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Karen Chichester

All Common Elements In Shakespeare's Plays - The Shakespeare Geek Blog - 9 views

blog.shakespearegeek.com/...-elements-in-shakespeares.html

shakespeare literature elements ela English English11 English9

shared by Karen Chichester on 10 Feb 10 - No Cached
  • Karen Chichester on 10 Feb 10
     
    Mneomic device for remembering the common elements in Shakepeare's plays
Dana Huff

Life in 999: A Grim Struggle - TIME - 0 views

www.time.com/...0,9171,976743,00.html

time beowulf literature education

shared by Dana Huff on 05 Sep 09 - Cached
  • Dana Huff on 05 Sep 09
     
    This article appears in the Holt Elements of Literature Sixth Course: Essentials of British and World Literature text alongside Beowulf and an excerpt from John Gardner's Grendel. It is a good companion piece for Beowulf.
anonymous

CONVERSATION MAP/What is it? - 1 views

hybrid.ucsc.edu/...index.html

application media discussion network information

shared by anonymous on 15 Jul 09 - Cached
  • anonymous on 15 Jul 09
     
    an interesting application/site that allows you to examine "semantic relationships" between elements in an online site/discussion.
anonymous

ASU Freshman Comp Online Manual - 0 views

www.clt.astate.edu/...Default.htm

writing resource reference rhetoric

shared by anonymous on 15 Jul 09 - Cached
  • anonymous on 15 Jul 09
     
    Freshman Comp reference site; some useful information regarding basic elements of argument and composition but nothing like Purdue's OWL.
Karen LaBonte

Comic Creator - ReadWriteThink - 1 views

www.readwritethink.org/...comic-creator-30021.html

comic_life how-to Resources_2.0 comics resources_teachers

shared by Karen LaBonte on 22 Mar 10 - Cached
  • Karen LaBonte on 22 Mar 10
     
    "The Comic Creator invites students to compose their own comic strips for a variety of contexts (prewriting, pre- and postreading activities, response to literature, and so on). The organizers focus on the key elements of comic strips by allowing students to choose backgrounds, characters, and props, as well as to compose related dialogue (shown at left). This versatile tool can be used by students from kindergarten through high school, for purposes ranging from learning to write dialogue to an in-depth study of a formerly neglected genre. The tool is easy to use, made even easier with the Comic Strip Planning Sheet, a printable PDF that comic creators can use to draft and revise their work before creating and printing their final comics. After completing their comic, students have the ability to print out and illustrate their final versions for feedback and assessment."
Dugg Lowe

Critical essay writing help - 0 views

education.ezinemark.com/ritical-essay-7d2ca37506f.html

article content critical essay writing directory publishing

shared by Dugg Lowe on 27 Mar 11 - No Cached
  • Dugg Lowe on 27 Mar 11
     
    Keep in mind to restate the name and deviser of the assigned reading in the conclusion. Ultimate elements for your critical composition The critical essay is defined as didactic evaluation supported by convincing and professional evidential support. Read more: http://education.ezinemark.com/how-to-write-a-critical-essay-7d2ca37506f.html#ixzz1HQnxiSS7 Under Creative Commons License: Attribution No Derivatives
Mark Smith

Philip Larkin, the Impossible Man - Magazine - The Atlantic - 3 views

www.theatlantic.com/...8439

poetry orwell larkin

shared by Mark Smith on 13 Apr 11 - No Cached
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • ...8 more annotations...
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • In somewhat different ways, Orwell and Larkin were phlegmatically pessimistic and at times almost misanthropic, not to say misogynistic. Both also originated from dire family backgrounds that inculcated prejudice against Jews, the colored subjects of the British Empire, and the working class.
  • This is the world of wretched, tasteless food and watery drinks, dreary and crowded lodgings, outrageous plumbing, surly cynicism, long queues, shocking hygiene, and dismal, rain-lashed holidays, continually punctuated by rudeness and philistinism. In Orwell’s early fiction, all this is most graphically distilled in Keep the Aspidistra Flying, but it is an essential element of the texture of Nineteen Eighty-Four, and was quarried from the “down and out” journalism of which he produced so much
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