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Die Datenbank des Virtuellen Kupferstichkabinetts enthält derzeit 30610 Beschreibungen und Abbildungen von Druckgraphik des 15. bis 18. Jahrhunderts aus den Sammlungen des Herzog Anton Ulrich-Museums Braunschweig und der Herzog August Bibliothek Wolfenbüttel.

tolle Datenbank, solche Angebote sollte es für alle Kunstsparten geben. Ich würde mir z.B. so ein Angebot für Theatergeschichte wünschen.

It's been a good year for Twitter, and not merely because the company announced yesterday it has secured another huge round of funding. The microblogging platform has grown by over 100 million users this year and expanded its staff from 130 to 350 people. And it's rolled out major redesigns and improvements to its site, mobile apps and APIs.

DDR-Webmuseum

Museum aan de stroom - a brand-new city museum covering the art, shipping and folklore of Antwerp, Belgium - is offering web visitors real, real-time guides. Through June 7, visitors to the museum's website can interact with, and direct, flesh-and-blood guides through their Discover the MAS Live program and website.

Auch fuers Brooklyn Museum gilt: weniger ist mehr. As museums look for ways to attract more visitors, social media has become a key tool in drawing people along and engaging them. Some museums are trying to be more creative with social media, but step one is to make use of the main tools. Brooklyn Museum is certainly doing that. It has a main web site, a blog, a Facebook Page, a Twitter presence, a Flickr account, a Tumblr, a Foursquare, and more.

"Pan-Net Catalogue der Firma Pandora Neue Medien GmbH, ein benutzerfreundliches Content Management System mit Anbindung an das Museumsobjektdokumentationssystem IMDAS-Pro. "

Erinnern Sie sich an iGoogle? Auf die personalisierte Seite können Sie Nachrichten, Fotos, den Wetterbericht oder andere Internetinhalte hinzufügen. Das Intranet geht nun in eine ganz ähnliche Richtung.

Basler Staats archiv

Der «Digital Life Index» misst Online-Aktivitäten. 55 Prozent der Schweizer haben am Vortag Online-Instrumente genutzt. Social Media gewinnt Anteile, Zeitungen bleiben das wichtigste Medium für News.

"ECHO (Education Through Cultural and Historical Organizations), a partnership of six widely dispersed cultural institutions, fosters that learning. Individual missions vary, but the ECHO partners all seek to enhance appreciation of regional heritage;"

thomas Pleil-Blog (Hochschule Darmstadt: Kontakt von Seraina): "Mit diesen Themen beschäftige ich mich zur Zeit besonders: * Internet-Kommunikation, besonders Online-PR * Social Software (Weblogs, Wikis, Podcasting, Social Bookmarking etc. * Nonprofit-PR" Mit diesem privaten Weblog will ich Gedanken zu Public Relations, Medien und Marketing festhalten und zur Diskussion stellen sowie einige Lesetipps geben. Zwar stehen jedem Interessierten auch meine Social Bookmark-Archive (Mister Wong, del.icio.us)

The main aim of the study was to analyse the 2.0 environment, which had been set up six months before, and put forward actions to improve it. > Of all the networks analysed, the blog is the key: it serves as a tool for dissemination, a discussion space and a means of creating content.

"One of the best things that came out of this year's Museums and the Web conference in Philly was an "unconference" session I organized around re-thinking and re-imagining what museum websites could/should be. It was a great conversation, with lots of interesting viewpoints. I hope to do a longer post about this in the next few days, but for now, here's the video of a talk I gave at Ignite Smithsonian a few days ago that tries to get at the root of the problem I'm trying to identify."

Find historical photos and maps by date, neighborhood, address, and/or keyword in a collection of over 90,000 records

The ubiquity of mobile devices and the advent of augmented reality provide an opportunity to explore the use of interactive design in what is traditionally a difficult educational space: the art museum. The NGA Experience app (shown here on an iPhone but theoretically platform-agnostic) uses augmented reality to populate the art museum with a digital layer of content that is virtually infinite, yet completely optional for visitors. Such an application of AR in the museum ultimately provides a greater level of control and engagement to the museum visitor and enhances his or her opportunity for a meaningful experience without altering the physical space of the gallery.