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"Literaturhinweise * Literaturhinweise SFEM 2009 Links * Open Educational Practices and Resources. OLCOS Roadmap 2012 * Open Access. Chancen und Herausforderungen - ein Handbuch. * Berliner Erklärung über den offenen Zugang zu wissenschaftlichem Wissen * OECD/CERI, Giving Knowledge for Free. The Emergence of Open Educational Resources Print This Page"

"CERN Document Server Related links * CDS * Indico * Library * Bulletin * EDMS Main navigation links: * Search * Submit * Help * Your CDS o Your Alerts o Your Baskets o Your Searches * login Home CERN Document Server Over 900,000 bibliographic records, including 360,000 fulltext documents, of interest to people working in particle physics and related areas. Covers preprints, articles, books, journals, photographs, and much more."

Gemein-Freiheit - Vorboten einer freien digitalen Kultur\nVon Sebastian M. Krämer. \nSWR2 Wissen vom 02.11.2009. (27:42 min).\nWith useful links, and links for downloading the audio and the manuscript of the broadcast."Die Wissenschaft bietet mit "Open Access" einen offenen Zugang zu ihrer Forschung. Und der Lizenzbaukasten "Creative Commons" soll bisherige rechtliche nationale Schranken überbrücken und den Ideenaustausch im Netz rechtlich absichern und fördern. Denn die Vision einer freien digitalen Kultur rüttelt am Wertesystem, das sich auf den Buchdruck gründet und aus geistigen Werken besteht, die oft nur Einzelne besitzen. Sie verweist auf eine überlieferte Metapher: Die jeweils lebende Generation steht auf den "Schultern von Riesen". Das heißt, alle Menschen schöpfen unentwegt aus dem kulturellen Erbe und arbeiten mit ihren Ideen und Werken daran weiter."

"Home | Collection | Further information | Links | Contact Universitätsbibliothek Bern DigiBern - Bernese Culture and History on the Web DigiBern is a web offer by the University Library of Berne and includes digitized texts and maps pertaining to the history and culture of Berne city and the canton of Berne. Digibern has been online since 2002. So far, the most widely spread and used printed texts have been digitized. The documents are fully searchable for keywords. They can be traced via the index on the DigiBern web site. Moreover, they are indexed and web linked in the online library catalog IDS Basel/Bern. Digibern is freely available worldwide to scholars and the public. "

"You are free: * to Share - to copy, distribute and transmit the work * to Remix - to adapt the work * Under the following conditions: * Attribution - You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). Attribute this work: Information What does "Attribute this work" mean? The page you came from contained embedded licensing metadata, including how the creator wishes to be attributed for re-use. You can use the HTML here to cite the work. Doing so will also include metadata on your page so that others can find the original work as well. With the understanding that: * Waiver - Any of the above conditions can be waived if you get permission from the copyright holder. * Public Domain - Where the work or any of its elements is in the public domain under applicable law, that status is in no way affected by the license. * Other Rights - In no way are any of the following rights affected by the license: o Your fair dealing or fair use rights, or other applicable copyright exceptions and limitations; o The author's moral rights; o Rights other persons may have either in the work itself or in how the work is used, such as publicity or privacy rights. * Notice - For any reuse or distribution, you must make clear to others the license terms of this work. The best way to do this is with a link to this web page. "

"Search * Simple search * Advanced search * * Last hitlist Browse * by classification * by collection * by title * by author * by year of publication About retro.seals.ch * General * News * Partners * Links Actual repository-content * Journals: 67 * Volumes: 2154 * Articles: 90762 * Pages: 1110487"

"Though Open Access publication and Creative Commons licensing were not mentioned as issues by the people who participated in the DICE survey, several replies deal with germane issues: see cases THETA-MU in the "Per cominciare..." section of the handbook. The concern about protection expressed in THETA, IOTA and KAPPA is answered in Chapter B [check "B" in final version - calmansi calmansi just now] of this handbook: works such as those mentioned in these replies are automatically protected by copyright law once they have been expressed, and this protection also obtains for works expressed in digital form, and offered online. Open Access publishing and of Creative Commons licensing are particular uses of copyright law. As we shall see in what follows, they can help towards the communal sharing wished for by the author of LAMBDA, and the literature about their implementation can be of use in solving the conundrums of third parties' rights evoked by the author of MU. Open Access The main Swiss higher education authorities have signed the Berlin Declaration on Open Access. This is a great progress for research. It also means that all publications by teachers and researchers - and all theses by students - of Swiss academic and higher education institutions must be made available in Open Access repositories, following the rules stated in by the Berlin Declaration: 1. The author(s) and right holder(s) of such contributions grant(s) to all users a free, irrevocable, worldwide, right of access to, and a license to copy, use, distribute, transmit and display the work publicly and to make and distribute derivative works, in any digital medium for any responsible purpose, subject to proper attribution of authorship (community standards, will continue to provide the mechanism for enforcement of proper attribution and responsible use of the published work, as they do now), as well as the right to make small numbers of printed copies for their personal use. 2. A complete

"So, let me make one final plea, to bring you into this battle. You all know, we are in the middle of a war. I don't mean - actually, we are in the middle of many wars - I mean actually one war here, the copyright war. War that the late Jack Valenti, my friend - extraodinary man - used to refer to as his own "terrorist war"? - where apparently , the terrorists in this war are our children. (audience laughs). So we organize and wage war against these terrorists. We talk about this as a war that needs to be waged against these pirates. And the thing that we need to recognize as educators, as scientists, as parents, as people who understand the potential and uses of this technology, is: we can't kill this technology, we can only criminalize it. We're not going to stop our kids from creating the way they create, ways that we couldn't even begin to imagine creating, at least when I was growing up. We can only drive that creativity underground. We can't make our kids passive, the way that, again, I was passive growing up, the way Souza feared. We can only make them "pirates". And the question we, as a culture, need to ask is: Is that any good? Our kids live in this age of prohibitions, in all sorts of contexts of their life. They live life against the law. We tell them they live life against the law and they recognize their behavior is against the law. That recognition is extraordinarily corrosive, extraordinarily corruptive of the rule of law in a democracy. 3571.076838 3590.998233 You, each of you, all of us, have let this insanity happen. You, each of you, all of us, could, if we actually stood up and did something about it, make it stop. Thank you very much."

"The following list sets out some basic things that you should think about before you apply a Creative Commons license to your work. It is not an exhaustive list. If you have additional questions or concerns, feel free to post to one of our email discussion lists, to send us an email at info@creativecommons.org or send an email to one of our country project leads or obtain your own legal advice. "

"Contents * 1 Caveats * 2 Raw search engine query data o 2.1 Linkback data o 2.2 Graphs of the linkback data o 2.3 Flickr data o 2.4 Software + 2.4.1 Data gathering + 2.4.2 Charting * 3 Baseline numbers from specific collections * 4 License property charts * 5 Estimates over time o 5.1 Issues + 5.1.1 Fixed + 5.1.2 Confirmed"

"# 1 Questions about CC0 generally * 1.1 What is CC0? * 1.2 How does it work? * 1.3 Are CC0 and CC's Public Domain Dedication and Certification ("PDDC") the same? * 1.4 Which should I use if I want to dedicate a work to the public domain? CC0 or PDDC? * 1.5 Will the PDDC Change? * 1.6 How is CC0 different from the Public Domain Dedication and License ("PDDL") published by Open Data Commons? # 2 Questions for those thinking about applying CC0 to their work(s) * 2.1 Who can use CC0? * 2.2 How do I apply CC0 to my work? * 2.3 What are the benefits of including the information requested by the CC0 chooser? * 2.4 Does CC0 require others who use my work to give me attribution? * 2.5 Does CC0 really eliminate all copyright and related rights, everywhere? * 2.6 What kinds of rights am I waiving when I use CC0? * 2.7 What are neighboring rights? * 2.8 What are database rights? * 2.9 Can I control how my work is being used once I publish it using CC0? * 2.10 What about other IP related rights, such as trademark and patent rights? # 3 Questions for those thinking about using a CC0'd work * 3.1 Can anyone use a work that is distributed under CC0? * 3.2 Do I have to attribute the person who applied CC0 to their work? * 3.3 Why do some works indicate the jurisdiction from which the work is being published? * 3.4 What rights do I need to use a CC0'd work? * 3.5 How can I be sure that I have all the rights I need to use the work?"

"Approximate Minimum Total CC Licensed Works as of December 2009: ~350 million"