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fresh controversies — over previously acquired objects, including Dead Sea Scroll fragments found to be fake and items from Iraq, Afghanistan and Egypt — have continued to dog the museum

the museum is discussing the return to Iraq of another 8,106 pieces. Hobby Lobby acquired them so haphazardly for the museum, he says, that it may never be known how they came onto the market

ome of these items may have even come from Iraq's national museum, which was looted after the U.S. invaded Iraq in 2003 and troops failed to protect cultural sites

Hobby Lobby acquired the items, most of them clay tablets, between 2009 and 2014 from sources in the U.S., the U.K. and Israel. Another 5,000 items, Egyptian papyri and textiles, acquired during the same period, also lack proper documentation

between 5% and 10% of the roughly 8,000 objects now being returned to Iraq are fake

The Museum of the Bible's latest issue is over an ancient Jewish prayer book from Afghanistan. The museum says it was "legally exported" from the U.K. and "acquired in good faith" with provenance information dating from the 1950s. Now, Kloha says, museum staff believe the book was taken out of Afghanistan after 1998 — decades after a UNESCO convention made it illegal to export antiquities without government approval. The Taliban, which controls many parts of the country today, is accused of widespread trafficking in antiquities.

The U.S. government's 2017 complaint against Hobby Lobby notes that Green was stopped by U.S. Customs and Border Protection in 2010 while carrying a $1 million Bible without a customs declaration. The following year, U.S. Customs agents seized misidentified cuneiform tablets being shipped to Hobby Lobby from the United Arab Emirates.

the museum's reputation among scholars has made it difficult to arrange loans of works from other institutions

Iraqi's ambassador to the U.S., Fareed Yasseen, tells NPR that he would personally like to see Iraqi artifacts exposed to as wide an audience as possible. "To me, the Elgin Marbles should be in Greece, not in the British Museum, because a lot of people will see them in Greece," he says. "But if you look at the massive winged bulls [from ancient Iraq] you have in the British Museum ... or the Louvre, I mean honestly, if they were in Iraq, so few people would go there to see them. To be fair, looking at the issue as a world citizen, if you will, these are part of all our heritage. Anybody who has read the Bible can relate, right?"

The destruction of human communities is incomplete without cultural violence. This was the conclusion of lawyer and human rights advocate Raphael Lemkin, the Polish-born jurist who coined the term “genocide” and fought successfully for its recognition by international legal bodies as a crime. In Axis Rule in Occupied Europe (1944), he argued: By ‘genocide’ we mean the destruction of a nation or of an ethnic group…[It signifies] a coordinated plan of different actions aiming at the destruction of essential foundations of the life of national groups, with the aim of annihilating the groups themselves. (Lemkin 1944: 80) Among the “essential foundations” of the life of human societies, Lemkin argued, were cultural sites, objects, and practices. The Holocaust galvanised his human rights work, but it was the tragic case of Turkish Armenians during the beginning decades of the twentieth century that served as the basis for Lemkin’s theory of genocide.

Also significant in this context was the systematic replacement of Armenian place names (on streets, buildings, neighbourhoods, towns, and villages) with Turkish names. The erasure of Armenians from collective memory was completed during the Turkish Republic; in their history textbooks, Turkish children hear nothing about Armenian culture or learn simply that they were enemies of the Turks.

the Turkish state and its governments have systematically removed all markers of the Armenians’ civilisation

This is cultural death, and it is especially dangerous because it legitimates the denial of diversity by authoritarian states and their societies.

Historical records document previous erasures of peoples and their culture: the Native Americans and First Nations of north America; the Mayas and Aztecs of Mesoamerica; and the Roman destruction of Carthage (north Africa), which some scholars point to as the earliest recorded organised genocide.

the harrowing plight of Syrian journalist Ali Mahmoud Othman, co-founder of Le patrimoine archéologique syrien en danger. Othman was arrested by government forces in March 2012 and has not been heard of since his televised “confession” in May 2012

Recurring Internet images of ISIS fighters beheading western men obscure the equally outrageous and horrific acts of sexual violence against women, torture of children, and destruction of homes, markets, churches, Shi’a mosques, and ancient monuments. All of this constitutes the challenging environment in which cultural activists must do their work.

Lemkin’s teachings still have something to say to us today: without monuments and cultural objects, social groups are atomised into disaffected, soulless individuals

The Geneva-based Euro-Med Human Rights Monitor has accused Israel of “clear intentional targeting of all historical structures in the Gaza Strip.” Gaza’s Ministry of Tourism and Antiquities stated similarly in a press release in late December: “The occupation is deliberately committing a massacre against historical and archaeological sites in Gaza City’s old town, assassinating history and the traces of civilizations that have passed through the Gaza Strip for thousands of years.”  Such destruction, whether targeted or not, is a violation of the 1954 Hague Convention, which seeks to protect cultural heritage during both peace and war

the ongoing destruction in Gaza is of a piece with Israel’s longstanding practices of erasure and appropriation. Eyad Salim, a historian and archaeological researcher from Jerusalem, listed several heritage sites that have been destroyed by Israeli forces since the Nakba of 1948.  “In the Palestinian villages destroyed in 1948, mosques, Islamic shrines, and heritage sites were either closed, destroyed, or converted into synagogues,” he said. “This is a long and extensive issue.”

“To implement its plan to build the ‘Jewish state,’ Israel faces identity, geographic, and demographic challenges,” he continued. “So it attributes [Palestinian] cities, villages, urban landmarks, fashion, food, handicrafts, and traditional industries to itself, promoting them in international fora and using them as part of its Judaizing project.” 

A Tunisian Islamist named Said Ferjani told me a few weeks ago that such safeguards and guarantees would require what he called “a charismatic state.” It was the antithesis of all those sempiternal leaders, presiding over imperiums with hollow slogans and manipulating society’s components with cynicism portrayed as principle. A charismatic state could mend itself, reform, adapt and heal when it failed in its fundamental task, delivering the rights and duties of citizenship. And only in citizenship, he told me, could diversity be preserved and protected. Citizenship, he seemed to suggest, would permit us to become greater than our parts. It would allow us to imagine.

There may someday be a vision for Syria and the Middle East that draws on their past, where ancient trajectories of the Ottoman Empire stitched together a landscape that often embraced its many identities. There is probably a future in which loyalties are less to the state and more to those antique metropoles like Aleppo, Tripoli, Mosul or Beirut, which often answered questions of community better than the contrived countries that absorbed them. The term might be post-Ottoman, where borders that never made all that much sense are encompassed by connections from Cairo to Istanbul, Maydan to Basra, and Marjayoun to Arish, in which people can imagine themselves as Alawite, Levantine, Arab, Syrian, Eastern — or some hybrid that transcends them all.

Syria is still subsumed in the logic of fear, which forces once diverse societies to hew to their smaller parts, obliterating the ability to imagine broader communities and other identities. Beyond a set of principles, or promises so vague as to inspire more fear, no one has described the Syria of tomorrow. Not Assad, who offers his people a path back to the 1980s, when a stern government presided over a dreary economy with the grimace of a police state. But the opposition hasn’t really either, and that lack of vision has left frightened minorities more aligned with the regime.

entitlement, ownership, power and fear

Residents of the North Sinai say that the security forces’ reliance on air power and shoot-first tactics often lead to many civilian deaths. The Egyptian government, however, has acknowledged virtually no collateral civilian casualties. Instead, the government routinely releases only the numbers of “militants” it has killed. None of the assertions can be confirmed because the government bars independent journalists from entering the area.

Islamic influence in European design endures. "We still see Islamic arches and patterns incorporated into architecture and perhaps we see them so often they seem part of our currency and we have forgotten their sources - whereas in the 19th century they would have seemed far more unusual. "One of the things that is exciting about this exhibition is that it is highlighting that important contribution to art, culture, science and technology made by the Islamic world."

Orientalist scenes often evoked a tranquil, settled way of life that contrasted to the disruptive industrialisation in Europe and America.

The Islamic faith and figures at prayer became a marker of difference, and the Hajj pilgrimage to Mecca was a recurrent theme - as was the harem, with which male European artists took considerable erotic licence.

Orientalism was a two-way process - and during the 19th and early 20th centuries Eastern artists began to embrace it in their own distinctive way.

"For many years, until very recently, in art historical circles the photography of the Middle East played a very minor role. There was absolutely no knowledge of this body of information. "Soon after the invention of the daguerreotype it was the French who went to Egypt to take photographs of Egyptian antiquity, and very soon there was a massive archive of photography of the region."

"It inevitably takes time for these academic ideas to filter into a wider 'popular' level of discourse, but I think it is happening and that exhibitions, like this one, are an important part of bringing these debates to wider and more varied audiences."

more likely that the regime of Syrian President Bashar al-Assad has a hand in producing Captagon, reaping a profit that it can invest into its armed campaigns against civilians and damaging the health of many Syrians who are now addicted to amphetamines after years of war

“When Syria invaded Lebanon in the ’90s there were many reports showing the Syrian military were aiding and abetting hashish and opium production in the Bekaa Valley,”

Captagon production flourished in Syria after 2013, when a crackdown in neighboring Lebanon likely forced Hezbollah to relocate its drug production operations next door. The shift came at an opportune time for the Syrian regime, as it needed money to fund its military campaign against rebel groups

The majority of Syria’s Captagon production sites are in regime-held areas, according to Abu Ja’far, a former truck driver who worked between Homs, Rif-Dimashq, and Aleppo. “You only need some deserted homes and a few workers supervised by someone with strong connections,”

International organizations are unable to conduct research on the ground, meaning there is no concrete evidence linking the Assad regime to the Captagon trade. But sources say that strong protection would be required to produce, sell, and export the drugs from regime-held areas. “It was always possible in a country at war that those best placed to safely manufacture a drug in large quantities would be people in the regime … or in areas the regime were guaranteeing security,”

Last year, more than 33 million Captagon pills were seized in Greece after being shipped from regime-held Latakia. And in April this year, Saudi customs seized more than 44 million pills hidden in tea packaging from a company close to the Assad family.

At the height of its territorial control, the Islamic State was involved in the black market, trading looted antiquities, arms, and oil. But there is little evidence that the group ever produced Captagon—even if individual fighters used the drug on the battlefield. It would not have been sanctioned at the institutional level because of the group’s Salafism: Islamic State leaders punished people caught smoking or selling tobacco, making it unlikely they condoned the manufacturing of amphetamines.

Saudi Arabia has long been the No. 1 consumer of Captagon, which is popular among young and affluent partygoers. As conflict drags on in Libya, it is also possible the large shipment was destined for the port of Benghazi, with Europe as a transit point.

While much of the Captagon produced in Syria is destined for overseas markets, Syrians themselves suffer some of the worst damage from the trade. The worst-quality Captagon tablets are sold within Syria for as cheap as $1 per pill

Captagon is known to inhibit tiredness, hunger, and fear. But its use is now common among all demographics in Syria, not just fighters. The most common side effects include extreme depression, insomnia, malnutrition, and heart and blood toxicity