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Michel Roland-Guill

Internet Archive's Peter Brantley Urges Librarians to More Actively Reshape the Digital... - 1 views

  • The Internet Archive’s Peter Brantley made a cogent and precise presentation at the American Library Association conference this week that urged the librarian community to do a better job of shaping the multitude of conversations that ultimately affect how and what libraries can do with digital content.
  • books in many ways are an afterthought for them
Michel Roland-Guill

Before the Kindle Fire, Some Misfires - NYTimes.com - 0 views

  • Nicholas Carr, now best known for “The Shallows,” a book critical of the Internet, said the Kindle would never succeed because, unlike the iPod, there was little content available for it.
Michel Roland-Guill

Books in Browsers: talk abstracts at Books In Browsers - 0 views

  • What is a book, anyway? An examination of the EPUB 3 draft standard reveals that most of the differences between an EPUB book and a website boil down to one core difference: the book is self-contained.
Michel Roland-Guill

Rough Type: Nicholas Carr's Blog: More evidence of Net's effect on the brain - 2 views

  • Using brain scans, the researchers compared the brains of 18 adolescents who spend around eight to twelve hours a day online (playing games, mainly) with the brains of 18 adolescents who spend less than 2 hours a day online. The heavy Net users exhibited gray-matter "atrophy" as well as other "abnormalities," and the changes appeared to grow more severe the longer the kids engaged in intensive Net use.
Michel Roland-Guill

Rough Type: Nicholas Carr's Blog: God, Kevin Kelly and the myth of choices - 0 views

  • Technological progress is not a force of cosmic goodness, and it is surely not a force of cosmic love. It's an entirely earthly force, as suspect as the flawed humans whose purposes it suits.
Michel Roland-Guill

Rough Type: Nicholas Carr's Blog: The remains of the book - 0 views

  • The sense of self-containment is what makes a good book so satisfying to its readers, and the requirement of self-containment is what spurs the writer to the highest levels of literary achievement.
  • The web is an assembly not of things but of shards, of snippets, of bits and pieces.
  • To move the words of a book onto the screen of a networked computer is to engineer a collision between two contradictory technological, and aesthetic, forces. Something's got to give. Either the web gains edges, or the book loses them.
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  • What people do more of is shift their focus and attention away from the words of the book and toward the web of snippets wrapped around the book - dictionary definitions, Wikipedia entries, character descriptions from Shelfari, and so forth.
  • He is, in a very real sense, treating a work of art as though it were an auto repair manual. Which is, of course, what the web wants a work of art to be: not a place of repose, but a jumping-off point.
  • Up until now, there's been a fairly common assumption that a divide would emerge in the presentation of different kinds of electronic books. Reference works would get the full web treatment, tricked out with multimedia and hypermedia, while fiction and literary nonfiction would be shielded from the web's manifest destiny. They'd go digital without losing their print nature; they'd retain their edges.
  • Updike observed that "the book revolution, which, from the Renaissance on, taught men and women to cherish and cultivate their individuality, threatens to end in a sparkling cloud of snippets."
Michel Roland-Guill

Matières Vivantes » Blog Archive » Les geeks sont-ils anti "intellectuels"? - 0 views

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    Larry Sanger
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