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At their best, these heritage reconstruction efforts offer not just symbolic progress but jobs to local residents. The UAE projects that the reconstruction of the al-Nuri mosque will employ 1,000 Iraqi graduates. The World Monuments Fund is training Syrian refugees in Jordan to assist in heritage reconstruction efforts when they return home. But even then, these projects suggest a skewed set of priorities.

Who is this reconstruction for, and for what purpose?

Reconstruction efforts in Iraq and Syria have been a top-down process, as several architectural experts have warned. Their agendas are set not by the needs of communities so much as the interests of national governments. And it is in the interests of those governments — not only the Iraqi and Syrian governments themselves, but also Russia, the UAE, and others — to promote the restoration of cultural heritage. Heritage tourism is very lucrative. Heritage also allows governments to burnish their image and questionable legitimacy, to consolidate their power after civil wars, and to project a false sense of normalcy. And funding heritage allows other countries to pose as the saviors of civilization. There is much less symbolic value, or money, in practical things.

Culture is important, but it’s hard to enjoy it when you can’t find food to eat or a place to sleep … or a city to return home to.

“Rebuilding is easy. People can rebuild their city and go back to their lives. They just need some money.” Iraqis and Syrians know what they want to rebuild (notably, ruins like Palmyra do not top the list). Local architects are full of ideas of what they want their cities and towns and villages to look like in the future. We only need to start listening.

The Geneva-based Euro-Med Human Rights Monitor has accused Israel of “clear intentional targeting of all historical structures in the Gaza Strip.” Gaza’s Ministry of Tourism and Antiquities stated similarly in a press release in late December: “The occupation is deliberately committing a massacre against historical and archaeological sites in Gaza City’s old town, assassinating history and the traces of civilizations that have passed through the Gaza Strip for thousands of years.”  Such destruction, whether targeted or not, is a violation of the 1954 Hague Convention, which seeks to protect cultural heritage during both peace and war

the ongoing destruction in Gaza is of a piece with Israel’s longstanding practices of erasure and appropriation. Eyad Salim, a historian and archaeological researcher from Jerusalem, listed several heritage sites that have been destroyed by Israeli forces since the Nakba of 1948.  “In the Palestinian villages destroyed in 1948, mosques, Islamic shrines, and heritage sites were either closed, destroyed, or converted into synagogues,” he said. “This is a long and extensive issue.”

“To implement its plan to build the ‘Jewish state,’ Israel faces identity, geographic, and demographic challenges,” he continued. “So it attributes [Palestinian] cities, villages, urban landmarks, fashion, food, handicrafts, and traditional industries to itself, promoting them in international fora and using them as part of its Judaizing project.” 

The destruction of human communities is incomplete without cultural violence. This was the conclusion of lawyer and human rights advocate Raphael Lemkin, the Polish-born jurist who coined the term “genocide” and fought successfully for its recognition by international legal bodies as a crime. In Axis Rule in Occupied Europe (1944), he argued: By ‘genocide’ we mean the destruction of a nation or of an ethnic group…[It signifies] a coordinated plan of different actions aiming at the destruction of essential foundations of the life of national groups, with the aim of annihilating the groups themselves. (Lemkin 1944: 80) Among the “essential foundations” of the life of human societies, Lemkin argued, were cultural sites, objects, and practices. The Holocaust galvanised his human rights work, but it was the tragic case of Turkish Armenians during the beginning decades of the twentieth century that served as the basis for Lemkin’s theory of genocide.

Also significant in this context was the systematic replacement of Armenian place names (on streets, buildings, neighbourhoods, towns, and villages) with Turkish names. The erasure of Armenians from collective memory was completed during the Turkish Republic; in their history textbooks, Turkish children hear nothing about Armenian culture or learn simply that they were enemies of the Turks.

the Turkish state and its governments have systematically removed all markers of the Armenians’ civilisation

This is cultural death, and it is especially dangerous because it legitimates the denial of diversity by authoritarian states and their societies.

Historical records document previous erasures of peoples and their culture: the Native Americans and First Nations of north America; the Mayas and Aztecs of Mesoamerica; and the Roman destruction of Carthage (north Africa), which some scholars point to as the earliest recorded organised genocide.

the harrowing plight of Syrian journalist Ali Mahmoud Othman, co-founder of Le patrimoine archéologique syrien en danger. Othman was arrested by government forces in March 2012 and has not been heard of since his televised “confession” in May 2012

Recurring Internet images of ISIS fighters beheading western men obscure the equally outrageous and horrific acts of sexual violence against women, torture of children, and destruction of homes, markets, churches, Shi’a mosques, and ancient monuments. All of this constitutes the challenging environment in which cultural activists must do their work.

Lemkin’s teachings still have something to say to us today: without monuments and cultural objects, social groups are atomised into disaffected, soulless individuals

With the majority of Marsh Arabs having already been displaced, one's choices lie between preserving history and heritage while facing debt and danger or abandoning the land in search of survival. The southern part of Iraq could end up becoming uninhabitable within our lifetime.

Refugees from war will become refugees once again, this time from the climate crisis.

fresh controversies — over previously acquired objects, including Dead Sea Scroll fragments found to be fake and items from Iraq, Afghanistan and Egypt — have continued to dog the museum

the museum is discussing the return to Iraq of another 8,106 pieces. Hobby Lobby acquired them so haphazardly for the museum, he says, that it may never be known how they came onto the market

ome of these items may have even come from Iraq's national museum, which was looted after the U.S. invaded Iraq in 2003 and troops failed to protect cultural sites

Hobby Lobby acquired the items, most of them clay tablets, between 2009 and 2014 from sources in the U.S., the U.K. and Israel. Another 5,000 items, Egyptian papyri and textiles, acquired during the same period, also lack proper documentation

between 5% and 10% of the roughly 8,000 objects now being returned to Iraq are fake

The Museum of the Bible's latest issue is over an ancient Jewish prayer book from Afghanistan. The museum says it was "legally exported" from the U.K. and "acquired in good faith" with provenance information dating from the 1950s. Now, Kloha says, museum staff believe the book was taken out of Afghanistan after 1998 — decades after a UNESCO convention made it illegal to export antiquities without government approval. The Taliban, which controls many parts of the country today, is accused of widespread trafficking in antiquities.

The U.S. government's 2017 complaint against Hobby Lobby notes that Green was stopped by U.S. Customs and Border Protection in 2010 while carrying a $1 million Bible without a customs declaration. The following year, U.S. Customs agents seized misidentified cuneiform tablets being shipped to Hobby Lobby from the United Arab Emirates.

the museum's reputation among scholars has made it difficult to arrange loans of works from other institutions

Iraqi's ambassador to the U.S., Fareed Yasseen, tells NPR that he would personally like to see Iraqi artifacts exposed to as wide an audience as possible. "To me, the Elgin Marbles should be in Greece, not in the British Museum, because a lot of people will see them in Greece," he says. "But if you look at the massive winged bulls [from ancient Iraq] you have in the British Museum ... or the Louvre, I mean honestly, if they were in Iraq, so few people would go there to see them. To be fair, looking at the issue as a world citizen, if you will, these are part of all our heritage. Anybody who has read the Bible can relate, right?"

The tribal moderns may endorse Islamism, or liberal democracy, but the fact of the matter remains constant. From the perspective of regimes, they are a dangerous bunch, simply because if they invoke tribal solidarities, they may be heeded by their fellow cousins, both imaginary and real.

No doubt, activists in Kuwait and other GCC countries will fall under the heavy weight of a pact designed above all to control, monitor and punish dissidents. The GCC itself may not move from cooperation to unification in the near future but it has certainly become yet another mechanism to silence peaceful and legitimate opposition across borders. Read More: http://www.al-monitor.com/pulse/originals/2015/03/saudi-gcc-security-dissident-activism-detention-opposition.html Madawi Al-Rasheed Columnist  Dr. Madawi Al-Rasheed is a columnist for Al-Monitor and a visiting professor at the Middle East Centre at the London School of Economics and Political Science. She has written extensively about the Arabian Peninsula, Arab migration, globalization, religious trans-nationalism and gender. On Twitter: @MadawiDr !function(d,s,id){var js,fjs=d.getElementsByTagName(s)[0],p=/^http:/.test(d.location)?'http':'https';if(!d.getElementById(id)){js=d.createElement(s);js.id=id;js.src=p+'://platform.twitter.com/widgets.js';fjs.parentNode.insertBefore(js,fjs);}}(document, 'script', 'twitter-wjs'); function target_popup(a){window.open("","formpopup","width=400,height=400,resizeable,scrollbars");a.target="formpopup"}

Decades after Shams Palace was abandoned, the remaining plants are scrappy, but surviving. The largest of the two domes has succumbed to the elements – the cathedral-like array of acrylic glass windows has been completely destroyed, leaving only the metal flower-like framing to cover the once lush cascaded internal garden.

Generally, acrylic structures are considered inexpensive and utilitarian – seen throughout Iran covering the courtyards of traditional homes and hotels, but perhaps this is the only palace in history that employed such a light-weight synthetic material.

Nezam Amery was the indispensable link in the Frank Lloyd Wright/Iran/Shams Palace story – and his father had been assassinated by the father of his client, Princess Shams.

In 2003, Shams Palace was finally registered by Iran’s National Heritage Foundation. However, despite being recognised as an important historical monument deserving restoration, since this time the condition of the palace has further declined.Restoration would now be incredibly expensive – and there is certainly no financial incentive. Iranians would not pay more than a token entrance fee, and foreign tourists in Iran remain few. In 2018 a capitulation of the Rial has occurred, part of the ongoing effects of forty years of economic sanctions that have prevented Iran from fully participating in the international economy. Iran currently has much more to worry about than the restoration of the Pearl Palace – after all, this is just one of an astounding nine-thousand registered historic sites located all over the nation.

The formal justification for the raid was based on a decree issued on Sept. 3, 2019. It authorizes the government to assume control of local plants and seeds and to regulate their production and sales.

Turkey’s first lady Emine Erdogan, a passionate advocate of herbal and organic food products, introduced the so-called “Ata Tohum” or “Ancestral Seed” project that envisages “agriculture as the key to our national sovereignty.” The scheme is aimed at collecting and storing genetically unmodified seeds from local farmers and to reproduce and plant them so as to grow “fully indigenous” aliments.

“Seeds” he intoned, “are the foundation of our national security.”

The professor railed against assorted Westerners who had plundered Anatolia’s botanical wealth and carried it back home.

Ata Tohum is thought to be the brainchild of Ibrahim Adnan Saracoglu, an Austrian-trained biochemist.  He is among Erdogan’s ever expanding legion of advisers. The 71-year old has written academic tracts about how broccoli consumption can prevent prostatitis. He was with the first lady at the Sept. 5 Ata Tohum event.

a “classic nationalist move to dig deeper and deeper into the past for justification of the [nationalist] policies that you are currently putting in place.”

parallels with the founder of modern Turkey, Kemal Ataturk, who “connected Turkish civilization back to the Phrygians and the Hittites” as part of his nation-building project.

“You have these genetic ties to the land through these seeds as proof that our civilization belongs here and has been here since time immemorial. To want to have these [seeds] in the first place is part of the nationalist framework.”

The ultimate fate of the British Institute’s seeds remains a mystery. It’s just as unclear what practical purpose they will serve.

“the archaeology seeds are essentially charcoal, dead and inert.” As for the modern reference collection “we are talking about stuff that was collected 25 to 50 years ago and is not going to be able to germinate.”

“But in order to get genomic information you only need one or two grains, not the whole collection. What [Turkish authorities] have done is they’ve removed this research resource from the wider Turkish and international community of researchers. It was a nice, small research facility, open to anyone who wanted to use it. Now it’s all gone,”

“Dictatorship always tries to keep things secret,” he explained. “These kinds of testimonies are against forgetting. They will preserve memory for the country and serve as a way to guard such things happening in the future.”

Ridha Moumni, a curator of the exhibit, insists it is not political, but a matter of history. Yet he is displaying events that Tunisia’s dictators sought to suppress.“We have a very rich heritage that no one knew about,” Mr. Moumni said. “Our goal was to show that Tunisian modernity did not start with independence or colonization.”

it provides a history lesson on the significant reforms of the era — the founding of the army, the drafting of a constitution and development of diplomatic relations — that helped forge a nation

Among the original documents on display, one abolished slavery in 1846 — before the United States did so

a constitution drafted in 1860 that recognizes the rights of all citizens, including Christian and Jewish minorities, and census registers, in Hebrew and Arabic, belonging to Tunisia’s ancient Jewish community

Another discovery is the diversity of Tunisia’s leaders — from the Christian foreign minister, Giuseppe Raffo, to a Circassian general, Kheireddine Pasha, and the former slave Mustapha Khaznadar, who married into the royal family and rose to become the bey himself.

Tunisians debating the country's identity -- so far the biggest hot button issue in constitutional debates -- are hardly likely to pull in foreign consultants to draft language. The Egyptian committee of one hundred people is unlikely to want to be seen as allowing outsiders to vet their work in a political context in which "foreign agendas" are the topic of daily denunciations in the press.

If the United States can overcome its own phobia of international law, it will find these documents a promising source of values and of language that Arabs have already accepted in theory.

The Egyptian military shows definite signs of attempting to shoehorn in a permanent constitutional role for itself and an exemption from civilian oversight. We likely cannot make them change their minds, but we can communicate publicly to Egyptians that they are doing so without our blessing.