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Recently, a few political scientists have begun to discover a human tendency deeply discouraging to anyone with faith in the power of information. It’s this: Facts don’t necessarily have the power to change our minds. In fact, quite the opposite. In a series of studies in 2005 and 2006, researchers at the University of Michigan found that when misinformed people, particularly political partisans, were exposed to corrected facts in news stories, they rarely changed their minds. In fact, they often became even more strongly set in their beliefs. Facts, they found, were not curing misinformation. Like an underpowered antibiotic, facts could actually make misinformation even stronger.

The mad Ophelia and the mock-mad Hamlet expressed the poet’s many-sided rebellion against the world’s ordinariness. For there is a kind of normality that is unacceptable, a base, comfortable normality that submits to reality, forgets easily. It is universal because some inner law of economics doesn’t allow us to experience reality to the full, to the depths, at the level of the most profound feelings and meanings. The same instinct for self-preservation in the sphere of the mind protects us from an excessive sensitivity, from the ultimate why and wherefore. Hamlet is the contradiction of that attitude.

I would say that they primarily need protected from themselves… that they need help moderating their web presence until they understand the full ramifications of things they say online.  I don’t think that means they need to be anonymous.  I do think that anonymity tends to foster less responsible behavior, in both children and adults alike

This is a terrific mini lesson from Barry Lane. He shows (not tells) how to explode a moment into a full page of rich writing. The visuals in this video will catch any student's attention.

Shakespeare's Words, the online version of the best-selling glossary and language companion.The site integrates the full text of the plays and poems with the entire Glossary database, allowing you to search for any word or phrase in Shakespeare's works, and in particular to find all instances of all words that can pose a difficulty to the modern reader.