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David Hilton

The notebooks of William Dawes on the language of Sydney - 2 views

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    "The Aboriginal language of Sydney is one of many Indigenous languages spoken in Australia. Almost destroyed in the whirlwind of colonisation, it was documented by William Dawes, an officer of the First Fleet of 1787-88"
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    One of the few early sources we have for pre-contact indigenous history. I find as an Australian history teacher that the indigenous history of Australia is fascinating and useful to study, however the paucity of quality sources (primary and secondary) makes it difficult to teach. Hopefully that will improve with better scholarship on the topic in the future.
Kristin Keinz

Harrisonburg Virginia Urban Renewal Documents - 2 views

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    In the 1950s and 1960s planners in Harrisonburg, VA implemented a federally sponsored slum clearance and urban renewal program. Seeking to compare this redevelopment effort with the urban renewal efforts in other major cities, students in James Madison University's US Urban Social History Course have begun digitizing relevant primary documents. These files are drawn from Harrisonburg's City Council minutes as well as records located at the Department of Planning and Community Development, the Harrisonburg Redevelopment and Housing Authority, and in local planner Robert Sullivan's personal collection. The files are organized by the location where the originals are currently located. Indices and summaries of relevant Daily New Record articles will be added shortly. The students who digitzed this collection of documents include: John Almquist, Alicen Brown, Alexander Carroll, Rose Anne Coates, Troy Cunningham, Eric Echelberger, John Fitzmaurice, Paul Frankel, Christopher Gray, William Hayes, Mark Hitchko, Kristin Keinz, Anna Klemm, Meaghan Leonard, Christina Lloyd-Williams, Brian Mannion, Mallory Micetich, Elizabeth Morris, Emily Neufeld, Samuel Padgett, Taylor Wood
David Korfhage

History Writing Resource Center at William and Mary - 12 views

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    History writing resources from William and Mary
David Hilton

McKinley Assassination Ink: A Documentary History of William McKinley's Assassination - 0 views

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    Documents, images, resources and quotes on the assassination of President William McKinley in 1901.
Kendra Nielsen

"The Sentiments of a Labourer": William Manning Inquires in the Key of Liberty, 1798 - 3 views

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    Revolution-era farmer William Manning's essay on why education is the "Key of Libberty"
Lance Mosier

Welcome to the Steinway Diary Project | The William Steinway Diary: 1861-1896, Smithson... - 1 views

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    The National Museum of American History is engaged in a long-term project to create the first publicly accessible, annotated online edition of William Steinway's remarkable diary. This first installment of the Web site includes Edwin M. Good's complete transcription of all 2,500 pages of the Diary alongside high-resolution scans of each handwritten page.
Eduardo Medeiros

comunistas - Os desenhos revolucionarios de Willian Gropper - The revolutionary designs... - 1 views

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    Como ativista do trabalho ao longo da vida, William Gropper, criou algumas das obras das mais poderosas obras de arte de social realismo proletário durante a Grande Depressão dos EUA.
Eduardo Medeiros

Dia da Consciencia Negra A historia da menina Ruby Bridges - 0 views

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    Com 6 anos de idade, Ruby tornou-se voluntária, pelos seus pais, para participar de um procedimento de integração em uma escola de "All-Whites". O acontecimento foi proporcionado pela NAACP - Associação Nacional para o Progresso de Pessoas de Cor -, tornando Ruby a primeira aluna afro-americana em um escola no sul, chamada "William Frantz Elementary School", de Nova Orleans. Sem dúvida, em palavras o acontecimento tem seus méritos. Contudo, o que pensar se observamos a famosa foto ao lado? Antes de Ruby chegar ao colégio pela primeira vez, os pais entraram nas salas e retiraram seus filhos do local. Os professores também se recusaram a dar aula, com exceção de uma, chamada Barbara Henry. A menina de 6 anos teve "aulas particulares" na escola durante aproximadamente 1 ano com essa professora.
David Hilton

Welcome to the William Blake Archive - 2 views

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    The Andrew Blake (1757-1827) Archive in North Carlolina, USA, is "not a physical repository of Blake's collected works, nor is it a clearinghouse through which users can obtain reproductions of those works. [...]" It is "an online hypermedia environment that allows its users to access high-quality electronic reproductions of a growing portion of Blake's work.
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    Hypermedia environment. Hmmm... But the poems are good.
Joseph Phelan

Abraham Lincoln's First Inaugural - 14 views

As storm clouds of disunion and war were gathering across the nation, president elect Abraham Lincoln delivered his historic first inaugural address on March 4 closing with these words addressed t...

AbrahamLincoln primarysources USHistory CivilWar

started by Joseph Phelan on 15 Feb 11 no follow-up yet
Eric Beckman

PBS - THE WEST - Documents on the Sand Creek Massacre (1864-1865) - 6 views

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    Documents recommended by Todd Hudson Williams, Manchester High School, Midlothian VA for teaching the Sand Creek Massacre
HistoryGrl14 .

William Pitt the Younger - Wikipedia, the free encyclopedia - 3 views

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    Similar to the link for Wilberfoce, if using this topic, Pitt is another major character to include.
HistoryGrl14 .

William Wilberforce - Wikipedia, the free encyclopedia - 1 views

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    Yes it's wikipedia...but a good general background resource on Wilberforce if disucssing ending of slave trade in England. If using the film "Amazing Grace", could be used to build background
Nate Kogan

Learning Historical Research - William Cronon - 14 views

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    Bill Cronon's website that focuses on tools, assignment, etc. that help students conduct research, synthesize results, and practice other elements of the historical profession.
David Hilton

Modern History textbooks - 27 views

Thanks Jeremy for that. Very helpful. I really appreciate it :)

textbooks books resources ap ib

Ed Webb

Modern art was CIA 'weapon' - World, News - The Independent - 6 views

  • The Central Intelligence Agency used American modern art - including the works of such artists as Jackson Pollock, Robert Motherwell, Willem de Kooning and Mark Rothko - as a weapon in the Cold War. In the manner of a Renaissance prince - except that it acted secretly - the CIA fostered and promoted American Abstract Expressionist painting around the world for more than 20 years.
  • in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.
  • The decision to include culture and art in the US Cold War arsenal was taken as soon as the CIA was founded in 1947. Dismayed at the appeal communism still had for many intellectuals and artists in the West, the new agency set up a division, the Propaganda Assets Inventory, which at its peak could influence more than 800 newspapers, magazines and public information organisations. They joked that it was like a Wurlitzer jukebox: when the CIA pushed a button it could hear whatever tune it wanted playing across the world.
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  • Initially, more open attempts were made to support the new American art. In 1947 the State Department organised and paid for a touring international exhibition entitled "Advancing American Art", with the aim of rebutting Soviet suggestions that America was a cultural desert. But the show caused outrage at home, prompting Truman to make his Hottentot remark and one bitter congressman to declare: "I am just a dumb American who pays taxes for this kind of trash." The tour had to be cancelled.
  • This philistinism, combined with Joseph McCarthy's hysterical denunciations of all that was avant-garde or unorthodox, was deeply embarrassing. It discredited the idea that America was a sophisticated, culturally rich democracy. It also prevented the US government from consolidating the shift in cultural supremacy from Paris to New York since the 1930s.
  • If any official institution was in a position to celebrate the collection of Leninists, Trotskyites and heavy drinkers that made up the New York School, it was the CIA.
  • Moscow in those days was very vicious in its denunciation of any kind of non-conformity to its own very rigid patterns. And so one could quite adequately and accurately reason that anything they criticised that much and that heavy- handedly was worth support one way or another
  • As president of what he called "Mummy's museum", Rockefeller was one of the biggest backers of Abstract Expressionism (which he called "free enterprise painting"). His museum was contracted to the Congress for Cultural Freedom to organise and curate most of its important art shows. The museum was also linked to the CIA by several other bridges. William Paley, the president of CBS broadcasting and a founding father of the CIA, sat on the members' board of the museum's International Programme. John Hay Whitney, who had served in the agency's wartime predecessor, the OSS, was its chairman. And Tom Braden, first chief of the CIA's International Organisations Division, was executive secretary of the museum in 1949.
  • "It was very difficult to get Congress to go along with some of the things we wanted to do - send art abroad, send symphonies abroad, publish magazines abroad. That's one of the reasons it had to be done covertly. It had to be a secret. In order to encourage openness we had to be secret."
  • Would Abstract Expressionism have been the dominant art movement of the post-war years without this patronage? The answer is probably yes. Equally, it would be wrong to suggest that when you look at an Abstract Expressionist painting you are being duped by the CIA. But look where this art ended up: in the marble halls of banks, in airports, in city halls, boardrooms and great galleries. For the Cold Warriors who promoted them, these paintings were a logo, a signature for their culture and system which they wanted to display everywhere that counted. They succeeded.
David Hilton

Not Even Past | "The past is never dead. It's not even past." - William Faulkner - 19 views

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    "Not Even Past provides dynamic, accessible, short articles on every field of History. Founded in 2010 and developed by the Department of History at the University of Texas at Austin, Not Even Past speaks to everyone interested in the past and in the ways the past lives on in the present."
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