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"PhotoGuard works by altering select pixels in an image such that they will disrupt an AI's ability to understand what the image is. Those "perturbations," as the research team refers to them, are invisible to the human eye but easily readable by machines. The "encoder" attack method of introducing these artifacts targets the algorithmic model's latent representation of the target image - the complex mathematics that describes the position and color of every pixel in an image - essentially preventing the AI from understanding what it is looking at."

"DATA LEVERAGE CAN be deployed through at least four avenues: direct action (for instance, individuals banding together to withhold, "poison," or redirect data), regulatory action (for instance, pushing for data protection policy and legal recognition of "data coalitions"), legal action (for instance, communities adopting new data-licensing regimes or pursuing a lawsuit), and market action (for instance, demanding large language models be trained only with data from consenting creators). "

"A promotional poster for the second season of Loki on Disney Plus has sparked controversy amongst professional designers following claims that it was at least partially created using generative AI. Illustrator Katria Raden flagged the image on X (formerly Twitter) last week, claiming that the image of the spiraling clock in the background "is giving all the AI telltale signs, like things randomly turning into meaningless squiggles" - a reference to the artifacts sometimes left behind by AI-image generators. The creative community is concerned that AI image generators are being trained on their work without consent and could be used to replace human artists. Disney previously received backlash regarding its use of generative AI in another Marvel series, Secret Invasion, despite the studio insisting that using AI tools didn't reduce roles for real designers on the project."

"ow, legal redress is all very well, but it's usually beyond the resources of working artists. And lawsuits are almost always retrospective, after the damage has been done. It's sometimes better, as in rugby, to "get your retaliation in first". Which is why the most interesting news of the week was that a team of researchers at the University of Chicago have developed a tool to enable artists to fight back against permissionless appropriation of their work by corporations. Appropriately, it's called Nightshade and it "lets artists add invisible changes to the pixels in their art before they upload it online so that if it's scraped into an AI training set, it can cause the resulting model to break in chaotic and unpredictable ways" - dogs become cats, cars become cows, and who knows what else? (Boris Johnson becoming piglet, with added grease perhaps?) It's a new kind of magic. And the good news is that corporations might find it black. Or even deadly."

"Some of those rules have had unintended consequences: a law meant to prevent piracy also prevents you from fixing your own car, using generic printer ink, or adapting your e-reader for your visual impairment. And a law meant to encourage innovation is routinely abused to remove critical commentary and new creativity."