The plague also affected religion and art, which became very dark and preoccupied with death. Many people believed that the Black Death came from God's extreme anger at the world. A group of fanatics, called Flagellants, inflicted various punishments on themselves in an attempt to atone for the world's sins--and end the disease. An artistic style known as the danse macabre depicted skeletons and corpses mingling with the living during happy occasions. These actions reminded the people of the overriding sense of doom that shadowed their lives because of the Black Death.
International School of Central Switzerland on 12 Aug 10Dance of Death, also variously called Danse Macabre (French), Danza Macabra (Italian and Spanish), Dança da Morte (Portuguese), Totentanz (German), Dodendans (Dutch), is a late-medieval allegory on the universality of death: no matter one's station in life, the Dance of Death unites all. There is also a strong element of estates satire. The Danse Macabre consists of the dead or personified Death summoning representatives from all walks of life to dance along to the grave, typically with a pope, emperor, king, youngster, and labourer. They were produced to remind people of the fragility of their lives and how vain were the glories of earthly life.[1] Its origins are postulated from illustrated sermon texts; the earliest recorded visual scheme was a now lost mural in the cemetery of the Holy Innocents in Paris dating from 1424-25.