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Professors who don't use writing prompts argue that an important part of scholarship is learning to raise questions that will yield a good academic argument

Whatever you decide, do note that a prompt-less writing assignment needs a good infrastructure in order to succeed

Consider what you want the assignment to do, in terms of the larger thematic goals of your course.

Consider what kinds of thinking you want students to do

your prompt should address the importance of context and suggest things that you want students to consider as they write

Provide context

Break the assignment down into specific tasks

Break the assignment down into specific questions

Craft each sentence carefully

Be clear about what you don't want

Be clear about the paper requirements

Try to write (or at least to outline) the assignment yourself

Discuss the assignment with the class

I would argue, we need to ensure in every department on campus that we structure our courses and our assignments such that students learn where and how to find authoritative source material and such that students must demonstrate a solid comprehension in writing of the material they’re writing about.

Writing, then, is a profoundly active learning experience, for when people write, they identify and define problems, evaluate evidence, analyze assumptions, recognize emotional reasoning and oversimplification, consider alternative interpretations, and reduce their uncertainty (Wade, 1995). Indeed, in many cases writers do not understand a concept clearly until they must organize their thoughts on the topic and communicate those thoughts through composition. As a result, authors are often surprised by the ideas they themselves write, for understanding emerges during the struggle to make points clear to others (Murray, 1985).

Professors who wish to add just one element of student-centered instruction to an otherwise professor-centered approach should start by asking students to write. These writing assignments may include the traditional favorites-term papers and essay tests-but Walvoord (1982) wisely recommends giving shorter, but more varied and frequent, writing assignments.

When students write they are learning to use "the traditions of language to discipline their thinking and to make that thinking clear to others" (Murray, 1985, p. 52). Unfortunately, many students will need coaching on the process of writing and feedback about the quality of the writing they generate. The professor must, as Walvoord (1982, p. 3) suggests, "make writing assignments meaningful, establish a wholesome and stimulating writing environment for their students, coach pupils in the writing process, respond accurately and specifically to student papers, communicate clearly with students about their writing successes and failures, and help student improve writing as they learn and in order to learn."

Clarify the assignment. Nodine (1999) notes that students need to learn about writing assignments as much as they need to learn about writing per se. Telling the students to "write a 5-10 page paper on one of the topics covered in this unit" is likely to frustrate students and disappoint professors. Instead, the assignment should explain the paper's purpose, the audience for the paper, the genre, voice, typical length, style, degree of documentation expected, and deadlines.

Students will be much more committed to a learning activity that has value for them, that they can see as meeting their needs, either long term or short term. They will, in fact, put up with substantial immediate unpleasantness and do an amazing amount of hard work if they are convinced that what they are learning ultimately meets their needs.

questions worth asking

While some claim that "There are no new ideas under the sun," our students must learn how to apply some extra color or tone it down. They must learn to see the underlying structure and then construct or deconstruct the original until it shimmers with originality.

We show students how to take notes with a database program.

we keep an eye on the note-taking and idea development as they evolve.

We build our programs around what I called The Prime Questions in the October, 1997 issue of From Now On, "The Question is the Answer:" http://fno.org/oct97/question.html Why How Which is best? We transform topical research into projects which demand that students move past mere gathering of information to the construction of new meanings and insight. Example: Instead of asking why events turned out particular ways in our past (a question fraught with plagiaristic opportunities since historians have probably already offered answers), we might ask students to hypothesize why various outcomes did not occur. Example: Instead of asking how we might protect an endangered species whose chances have already been improved (the bald eagle), we might focus on one which no one has managed to protect (various Australian marsupials, for example). Example: Instead of asking students to study a single country or city, we might ask them to decide which is best for various purposes (the Winter Olympics, a university degree, the building of a theme park, etc.).

Giving an unannounced writing assignment can work to salvage a class where discussion has sputtered and everyone is looking down at the table.

When students are given informal writing assignments with a very short deadline, they are forced to produce rough drafts.

What happens when online learning ceases to be like a medium, and becomes more like a platform? What happens when online learning software ceases to be a type of content-consumption tool, where learning is "delivered," and becomes more like a content-authoring tool, where learning is created? The model of e-learning as being a type of content, produced by publishers, organized and structured into courses, and consumed by students, is turned on its head. Insofar as there is content, it is used rather than read— and is, in any case, more likely to be produced by students than courseware authors. And insofar as there is structure, it is more likely to resemble a language or a conversation rather than a book or a manual.

learning comes not from the design of learning content but in how it is used

Do not assume that students know what plagiarism is, even if they nod their heads when you ask them. Provide an explicit definition for them.

In addition to a definition, though, you should discuss with your students the difference between appropriate, referenced use of ideas or quotations and inappropriate use. You might show them an example of a permissible paraphrase (with its citation) and an impermissible paraphrase (containing some paraphrasing and some copying), and discuss the difference.

A degree will help students get a first job, but performance--using the skills developed by doing just such assignments as research papers--will be required for promotion.

Many students do not seem to realize that whenever they cite a source, they are strengthening their writing. Citing a source, whether paraphrased or quoted, reveals that they have performed research work and synthesized the findings into their own argument. Using sources shows that the student in engaged in "the great conversation," the world of ideas, and that the student is aware of other thinkers' positions on the topic. By quoting (and citing) writers who support the student's position, the student adds strength to the position. By responding reasonably to those who oppose the position, the student shows that there are valid counter arguments. In a nutshell, citing helps make the essay stronger and sounder and will probably result in a better grade.

Strategies of Prevention