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Ruth Cuadra

Reflection vs. Collection: A New Report Looks at the Effect of Picture-Taking on Rememb... - 0 views

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    1. Participants were less accurate in recognizing the objects they had photographed compared to those they had only observed 2. Participants weren't able to answer as many questions about the objects' visual details for those objects they had photographed
Johanna Fassbender

P2PU | School of Open - 1 views

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    How can museums participate in this trend?
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    I like this trend --- how do we get in? Open course material by age group -- by themes --- design for cross institutional learning -- micro credentialing (Mozilla just opened the Badges Backpack platform)... lots of potential for museums to provide continuity of learning experiences...
Ruth Cuadra

Teaching People to Live Without Digital Devices - 0 views

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    The designers figured out the perfect come-on to get the group they were looking for and then supported them activities that played to the reason people came to participate.
Lisa Eriksen

First Nonprofit Grocery Store in U.S. Slated to Open in Pennsylvania | PND | Foundation... - 0 views

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    Creative nonprofit financing for a needed service.  How could museums participate in such efforts.
Ariane Karakalos

The Cost of "Free": Admission Fees at American Art Museums - 0 views

  • Museum theorists such as Elaine Heumann Gurian point out that admission fees may be the single biggest obstacle preventing museums from fulfilling their missions as educational institutions that are open and accessible to the widest range of visitors from all income levels and backgrounds. But is the financial position of most art museums so precarious that the 5 percent of operating budget provided by admissions fees is indispensable to the survival of the institution? Is there a middle ground between free admission and a standard entrance fee?
  • Potential visitors—especially families with children—are often concerned about the financial costs associated with a museum visit, such as transportation, parking and lunch. As the costs have risen, visitors expect greater value for their admission dollars.
  • Many of us have visited museums and seen the words “suggested donation” or “recommended amount” next to the admission fees. The actual amount collected per visitor is often significantly lower than the suggested amount
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  • he Art Institute of Chicago switched from free Tuesdays to free Thursday evenings, from 5-8 p.m.
  • At the time of this writing, there is not much more than anecdotal evidence available on the desired result of racially and ethnically diverse visitors during free evening hours, but the Art Institute of Chicago has every reason to believe its change in free hours achieved this. “We had Chicagoans in the museum who reported that it was their first-ever visit,” Lee said. “We had parents telling us that they were grateful that the free hours allowed them to easily bring their children after work. We had more visitors per free hour than we did when the free hours were on Tuesdays.
  • the competing priorities of ideology, practicality and economics. By designating periods of free admission to attract the infrequent visitor, museums can more easily justify charging an entrance fee on a regular basis
  • Cool Culture, an inventive nonprofit formed in 1999, has created a family pass to 71 cultural institutions in New York City. The pass is intended for low-income families, and the program’s primary clients are Head Start and other subsidized child-care centers. Two-thirds of participants have household incomes below the federal poverty line.
  • Although transportation is not provided, participants can visit at any time and return as many times as they wish.
  • Cool Culture’s success is in the numbers: Families who have the Cool Culture Pass are four times more likely to visit a museum than families without the pass, according to Linda Steele, executive director.    
  • one might logically conclude that museums with no admission fee will attract larger audiences and thus have a better chance at earning more revenue within the museum: more visitors, more sales in shops or restaurants. Upon closer scrutiny, this assumption may not be true.
  • museum visitors who did not pay an admission fee were likely to spend even less on additional goods or services than the average visitor who paid a fee to enter, even they were not museum members.
  • responses from museums of various sizes, settings and budgets. The most commonly mentioned benefits of free admission were service to the community and accessibility to a more diverse audience. Increased exposure, attendance and public relations opportunities also ranked high, as did improved opportunities for individual, corporate and foundation support. The primary drawbacks were lost revenue and the inability to build a membership base. Security concerns also figured prominently.
  • Do Not Touch” signs in art exhibitions. Of the 15 responding museums that offered limited free admission days or hours, more than half reported a significant difference in visitor demographics: seniors, large family groups, school groups, disabled persons and drug or alcohol recovery groups were most likely to attend at these times. Museums in Seattle, Scottsdale, San Diego and the San Francisco Bay area all reported an increase in student visitors on free admission days. Sue Cake, a longtime docent at the Oakland Museum of California, observed that free admission days enabled teachers to assign a museum visit as part of a class lesson, likely a factor for increased student visitation at many museums.
  • can discount or waive admission fees on a case-by-case basis. “The experience should have value like a movie, going out to eat, a concert or any other leisure-time activity,” said Deputy Director Amy Oppio. “It is . . . important for guests to believe in supporting the organization and its mission.” 
  • Not all respondents shared Oppio’s view. One of the survey questions asked about the ideal admission fee structure. Of the 24 museums that responded to this question, 30 percent said that free admission is the way to go. Midge Bowman, executive director of the Frye Art Museum, responded that art museums “should be free as public libraries are. Without this open admission, they remain elitist institutions.”
  • ents we write and the act of imposing an entry fee,” she wrote. “Museums, if they remain oriented toward their paying customers will not . . . feel motivated to become essential elements within the community and an important educational resource for all individuals wishing to learn.”
Ariane Karakalos

Community Involvement : Discovery Center Museum : Rockford, IL - 0 views

  • Discovery Center Museum has provided after school activities within the Rockford School District #205 for the past 10 years. The After School Achievement Program is provided to schools within the Rockford School District that are defined as Title One schools. These schools are all located in predominately low-income neighborhoods and have a high number of children on the free or reduced lunch program, and have been placed on a statewide Watch List due to their low academic test scores. This program runs from September-May each year.
  • safe environment, positive mentoring and lessons that foster success in school and the community at large. Our program helps children succeed, develop a positive self-image and stay in school by improving their English language, reading, math, science and creative skills. Our program also teaches social and personal life skills, team building, and exposes children to a wide variety of cultural experiences
  • These after school programs are partially funded by the state of Illinois. Discovery Center provides approximately $100,000 of in-kind services for the five schools in which we serve as Lead Agency. This support is in the form of donated staff salaries, a free Family Nights at the museum for participating children and their families, materials, food, student incentives, contractual costs to other participating organizations, free admission to the museum for a field trip one time each year and free family memberships to the museum to all lead agency schools (approximately 500 families).
Garry Golden

Makerspace | Creating a space for young makers and educators - 3 views

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    In March, our mobile outreach program is participating in the LA County Science Fair. In their exhibit area for hands-on participating, they've planned a "Mini-Maker Fair."
Catherine King

The Death of Authenticity? - 2 views

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    Interesting take on extending the notion of entertainment and visitor participation/crowd curation to decisions about object conservation and presentation.
Lisa Eriksen

7 trends affecting the nonprofit sector - TheNonProfitTimes - 2 views

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    Celeste shared this article and thought it might be interesting to compare to the trends the LF participants identified at Workshop #2 and in their domain groups.  I think we discussed most of them.
Karen Wade

Museum 2.0: Ancient Greece 2.0: Arts Participation before the Industrial Age - 1 views

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    As we see, crowdsourcing isn't new.
Ruth Cuadra

Official Blog: Supercharge your summer at Maker Camp - 1 views

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    Does anyone know a museum participating as a Google Maker Camp "campsite"?
Ruth Cuadra

Pop_up Planning: New Methods for Transforming the Public Process - 0 views

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    I live just a few miles from where the Pop-UP MANGo happened. I can tell you that while the community-participation aspect of this kind of "planning" is terrrific, it undermines overall city planning in terms of space use, traffic mitigation, and access. What's the proper balance?
Ruth Cuadra

'Heavy with guilt' may be more than a metaphor - 0 views

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    The increased sense of weight was found to be related to participants' heightened feelings of guilt, and not other negative emotions, such as sadness or disgust.
Ruth Cuadra

Ramadan 2014 - Third Spaces and the Importance of Building Institutions - 0 views

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    Background on how Muslims define home, work and a third space: One space in the domestic sphere (the family and the home); a second space is the sphere of civic engagement (including school, work and other forms of public participation); and a "Third Space" where individual, sometimes professional, and sometimes transgressive acts are played out: where people let their "real" selves show.
Elizabeth Merritt

People With Dementia Can Work on Farms in Holland - 0 views

  • Paula and most of her fellow farm workers have dementia. Boerderij Op Aarde is one of hundreds of Dutch “care farms” operated by people facing an array of illnesses or challenges, either physical or mental. They provide meaningful work in agricultural settings with a simple philosophy: rather than design care around what people are no longer able to do, design it to leverage and emphasize what they can accomplish.
  • For people with dementia, who are often less physically active and more isolated, farm settings promote movement and social interaction. And care farms can have emotional benefits, too, giving participants a sense of purpose and of making a meaningful contribution.
  • Studies in Norway and the Netherlands found that people with dementia at care farms tended to move more and participate in higher-intensity activities than those in traditional care, which can help with mobility in daily life and have a positive impact on cognition. Dementia is often linked to social isolation, and care farms were found to boost social involvement, especially among those who wouldn’t opt for traditional assistance options. Spending time outdoors in nature, often part of a day on a care farm, can also improve well-being among people with dementia. Farms are not only good for individuals. Their families also benefit: studies find caregivers experience less guilt when their loved ones are supported by services they consider to be nurturing and fulfilling.
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  • The workers get to choose which duties they’ll take on — that’s important, Monteny says, because people with dementia don’t have many opportunities to make decisions in their lives.
  • he continues to live independently in her own house, which Oranje believes is possible because her work at the farm keeps her active.
Gina Hall

Zócalo Public Square :: Why On Earth Am I Looking At This? - 0 views

  • Most Museums Have Trouble Connecting To the Public. Maybe It's Time For Some New Ideas.
  • underprepared for their pending encounter with the visual arts
  • many audience members seem intuitively aware of what is missing: more access to the story explaining how and why a work has arrived at this place for their enjoyment.
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  • soldiering through the galleries and paying minimal attention to the exhibits prepared expressly for their viewing
  • reanimated by the opportunities to engage in eating, spending, and talking on the phone—activities compatible with a sidewalk stroll.
  • critical message about the socializing function of the city
  • There is scientific data, too, upon which to build an argument for ensuring that we do better by our museum guests.
  • participation in the arts, especially as audience, predicted civic engagement, tolerance, and altruism.”
  • “[T]he space of the art museum is an inherently public or civic space,” wrote Glenn Lowry, director of the Museum of Modern Art, in a recent essay. “Art museums in this context need to be understood as quintessentially urban institutions that play a critical role in defining the intellectual and physical fabric of cities and towns.”
Ariane Karakalos

The future museum and the future school at newlearningonline - 0 views

  • A team of researchers across Europe is conducting an experiment to bring the museum into the school using virtual reality technology.
  • CONNECT project
  • The CONNECT project team believes that by linking the classroom with science centres, museums, planetariums and observatories, it can marry the best elements of formal curricula with informal learning.
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  • Heads covered by virtual-reality visors,
  • link four science centres with participating classrooms in each country.
  • demanding technical challenges. A museum needs a series of access points around the various exhibits, for example, so students can really ‘visit’ the museum instead of watching a series of presentations. ‘In some museums that’s easy because there are high ceilings to fix the access points, in others it’s quite a challenge,’ explains Sotiriou …
  • In its software, CONNECT has produced a stunning virtual museum, featuring colourful, exciting graphics that allow a student to try experiments and then view the results. This advanced learning environment is called the CONNECT Virtual Science Thematic Park –
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