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This is an article that looks at a Chinese immigrant teenager who uses online text based communication in English with a transnational group of peers. The study specifically focuses on the effects of the use of English online in regards to the individual's self-identity. The article discusses how the globalized online community shapes literacy and cultural belonging. The article explains the benefits of online literacy in a foreign language to strengthen ones ability and understanding on the L2 language. The online format also allows L2 learners a less intimidating forum to practice their L2 skills.

This post discusses how to write in your true voice, but online, not in academic writing. I thought it was interesting though, because it addresses avoiding "corporate speak" and suggests using first person to get a personal message across. In academic writing, I think "corporate speak" could actually be proper grammar and certain styles. Do they take our voice out of writing? It's not always an option to take out a style from writing. And in academic writing, it's rarely an option to use first person.

The study, "Prospective Teachers' Insights towards Scaffolding Students' Writing Processes through Teacher-Student Role Reversal in an Online System", researches how teachers may better understand the difficulties faced by students and how to facilitate student writing in a classroom. To do this, fourteen prospective teachers enrolled in a three week long, online, computer-supported environment where they would switch into roles as students instead of teachers. The prospective teachers were a group of second year graduate students in a Master's program in English teaching and had been studying English as a foreign language for ten years. Every week, the prospective teachers took on a different role; first as a student writer, then as a student editor, and finally as a student commentator. As student writers, they wrote and posted first drafts of their essays. Then, as student editors, they revised their peers' drafts and provided suggestions. Next, the prospective teachers evaluated their peer editors' suggestions. Finally the prospective students rewrote and posted their final essays. The prospective teachers perceived the role reversal as "a valuable experience through which they were able to understand their students' actual needs and difficulties in writing" (365). The prospective teachers also learned how to empathize with their future students' possible difficulties and will now reflect constantly on their own roles as English as a foreign language teachers and as students.

Unfortunately, I got this article from the library's research portal, so you will have to log in to view it. -------------------------------------------------------------------------- Investigating the Role of Identity in Writing Using Electronic Bulletin Boards Valia Spiliotopoulos & Stephen Carey This paper details the findings of a study on the effectiveness of using online bulletin boards, in this case WebCT, in a university writing class for ESL students. The study finds that the asynchronous nature of posting online allows students to participate more fully and in ways which may not be possible in traditional class interaction. The authors also argue that the process of forming an online community of English language learners affords the students the opportunity to develop a greater sense of identity as an English speaker and as part of a community of English speakers.

This online-community-sourced interview with Sir Ken Robinson (British education adviser, author, and speaker) followed his TED talk about creativity in education. He makes some good points about the need to cultivate creativity in students in all areas of education (not just those traditionally associated with creativity, like music or painting). This is closely tied to the struggle to create motivation in the classroom and addresses an attitude more than a specific set of strategies.  He tends to talk more about math and science than language, but most of what he says can be applied to our field as well. He connects the idea of "teaching creativity" to "teaching literacy", but I would argue to achieve true literacy, you need those creative elements that are so often lost in the language classroom.

Best tools and reflections to introduce creative and collaborative learning in our lessons... especially in ESL. Super cool website I found just "surfing" the web and I think it could be of some use to students interested in fun, creative ways to learn as well as ESL!! This is like a board where interesting articles related to innovative education are posted! Enjoy!!!

This article describes a study similar to one that we read about with the 10 UCLA students, except these students in the study are ESL students; something I want to follow with this thread. This study basically shows that L1 and L2 writers had many strategies in common, the main difference being that L2 writers weren't as concerned as the L1 writers in correcting their work, their main focus being, just get it out! We have discussed in class about writing for a specific purpose and how you audience affects your writing; this study shows that ESL students' composing strategies were not inhibited by their purpose or audience.

This article discusses a program used by Kent State University to help high school students transition to college through an initiative that introduces the students to collegiate level academic libraries while they are still in high school. This program was started in an attempt to help college freshman succeed and to increase the retention rate at the university. In the program, high school seniors take field trips to the Kent State Library and are introduced to higher levels of research and the workings of a collegiate library. There are also online resources that are available to those outside of the immediate Kent State University area. The initial results of this program have been very positive and students have been succeeding at a higher rate. The librarians believe that college freshmen can be overwhelmed with everything a college library has to offer them and may be hesitant to ask questions, so they simply give up instead. But if they are introduced to the system when they are still in high school and excited about everything college has to offer, they are more likely to succeed when they finally reach the college level.

I have found this article in the online library of our university, so you will have to sign in to view it. Generally I am interested in the concept of "identity" in education and the phrase "authorial identity" definitely caught my attention and I wasn't sure what it exactly meant. The authors of the article define it as "the sense a writer has of themselves as an author and the textual identity they construct in their writing". In order to explore psychology students' authorial identity in academic writing they have done two different studies and reached a common conclusion for both of them - "both studies could inform interventions to reduce unintentional plagiarism by improving students' authorial identity". It would be interesting to carry out similar research projects in departments other than psychology, e.g. science or humanities, and compare the results.

This article by Mark Warschauer titled, "Technology and Writing" discusses the effects of various technological integration into writing pedagogy. The article discusses Computer-assisted classroom discussion (CACD), e-mail, web-page authoring, among other aspects of integration. Then Warschauer writes about current debates in the field in regards to online communication, exploring if it changes the realm for better or for worse.

In the paragraph of "The path of multiple tools" the author introduced the idea of "the awesome juggling act" created by Mel Levine. Levine came up with this idea because he believes that the task of writing consist of constantly switching attention between multiple goals and subtasks. "The awesome juggling act" can be described as a boy who is juggling eight balls at the same time. The boy is keeping all the balls in the air at the same time ; to write you must keep all of the parts of writing in your memory while you write.