Skip to main content

Home/ Gaming and the liberal arts/ Group items tagged stories

Rss Feed Group items tagged

Filter: All | Bookmarks | Topics Simple Middle
Ed Webb

BLOG « failbetter - 2 views

about.failbettergames.com/blog

games text storytelling platforms

shared by Ed Webb on 17 Oct 12 - No Cached
  • Ed Webb on 17 Oct 12
     
    I sense possibilities. Maybe it will be a little more user-friendy than Inform 7.
  • Brett Boessen on 17 Oct 12
     
    I've been playing around with it a little bit; had my students look at it briefly last week. It is *more* user friendly in that there are forms and boxes for you to input your story elements (ie, a little more visual than Inform). It is *less* useful in that the product is always in the Fallen London format, ie, cards/decks are "dealt" and story elements are uncovered in a point-based system. So if you're not looking for that particular format to deliver your story, I'm not sure it's as flexible as Inform is. But I think it's pretty neat that they've opened up their process to the public, and their wiki is CHOCK full of ideas, tips, hints, and other useful stuff for producing an engaging story of the Fallen London variety. And, they've got a new game to play in addition to FL called Cabinet Noir which is set in Richelieu/Musketeers France and is fun in a more historically accurate (maybe?) way than FL was/is. Kudos to Failbetter all around, if you're into IF. :)
  • Bryan Alexander on 17 Oct 12
     
    Pretty usable. I quickly generated a French Revolution game/story. Would be fun to do that right.
Ed Webb

Random House Sets Up Videogame Team - WSJ.com - 2 views

online.wsj.com/...4089904575093562727862740.html

gaming games news story storytelling publishing

shared by Ed Webb on 01 Mar 10 - Cached
  • Random House, eager to cash in on the lucrative videogame business, has set up an in-house team to create original stories for videogames and provide story advice for games in development. The book publisher, a unit of Germany's Bertelsmann AG, has started looking for a buyer for two original projects, one a fantasy adventure and the other a horror thriller. Each of the proposed games has a cast of characters, suggested stories, and an analysis of the type of gamer in mind.
  • Bryan Alexander on 02 Mar 10
     
    I wonder if Heavy Rain played a role in this.
Ed Webb

Alan Kay, Systems, and Textbooks « Theatrical Smoke - 3 views

wedaman.wordpress.com/...lan-kay-and-why-textbooks-suck

education learning systems LiberalArts gaming

shared by Ed Webb on 26 Apr 12 - No Cached
  • I discuss his key idea: that systemic thinking is a liberal art, and I explain a corollary idea, that textbooks suck
  • if you don’t have a category for an idea, it’s very difficult to receive that idea
  • the story of the last few hundred years is that we’ve quickly developed important ideas, which society needs to have to improve and perhaps even to continue to exist, and for which there are no pre-existing, genetically created categories. So there’s an idea-receiving capacity gap.
  • ...9 more annotations...
  • Education’s job should be, says Kay, to bridge this gap. To help, that is, people form these necessary new idea-receiving categories–teaching them the capacity for ideas–early on in their lives, so that as they grow they are ready to embrace the things we need them to know. Let me say that in a better way: so that as they grow they are ready to know in the ways we need them to know.
  • cultivate the ability to conceive of, work with, create, understand, manipulate, tinker with, disrupt, and, generally, appreciate the beauty of systems
  • The point is to be able to see connections between the silos. Says Kay, the liberal arts have done a bad job at “adding in epistemology” among the “smokestacks” (i.e. disciplines)
  • a game, or a simulation, thought of as a thing we might create (rather than a thing we only act within), is a visceral example of systems thinking
  • It’s the Flatland story–that we need to train our 2D minds to see in a kind of 3D–and Kay’s genius is that he recognizes we have to bake this ability into the species, through education, as close to birth as possible.
  • Systems thinking is to be conceived of as a platform skill or an increased capacity on top of which we will be able to construct new sorts of ideas and ways of knowing, of more complex natures still. The step beyond seeing a single system is of course the ability to see interacting systems – a kind of meta-systemic thinking – and this is what I think Kay is really interested in, because it’s what he does. At one point he showed a slide of multiple systems–the human body, the environment, the internet, and he said in a kind of aside, “they’re all one system . . .”
  • Seeing systems is an epistemology, a way of knowing, a mindset
  • What happens when you’re stuck in a system? You don’t understand the world and yourself and others as existing in constant development, as being in process; you think you are a fixed essence or part within a system (instead of a system influencing systems) and you inadvertently trap yourself in a kind of tautological loop where you can only think about things you’re thinking about and do the things you do and you thus limit yourself to a kind of non-nutritive regurgitation of factoids, or the robotic meaningless actions of an automaton, or what Kay calls living in a pop culture
  • A downside of being epistemologically limited to thinking within a system is that you overemphasize the importance of the content and facts as that system orders them
  • Bryan Alexander on 30 Apr 12
     
    Seems like, among other things, a call for learning with games.
Brett Boessen

Terra Nova: Movies Stink - 15 views

terranova.blogs.com/...movies-stink.html

rant castranova systems design games narrative stories storytelling

shared by Brett Boessen on 06 Jan 12 - No Cached
  • Brett Boessen on 06 Jan 12
     
    Castranova is not usually so passionate in his writing.  Very interesting perspective, though.
  • ...12 more comments...
  • Bryan Alexander on 06 Jan 12
     
    Interesting to see him split games from stories.
  • Bryan Alexander on 06 Jan 12
     
    I do chime in with his grumpiness about Hollywood, generally.
  • Brett Boessen on 07 Jan 12
     
    Honestly, I'm starting to feel similarly. Though I am finding many of the long-form serial narratives of TV pretty engaging. Still, I appreciate the value in *doing* over watching/consuming. And yet what he's saying is essentially a version of the old "film/tv makes you passive" argument, which I've always recoiled against. So I'm torn.
  • Bryan Alexander on 10 Jan 12
     
    I've been coming back to the tv=passive line, more and more each year. It's hard, because I know so many active fans engaged in all kinds of practices. But then I see the silent fans, the ones who just... soak. And I'm reminded of William Gibson's line about couch potatoes.
  • Brett Boessen on 11 Jan 12
     
    I don't know that one...do tell. :)
  • Bryan Alexander on 11 Jan 12
     
    I think this is textually correct, more or less: "a vicious, lazy, profoundly ignorant, perpetually hungry organism craving the warm god-flesh of the anointed. Personally I like to imagine something the size of a baby hippo, the color of a week-old boiled potato, that lives by itself, in the dark, in a double-wide on the outskirts of Topeka. It's covered with eyes and it sweats constantly. The sweat runs into those eyes and makes them sting. It has no mouth, Laney, no genitals, and can only express its mute extremes of murderous rage and infantile desire by changing the channels on a universal remote. Or by voting in presidential elections."
  • Bryan Alexander on 11 Jan 12
     
    Or, more succinctly: couch potatoes, like taters, are kept in the dark, buried under manure.
  • Brett Boessen on 12 Jan 12
     
    Wow. That's...very detailed. Doesn't leave a lot of room for empathy or understanding: pretty cut and dried. :)
  • Bryan Alexander on 12 Jan 12
     
    Jeremaiad. One I sympathize with. I need to spend time with you happy media studies folks and regain my old empathy.
  • Brett Boessen on 13 Jan 12
     
    THAT Camp - Games. Done and done. :)
  • Bryan Alexander on 13 Jan 12
     
    That's right - when do you arrive?
  • Brett Boessen on 13 Jan 12
     
    I'll actually be there Thursday evening, but I'm going to dinner with my parents and brother (who live in the area). I am staying through Monday morning, though. We should be able to find some time to catch it, I'd guess. What are your travel plans?
  • Bryan Alexander on 14 Jan 12
     
    Coming in Thursday, leaving Sunday @3.
  • Brett Boessen on 14 Jan 12
     
    Cool -- I'll see you Friday morning then. Let's try to grab a meal at some point. :)
Ed Webb

The botmaker who sees through the Internet - Ideas - The Boston Globe - 3 views

www.bostonglobe.com/...story.html

bots

shared by Ed Webb on 25 Jan 14 - No Cached
  • Bryan Alexander on 27 Feb 14
     
    Neat! I'm fond of these semihuman stories, like Horse-ebooks.
Victoria Pullen

Video Games: The 21st Century's Fine Art Frontier : NPR - 2 views

www.npr.org/...story.php

book_review

shared by Victoria Pullen on 19 Aug 10 - Cached
  • Video Games: The 21st Century's Fine Art Frontier
  • Victoria Pullen on 19 Aug 10
     
    Book review for "Extra Lives" by Tom Bissell.  I wouldn't say that "beat Red Dead Redemption" should be on the list, but I don't disagree with adding Bioshock.
  • Bryan Alexander on 19 Aug 10
     
    Good catch, Vicky. The book's on my stack.
Victoria Pullen

Participation Nation - 2 views

interactive.usc.edu/...20090327-participat.php

3GSummit games education

shared by Victoria Pullen on 17 Aug 10 - Cached
  • Victoria Pullen on 17 Aug 10
     
    Tracy Fullerton's project with USC's Interactive Media Division. "The prototype focuses on the constitutional crisis surrounding school integration in Little Rock, Arkansas in 1957. A set of webisodes and a graphic novel provide the background story of this crisis, while the central "Debate Game" asks players to use the people, laws and values from the era to support two out of three points of the argument for or against school integration, addressing questions like "Should the federal government intervene?", "Is media coverage swaying public opinion?", and "Are civil rights woth risking a constitutional crisis?" Players can take the side of the "Forces of Change" or the "Status Quo" in debate over the constitutional issues that shaped the country."
Ed Webb

The Fallout Out of Our Choices - 3 views

dickinsonkaiserz.wordpress.com/...the-fallout-out-of-our-choices

climate environment games gaming sci-fi sciencefiction

shared by Ed Webb on 04 Oct 10 - No Cached
  • Ed Webb on 04 Oct 10
     
    Student blog - note seamlessness of experience between movie and game story lines.
  • Bryan Alexander on 05 Oct 10
     
    Say more, Ed. Do you think that seamlessness is part of the global imaginary now?
  • Ed Webb on 05 Oct 10
     
    I think it is becoming less remarkable to treat game worlds and storylines as similar to/comparable to/continuous with longer-established media such as movies, novels etc. I don't know whether it's generational, or just longevity of the medium. Maybe the technology has grown to allow more complex/complete world depictions.
Brett Boessen

What Will They Do? Transmedia Producers as Narrative Architects « Asmedia - 5 views

asmith50.wordpress.com/...ducers-as-narrative-architects

transmedia production liberalarts games

shared by Brett Boessen on 12 Apr 10 - Cached
  • The transmedia producer thus holds a different type of skill set, one that draws connections across media forms and one that involves conceptualizing, analyzing, and designing experiences at the macro-level. It is a person that does not just dive into the transmedia realm with a laundry list of media to explore, but actually has a deep understanding of the relationship between content, context, and culture.
  • transmedia producers must understand the unique storytelling potential behind each media platform. Certain stories lend themselves to particular media and vice versa. And as more narrative complexities threaten to impede comprehension , transmedia producers guard against blatant inconsistencies and contradictions. The narrative structure they design must be durable and organized, all while allowing room for future construction and additions.
  • the transmedia producer will have an incredible knack for activating communities and rewarding collective intelligence.
  • ...1 more annotation...
  • Transmedia producers possess storytelling talent, yes, but they should also appreciate the complex relationship between story and game, author and audience, openness and closure, art and commodity. They are as well versed in any sector of the entertainment industry as they are in popular culture and fandom as a whole.
  • Brett Boessen on 12 Apr 10
     
    Is there a better description of the concrete skills a liberal arts education offers than the description of what transmedia producers do outlined here?
  • ...2 more comments...
  • Jason Mittell on 13 Apr 10
     
    Brett - Aaron's my former student, so I'll take your compliment once removed! He's a very smart fellow...
  • Brett Boessen on 13 Apr 10
     
    You know, that just makes complete sense now that you say that: it would be hard to imagine someone who was not the product of a solid liberal arts education making such a coherent and persuasive argument for its value in this way.
  • Bryan Alexander on 15 Apr 10
     
    Brett, the liberal arts connection really sings in passages like this: "The best architects draw on a range of influences, disciplines, and perspectives, taking into account history, theory, and criticism to develop innovating concepts. Likewise, I see a similar approach to the emerging field of transmedia studies..."
  • Brett Boessen on 15 Apr 10
     
    Agreed, Bryan. Media Studies has always been deeply interdisciplinary, and transmedia strikes me as pushing it even further in that direction (or perhaps pulling into itself the most interdisciplinary facets of MS).
Ed Webb

Gamification has issues, but they aren't the ones everyone focuses on - O'Reilly Radar - 1 views

radar.oreilly.com/...ation-ownership-addiction.html

games gamification gaming opinion analysis

shared by Ed Webb on 15 Jun 11 - No Cached
  • Ed Webb on 15 Jun 11
     
    Via James Schirmer on Buzz. As I commented there:  This is quite sensible. Since I do want to dismantle capitalism, I don't agree with that bit. More subtly, I am concerned about the entrenchment of simplistic binary thinking in western, particularly US, culture, so "Game designers often like to see an epic battle between good and evil - even where there isn't one - but that's part of the charm" - for me that's a significant drawback. To the extent that a game includes an argument about how the world is or how the world should be, then reinforcing oversimplification (rather than the simplification necessary in any model of the/a world, be it a book, movie, academic article or game) is problematic. I like my myths/theories/stories multifaceted.
Ed Webb

The Life-Changing $20 Rightward-Facing Cow - 4 views

kotaku.com/...anging-20-rightward+facing-cow

bogost casual games gaming social facebook

shared by Ed Webb on 04 Oct 11 - No Cached
  • The A Slow Year limited sets include the poetry book and the game on Atari cartridge, all set in black velvet and red leather, gold foil stamping, all hand-numbered, hand-made. While a manic counter was screaming the end of Bogost's journey to challenge social gaming norms, the creator was quietly, manually, assembling a physical art object. Only 25 will ever be made; they will sell for $500 apiece. Most have already been sold. To Bogost, like the poetry book that accompanies the Atari game, the handcraft and limited nature of A Slow Year's special edition help establish the project uncompromisingly as an art object, a creation bigger than "video game."
    • Ed Webb
      Ed Webb on 04 Oct 11
       
      Sounds like something in a Wm Gibson or Bruce Sterling story
  • "I never expected that would happen," reflects Bogost. "A lot of the serious players… just like clicking a cow sometimes. It's very innocent; they just like clicking a cow."
  • Cow Clicker was never supposed to be fun. It was supposed to be silly, insultingly simple, a vacuous waste of time, and a manipulative joke at the expense of its players-–in other words, everything Bogost thought that Facebook games like the Zynga-made hit FarmVille are. In Cow Clicker, players get a cow, they click it, and then they must either pay to click it again or wait six hours; an embarrassing, joyless labor that to him represented the quintessential aspects of the games that were flourishing all over the social network.
  • ...3 more annotations...
  • the story of a person whose joke project became more successful than the one on which he lavished love and intellect, the climate that caused that to happen and how ultimately he decided to learn from it instead of becoming upset
  • Then came the Gamification movement, the shiny new idea that if people were assigned goals and extrinsic "rewards," they'd be more motivated to engage with tasks-–and brands-–than they would have otherwise been
  • Cow Clicker developed an active player base–-people who missed the humor and attached to it as if it were a "real" game. These players unquestioningly spent real-money Facebook credits to enjoy their cows and sent Bogost innocent player feedback in the hopes of improving their experience. It subverted every expectation that he had, even as it reaffirmed his worst fears about the exploitive sadism of Facebook game design. Its success also became something to dread.
Ed Webb

Kill Screen - Folk Game Story Corner: The Game With a Hat - 2 views

killscreendaily.com/...olk-game-story-corner-game-hat

games

shared by Ed Webb on 29 Apr 11 - No Cached
  • Ed Webb on 29 Apr 11
     
    Simon Ferrari now writing for Kill Screen. Entertainment likely.
  • Brett Boessen on 30 Apr 11
     
    Awesome. Think I'll play this with my Games class next Friday; maybe we'll use game titles instead of celebs. And I'll be sure to pretend I'm thick if one of my neighbors gets too far ahead of me on points. (Also, am glad Kill Screen exists.)
Bryan Alexander

British gaming pilot - 2 views

www.jisc.ac.uk/...gaming-classroom.aspx

education gaming support

shared by Bryan Alexander on 05 Mar 13 - No Cached
  • Bryan Alexander on 05 Mar 13
     
    JISC Collections is making available selected educational games.
Ed Webb

BBC - Future - Technology - Gamification: Is it game over? - 4 views

www.bbc.com/...can-gaming-transform-your-life

gamification

shared by Ed Webb on 13 Mar 13 - No Cached
  • Bryan Alexander on 15 Mar 13
     
    Lots of dark stuff in there, from Skinner to addiction. Did the hype bubble burst?
Brett Boessen

Playfic - 5 views

playfic.com

game webapp inform interactivefiction text

shared by Brett Boessen on 16 Feb 12 - No Cached
  • Brett Boessen on 16 Feb 12
     
    Someone took Inform 7 and made a webapp out of it!
  • ...1 more comment...
  • Ed Webb on 17 Feb 12
     
    Nice find!
  • Bryan Alexander on 17 Feb 12
     
    Yes indeed. I wonder if it's easier than author in than Inform.
  • Brett Boessen on 17 Feb 12
     
    Looks like its just a port of Inform to a web interface: same two-part backstage/frontstage formatting of the screen, same language engine running it. The difference, which is pretty awesome, seems to be that you can post your stories to their site so others can read and comment on them. (If I'm reading it correctly.)
Brett Boessen

Press Start to Continue: Toward a New Video Game Studies | HASTAC - 3 views

hastac.org/...-toward-new-video-game-studies

games criticism hastac pedagogy theory forum

shared by Brett Boessen on 08 Feb 12 - No Cached
Erik Hanson liked it
  • being a gamer is less an inherent attribute—either you are or you aren’t—than it is a malleable description of practices that change throughout one’s lifetime, whether from “hardcore” to “casual,” single-player to “social,” or genre to genre
  • one could argue that part of the origin story of game studies was the struggle to establish the idea that games are not narratives--that they were a radically "new" textuality, but this just delayed the needful discussions of how games related to the inherited media ecology, how they used narrative, music, video, etc. to new effects
  • students tend not to be "well-played," on an analogy to "well-read," but knowledgeable in one or a few genres
  • ...5 more annotations...
  • what about our students' physical abilities and skill sets? How does skill play into their experiences of games?
  • Can or should one philosophize about a medium one has not embraced to the point of design?  I vote:  no.
  • In an academic paper, I don't think that I would feel legitimate in citing something from a designer. It doesn't feel credible, even though the designer may be someone like Ron Gilbert
  • a senior-level seminar in “Digital Games and Culture”
  • Betty Hayes and I have been teaching an undergrad games studies course uniting new media reading/writing, academic readings across disciplines, and gameplay across genres for two years now
  • Brett Boessen on 08 Feb 12
     
    HASTAC has started a forum (a blog post with lots o' comments) to discuss video game studies.
Bryan Alexander

Media - Social Studies - Play | Wolfsonian-FIU Freedom - 0 views

www.teenthoughtsondemocracy.wolfsonian.org/...media-social-studies-play

game

shared by Bryan Alexander on 01 Mar 12 - No Cached
  • Bryan Alexander on 01 Mar 12
     
    Spin is designed to promote student reflection on the power of words and images by creating and altering meaning in a fictional narrative. This fast-paced, small group storytelling game provides students the experience of "spinning" a story in different directions to convey diverse storylines or viewpoints-much like it occurs in print, broadcast, and digital media today.
Ed Webb

Video games are the answer to the New Boring | Technology | guardian.co.uk - 0 views

www.guardian.co.uk/...video-games-versus-new-boring

gamification games gaming engagement television TV media opinion

shared by Ed Webb on 22 Nov 11 - No Cached
  • And then there's Saint's Row 3, an open-world crime shooter, that seems to have been concocted entirely by hyperactive 14-year-olds force fed on a diet of sherbet, Red Bull and Korean gangster movies. This is a game in which the player can, entirely at random, bludgeon passers-by with a giant dildo. To the best of my knowledge, Downton Abbey features nothing even remotely comparable – although, to be fair, I skipped most of season two, and may have missed a key scene in which Hugh Bonneville attacks his butler with some nightmarish Edwardian device intended for the cure of female hysteria.
  • Please, if you are a parent and you want something to do with your kids on a wet Sunday afternoon, don't rent the latest heavily marketed CGI bore-fest from a Hollywood studio more interested in selling you merchandise and the moral agenda of its self-serving financers, buy Zelda. Buy Zelda and share a genuinely thrilling, heart-warming escapist fantasy with your children. Certainly, it's not as 'good' as taking them to a museum or getting them to play footie in the park, but if the only alternative is Horrid Henry, it is spectacular – and they will never forget it.
  • Interactivity is a blunt but effective tool to ensure attention and alertness. And as such, video games have never sought to stultify or repress. Video games are not interested in teaching us to make the most out of our tired soft furnishings.
  • ...4 more annotations...
  • Forget mainstream TV, forget it. It's over – at least in terms of water cooler discussion. Apprentice and X-Factor may reliably trend on Twitter, but it's all ironic chatter mixed with barely-disguised collective embarrassment and culpability. There's nothing enriching there.
  • games demand immersion and investment. Traditionally, this has formed a stereotype of dead-eyed zombies slumped in front of monitors, but of course, through XBox Live and PSN, gamers now constantly communicate with each other, as well as share creative tasks in titles like Little Big Planet and Minecraft. New research from Michigan State University suggests that gamers are more imaginative story-tellers – the findings are far from conclusive, but they don't surprise me. The game worlds in Zelda, Uncharted and Dark Souls are rich and deep. They are cluttered with possibilities.
  • Games get to us on some primal level, they speak to the machine code of the human id – and that can be a good thing.
  • You have your doubts and so do I. But the very least mainstream games do is give us a platform to discuss amazing things. When you talk about Zelda or Uncharted 3, you can talk about beauty, art, mythology and adventure; when you talk about the forthcoming Bioshock: Infinite, you can cover architecture, paranoia and politics and it all makes perfect sense. These elements aren't hidden away, to be teased out by cultural studies students desperate to apply their knowledge of Derrida and Saussure. They're there in the very form, the very function of the games. Modern Warfare 3 and Battlefield 3 are idiotic and politically suspect, but give them five minutes and they'll show you more about the computerised lunacy of contemporary conflict than most of those MOD-arranged shaky cam war reports beamed into your living rooms by over-stretched 24-hour news channels
1 - 20 of 42 Next › Last »
Showing 20▼ items per page