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John Fenn

Theaster Gates - 2 views

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    "Chicago-based artist Theaster Gates has developed an expanded practice that includes space development, object making, performance and critical engagement with many publics. Founder of the non-profit Rebuild Foundation, Gates is currently Director of Arts and Public Life at the University of Chicago."
John Fenn

Chicago's Opportunity Artist - NYTimes.com - 1 views

  • What’s far more interesting,” he says, “is what compels someone known for making art to want to do this and how savvy they have to be to get it done and what sort of difference it makes.
  • Gates sometimes describes his work as reimagining the possibilities of “black space.” Could a block of decaying two-flats well beyond the city’s cultural and economic hubs be converted to form a new creative cottage industry? Could artistic types be drawn there and made to think of themselves not as gentrifiers but as entrepreneurs with a stake in the African-American community?
  • Gates may be performing the archival functions of a major academic institution, the social programming and physical redevelopment of government (his team hired 14 guys from around Dorchester to carry out the gutting of the bank), but he’s doing this in a way that satisfies his own aesthetic appetite and follows the peculiar byways of his imagination
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  • The art practice most akin to what Gates is doing, and to which he often refers, is Project Row Houses. In 1993, Rick Lowe and several other African-American artists renovated a string of abandoned shotgun-style homes in Houston’s Third Ward, turning them into artist residences, setting up community-arts programming and later opening transitional housing for single mothers. They based the enterprise on the German artist Joseph Beuys’s concept of social sculpture, the idea that a work of art could be a practical social action
  • Gates believes the “cross-training” has helped expand his thinking about what art is.
  • There are the teenagers on the block paid to clean up, the ex-con who began as a denailer of salvaged wood, Gates’s nephew apprenticing at the workshop. Rebuild Foundation, Gates’s studio and the University of Chicago Arts Incubator together have a full-time staff of 20 — most of them in their own right artists, curators, art historians — and those people manage others.
Christina Hay

WOW Hall Spring Concert Production Workshops - 0 views

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    May marks the return of our Concert Production Workshop series! This series will cover the ins and outs of putting on a live concert from both the venue and performer perspective. Participants will have the opportunity to learn about all that goes into putting on a live concert. From booking and promotion to production and band etiquette, these workshops will introduce you to the world of concert production taught by professionals in the field. Whether you are a musician or a fan, a casual observer or a college professor this will strive to give you a spectrum of knowledge for event planning and production as well as the occasional foray into abstract concepts of sound and light. We encourage both adults and youth age sixteen and up to participate. DAY 1: Planning, Promoting & Producing / Advancing, Sound-checking & Performing Date: Saturday, May 3rd DAY 2: The Basics of Sound & Light: Terminology, Signal Paths and Gear Date: Sunday, May 4th DAY 3: Monitor Sound & Front of House Sound (Eqs, Compressors, Gates, Effects) Date: Saturday, May 31st DAY 4: Lighting: Power, Setting scenes, Bumps and Chases, Color Theory Date: Sunday, June 1st Price: $25 per workshop $80 for the series (4 workshops)
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