"I want to add LOTS of individual items to the archive, how do i do that?
If you have a large collection of related items in single media type, like a radio show for example, please contact the Internet Archive. You can email our collections staff at info at archive.org. Please put start your subject line with "Collections:".
Be sure to include the details of your collection; we want to know how many items you have, what format they are in as well as any general information you can give us about the collection.
In general, collection pages are created once the number of uploaded items has reached 50 or more, or there are 50 or more items ready to be uploaded with their associated metadata. "
"You need to check with your society. Currently, many of the collecting societies in Australia, Finland, France, Germany, Luxembourg, Spain, Taiwan and the Netherlands take an assignment of rights (or in France what is called a "mandate" of rights that nonetheless has the same effect practically as an assignment) from you in present and future works (so that they effectively become the owner of these rights) and manage them for you. So if you are already a member of a collecting society in one of these jurisdictions, you may not be entitled to license your work yourself under a Creative Commons license because the necessary rights are not held by you but by the collecting society. Please also read the FAQ on the website of the Creative Commons project team for your jurisdiction for more information about this issue in your jurisdiction. "
Abstract:
Technically it is entirely possible to attach a Creative Commons license to a sound recording - but does the law permit it? This study examines the rights of performers and producers in the sound recordings they create, the collective management systems in place for the exploitation of those rights, and the relevant terms of the Creative Commons licenses. On this basis, it attempts to assess whether Creative Commons licenses can be attached to sound recordings, whether the use of such licenses can be combined with the collective management of related rights in sound recordings and, if so, under what circumstances and conditions this can be achieved.
This is the home of the CC-Monitor online platform, which contains automatically collected data, graphs, research and collectively written commentary on the global adoption of Creative Commons licenses.
"Welcome to the Open-Access Text Archive. This collection is open to the community for the contribution of any type of text, many licensed using Creative Commons licenses. Check our FAQ for more information.
Recent Internet Archive blog posts focused on Texts:
* Guest Blogger: Barbara Janis of the Presidio Trust
* Celebrate Banned Books Week 2009
* Travels with the FWP
* Special Collections From the UCLA Scanning Center
* Welcoming the "Share" Button
* The Library of Congress at Your Fingertips
* Yiddish Literature Online
Please feel free to contribute your texts! (Uploaders, please try to set a Creative Commons license as part of the upload process, so people know what they can do with your texts - thanks!)
All items (most recently added first) - RSS"
a vj set from the pixelpunx live-video collective. made for the switzerland CC-launch event in zurich. may 2007. Producer: pixelpunx Audio/Visual: sound, color
So, you build on a BY-NC work and register your copyright. You license your new work also BY-NC. Someone violates the copyright on your work. You sue. You are entitled to statutory damages right? You collect. Are you now guiilty of violating the NC licneses of the works yours built upon?
Much of the download club content is exclusive and currently unavailable in any other format. Artists retain control over revenues collected and also set the number of credits for downloading their material. More artists and material to be added soon!
"Contents
* 1 Caveats
* 2 Raw search engine query data
o 2.1 Linkback data
o 2.2 Graphs of the linkback data
o 2.3 Flickr data
o 2.4 Software
+ 2.4.1 Data gathering
+ 2.4.2 Charting
* 3 Baseline numbers from specific collections
* 4 License property charts
* 5 Estimates over time
o 5.1 Issues
+ 5.1.1 Fixed
+ 5.1.2 Confirmed"
"Dice started its requirement analysis by collecting stories of issues and solutions about digital copyright management. To this purpose, the Fernfachhochschule Schweiz in Brig developed a short online survey."
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Actual repository-content
* Journals: 67
* Volumes: 2154
* Articles: 90762
* Pages: 1110487"
"Home | Collection | Further information | Links | Contact Universitätsbibliothek Bern
DigiBern - Bernese Culture and History on the Web
DigiBern is a web offer by the University Library of Berne and includes digitized texts and maps pertaining to the history and culture of Berne city and the canton of Berne. Digibern has been online since 2002.
So far, the most widely spread and used printed texts have been digitized. The documents are fully searchable for keywords. They can be traced via the index on the DigiBern web site. Moreover, they are indexed and web linked in the online library catalog IDS Basel/Bern.
Digibern is freely available worldwide to scholars and the public. "
Langsam bewegen sich gewisse Kollektivverwertungsgesellschaften in Richtung modernem Rechtemanagement à la Creative Commons. Pressetext hat im Januar 2008 in einem interessanten Artikel darüber berichtet. Auszugsweise seien folgende Passagen zitiert, hervorgehoben und mit Anmerkungen kommentiert: