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Timothy Graham's illustrated lecture on the history, art and symbolism of the Book of Kells, a medieval Celtic decorated gospel manuscript. Sponsored by Osher Lifelong Learning Institute, UNM Continuing Education. Watch the illustrated lecture on the Book of Kells Listen to the lecture

Then our leaders planned to attack the city with machines, in order to enter it and adore the sepulchre of our Saviour. They made two wooden towers and many other machines. . . . Day and night on the fourth and fifth days of the week we vigorously attacked the city on all sides; but before we made our assault the bishops and priests persuaded all by their preaching and exhortation that a procession should be made round Jerusalem to God's honour, faithfully accompanied by prayers, alms and fasting. Early on the sixth day we attacked 19th century illustrator Gustave Dore's conception of the seige of Jerusalemthe city on all sides and could do nothing against it. We were all surprised and alarmed. Then, at the approach of the hour at which our Lord Jesus Christ deigned to undergo the passion of the cross for us, our knights in one of the towers fought bravely, amongst them Duke Godfrey and his brother, Count Eustace

" By the later Middle Ages there was great interest in anatomy and how the body worked. Medieval people made illustrations to explain medical and anatomical issues of human body. Here is a list of medieval images of the whole or parts of the body, which offer a fascinating, unique and strange views from the Middle Ages."

Dance of Death, also variously called Danse Macabre (French), Danza Macabra (Italian and Spanish), Dança da Morte (Portuguese), Totentanz (German), Dodendans (Dutch), is a late-medieval allegory on the universality of death: no matter one's station in life, the Dance of Death unites all. There is also a strong element of estates satire. The Danse Macabre consists of the dead or personified Death summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, youngster, and labourer. They were produced to remind people of the fragility of their lives and how vain were the glories of earthly life.[1] Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now lost mural in the cemetery of the Holy Innocents in Paris dating from 1424-25.

Les illustrations des récits de voyage - paintings, prints, drawings from the archives of the University of Lausanne.  Search by key word or by geographical location.

The Day the Universe Changed is a ten-part documentary television series presented by science historian James Burke. The series tells a series of stories of how specific scientific and technological advances have shaped the Western way of life. The series posits that when one's view of the universe changes, the universe itself effectively changes. The series' primary focus is on the effect of advances in science and technology on western philosophy. The title comes from the philosophical idea that the universe essentially only exists as you perceive it through what you know; therefore, if you change your perception of the universe with new knowledge, you have essentially changed the universe itself. To illustrate this concept, James Burke tells the various stories of important scientific discoveries and technological advances and how they fundamentally altered how western civilization perceives the world. The series runs in roughly chronological order, from around the beginning of the Middle Ages to the present.

"We're delighted to announce that our dedicated Magna Carta website is now live. It features a whole wealth of Magna Carta-related material, including: articles by distinguished contributors such as Shami Chakrabarti, Dan Jones, Geoffrey Robertson, and Joshua Rozenberg illustrated descriptions of the items on display in Magna Carta: Law, Liberty, Legacy a range of teaching resources for use in primary and secondary schools a series of videos, including talking heads such as William Hague and two animations narrated by Terry Jones"

Though Queen Melisende's Psalter is probably not the earliest manuscript preserved from the Crusader Kingdom, it represents Crusading illumination of the early period at its best. From details within the psalter we know its place of origin to be the Church of the Holy Sepulchre in Jerusalem, and we can also date it fairly accurately between 1131 and 1143.

Search results for "crusades"