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Gary Edwards

Readium at the London Book Fair 2014: Open Source for an Open Publishing Ecosystem: Rea... - 0 views

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    excerpt/intro: Last month marked the one-year anniversary of the formation of the Readium Foundation (Readium.org), an independent nonprofit launched in March 2013 with the objective of developing commercial-grade open source publishing technology software. The overall goal of Readium.org is to accelerate adoption of ePub 3, HTML5, and the Open Web Platform by the digital publishing industry to help realize the full potential of open-standards-based interoperability. More specifically, the aim is to raise the bar for ePub 3 support across the industry so that ePub maintains its position as the standard distribution format for e-books and expands its reach to include other types of digital publications. In its first year, the Readium consortium added 15 organizations to its membership, including Adobe, Google, IBM, Ingram, KERIS (S. Korea Education Ministry), and the New York Public Library. The membership now boasts publishers, retailers, distributors and technology companies from around the world, including organizations based in France, Germany, Norway, U.S., Canada, China, Korea, and Japan. In addition, in February 2014 the first Readium.org board was elected by the membership and the first three projects being developed by members and other contributors are all nearing "1.0" status. The first project, Readium SDK, is a rendering "engine" enabling native apps to support ePub 3. Readium SDK is available on four platforms-Android, iOS, OS/X, and Windows- and the first product incorporating Readium SDK (by ACCESS Japan) was announced last October. Readium SDK is designed to be DRM-agnostic, and vendors Adobe and Sony have publicized plans to integrate their respective DRM solutions with Readium SDK. A second effort, Readium JS, is a pure JavaScript ePub 3 implementation, with configurations now available for cloud based deployment of ePub files, as well as Readium for Chrome, the successor to the original Readium Chrome extension developed by IDPF as the
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    excerpt/intro: Last month marked the one-year anniversary of the formation of the Readium Foundation (Readium.org), an independent nonprofit launched in March 2013 with the objective of developing commercial-grade open source publishing technology software. The overall goal of Readium.org is to accelerate adoption of ePub 3, HTML5, and the Open Web Platform by the digital publishing industry to help realize the full potential of open-standards-based interoperability. More specifically, the aim is to raise the bar for ePub 3 support across the industry so that ePub maintains its position as the standard distribution format for e-books and expands its reach to include other types of digital publications. In its first year, the Readium consortium added 15 organizations to its membership, including Adobe, Google, IBM, Ingram, KERIS (S. Korea Education Ministry), and the New York Public Library. The membership now boasts publishers, retailers, distributors and technology companies from around the world, including organizations based in France, Germany, Norway, U.S., Canada, China, Korea, and Japan. In addition, in February 2014 the first Readium.org board was elected by the membership and the first three projects being developed by members and other contributors are all nearing "1.0" status. The first project, Readium SDK, is a rendering "engine" enabling native apps to support ePub 3. Readium SDK is available on four platforms-Android, iOS, OS/X, and Windows- and the first product incorporating Readium SDK (by ACCESS Japan) was announced last October. Readium SDK is designed to be DRM-agnostic, and vendors Adobe and Sony have publicized plans to integrate their respective DRM solutions with Readium SDK. A second effort, Readium JS, is a pure JavaScript ePub 3 implementation, with configurations now available for cloud based deployment of ePub files, as well as Readium for Chrome, the successor to the original Readium Chrome extension developed by IDPF as the
Gary Edwards

XML Production Workflows? Start with the Web and XHTML - 0 views

  • Challenges: Some Ugly Truths The challenges of building—and living with—an XML workflow are clear enough. The return on investment is a long-term proposition. Regardless of the benefits XML may provide, the starting reality is that it represents a very different way of doing things than the one we are familiar with. The Word Processing and Desktop Publishing paradigm, based on the promise of onscreen, WYSIWYG layout, is so dominant as to be practically inescapable. It has proven really hard to get from here to there, no matter how attractive XML might be on paper. A considerable amount of organizational effort and labour must be expended up front in order to realize the benefits. This is why XML is often referred to as an “investment”: you sink a bunch of time and money up front, and realize the benefits—greater flexibility, multiple output options, searching and indexing, and general futureproofing—later, over the long haul. It is not a short-term return proposition. And, of course, the returns you are able to realize from your XML investment are commensurate with what you put in up front: fine-grained, semantically rich tagging is going to give you more potential for searchability and recombination than a looser, more general-purpose approach, but it sure costs more. For instance, the Text Encoding Initiative (TEI) is the grand example of pouring enormous amounts of energy into the up-front tagging, with a very open-ended set of possibilities down the line. TEI helpfully defines a level to which most of us do not have to aspire.[5] But understanding this on a theoretical level is only part of the challenge. There are many practical issues that must be addressed. Software and labour are two of the most critical. How do you get the content into XML in the first place? Unfortunately, despite two decades of people doing SGML and XML, this remains an ugly question.
  • Practical Challenges In 2009, there is still no truly likeable—let alone standard—editing and authoring software for XML. For many (myself included), the high-water mark here was Adobe’s FrameMaker, substantially developed by the late 1990s. With no substantial market for it, it is relegated today mostly to the tech writing industry, unavailable for the Mac, and just far enough afield from the kinds of tools we use today that its adoption represents a significant hurdle. And FrameMaker was the best of the breed; most of the other software in decent circulation are programmers’ tools—the sort of things that, as Michael Tamblyn pointed out, encourage editors to drink at their desks. The labour question represents a stumbling block as well. The skill-sets and mind-sets that effective XML editors need have limited overlap with those needed by literary and more traditional production editors. The need to think of documents as machine-readable databases is not something that comes naturally to folks steeped in literary culture. In combination with the sheer time and effort that rich tagging requires, many publishers simply outsource the tagging to India, drawing a division of labour that spans oceans, to put it mildly. Once you have XML content, then what do you do with it? How do you produce books from it? Presumably, you need to be able to produce print output as well as digital formats. But while the latter are new enough to be generally XML-friendly (e-book formats being largely XML based, for instance), there aren’t any straightforward, standard ways of moving XML content into the kind of print production environments we are used to seeing. This isn’t to say that there aren’t ways of getting print—even very high-quality print—output from XML, just that most of them involve replacing your prepress staff with Java programmers.
  • Why does this have to be so hard? It’s not that XML is new, or immature, or untested. Remember that the basics have been around, and in production, since the early 1980s at least. But we have to take account of a substantial and long-running cultural disconnect between traditional editorial and production processes (the ones most of us know intimately) and the ways computing people have approached things. Interestingly, this cultural divide looked rather different in the 1970s, when publishers were looking at how to move to digital typesetting. Back then, printers and software developers could speak the same language. But that was before the ascendancy of the Desktop Publishing paradigm, which computerized the publishing industry while at the same time isolating it culturally. Those of us who learned how to do things the Quark way or the Adobe way had little in common with people who programmed databases or document-management systems. Desktop publishing technology isolated us in a smooth, self-contained universe of toolbars, grid lines, and laser proofs. So, now that the reasons to get with this program, XML, loom large, how can we bridge this long-standing divide?
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  • Using the Web as a Production Platform The answer, I think, is right in front of you. The bridge is the Web, a technology and platform that is fundamentally based on XML, and which many publishers are by now comfortably familiar with. Perhaps not entirely comfortably, but at least most publishers are already working with the Web; they already either know or have on staff people who understand it and can work with it. The foundation of our argument is this: rather than looking at jumping to XML in its full, industrial complexity, which seems to be what the O'Reilly-backed StartWithXML initiative[6] is suggesting, publishers instead leverage existing tools and technologies—starting with the Web—as a means of getting XML workflows in place. This means making small investments and working with known tools rather than spending tens of thousands of dollars on XML software and rarefied consultants. It means re-thinking how the existing pieces of the production toolchain fit together; re-thinking the existing roles of software components already in use. It means, fundamentally, taking the Web seriously as a content platform, rather than thinking of it as something you need to get content out to, somehow. If nothing else, the Web represents an opportunity to think about editorial and production from outside the shrink-wrapped Desktop Publishing paradigm.
  • Is the Web made of Real XML? At this point some predictable objections can be heard: wait a moment, the Web isn’t really made out of XML; the HTML that makes up most of the Web is at best the bastard child of SGML, and it is far too flaky/unstructured/underpowered to be taken seriously. We counter by arguing that although HTML on the Web exists in a staggering array of different incarnations, and that the majority of it is indeed an unstructured mess, this does not undermine the general principle that basic, ubiquitous Web technologies can make a solid platform for content management, editorial process, and production workflow.
  • With the advent of a published XML standard in the late 1990s came the W3C’s adoption of XHTML: the realization of the Web’s native content markup as a proper XML document type. Today, its acceptance is almost ubiquitous, even while the majority of actual content out there may not be strictly conforming. The more important point is that most contemporary Web software, from browsers to authoring tools to content management systems (from blogs to enterprise systems), are capable of working with clean, valid XHTML. Or, to put the argument the other way around, clean, valid XHTML content plays absolutely seamlessly with everything else on the Web.[7]
  • The objection which follows, then, will be that even if we grant that XHTML is a real XML document type, that it is underpowered for “serious” content because it is almost entirely presentation (formatting) oriented; it lacks any semantic depth. In XHTML, a paragraph is a paragraph is a paragraph, as opposed to a section or an epigraph or a summary.
  • n contrast, more “serious” XML document types like DocBook[8] or DITA-derived schemas[9] are capable of making semantic distinctions about content chunks at a fine level of granularity and with a high degree of specificity.
  • So there is an argument for recalling the 80:20 rule here. If XHTML can provide 80% of the value with just 20% of the investment, then what exactly is the business case for spending the other 80% to achieve that last 20% of value? We suspect the ratio is actually quite a bit steeper than 80:20 for most publishers.
  • IDML is a well thought-out XML standard that achieves two very different goals simultaneously: it preserves all of the information that InDesign needs to do what it does; and it is broken up in a way that makes it possible for mere mortals (or at least our Master of Publishing students) to work with it.
  • XHTML, on the other hand, is supported by a vast array of quotidian software, starting with the ubiquitous Web browser. For this very reason, XHTML is in fact employed as a component part of several more specialized document types (ONIX and ePub among them).
  • Why re-invent a general-purpose prose representation when XHTML already does the job?
  • It is worth pausing for a moment to consider the role of XHTML in the ePub standard for ebook content. An ePub file is, anatomically, a simply disguised zip archive. Inside the zip archive are a few standard component parts: there are specialized files that declare metadata about the book, and about the format of the book. And then there is the book’s content, represented in XHTML. An ePub book is a Web page in a wrapper.
  • To sum up the general argument: the Web as it already exists presents incredible value to publishers, as a platform for doing XML content management with existing (and often free) tools, and without having to go blindly into the unknown. At this point, we can offer a few design guidelines: prefer existing and/or ubiquitous tools over specialized ones wherever possible; prefer free software over proprietary systems where possible; prefer simple tools controlled and coordinated by human beings over fully automated (and therefore complex) systems; play to our strengths: use Web software for storing and managing content, use layout software for layout, and keep editors and production people in charge of their own domains.
  • Putting the Pieces Together: A Prototype
  • At the SFU Master of Publishing Program, we have been chipping away at this general line of thinking for a few years. Over that time, Web content management systems have been getting more and more sophisticated, all the while getting more streamlined and easier to use. (NB: if you have a blog, you have a Web content management system.) The Web is beginning to be recognized as a writing and editing environment used by millions of people. And the ways in which content is represented, stored, and exchanged online have become increasingly robust and standardized.
  • The missing piece of the puzzle has been print production: how can we move content from its malleable, fluid form on line into the kind of high-quality print production environments we’ve come to expect after two decades of Desktop Publishing?
  • Anyone who has tried to print Web content knows that the existing methods leave much to be desired (hyphenation and justification, for starters). In the absence of decent tools for this, most publishers quite naturally think of producing the print content first, and then think about how to get material onto the Web for various purposes. So we tend to export from Word, or from Adobe, as something of an afterthought.
  • While this sort of works, it isn’t elegant, and it completely ignores the considerable advantages of Web-based content management.
  • Content managed online is stored in one central location, accessible simultaneously to everyone in your firm, available anywhere you have an Internet connection, and usually exists in a much more fluid format than Word files. If only we could manage the editorial flow online, and then go to print formats at the end, instead of the other way around. At SFU, we made several attempts to make this work by way of the supposed “XML import” capabilities of various Desktop Publishing tools, without much success.[12]
  • In the winter of 2009, Adobe solved this part of the problem for us with the introduction of its Creative Suite 4. What CS4 offers is the option of a complete XML representation of an InDesign document: what Adobe calls IDML (InDesign Markup Language).
  • The IDML file format is—like ePub—a simply disguised zip archive that, when unpacked, reveals a cluster of XML files that represent all the different facets of an InDesign document: layout spreads, master pages, defined styles, colours, and of course, the content.
  • What this represented to us in concrete terms was the ability to take Web-based content and move it into InDesign in a straightforward way, thus bridging Web and print production environments using existing tools and skillsets, with a little added help from free software.
  • Such a workflow—beginning with the Web and exporting to print—is surely more in line with the way we will do business in the 21st century, where the Web is the default platform for reaching audiences, developing content, and putting the pieces together. It is time, we suggest, for publishers to re-orient their operations and start with the Web.
  • We would take clean XHTML content, transform it to IDML-marked content, and merge that with nicely designed templates in InDesign.
  • The result is an almost push-button publication workflow, which results in a nice, familiar InDesign document that fits straight into the way publishers actually do production.
  • Tracing the steps To begin with, we worked backwards, moving the book content back to clean XHTML.
  • The simplest method for this conversion—and if you want to create Web content, this is an excellent route—was to use Adobe’s “Export to Digital Editions” option, which creates an ePub file.
  • Recall that ePub is just XHTML in a wrapper, so within the ePub file was a relatively clean XHTML document. It was somewhat cleaner (that is, the XHTML tagging was simpler and less cluttered) than InDesign’s other Web-oriented exports, possibly because Digital Editions is a well understood target, compared with somebody’s website.
  • In order to achieve our target of clean XHTML, we needed to do some editing; the XHTML produced by InDesign’s “Digital Editions” export was presentation-oriented. For instance, bulleted list items were tagged as paragraphs, with a class attribute identifying them as list items. Using the search-and-replace function, we converted such structures to proper XHTML list and list-item elements. Our guiding principle was to make the XHTML as straightforward as possible, not dependent on any particular software to interpret it.
  • We broke the book’s content into individual chapter files; each chapter could then carry its own basic metadata, and the pages conveniently fit our Web content management system (which is actually just a wiki). We assembled a dynamically generated table of contents for the 12 chapters, and created a cover page. Essentially, the book was entirely Web-based at this point.
  • When the book chapters are viewed online, they are formatted via a CSS2 stylesheet that defines a main column for content as well as dedicating screen real estate for navigational elements. We then created a second template to render the content for exporting; this was essentially a bare-bones version of the book with no navigation and minimal styling. Pages (or even the entire book) can be exported (via the “Save As...” function in a Web browser) for use in either print production or ebook conversion. At this point, we required no skills beyond those of any decent Web designer.
  • Integrating with CS4 for Print Adobe’s IDML language defines elements specific to InDesign; there is nothing in the language that looks remotely like XHTML. So a mechanical transformation step is needed to convert the XHTML content into something InDesign can use. This is not as hard as it might seem.
  • Both XHTML and IDML are composed of straightforward, well-documented structures, and so transformation from one to the other is, as they say, “trivial.” We chose to use XSLT (Extensible Stylesheet Language Transforms) to do the work. XSLT is part of the overall XML specification, and thus is very well supported in a wide variety of tools. Our prototype used a scripting engine called xsltproc, a nearly ubiquitous piece of software that we found already installed as part of Mac OS X (contemporary Linux distributions also have this as a standard tool), though any XSLT processor would work.
  • In other words, we don’t need to buy InCopy, because we just replaced it with the Web. Our wiki is now plugged directly into our InDesign layout. It even automatically updates the InDesign document when the content changes. Credit is due at this point to Adobe: this integration is possible because of the open file format in the Creative Suite 4.
  • We wrote an XSLT transformation script[18] that converted the XHTML content from the Web into an InCopy ICML file. The script itself is less than 500 lines long, and was written and debugged over a period of about a week by amateurs (again, the people named at the start of this article). The script runs in a couple of seconds, and the resulting .icml file can then be “placed” directly into an InDesign template. The ICML file references an InDesign stylesheet, so the template file can be set up with a house-styled layout, master pages, and stylesheet definitions for paragraphs and character ranges.
  • The result is very simple and easy to use. Our demonstration requires that a production editor run the XSLT transformation script manually, but there is no reason why this couldn’t be built directly into the Web content management system so that exporting the content to print ran the transformation automatically. The resulting file would then be “placed” in InDesign and proofed.
  • It should be noted that the Book Publishing 1 proof-of-concept was artificially complex; we began with a book laid out in InDesign and ended up with a look-alike book laid out in InDesign. But next time—for instance, when we publish Book Publishing 2—we can begin the process with the content on the Web, and keep it there throughout the editorial process. The book’s content could potentially be written and edited entirely online, as Web content, and then automatically poured into an InDesign template at proof time. “Just in time,” as they say. This represents an entirely new way of thinking of book production. With a Web-first orientation, it makes little sense to think of the book as “in print” or “out of print”—the book is simply available, in the first place online; in the second place in derivative digital formats; and third, but really not much more difficult, in print-ready format, via the usual InDesign CS print production system publishers are already familiar with.
  • Creating Ebook Files Creating electronic versions from XHTML source is vastly simpler than trying to generate these out of the existing print process. The ePub version is extremely easy to generate; so is online marketing copy or excerpts for the Web, since the content begins life Web-native.
  • Since an ePub file is essentially XHTML content in a special wrapper, all that is required is that we properly “wrap” our XHTML content. Ideally, the content in an ePub file is broken into chapters (as ours was) and a table of contents file is generated in order to allow easy navigation within an ebook reader. We used Julian Smart’s free tool eCub[19] to simply and automatically generate the ePub wrapper and the table of contents. The only custom development we did was to create a CSS stylesheet for the ebook so that headings and paragraph indents looked the way we wanted. Starting with XHTML content, creating ePub is almost too easy.
  • today, we are able to put the process together using nothing but standard, relatively ubiquitous Web tools: the Web itself as an editing and content management environment, standard Web scripting tools for the conversion process, and the well-documented IDML file format to integrate the layout tool.
  • Our project demonstrates that Web technologies are indeed good enough to use in an XML-oriented workflow; more specialized and expensive options are not necessarily required. For massive-scale enterprise publishing, this approach may not offer enough flexibility, and the challenge of adding and extracting extra semantic richness may prove more trouble than it's worth.
  • But for smaller firms who are looking at the straightforward benefits of XML-based processes—single source publishing, online content and workflow management, open and accessible archive formats, greater online discoverability—here is a way forward.
  • Rather than a public-facing website, our system relies on the Web as a content management platform—of course a public face could easily be added.
  • The final piece of our puzzle, the ability to integrate print production, was made possible by Adobe's release of InDesign with an open XML file format. Since the Web's XHTML is also XML, is can be easily and confidently transformed to the InDesign format.
  • Furthermore, just to get technical for a moment, XHTML is extensible in a fairly straightforward way, through the common “class” attribute on each element. Web developers have long leveraged this kind of extensibility in the elaboration of “microformats” for semantic-web applications.[10] There is no reason why publishers shouldn’t think to use XHTML’s simple extensibility in a similar way for their own ends.
  • Using the Web as a Production Platform
  •  
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
  •  
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. As an after thought, i was thinking that an alternative title to this article might have been, "Working with Web as the Center of Everything".
  •  
    I was looking for an answer to a problem Marbux had presented, and found this interesting article.  The issue was that of the upcoming conversion of the Note Case Pro (NCP) layout engine to the WebKit layout engine, and what to do about the NCP document format. My initial reaction was to encode the legacy NCP document format in XML, and run an XSLT to a universal pivot format like TEI-XML.  From there, the TEI-XML community would provide all the XSLT transformation routines for conversion to ODF, OOXML, XHTML, ePUB and HTML/CSS. Researching the problems one might encounter with this approach, I found this article.  Fascinating stuff. My take away is that TEI-XML would not be as effective a "universal pivot point" as XHTML.  Or perhaps, if NCP really wants to get aggressive; IDML - InDesign Markup Language. The important point though is that XHTML is a browser specific version of XML, and compatible with the Web Kit layout engine Miro wants to move NCP to. The concept of encoding an existing application-specific format in XML has been around since 1998, when XML was first introduced as a W3C standard, a "structured" subset of SGML. (HTML is also a subset of SGML). The multiplatform StarOffice productivity suite became "OpenOffice" when Sun purchased the company in 1998, and open sourced the code base. The OpenOffice developer team came out with a XML encoding of their existing document formats in 2000. The application specific encoding became an OASIS document format standard proposal in 2002 - also known as ODF. Microsoft followed OpenOffice with a XML encoding of their application-specific binary document formats, known as OOXML. Encoding the existing NCP format in XML, specifically targeting XHTML as a "universal pivot point", would put the NCP Outliner in the Web editor category, without breaking backwards compatibility. The trick is in the XSLT conversion process. But I think that is something much easier to handle then trying to
Gary Edwards

ongoing · Life Is Complicated - 0 views

  • Fortunately for Microsoft, the DaVinci plugin is coming, which will enable Microsoft office applications to comply with ISO 26300. We all understand the financial issues that prompted the push to make OOXML a standard (see Tim's comment above and http://lnxwalt.wordpress.com/2007/01/21/whose-finances-are-on-the-line/ for more on this) and ensure continued vendor lock-in. However, OOXML is not the answer.
  • ODF can handle everything and anything Microsoft Office can throw at it. Including the legacy billions of binary documents, years of MSOffice bound business processes, and even tricky low level reaching add-ons represented by assistive technologies.
  •  
    Yes!  It's Da Vinci time.  I wonder if W^ has downloaded ACME 376 and taken the Da Vinci conversion engine out for a test run?  Belgium and Adobe took a look, and have expressed an interest in getting their hands on the ODF 1.2 version of Da Vinci.  California and Massachusetts have yet to comment about ACME 376, but of course they are also waiting for Da Vinci.

    I'll thank W^ for his kind comments, and make sure he knows about the ACME 376 proof of concept.  If DaVinci can hit perfect conversion fidelity with those billions of binary documents using XML encoded RTF, there is no reason why Da Vinci can't do the same with ODF.  We do however need ODF 1.2 to insure that perfect interoperability with other ODF ready applications.
  • ...1 more comment...
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    Yes!  It's Da Vinci time.  I wonder if W^ has downloaded ACME 376 and taken the Da Vinci conversion engine out for a test run?  Belgium and Adobe took a look, and have expressed an interest in getting their hands on the ODF 1.2 version of Da Vinci.  California and Massachusetts have yet to comment about ACME 376, but of course they are also waiting for Da Vinci.

    I'll thank W^ for his kind comments, and make sure he knows about the ACME 376 proof of concept.  If DaVinci can hit perfect conversion fidelity with those billions of binary documents using XML encoded RTF, there is no reason why Da Vinci can't do the same with ODF.  We do however need ODF 1.2 to insure that perfect interoperability with other ODF ready applications.
  •  
    Yes!  It's Da Vinci time.  I wonder if W^ has downloaded ACME 376 and taken the Da Vinci conversion engine out for a test run?  Belgium and Adobe took a look, and have expressed an interest in getting their hands on the ODF 1.2 version of Da Vinci.  California and Massachusetts have yet to comment about ACME 376, but of course they are also waiting for Da Vinci.

    I'll thank W^ for his kind comments, and make sure he knows about the ACME 376 proof of concept.  If DaVinci can hit perfect conversion fidelity with those billions of binary documents using XML encoded RTF, there is no reason why Da Vinci can't do the same with ODF.  We do however need ODF 1.2 to insure that perfect interoperability with other ODF ready applications.
  •  
    Hi guys,

    There is an interesting discussion triggered by Tim Bray's "ongoing · Life Is Complicated" blog piece.  Our good friend Mike Champion has some interesting comments defending ISO/IEC approval of MS Ecma 376 based on many arguments.  But this one seems to be the bottom line;

    <mike> "there is not an official standard for one that (in the opinion of the people who actually dug deeply into the question, and I have not) represents all the features supported in the MS Office binary formats and can be efficiently loaded and processed without major redesign of MS Office.

    ..... So, if you want a clean XML format that represents mainstream office document use cases, use ODF. If you want a usable XML foormat that handles existing Word documents with full fidelity and optimal performance in MS Office, use OOXML. If you think this fidelity/performance argument is all FUD, try it with your documents in Open Office / ODF and MS Office 2007 / OOXML and tell the world what you learn." </mike>

    Mike's not alone in this.  This seems to be the company line for Microsoft's justification that ISO/IEC should have two conflicting file formats each pomising to do the same thing, becaus eonly one of those formats can handle the bilions of binary documents conversion to XML with an acceptable fidelity. 

    This is not true, and we can prove it.  And if we're right  that you can convert the billions of binaries to ODF without loss of fidelity, then there was no "technology" argument for Microsoft not implementing ODF natively and becoming active in the OASIS ODF TC process to improve application interoperability.

    <diigo_
Gary Edwards

Jim King's PDF-XML presentations | Adobe - 0 views

  • Presentations made by Jim King of Adobe Systems
Gary Edwards

Adobe's Latest Acquisition Creates Buzz Around Office Docs - Flock - 0 views

  • Adobe's foray into online productivity is unlikely to keep Microsoft's Steve Ballmer awake at night. But document sharing and collaboration features are central to Google's web-based office suite.
  •  
    For a Web 2.0 application, Buzzword is very slick.  It's more sophisticated and feature rich than Glide Writer, which is also written on Adobe Flex.  Glide however offers an incredible array of portable office 2.0 features.  It's the whole enchilada.  And, Glide runs on iPhone!

    Another interesting plus for Glide is that Google uses Glide Presentations for their on line PowerPoint alternative.  Which is to say, Google is likely to purchase Glide while Adobe tries to build on Buzzword.

    One of the disturbing things for me is that Buzzword uses a proprietary file format!  In the future they will provide conversion to ODF, but that will probably be based on the OpenOffice conversion engine.  Which everyone in the Web 2.0, Office 2.0, enterprise 2.0 space uses.  Including Google.

    The thing is, the OpenOffice conversion engine lacks the conversion fidelity to crack into existing MSOffice bound business processes.

    Because they can't crack into these existing MSOffice bound business processes, the entire Office 2.0 sector is at risk.  All it takes is a competing entry from Microsoft, and the entire sector will ge twiped out by the superior interoperability - integration advantage to the MSOffice - Outlook desktop that Microsoft owns and carefully guards.

    Oh wait.  That just happened today with the announcement of MSOffice Live!  Suspiciously timed to take the oxygen out of Adobe's announcement too.

    ~ge~



Gary Edwards

Flow Document Overview - 0 views

  •  
    Uh OH! Look what Microsoft has put into the new .NET 3.0 SDK! Flow Documents is a Microsoft specific version of HTML that is part of the Windows Presentation Foundation Browser Developers Framework. XAML - XPS-XABL. It also looks as though Microsoft has reserved MS-OOXML MSOffice level integration for themselves. Another thought is that MSOffice is being positioned as a developers framework for Web 2.0 development. This docuemnt is goign to take some serious study. Bad news for IBM and Adobe for sure. PDF, Flash and AJAX are all going to be in the fight of their lives. The conversion tools are going to become of critical importance. Some initial thoughts are that we could convert MSOffice documents to CDF+; convert OpenOffice documents to CDF+; and convert Flow Documents to CDF+, using the same XHTML 2.0 - CSS desktop profile (WICD Full). Converting MS-OOXML to Flow Documents however appears to be next to impossible by design. The easy approach would be to let the da Vinci plug-in perfect an internal conversion to either CDF+ or Flow. It will be interesting to see if Microsoft provides a Flow plug-in for MSOffice. I doubt it, but perhaps there will be a demand from Flow developers. da Vinci could of course be configured to produce Flow Documents. At first glance, my assumption would be that the ability to convert native MSOffice documents and allication genrated Flow Documents to CDF+ would be the most important course to take. We''ll see. This is no doubt explosive stuff. Microsoft is truly challenging the W3C for the Web.
  •  
    Uh OH! Look what Microsoft has put into the new .NET 3.0 SDK! Flow Documents is a Microsoft specific version of HTML that is part of the Windows Presentation Foundation Browser Developers Framework. XAML - XPS-XABL. It also looks as though Microsoft has reserved MS-OOXML MSOffice level integration for themselves. Another thought is that MSOffice is being positioned as a developers framework for Web 2.0 development. This docuemnt is goign to take some serious study. Bad news for IBM and Adobe for sure. PDF, Flash and AJAX are all going to be in the fight of their lives. The conversion tools are going to become of critical importance. Some initial thoughts are that we could convert MSOffice documents to CDF+; convert OpenOffice documents to CDF+; and convert Flow Documents to CDF+, using the same XHTML 2.0 - CSS desktop profile (WICD Full). Converting MS-OOXML to Flow Documents however appears to be next to impossible by design. The easy approach would be to let the da Vinci plug-in perfect an internal conversion to either CDF+ or Flow. It will be interesting to see if Microsoft provides a Flow plug-in for MSOffice. I doubt it, but perhaps there will be a demand from Flow developers. da Vinci could of course be configured to produce Flow Documents. At first glance, my assumption would be that the ability to convert native MSOffice documents and allication genrated Flow Documents to CDF+ would be the most important course to take. We''ll see. This is no doubt explosive stuff. Microsoft is truly challenging the W3C for the Web.
Gary Edwards

Inside PDF: CDF - 0 views

  • The real technical content of the CDF recommendations is in details of how to glue these various (XML markup) languages together once they all have been processed into their respective DOMs. It establishes conventions for how a script might reach across DOM boundaries, how events might get propagated across DOM boundaries and stuff like that. I won't go into this any deeper because you will get more accurate information by just reading the W3C documents. But the main idea of CDF is to bring these variously defined content types into a uniform "framework" so that scripts can operate more at a document level instead of being confined to their own document child.
Gary Edwards

No REST in CMIS » Untangled by Roy Fielding - 0 views

  •  
    REST creator Roy Fielding weighs in on CMIS, the Content Management Interoperability Services standard proposed by pay-to-play OASIS members and big RDBMS vendors; EMC, IBM and Microsoft.  Note, Roy works for Day Software, which has been acquired by Adobe. The CMIS proposal is suspiciously similar to the Sursen UOML OASIS Standard that ISO rejected!!!  excerpt: CMIS is a thin veneer on RDBMS-based data repositories that provides a data model for document-like objects within filesystem-like folders, basic file versioning, and access via SQL queries and local object references. It is exactly the kind of document model one would expect within a legacy document management system that is backed by a large relational database and authored via Microsoft Office applications. No surprise, given the sponsors, and there are plenty of good reasons why folks would want to support such data models.
Gary Edwards

Microsoft attacks UK government decision to adopt ODF for document formats - 0 views

  • the panel reached consensus that one standard is important to ensure interoperability and to allow users to collaborate effectively on the same document,” said the minutes
  • A subsequent meeting of the same panel also considered a detailed comparison of ODF and OOXML, citing concerns raised by one member. “We need to make sure there is sound reasoning to back up the decision as this may incur significant costs to some government departments. The comparison may be slightly skewed by concentrating solely on implementation of strict OOXML, which is an emerging standard similar to ODF 1.3, whilst considering implementations of all ODF versions. It ignores transitional OOXML which does have very wide support, arguably wider than ODF,” said the meeting minutes.
  • “LH described the issues identified in the [comparison] document and added that there has since been some confusion about support for OOXML strict in LibreOffice.&nbsp; It appears that LibreOffice supports the standardised transitional OOXML, as well as a different Microsoft version of transitional OOXML,” the minutes stated.
  • ...3 more annotations...
  • Despite its obvious disappointment at the government’s decision, Microsoft was also keen to point out that its software does fully support ODF.
  • “The good news for Office users is that Office 365 and Office 2013 both have excellent support for the ODF file format, so their current and future investments in Office are safe.&nbsp; In fact, Office 365 remains the only business productivity suite on the UK government’s G-Cloud that is accredited to the government’s own security classification of 'Official' and which also supports ODF,” said the Microsoft spokesman.
  • Government Digital Service director Mike Bracken
  •  
    "Microsoft has attacked the UK government's decision to adopt ODF as its standard document format, saying it is "unclear" how UK citizens will benefit. The Cabinet Office announced its new policy yesterday, whereby Open Document Format (ODF) is immediately established as the standard for sharing documents across the public sector, with PDF and HTML also acceptable when viewing documents. SERGIGN - FOTOLIA The decision was a rejection of Microsoft's preference for Open XML (OOXML), the standard used by its Word software, which remains the dominant wordprocessor in government. "Microsoft notes the government's decision to restrict its support of the file formats it uses for sharing and collaboration to just ODF and HTML," said a spokesman for the software giant in a statement to Computer Weekly. "Microsoft believes it is unproven and unclear how UK citizens will benefit from the government's decision. We actively support a broad range of open standards, which is why, like Adobe has with the PDF file format, we now collaborate with many contributors to maintain the Open XML file format through independent and international standards bodies," it added"
Gary Edwards

Joshua : Web is THE Platform? SRSLY? : MIX Online - Flock - 0 views

  • The web is the platform upon which many different and incompatible data gardens will do battle.&nbsp; There WILL be fights, winners and losers, and this will happen BECAUSE the web is the platform.&nbsp; If anyone is really serious about reducing the bloodshed and adhering to the spirit of the web, they should put their money where their mouths are and let loose some of the control from their own walled gardens and incompatible schemas.
  •  
    The W3C is the keeper of the Open Web Platform, and they are coming under assault from a number of initiatives.  Of course there is Microsoft and the emerging MS Stack that runs on proprietary alternatives and bastardized eXtensions of W3C Open Web technoloigies.  MS-OOXML is perhaps the most serious challenge to the W3C and HTML yet.  Adobe has weighed in with Flash, Flex, and AIR.  But Google as a threat? 

    Joshua focuses in on the Google Web 2.0 Presentation and finds that Google Gadgets are not W3C technologies available to all.  Then he has this great line summarizing that the war against the Open Web is really about different data gardens doing battle on the platform used by all and owned by none.

    I hope Joshua and the other Open Web defenders are paying close attention to MS-OOXML and the emerging MS Stack.  Certainly Microsoft is building a walled garden of applications, services and data.  The question is, will the MS Stack garner enough critical mass to break the Open Web?

Gary Edwards

GOSCON Goes Global with Open Document Controversy - 0 views

  • Open Document Format The panel discussion will focus on a single question: what should the user community do, what actions should they take in light of competing Open Document Formats? Each of our industry experts will be asked to present their practical response.
  •  
    GOSCON panel moderator Andy Stein has decided to kick it open, and let the public question the five participants from IBM, Sun, Microsoft, Adobe and those guys without a garage, the OpenDocument Foundation. 
Gary Edwards

OOXML/ODF: Just One Battlefield in a Much Bigger War | Linux Today - 2 views

  • If the OOXML format in its current form cannot get made into a true ISO standard, it could lock Microsoft out of any future plays in what could be the biggest IT revolution to date. Here are the pieces of the puzzle that fit together for me:
  • "Amazon SimpleDB is a web service for running queries on structured data in real time."
  • "Structured data." And what's a good way to contain such data? In well-built structured data file format of course. Like, for instance, the Open Document Format (ODF). And who has a vested interest in ODF? IBM certainly does. And so does Sun. And these two companies, along with Google, Microsoft, and I'm sure many others, realize that if cloud computing does indeed take off, then it will be the file format that makes the whole thing work. Which is why Microsoft feels it must get their format standardized. Even with tactics that ironically have started to attract the attention of the EU again. How else can they get a piece of the cloud pie?
    • Gary Edwards
       
      Partly right. The MS plan is actually much bigger than Brian Profitt suggests. The MSOffice 2007 SDK is fille dwith new API's, the most interesting of which are the ones connecting MSOffice to XAML and the Windows Presentation Foundation layer. The killer component though is the OOXML <> fixed/flow translator component with related API's. fixed/flow is a new web format that is 100% proprietary. It's at the heart of the Microsoft cloud, enabling developers to easily transition between OOXML and IE browsers able to serve fixed/flow pages to devices, desktops and just about any kind re purposing publication - content management system imaginable. If ISO approves OOXML, then they've standardized MSOffice as a legitamate Web editor - enterprise publication, content management, archive management front end. Instead of producing W3C compliant (X)HTML - CSS web pages though, the MSOffice Web editor will produce the proprietary fixed/flow format via the OOXML translation component we can now see in the SDK. What we don't see in the MSOffice SDK is the use of W3C technologies such as (X)HTML, CSS, SVG, XForms, SMiL, XSL, XSL-FO. Instead of Mozilla XUL or Adobe Flex, we find XAML and Silverlight. IMHO, Microsoft is making their run for the Web. Key to this run is ISO approval of OOXML. Once that happens, there will be no need for MS product compliance with W3C standards. The break will be complete. The We forever split into the Windows Web, and the Firefox - Apache Tomcat Web. And never the twain shall meet.
Gary Edwards

Notes on Breaking the Web to Ride the Fifth Wave - 1 views

  • garyedwards's Discussions Breaking the Web Talkback: Google: OOXML 'insufficient and unnecessary'
  •  
    Somehow i got involved in this discussion and ended up posting a number of comments explaining the how and why behind Microsoft's push for ISO approval of MS-OOXML. I have been working on a paper titled, "Breaking the Web to Ride the Great Wave". Breaking the Web is what will happen once ISO approves MS-OOXML. The MIcrosoft Stack of Web Servers (Exchange, SharePoint, MS-SQL Server) are integrated into the MSOffice-Outlook desktop. The MS desktop dominates much of the document workflows and business processes of the commercial world. ISO approval of the MSOffice specific MS-OOXML will legitamize MSOffice as an editor of standardized web ready docuemnts. But how MS-OOXML docuemnts become "Web REady" is tricky. In the December 2007 MSOffice SDK beta, we see how this is done. The SDK provides a conversion component for the quick high fidelity conversion of MS-OOXML documents to XAML. XAML is a proprietary part of the WPF (Windows Presentation Foundation) layer of the .NET framework, and is easily paried with Silverlight. Sometimes XAML is referred to as "fixed/flow". XAML is an MS proprietary replacement for the W3C's (X)HTML. Billions of MSOffice docuemnts will make their way to the Web using this SDK converter. The path for transitioning the monopolist hold on desktop business processes to the monopolist stack of web servers is set with this converter. ISO approval of MS-OOXML will enable Microsoft to dodge brining their desktop editor into compliance with advancing W3C standards such as (X)HTML, CSS 3, XForms, SVG and RDF. Instead of these open standards, transitioning business processes will be locked into MS only dependencies; XAML, Silverlight, WinForms, and Smart Tags. The breaking of the web results in a consumer/business cloud dependent on MS proprietary technologies that are out of the reach of Firefox, Apache, Java, and Adobe technologies. Google won't be able to penetrate the business stack, and will be kept very busy trying to defen
Gary Edwards

IBM to take Lotus Symphony apps 'Beyond Office' | Tech news blog - CNET News.com - 0 views

  • Under a strategy called "Beyond Office," IBM is developing several technologies to make Symphony an extensible development platform for business applications and Web-based document editors. Rather than compete head-to-head with Microsoft Office, IBM's strategy is to make documents act like "containers" for information within workflow and collaboration applications, according to IBM executives. The plan also calls for IBM to make documents based on the Open Document standard available through Web browsers using Adobe Flash or HTML. On Wednesday, IBM opened a Web site called Bluehouse where small business people can access hosted Web applications for sharing documents.
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