Jaynes put forward a surprising theory of consciousness which suggested it had a relatively recent origin. According to Jaynes ancient human beings, right up into early historical times, had minds that were divided into two chambers. One of these chambers was in charge of day-to-day life, operating on a simple, short-term emotional basis for the most part (though still capable of turning out some substantial pieces of art and literature, it seems). The occasional interventions of the second chamber, the part which dealt in more reflective, longer-term consideration were not experienced as the person’s own thoughts, but rather as divine or ancestral voices restraining or instructing the hearer, which explains why interventionist gods feature so strongly in early literature. The breakdown of this bicameral arrangement and the unification of the two chambers of the mind were, according to Jaynes, what produced consciousness as we now understand it.
Rudy Garns on 16 Sep 08Two models of consciousness are contrasted with regard to their treatment of subjective timing. The standard Cartesian Theater model postulates a place in the brain where "it all comes together": where the discriminations in all modalities are somehow put into registration and "presented" for subjective judgment. In particular, the Cartesian Theater model implies that the temporal properties of the content-bearing events occurring within this privileged representational medium determine subjective order. The alternative, Multiple Drafts model holds that whereas the brain events that discriminate various perceptual contents are distributed in both space and time in the brain, and whereas the temporal properties of these various events are determinate, none of these temporal properties determine subjective order, since there is no single, constitutive "stream of consciousness" but rather a parallel stream of conflicting and continuously revised contents. Four puzzling phenomena that resist explanation by the standard model are analyzed: two results claimed by Libet, an apparent motion phenomenon involving color change (Kolers and von Grunau), and the "cutaneous rabbit" (Geldard and Sherrick) an illusion of evenly spaced series of "hops" produced by two or more widely spaced series of taps delivered to the skin. The unexamined assumptions that have always made the Cartesian Theater model so attractive are exposed and dismantled. The Multiple Drafts model provides a better account of the puzzling phenomena, avoiding the scientific and metaphysical extravagances of the Cartesian Theater.
