Web2.0

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Das Berliner Startup Servtag hat mit seinem ortsbasierten mobilen Service „Friendticker.com" erfolgreich an der diesjährigen NFC Forum Global Competition in Monaco teilgenommen. Von insgesamt...

You can follow the happenings and offers provided by marketraise at their twitter profile and can contact us through twitter also.Marketraise provides you with its wide range of IT services and their solutions

Some of us may have experienced times where we have wanted to find out the identity of someone spamming our blog site. Here's a fantastic tutorial on how to do just that...

LIN or CAN communications have represented standards in automotive communication systems for quite a while now.

My name is Scott Pape and I'm here with Scott Brown, both of us are system and application engineers at Freescale Semiconductor. Thanks for joining us for a short demonstration of the demo AC kit, the development platform for the Flexis AC product line.

Coverage of an important step (i.e., new RSS based app) to opening Facebook data up to the masses.

This is a video of a talk that Lawrence Lessig (Professor, Stanford Law School) gave for an unnamed organization. In his talk, Lessig provides a powerful and piercing analysis on the impact that legal restrictions on the re/use of media resources has on creativity and cultural production. During his talk, Lessig shows some remarkably creative mash-up videos on YouTube to exemplify the kind of creativity/cultural production that is possible through ubiquitous digital media, yet is considered copyright violation, for example, in the eyes of Warner Brothers Music Group. Ironically, the organization that hosted the talk received a notice from Warner Bros Music after posting a video of the Lessig's talk on YouTube, which, according to Lessig's blog, "objected to its being posted on copyright grounds." Warner Brother Music Group has implemented content-id algorithms (i.e., technology that detects the digital "fingerprint" of corporate-"owned" copyrighted works) through media hosting services, including YouTube, FaceBook, and others. When the video of Lessig's talk was posted, it was 'dusted' for fingerprints of WBMG copyrighted works. The detection system identified the soundtracks in the YouTube videos Lessig showed, as materials to which they held copyright. Both the video of Lessig's talk and the blog conversation regarding WBMG's objection are must-see resources.

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