, Suite 600, Laguna Hills, CA 92653, or by email: execdirector@pacaoffice.org. The video is part of the Jane Kinne Copyright Education Program, named in memory of the stock agency pioneer who died last year.

THEORY - " Robert Frank: Dissecting the American Image" Robert Frank: Dissecting the American Image By Jno Cook for Exposure Eagazine, Volume 24, Number 1, Spring 1986 What a poem this is, what poems can be written about this book of pictures some day... -- Jack Kerouac When I first saw Frank's photographs in The Americans [1] I understood nothing of them -- yet they demanded comprehension. I later realized that even when exhibited singly in museums, they still evoked their placement in the book -- like quotations from a sacred text they called up entire passages, themes, subtle connections to other photographs. Here started a journey into The Americans in an attempt to understand not just the photographs, but the book. It has been a journey among museum archives, borrowed books, and xerox machines. It has meant searching out other Frank fanatics, engaging in endless and at times pointless discussions and arguments, and planning forays into literature and foreign languages.