ENGL431fosen

This article by David M. Pegram is about taking the "research paper" out of a research paper. He uses a different title, calling it a "proposal writing," making the paper become a much more lucrative project. He has developed a blueprint for teaching in this creative manner which he begins by using characters from a tv show, X Files, to demonstrate the uses of the left and right sides of the brain. He shows how Mulder and Scully ask "what if" and then each goes about their right or left sided brain way to answer their own question. I was interested in this article because Pegram gives a very creative way to get students to think critically. I strongly believe that many of these young high school/college students lack the necessary skill of critical thinking. When I can start teaching, I really want to be able to instill this life skill with my students. I think Pegram's approach is definitely a doable and logical way of doing this.

This article covers a multitude of steps that assist in teaching the dynamics of writing to others. There is an extensive list of statements that is followed by a descriptions as well as procedural conduct. The first statement is "establish a positive atmosphere for writing, reading, and learning," and proceeds to illustrate the ambiances of a classroom, as well as possible arrangements of desks etc. The primary idea is to establish a sustainably, beneficial community in which the students are free of apprehension and unnecessary judgment of any kind. The classroom should be "inviting," "respectful," and have positive "routines and expectations." There should also be regimented activities and daily-designated prerogatives that allow the students to expand their literary intentions. This is article is utmost beneficial to every student within this English course that is committed to their weekly internships. The informatively instructive articulations of each scenario that is provided within this article are very versatile, and can generally assist us all in our own unique interned environments. I highly recommend giving it a brief glance, if you're busy or have some obligatory escapade to attend to.

In this excerpt of Oliver's book, Oliver discusses much of what Rose discussed on "how writer's block comes to be" in our text--therefore, I will not go over those points. My main agenda is to see what sort of techniques Oliver uses in his work to suggest how to move past writer's block. On pages 165-168 Oliver discusses the first approaches to writer's block and then three ways that can resolve writer's block. To approach writer's block, Oliver puts the responsibility on the teachers to figure out if their students with writer's block use too rigid rules when composing, and if so, encourage students repeatedly that "Writing is rewriting" and that editing should be done after writing is complete. These notions Oliver states are very close to "better said than done" tasks, since teachers can repeat such things over and over until they are blue in the face but that doesn't mean the students will take those words to heart and change their composing habits. Oliver then moves on to his three "resolutions" to writers block, strongly putting responsibility on the teacher initially. Oliver offers that teachers should have a 10-15minute discussion with their students, using probing questions to prompt ideas for writing. In turn, the students should jot down notes of the ideas that come to their minds. The point of this is to tap into relevant knowledge for their paper assignments. This sort of prompt questioning can then be used by students on their own time, alone or with friends--the teachers just lay the foundation of understanding for their students on how probe questioning can be useful when composing (shift in responsibility of overcoming writer's block from teacher to student after the excercise is learned and understood). Next, Oliver offers the excercise of freewriting to help open the flow of ideas. He recommends that teachers should give their students 10-15 minutes of non-stop freewriting on their writing topics. Students should refrain from pausing or editi

Although this article discusses getting past writer's block for creative fiction writing, I still think that some of Smolens ideas are worth mentioning. His major focus is time. Smolen suggests that writers should give themselves a minimum amount of time to write in a session--just to get ideas flowing. In addition, he suggests that writers ask themselves questions about their environment. Where do they write and what makes their writing focused or distracted because of where they write? What sorts of noise occurs that promotes or reduces the flow of ideas when composing? After each timed writing session, Smolen states that writers to leave their paper and go walk around or visit a new environment for a minimum amount of time. This will help bring in new "fresh" ideas that may help the writing process during the next session. I think Smolen's suggestions of balancing your time between writing and taking constructive breaks can be useful for moving past writer's block, especially giving yourself timed writing sessions and breaks. this gives an external structure on how to compose that may be beneficial to those who feel that they should sit all day, staring at a blank computer screen, hoping to get past their writer's block if they sit there long enough.

This is a .pdf file of a sort of slide show on classroom environment. It looks pretty cheesy when you first open it, but I went all the way through and found some good points. A lot of the content would work best with younger grades, but I think that it is totally applicable to high school levels, too. It focuses on creating a warm, welcoming environment that students WANT to be in. They suggest making changes in decoration, layout, movement, temperature, etc.

In this article, the author describes how journal writing can help ESL learners improve writing by examples and introduces different types of journals. Journal writing is a popular tool used in writing class to get students practice and provide students the method and space to explore their ideas and reflect on action, questions and experience they have had out of class. I am interested in limited-free writing and journal can be considered a good method of limited-free writing. The general topic will not limit students' thoughts, and journals can build the conversation with teacher outside of class by written language; in this sense, journals can help students develop critical thinking skills and practice English writing. Besides freewriting, there are more writing practices helpful for students.

This article by Claire Charles of Monash University suggest that boys are not up to speed in regards to "school based literacy competencies," but females appear to be thriving (72). The author focuses on women attending "elite" schools to explore the reasoning behind their success and how their "practices construct femininities" (72). Charles unveils the transformation women go through to find empowerment and translating that into their "reading and writing practices" (72). English 431 would benefit from this article because many of the students in English 30 are going through stages of self-discovery and by comparing genders this would allow us to sees the differences in this journey as well as the differences in their discourses. I'm interested to see how men and women incorporate gender into their writing. Some questions I had about this article were why/how are girls outperforming boys and what does gender have to do with mastering literacy? I hope English 431 students can learn how to bring feelings of empowerment to both genders in English 30 in order to help the students find their own voice and identity in their writing.

In this article by Ken Hyland, he examines how the role of the writer and "writer intrusion" affect the impression given by a body of writing, and particularly how terms like "writer intrusion" reflect an unnecessarily negative view on the personal involvement of the writer with the subject. While he acknowledges that different contexts require different levels of formality and passive voice, new writers benefit from learning how their role shapes the meaning of their work, and how to take a particular identity as the author. He focuses here specifically on the use of the first person in academic writing and what options are available for its use across many fields; however, this is only the tip of the iceberg, he says, in the formation of an authorial identity in an academic setting.

Profess Groff, at MIT, took on the topic of classroom technology and the classroom environment. It is an older article, but she looked at the integration into the learning processes of student and the ways to judge a successful device in the learning process. One point, is that instructors need to assess the effects of a device early-on, so that an effective integration plan could be implemented before the likelihood of it hindering the learning process. I would agree that in the past this was a simple solution even though there seemed to be a lag in the educational system to integrate these devices. Now, however, the rate of development of new devices seems to be making the lag even more of an issue. The end of the article details the main obstacles to learning, the classroom and new technology in the classroom; and they mostly relate to the teacher. Students have no problem keeping up with the newest device available. This then brings me back to the idea that an effect plan in the school and teacher training needs to be employed.

This article talks about whether or not you should study while listening to music and the types of music that can be beneficial when listening to studying. I'm still looking for information more specific to different types of studying and listening to music, like listening to music in a workshop setting or a lecture/classroom setting.

OK, did it mention writing, though? Find some research more directly related . . .

This article describes a study similar to one that we read about with the 10 UCLA students, except these students in the study are ESL students; something I want to follow with this thread. This study basically shows that L1 and L2 writers had many strategies in common, the main difference being that L2 writers weren't as concerned as the L1 writers in correcting their work, their main focus being, just get it out! We have discussed in class about writing for a specific purpose and how you audience affects your writing; this study shows that ESL students' composing strategies were not inhibited by their purpose or audience.

This article focuses on the relationship between students and teachers and how students feel about the way their teachers act. They gathered information by conducting surveys and focus-groups in an effort to truly understand how what students think about their teachers, and how their relationships effected the students' achievement in school. They collected information from three different sources: special education, general education, and honors education. The results for all three were incredibly similar with some slight differences in what the students focused on. In general, the students responded very amiably to teachers who demonstrated respect and caring for their students and conveyed high expectations of them. It became clear that students were very aware of the amount of effort teachers put in to connecting with their students and the amount of work the teachers put in to the class. In many cases when the teachers told stories, demonstrated respect, and tried to relate to their students on a personal level, treating them as humans and peers rather than subordinates, the students were not only more engaged in the assignments but they admitted that they grew fond of those teachers and their classes. The article was incredibly interesting to me because of the fact that they focused on the students' perceptions rather than the teachers'. I've read many studies that interview teachers and discuss what the teachers think they've effectively conveyed to their students but it is rare to really see how students feel and think, though it seems to me that the students' opinions should be a larger focus because they're the ones who are trying to learn. This article has made me realize that what a teacher says is not always the most important aspect of effectively teaching information, but instead, what really matters, is the way they say it and the way they make their students feel.

From Tong: This paper is and interview from the teachers who teaches academic writing to post graduate students and EFL students. It provides the teachers methods to bring up an academic piece to the students so that the student will understand the purpose of the paper. Through a series of lectures and example, the teacher works on having the student find evidence and state their point of view. It's mostly on the things that most of us should know, such as a paper should start with an introduction, have body paragraphs and conclusion and don't use the word I think, I believe etc. in an academic paper, but us quotes and supporting evidence.

This article, "Listen While You Work", discussed the benefits of listening to background music while working in a language arts class. The article listed the benefits of doing so which are improving retention and memory, an increase in attention levels, extending focused learning time and expanding thinking skills. The teacher gave few rules for listening to music while working but insisted that the students listen to the same CD from the beggining to the end of class and keep the volume down so peers arn't disrupted. Recently, it was discovered that the corpus callosum, located in the brain, increases in size when humans are exposed to music. Communication is then increased bewteen the two halves of the brain which increases learning efficency. 

This article focuses on the differences in preparation for students of different ethnicities that are enrolled public school, private school, or are home schooled. The article mainly focuses on public schooling and how different students with certain precursors (grades, ethnicities, number of years in a subject) will likely fair in a college class. I would have liked the article to discuss the differences among several high school curriculums but sadly it was not that in depth.

The University of Austin Texas posted an article on their website talking about the innovative approach English professors John Rumrich and Coleman Hutichson created for teaching Milton's poem Paradise Lost. The two wanted to incorporate multimedia uses into the teaching of the poem in order to enhance the reading and listening experience, as well as actively engage students into incorporating their meaning of the texts. The website they created has the poem being read aloud be various voices while the text itself is highlighted on the screen. Each line or group of lines has links to them that a student can follow which provide images, websites, or comments from students and teachers expressing their interpretation of the lines or ideas and questions prompted from them. The website Rumrich and Hutichson created have had around 25,000 hits world wide, and have inspired similar projects dedicated to the poems Leaves of Grass and Song of Myself. If poetry were to be taught in high schools with technology in mind, students would be more likely to actively participate in reading and discussing poetry then if it were just read as any other text.

let's try to link more directly to writing/learning to write.

Thinking of invention in chapter two of our text lead me to think about the ways in which we write to express self. This article discusses how the world of texting, instant messaging, blogging and other such types of writing help to open our minds to our inner thoughts. We are free from the rules and regulations of a stereotypical classroom and are also allowed to share and respond to others writing. The internet and cell phones have opened up a huge new space for writing. Some think it's hindering and destroying language, while others believe its radically changing it for the better. I want to start my journey here and reach my own personal conclusion through further research and discussions.

This next article is fairly similar to the last article I posted, but this one is much more assertive and is more of a short, instructive textbook. This article/textbook contains "30 new ideas" for teaching writing, and with each individually constructed idea, your cognition automatically begins to spastically construct new tactics in approaching the students within your designated literary workshop. Some of the ideas include: require written responses to peers' writing, vocabulary building exercises, stepping away from prolixity and utilizing colloquial verbiage, constructing an email dialogue between students, encouragement of descriptive writing (sounds, emotions, sentiments, sensations etc.), establishing a "framing device," introducing multi-genre and multicultural literature to overall strengthen their syntactical horizons. Definitely another beneficial article to the workshop mentors of this English class-the reasons are very obvious. There are even anecdotal passages that share the endeavors of others who have chosen similar literary-assisting/instructing paths. So if you're interested in becoming an English teacher of any kind, add this article to your anthologized conglomerations of instructive, literary resources.

I was reading the first couple pages of your article and i like it. It seems like it will work with teaching ESL learner how to write.

This article describes the results of the four OLE (Optimal Learning Environment) approaches to teaching writing used at four different bilingual special education California schools. These approaches include: (1) interactive journal writing: teacher leads dialogue with the students by providing written responses to their daily journal entries. The teacher's responses serve as a model for writing as well; (2) Writers' Workshop - "students go through planning, drafting, editing, revising, final drafting, and publishing each time they produce a written product", i.e. their own class book; (3) expository writing as a process; (4) combination of brainstorm writing, model webbing or mapping the story they have just read, non-interactive journals. The authors emphasize the importance of engaging the learners into the informal creative writing process to increase the intrinsic motivation. They state that often in classes with bilingual students there is a high amount of pressure to speed the students' transition from writing in L1 to writing in L2, which triggers the students' anxiety and reluctance to write. The results of the 10-week experiment in different educational settings showed that OLE program activities significantly decrease stress and increase writing productivity. According to the article, OLE is based on "sociocultural learning theory", and makes use of task-based interactive creative activities. Students are supposed to collaborate while working at their writing (= communities of practice). Writing is considered as a continuous ever-changeable life process. It always implies dialogue (with the teacher, classmates or oneself - in case of non-interactive journals). Response The idea of interactive creative writing is beneficial both for heritage learners, and ESL learners, who often do not feel at ease while writing in L2. Having experienced difficulties in writing in the past, they tend to produce limited quantities of clichéd patterns that lack spo

I like how in your article it state what kind of studies they did. They did Interactive journal writing; Writer's Workshop; OLE; and a combination of journal writing, brainstorming and planning, and spelling practiced for individual group. I think that just using one method from here might help a lot but if a teacher use two or three methods here, then the L2 would improve even more. But i don't know...it's a good article.

Byung-In Seo explains why she teaches the rigid five-paragraph essay to her remedial students. She argues that doing so gives the students a formula to follow. This is important because the majority of her have trouble organizing their thoughts when they try to speak with her, let alone trying to write in an organized manner. She states that once the students grasp the basic five-sentence, five-paragraph essay, she allows them to extend beyond that as they become more fluent in essay writing. I found this article interesting because after tutoring in a high school where the five-sentence, five-paragraph essay was the ONLY format allowed, I began to have a negative opinion of such rigidity. However, Seo's philosophy is one I can agree with and one in which I can see working to bring the remedial students to a higher level of writing. I also think that following Seo's lead will also help those students develop critical thinking skills that will benefit them in their everyday lives.